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Relevant bibliographies by topics / Folk songs

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Academic literature on the topic 'Folk songs'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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Journal articles on the topic "Folk songs"

1

Zhang, Dezhi, Huihui Liao, Xiaowen Zhu, De Li, and Min Zhu. "English Publicity of Chinese Folk Songs—With the Tea Picking Dance as an Example." Journal of Education, Teaching and Social Studies 6, no. 1 (March 3, 2024): p95. http://dx.doi.org/10.22158/jetss.v6n1p95.

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Chinese folk songs have unique inheritance and dissemination value. While actively developing the local dissemination of folk songs, we should constantly expand the transmission of Chinese folk songs overseas and enhance the international influence of Chinese folk song culture. Utilizing folk song micro-lesson to popularize the knowledge of Chinese folk songs, conducting surveys and analyzing the attitudes of international students from different countries towards four folk song micro-lesson videos, we have obtained over 30 valid survey data. The survey found that 96.77% of respondents believe that this series of micro-lesson plays a certain role in spreading Chinese folk songs, and the majority of the audience is interested in folk song micro-lesson and willing to share them. Micro-lessons of folk songs is one of the media for disseminating Chinese folk songs and folk song culture in the new era, providing a reference for the new approach to the external dissemination of Chinese culture.

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Xiang, Jiajie, Jiawei Zhong, Junnan Chen, Jinwen Liu, Shasha He, and Chenghong Wang. "Enriching the Charm of Folk Songs with Multi part Forms: A Practical Exploration of the Creation of Multi part Chorus of Qiang Folk Songs." Journal of Education and Educational Research 5, no. 3 (October 1, 2023): 136–40. http://dx.doi.org/10.54097/jeer.v5i3.13651.

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The Qiang ethnic group is a long-standing ethnic group in China, and its historical changes, religious beliefs, customs, and customs have great research value. Qiang folk songs are a vivid display of their ethnic customs and living customs. Qiang folk songs have a rich flavor and diverse forms, including love songs, labor songs, mountain songs, wine songs, and other types. Folk song choir is an important way to inherit and promote Qiang folk songs. This article introduces the types of Qiang folk songs and creates a multi part choir to enrich the charm of folk songs with multi tone sound, in order to enable more music enthusiasts to understand Qiang folk songs and culture.

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TÜRKMENOĞLU, Ömer. "TURKISH FOLK SONGS ACCOMPANIED BY SYMPHONY." Zeitschrift für die Welt der Türken / Journal of World of Turks 13, no. 2 (August 15, 2021): 277–86. http://dx.doi.org/10.46291/zfwt/130214.

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In this study, by investigating the subject of Turkish folk songs accompanied by symphony; In the literature review, it was revealed that there is no previous academic study on this subject. It is clear that there should be a written source in addition to the performance regarding this subject, so this article is important in terms of contributing to the literature. Before we talk about symphonic arrangements, we need to have information about the first compilation and recording of Turkish folk songs. Symphonic arrangement of folk songs in Turkey started with the music revolution movement initiated by Atatürk after the foundation of the Republic. For the first time, the arrangements of our folk songs written by Turkish Fives were performed by symphony orchestras. Unfortunately, the symphonic arrangement works, which started to be made thanks to the Turkish Fives, had a long pause. Since the beginning of the 1990s, symphonic Turkish folk song arrangements; It has been reworked and continued by composers such as Turgay Erdener, Oğuzhan Balcı, Yusuf Yalçın, Murat Çelebi and Musa Göçmen. Since the arrangements in the Republican period had a complex harmonic structure, they did not attract much attention from the public. In addition, since the copyrights of many symphonically arranged Turkish folk songs belong to Western countries, the folk songs included in the concert programs remained very limited. Symphonic arrangements of our folk songs; It is of great importance in terms of being performed, announced and promoted both in national and international arenas. Keywords: Turkish Folk Song Collections, Symphonic Folk Songs, Polyphonic Turkish Folk Songs

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Shcherbakova, O. S. "Folk songs of Ust-Pustinka village of Krasnoshchekovsky district of Altay region: based on 2021 folk studies data." Field studies in the Upper Ob, Irtysh and Altai (archeology, ethnography, oral history and museology) 16 (2021): 309–13. http://dx.doi.org/10.37386/2687-0584-2021-16-309-313.

