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Relevant bibliographies by topics / Folk songs Folk-songs

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Academic literature on the topic 'Folk songs Folk-songs'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 January 2023

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Journal articles on the topic "Folk songs Folk-songs"

1

TÜRKMENOĞLU, Ömer. "TURKISH FOLK SONGS ACCOMPANIED BY SYMPHONY." Zeitschrift für die Welt der Türken / Journal of World of Turks 13, no. 2 (August 15, 2021): 277–86. http://dx.doi.org/10.46291/zfwt/130214.

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In this study, by investigating the subject of Turkish folk songs accompanied by symphony; In the literature review, it was revealed that there is no previous academic study on this subject. It is clear that there should be a written source in addition to the performance regarding this subject, so this article is important in terms of contributing to the literature. Before we talk about symphonic arrangements, we need to have information about the first compilation and recording of Turkish folk songs. Symphonic arrangement of folk songs in Turkey started with the music revolution movement initiated by Atatürk after the foundation of the Republic. For the first time, the arrangements of our folk songs written by Turkish Fives were performed by symphony orchestras. Unfortunately, the symphonic arrangement works, which started to be made thanks to the Turkish Fives, had a long pause. Since the beginning of the 1990s, symphonic Turkish folk song arrangements; It has been reworked and continued by composers such as Turgay Erdener, Oğuzhan Balcı, Yusuf Yalçın, Murat Çelebi and Musa Göçmen. Since the arrangements in the Republican period had a complex harmonic structure, they did not attract much attention from the public. In addition, since the copyrights of many symphonically arranged Turkish folk songs belong to Western countries, the folk songs included in the concert programs remained very limited. Symphonic arrangements of our folk songs; It is of great importance in terms of being performed, announced and promoted both in national and international arenas. Keywords: Turkish Folk Song Collections, Symphonic Folk Songs, Polyphonic Turkish Folk Songs

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Pavlova, N. V. "Traditional formulas in Yakut folk songs recorded S. I. Bolo and A. A. Savvin." Languages and Folklore of Indigenous Peoples of Siberia, no. 40 (2020): 38–49. http://dx.doi.org/10.25205/2312-6337-2020-2-38-49.

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The paper presents the results of the study of Yakut folk songs, with the principle of classification of traditional formulas of folk tales applied. The study focused on the songs included in the manuscript of the volume “Yakut folk songs” 2012 of the series “Monuments of folklore of the peoples of Siberia and the Far East”. The author draws several conclusions. All the songs under consideration contain some categories of medial formulas. Besides having the categories of medial formulas, the songs with their own plot contain some groups of initial formulas (“Song of the broom”, “Sippie”, “Ann with candy”). Three songs lack categories of initial formulas (“The song about cuckoo”, “The bull’s Song”, “The pedestrian’s Song”), all of them having only the categories of medial formulas. All these songs have the following medial formulas: formulas defining the characters’ image, formulas describing the characters’ actions, formulas included in the dialogue (typical characters’ phrases). There are no categories of final formulas in these songs. Whi le the categories of initial formulas in Yakut folk tales are used once, in folk songs, as in Olonkho, they can be repeated several times. Whereas the medial formulas in folk tales are found in the middle of the story, in folk songs, they can be found in all parts of the text.

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Bosman, Martjie. "Die FAK-fenomeen: populêre Afrikaanse musiek en volksliedjies." Tydskrif vir Letterkunde 41, no. 2 (April 20, 2018): 21–46. http://dx.doi.org/10.4314/tvl.v41i2.29672.

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Afrikaans popular music of a variety of genres and subgenres is currently flourishing. A very productive phenomenon is the re-interpretation of older songs, in particular folk songs. This article gives a short historical overview of the collection and publication of Afrikaans folk songs, followed by a brief description of various ways in which folk songs have previously been utilised. The collection of Afrikaans folk songs known as the FAK (Federation of Afrikaans Cultural Organisations) songbook earned itself an important position in Afrikaans cultural circles, but it was also stigmatised. Since the end of the 1990s, Afrikaans popular songwriters and singers showed a renewed interest in so-called FAK songs and a number of musical arrangements and re-writings of folk song lyrics have been recorded. A number of lyrics that either contain references to folk songs or are re-writings of folk songs, are discussed. Tension between the old, well-known words of the folk songs and the new songs often develops, while the intertextual references to older songs are used to comment on current situations. The importance of popular music in minor cultures is briefly discussed.