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This article is dedicated to the question of the modern existence of song folklore in ethnical culture of the dwellers of Ust-Pustinka village of Krasnoshchekovsky district of Altay region. Here represented the analysis of the folk song materials, executed by ASUC students together with the article’s author in the july 2021. Texts of historical songs and ballad songs, literature creation songs and chastushkas are given. The conclusion is given about the extinction of traditional peasant creativity, but, so far, the preservation of songs of later origin.

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J, Mohana Lakshmi. "Human’s Developmental Thoughts in the Tamil Folk Songs." International Research Journal of Tamil 4, S-16 (December 12, 2022): 69–77. http://dx.doi.org/10.34256/irjt224s1610.

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At first oral songs appeared in the archaic language. These oral songs are sung in different forms. Folk songs have no grammatical restrictions it is just sung. The song is very simple and it is easy to sing. Though the song is simple it has many meanings that are useful for life. This article shows up the emerging management ideas in the folk songs such as leadership characteristics, education, morals and human resources.

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Pavlova, N. V. "Traditional formulas in Yakut folk songs recorded S. I. Bolo and A. A. Savvin." Languages and Folklore of Indigenous Peoples of Siberia, no. 40 (2020): 38–49. http://dx.doi.org/10.25205/2312-6337-2020-2-38-49.

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The paper presents the results of the study of Yakut folk songs, with the principle of classification of traditional formulas of folk tales applied. The study focused on the songs included in the manuscript of the volume “Yakut folk songs” 2012 of the series “Monuments of folklore of the peoples of Siberia and the Far East”. The author draws several conclusions. All the songs under consideration contain some categories of medial formulas. Besides having the categories of medial formulas, the songs with their own plot contain some groups of initial formulas (“Song of the broom”, “Sippie”, “Ann with candy”). Three songs lack categories of initial formulas (“The song about cuckoo”, “The bull’s Song”, “The pedestrian’s Song”), all of them having only the categories of medial formulas. All these songs have the following medial formulas: formulas defining the characters’ image, formulas describing the characters’ actions, formulas included in the dialogue (typical characters’ phrases). There are no categories of final formulas in these songs. Whi le the categories of initial formulas in Yakut folk tales are used once, in folk songs, as in Olonkho, they can be repeated several times. Whereas the medial formulas in folk tales are found in the middle of the story, in folk songs, they can be found in all parts of the text.

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Bhetuwal, Kamali Kanta. "Code Mixing in Folk Songs: A Journey towards Linguistic Creativity." KMC Research Journal 4, no. 4 (December 31, 2020): 91–102. http://dx.doi.org/10.3126/kmcrj.v4i4.46469.

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Folk song is a true gift of culture. It is one of the traditional, intangible and indigenous pieces of the art of performing the melodious expression with the help of soft pipes that are forever invaluable cultural assets and musical property as well. In view of making a brief survey of the use of multiple languages in folk songs, different folk melodies have been selected randomly from seven provinces of Nepal where the folk melodies are more fertile. This paper aims at exploring the use of multiple languages in folk songs I, myself as a researcher in the field, encountered with in written and audio- or video-recorded form. Therefore, the main source of relevant data includes me and other written and audio or video documents of folk songs I found. As a multicultural country, Nepal is rich in terms of its folk songs. In this paper, I analyze how folk song can be a creative space where linguistic boundaries are challenged and new language practices are invented. Taking of folk songs as a social and cultural identity, I examine how folk song embraces local diversity and redefines the use of language a creative tool for public.

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Yan, Tingyu, Hong Yu, and Jiajun Tang. "Comparative Analysis of Folk Song Styles in The Huizhou Region." International Journal of Arts, Humanities & Social Science 05, no. 05 (May 5, 2024): 104–13. http://dx.doi.org/10.56734/ijahss.v5n5a11.

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The folk songs of the Huizhou region in Guangdong Province, China, are richly diverse and embody the area's profound cultural heritage. This study examines three distinct regional folk songs: the Huiyang Jiege, Ruhu Fishing Song, and Huidong Fishermen's Song, aiming to delineate their musical styles and cultural expressions and how they mirror the local culture. Utilizing both questionnaire surveys and in-depth interviews, this research engages with 326 residents and 16 cultural experts from various counties within Huizhou City. The study methodically evaluates the artistic features of these folk songs—including melody, theme, and lyrics—and investigates their transmission in contemporary times. The findings reveal that while these songs stem from a common cultural background, they exhibit distinct regional traits in their expression and social roles. For instance, the Huiyang Jiege is noted for its simple structure, whereas the Ruhu Fishing Song and Huidong Fishermen's Songs focus more on emotional expression and social interaction. The study advocates for enhanced local government support and collaborative research initiatives with universities. Additionally, it suggests leveraging modern media technologies to promote and preserve these folk songs as vital cultural assets. By thoroughly analyzing these locally distinctive folk songs, this research contributes to the academic field of ethnomusicology and offers valuable insights into the preservation and perpetuation of regional culture.

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Sharma, Sneha. "BIRDS IN SELECTED FOLK SONGS OF RAJASTHAN." International Journal of Research -GRANTHAALAYAH 8, no. 10 (October 26, 2020): 99–104. http://dx.doi.org/10.29121/granthaalayah.v8.i10.2020.1796.

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Folk songs play a substantial role in the cultural identity of a region. It is an expressive form of customs, traditions and daily life of the common folk which presents a multitude of stories and voices an array of feelings and emotions. Folk songs serve as testimony to the past events of war, community, customs and traditions, rites and rituals. Folk songs also identify and define the region, and help one understand the natural aspects like climate,seasons, topography, agriculture, flora and fauna. The present study focuses on the description and presence of Avifauna imagery and symbolism in Rajasthani folk songs, and the impact of industrialisation and migration resulting in the decline of bird population and folk song traditions.

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LYU, XINGYA. "Aesthetic Analysis and Historical Context of Shandong Folk Songs: Focus on 'Embroidering a Purse' from Cangshan, Shandong, China." Pacific International Journal 7, no. 3 (June 20, 2024): 71–76. http://dx.doi.org/10.55014/pij.v7i3.620.

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This study presents an in-depth aesthetic analysis and historical contextualization of the Shandong folk song "Embroidering a Purse" from Cangshan, Shandong, China. Shandong folk songs are a vital component of the province's cultural heritage, reflecting the region's history, values, and daily life. "Embroidering a Purse," a lyrical folk song, narrates the story of a young woman embroidering a purse for her lover, symbolizing love and craftsmanship. This research explores the song's lyrical content, musical structure, performance practices, and cultural significance. By analyzing its lyrics, melody, and performance style, the study highlights how "Embroidering a Purse" encapsulates the cultural and emotional landscape of Cangshan. Additionally, the study traces the historical development of Shandong folk songs through different dynastic and socio-political periods, offering insights into their evolution and enduring significance.

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Dissertations / Theses on the topic "Folk songs"

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Hubbard, Colton M. "Tea Songs." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1116378208.

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Schimmelpenninck, Antoinette Marie. "Chinese folk songs and folk singers : Shan'ge traditions in Southern Jiangsu /." Leiden : Universiteit, 1997. http://catalogue.bnf.fr/ark:/12148/cb36967334t.

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Baltagi, Ibrahim H. "Relationships among folk song preferences of grade five students." Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1149040252.

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Posner, David M. "Reviving a lost art : piano music of Russian-Jewish origin /." Access Digital Full Text version, 1988. http://pocketknowledge.tc.columbia.edu/home.php/bybib/10809193.

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Lin, Pei-Ying. "Development of curriculum materials to teach American children about the culture of Taiwan through Taiwanese children's songs." Diss., Columbia, Mo. : University of Missouri-Columbia, 2005. http://hdl.handle.net/10355/4315.

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Thesis (M.A.)--University of Missouri-Columbia, 2005.
The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file viewed on (July 10, 2006) Includes bibliographical references.

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Kim, Young-Youn. "Traditional Korean children's songs : collection, analysis, and application /." Thesis, Connect to this title online; UW restricted, 1998. http://hdl.handle.net/1773/11288.