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Bhetuwal, Kamali Kanta. "Code Mixing in Folk Songs: A Journey towards Linguistic Creativity." KMC Research Journal 4, no. 4 (December 31, 2020): 91–102. http://dx.doi.org/10.3126/kmcrj.v4i4.46469.

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Folk song is a true gift of culture. It is one of the traditional, intangible and indigenous pieces of the art of performing the melodious expression with the help of soft pipes that are forever invaluable cultural assets and musical property as well. In view of making a brief survey of the use of multiple languages in folk songs, different folk melodies have been selected randomly from seven provinces of Nepal where the folk melodies are more fertile. This paper aims at exploring the use of multiple languages in folk songs I, myself as a researcher in the field, encountered with in written and audio- or video-recorded form. Therefore, the main source of relevant data includes me and other written and audio or video documents of folk songs I found. As a multicultural country, Nepal is rich in terms of its folk songs. In this paper, I analyze how folk song can be a creative space where linguistic boundaries are challenged and new language practices are invented. Taking of folk songs as a social and cultural identity, I examine how folk song embraces local diversity and redefines the use of language a creative tool for public.

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Sharma, Sneha. "BIRDS IN SELECTED FOLK SONGS OF RAJASTHAN." International Journal of Research -GRANTHAALAYAH 8, no. 10 (October 26, 2020): 99–104. http://dx.doi.org/10.29121/granthaalayah.v8.i10.2020.1796.

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Folk songs play a substantial role in the cultural identity of a region. It is an expressive form of customs, traditions and daily life of the common folk which presents a multitude of stories and voices an array of feelings and emotions. Folk songs serve as testimony to the past events of war, community, customs and traditions, rites and rituals. Folk songs also identify and define the region, and help one understand the natural aspects like climate,seasons, topography, agriculture, flora and fauna. The present study focuses on the description and presence of Avifauna imagery and symbolism in Rajasthani folk songs, and the impact of industrialisation and migration resulting in the decline of bird population and folk song traditions.

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DOĞANER, Ali, and Zeynep TÜRKERİ. "Presentation of Folk Songs Today and Changes in Folk Songs Texture." Akademik Dil ve Edebiyat Dergisi 6, no. 2 (August 30, 2022): 0. http://dx.doi.org/10.34083/akaded.1085329.

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From the earliest times to the present, the narrators/transmitters of the oral cultural products of Turkish literature have been poets and minstrels ozan, kam, baksı. The oral culture tradition, which has a dynamic structure, has left its place to another literary product over time, formed in accordance with the conditions of the age, the sensitivities of the society and individuals without disturbing its specific features and rules. Folk stories and love stories with folk songs, which have replaced the Turkish epic tradition, have also taken their place in various stages and different cultural environments of our oral literature tradition with its own formation process. Today, it maintains this position with its performers and audience in environments suitable for the conditions of the age. It has been determined that in the structure of folk tales and folk songs, performers/minstrels went to some differentiations and orientations due to the conditions and changes that emerged over time, especially due to the conditions and changes arising from the performance environment. This situation has been transferred from the oral culture environment to the written culture environment, and to environments such as TV, radio, cinema, internet with the developing technology and opportunities. In addition, it created a chain of differences for the changes to be seen, especially in the verse parts of the stories, in accordance with the psychological, sociological, political situations of the audience.

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S, Kamaraj. "Types and Forms of Folk Songs Tradition in Malayalam Literature." International Research Journal of Tamil 4, no. 1 (December 9, 2021): 32–43. http://dx.doi.org/10.34256/irjt2215.

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The folk songs have been well flourished in Malayalam Literature. The Malayalam folk songs entirely different from the Tamil folk songs. But it is fact that the structure of Malayalam Pattu has been adopted from the Tamil Literature and we could understand that the Tamil structure has been following even today. Folk songs have a special place in Malayalam Literature. Folk songs in Malayalam are categorized into community songs, Worship songs, Professional songs and celebration songs etc. This study has been analysis the Types and forms of folk songs which related to worshiped.

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J, Mohana Lakshmi. "Human’s Developmental Thoughts in the Tamil Folk Songs." International Research Journal of Tamil 4, S-16 (December 12, 2022): 69–77. http://dx.doi.org/10.34256/irjt224s1610.