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Mowery, Samantha. "Stephen Foster and American song a guide for singers /." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1234810817.

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Cheung, Kwok-hung Stephen. "Traditional folksongs in an urban setting a study of Hakka Shange in Tai Po, Hong Kong /." Click to view the E-thesis via HKUTO, 2004. http://sunzi.lib.hku.hk/hkuto/record/B31364846.

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Boychuk, Volodymyr. "Vivady : wedding songs of Ukrainians from Bosnia /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq22518.pdf.

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Ward, Marilyn. "The extent to which American children's folk songs are taught by general music teachers throughout the United States." [Gainesville, Fla.]: University of Florida, 2003. http://purl.fcla.edu/fcla/etd/UFE0000820.

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Books on the topic "Folk songs"

1

Sieling, Peter. Folk songs. Broomall, Pa: Mason Crest Publishers, 2003.

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Eugenio, Damiana L. Philippine folk literature: The folk songs. Malate, Manila, Philippines: De La Salle University Press, 1996.

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Ventura, Florie. Filipino folk songs. So. San Francisco, [Calif.]: VJ Music Productions, 1994.

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Williams, Ralph Vaughan. English folk songs. London: Penguin, 2009.

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name, No. American folk songs. Saint-Nicolas: ditions Doberman-Yppan, 2003.

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Mashmalon, Micah. Palestinian folk songs. Silver Spring, Md: Shazco, 1988.

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Aduk, Tayeng, ed. Adi folk songs. Itanagar: Directorate of Research, Govt. of Arunachal Pradesh, 1990.

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8

Barmā, Sukhabilāsa. Rajbanshi folk tales and folk songs. New Delhi: Sahitya Akademi, 2017.

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9

Orchestra, Sound Stage. Folk Songs for Little Folks. Cimino Publishing Group, 2000.

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10

Staff, Hal Leonard Corp. Folk Songs. Leonard Corporation, Hal, 2011.

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Book chapters on the topic "Folk songs"

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Zheng, Zhenduo. "Ancient Songs." In History of Chinese Folk Literature, 13–42. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-5445-9_2.

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Yang, Yang. "The Melodious Zhuang Folk Songs." In Meta-functional Equivalent Translation of Chinese Folk Song, 3–48. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-6589-9_2.

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Zheng, Zhenduo. "Folk Songs in the Qing Dynasty." In History of Chinese Folk Literature, 563–603. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-5445-9_14.

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Zheng, Zhenduo. "Folk Songs in the Ming Dynasty." In History of Chinese Folk Literature, 453–89. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-5445-9_10.

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Zheng, Zhenduo. "Folk Songs in the Six Dynasties." In History of Chinese Folk Literature, 105–48. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-5445-9_4.

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Christoforidis, Michael. "Fabricating Spanish folk songs in Paris." In Manuel de Falla and Visions of Spanish Music, 68–87. Abingdon, Oxon; New York, NY: Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315142135-5.

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Zheng, Zhenduo. "Odes and Songs in the Tang Dynasty." In History of Chinese Folk Literature, 149–92. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-5445-9_5.

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Yang, Yang. "The Classic Zhuang Folk Songs in English." In Meta-functional Equivalent Translation of Chinese Folk Song, 87–201. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-6589-9_5.

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"FOLK SONGS." In The Columbia Anthology of Traditional Korean Poetry, 263–80. Columbia University Press, 2003. http://dx.doi.org/10.7312/lee-11112-010.

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"FOLK SONGS." In Comprehensive Introduction to Chinese Traditional Music, 15–82. Hollitzer Verlag, 2023. http://dx.doi.org/10.2307/jj.2840655.7.

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Conference papers on the topic "Folk songs"

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Pan, Xiaoyu. "Sing a Folk Song to You-Literature Research of Dabie Mountain Folk Songs." In International Conference on Education, Management and Computing Technology (ICEMCT-16). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icemct-16.2016.104.

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Ramdinmawii, Esther, Vinay Kumar Mittal, and Sanghamitra Nath. "Acoustic Characterization of Mizo Folk Songs." In 2024 National Conference on Communications (NCC). IEEE, 2024. http://dx.doi.org/10.1109/ncc60321.2024.10485930.

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Conklin, Darrell, and Christina Anagnostopoulou. "Comparative pattern analysis of cretan folk songs." In 3rd international workshop. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1878003.1878015.

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Šebestová, Irena. "Das Volkslied im Hultschiner Ländchen." In Form und Funktion. University of Ostrava, 2024. http://dx.doi.org/10.15452/fuflit2023.08.

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The Hlučín Region, which today forms part of the Czech Republic, is a region whose name was used in modern times and for the first time in connection with its annexation to the Czechoslovak Republic in 1920. The course of its eventful history, which was determined by various power interests, was significantly influenced over the centuries by the coexistence of the Czech/Moravian population with the German minority. The influence of the German language, culture, customs and manners is reflected in political and social coexistence as well as, among other things. in the regional folk songs. The folk songs in the Hultčín region were collected by a number of collectors of oral tradition. The German-written folk song collection Dreiunddreißig Lieder aus Hultschin. Mährische Volkslieder were compiled by the writer August Scholtis.

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Liu, Yi, Lei Wei, and Peng Wang. "Regional Style Automatic Identification for Chinese Folk Songs." In 2009 WRI World Congress on Computer Science and Information Engineering. IEEE, 2009. http://dx.doi.org/10.1109/csie.2009.253.

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Axu, Hu, Su Min, and Gergentana. "Research on Mongolian Folk Songs Based on EGG." In 2015 Fifth International Conference on Instrumentation & Measurement, Computer, Communication and Control (IMCCC). IEEE, 2015. http://dx.doi.org/10.1109/imccc.2015.359.

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Zhang, Zhihong. "The Protection and Inheritance of Liaozhai Folk Songs." In 2017 International Seminar on Social Science and Humanities Research (SSHR 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/sshr-17.2018.68.

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Ai, Xirong. "An Analysis of Northern Shaanxi Folk Culture Embodied in Northern Shaanxi Folk Songs." In International Conference on Education, Management, Computer and Society. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/emcs-16.2016.139.

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Kravtsova, Marina. "“A LOST TREASURE”: ON FOLK ORIGINS OF THE VERSES OF CHU (CHUCI)." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.17.

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This article is focused on analysis of the hypothesis of the local song folklore origins of the famous poetic phenomenon chuci (elegies/songs of Chu) that represents the literary heritage of the southern (Yangtze Basin) region of the Ancient China (the Zhou epoch, 11th–3rd centuries B. C.) and is associated with the emergence of the Chinese poetry. Although today the thesis about the folklore origins of chuci, or rather of the poetic pieces presented by the Chuci (Verses/Elegies of Chu, Songs of the South) collection, is generally accepted, the author argues that, first, during the 1st–7th centuries A. D. the chuci poetry was stable considered within the Chinese book knowledge to be created by exclusively the literary genius of Qu Yuan (4th–3rd centuries B. C.), the great poet of the Chu Kingdom (11th–3rd centuries B. C.). Secondly, the views on chuci as an autochthonous (“southern”) poetic tradition dating back to the local folk art emerged in the 12th–13th centuries and finally established itself in the Chinese literature studies of the first third of the 20th century, all these under the influence of the ideological processes, caused by synchronic historical and political events. Thirdly, although the existence of developed song-poetic folklore in Chu Kingdom seems quite permissible, it for some reason remained out of fixation by that day written sources, including transmitted texts and archaeological materials (epigraphic inscription and excavated manuscripts). Therefore, almost nothing is known as a matter of fact of the hypothetic Chu song folklore what makes it impossible to recognize its true influence on origins and further on evolution of the chuci tradition.

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Zhang, Pengyuan. "Cultural Value and Connotation of Yugur Folk Songs Heritage*." In Proceedings of the 6th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/assehr.k.191217.265.

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Reports on the topic "Folk songs"

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Heynderickx, Haley. A Musical Analysis of the Past: America is in the Heart by Carlos Bulosan Re-told through the Craft of Folk Songs. Portland State University Library, January 2015. http://dx.doi.org/10.15760/honors.179.

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