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At first oral songs appeared in the archaic language. These oral songs are sung in different forms. Folk songs have no grammatical restrictions it is just sung. The song is very simple and it is easy to sing. Though the song is simple it has many meanings that are useful for life. This article shows up the emerging management ideas in the folk songs such as leadership characteristics, education, morals and human resources.

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Gurjar, Chatar Singh. "Carrier castes of folk songs and commercial songs." RESEARCH HUB International Multidisciplinary Research Journal 9, no. 7 (July 31, 2022): 31–34. http://dx.doi.org/10.53573/rhimrj.2022.v09i07.008.

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There are some castes in Rajasthan who make their living by singing folk songs. These professional singers get neg in return by singing occasion-specific songs at specific host castes. Dhadhi, Dholi, Manganiyar, Langa etc. are prominent among professional singer castes. These singers mainly sing more love based songs. The beautiful combination of song and music is mesmerizing. The main feature of these songs is the poignant portrayal of love in ragas like Mand, Sorath, Maru, etc. Abstract in Hindi Language: राजस्थान में कुछ ऐसी जातियाँ हैं, जो लोकगीत गाकर अपना गुजर-बसर करती हैं। ये पेशेवर गायक विशिष्ट यजमान जातियों के यहां अवसरानुकूल गीत गाकर बदले में नेग प्राप्त करते हैं पेशेवर गायक जातियों में ढाढी, ढोली, मांगणियार, लंगा आदि प्रमुख हैं। ये गायक मुख्य रूप से प्रेमाख्यान मूलक गीत अधिक गाते हैं। गीत और संगीत का सुन्दर संयोग मनमोहक होता है। मांड, सोरठ, मारु, आदि रागों में प्रेम की विहृलता का मार्मिक चित्रण इन गीतों की प्रमुख विशेषता है। Keywords: लोकगीत, लोक देवता, बगड़ावत, देवनारायण, महागाथा, व्यावसायिक गीत।

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Walker, Trent. "Folk Songs: A Selection of Wedding Songs." Manoa 34, no. 1 (2021): 30–32. http://dx.doi.org/10.1353/man.2021.0023.

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Dissertations / Theses on the topic "Folk songs Folk-songs"

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Schimmelpenninck, Antoinette Marie. "Chinese folk songs and folk singers : Shan'ge traditions in Southern Jiangsu /." Leiden : Universiteit, 1997. http://catalogue.bnf.fr/ark:/12148/cb36967334t.

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Baltagi, Ibrahim H. "Relationships among folk song preferences of grade five students." Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1149040252.

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Posner, David M. "Reviving a lost art : piano music of Russian-Jewish origin /." Access Digital Full Text version, 1988. http://pocketknowledge.tc.columbia.edu/home.php/bybib/10809193.

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4

Lin, Pei-Ying. "Development of curriculum materials to teach American children about the culture of Taiwan through Taiwanese children's songs." Diss., Columbia, Mo. : University of Missouri-Columbia, 2005. http://hdl.handle.net/10355/4315.

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Thesis (M.A.)--University of Missouri-Columbia, 2005.
The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file viewed on (July 10, 2006) Includes bibliographical references.

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Kim, Young-Youn. "Traditional Korean children's songs : collection, analysis, and application /." Thesis, Connect to this title online; UW restricted, 1998. http://hdl.handle.net/1773/11288.

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Mowery, Samantha. "Stephen Foster and American song a guide for singers /." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1234810817.

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Boychuk, Volodymyr. "Vivady : wedding songs of Ukrainians from Bosnia /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq22518.pdf.

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Cheung, Kwok-hung Stephen. "Traditional folksongs in an urban setting a study of Hakka Shange in Tai Po, Hong Kong /." Click to view the E-thesis via HKUTO, 2004. http://sunzi.lib.hku.hk/hkuto/record/B31364846.

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Ward, Marilyn. "The extent to which American children's folk songs are taught by general music teachers throughout the United States." [Gainesville, Fla.]: University of Florida, 2003. http://purl.fcla.edu/fcla/etd/UFE0000820.

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Diehl, Keila. "Echoes from Dharamsala : music in the lives of Tibetan refugees in north India /." Digital version accessible at:, 1998. http://wwwlib.umi.com/cr/utexas/main.

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Books on the topic "Folk songs Folk-songs"

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Sieling, Peter. Folk songs. Broomall, Pa: Mason Crest Publishers, 2003.

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Camp songs, folk songs. [Place of publication not identified]: Xlibris, 2014.

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Ventura, Florie. Filipino folk songs. So. San Francisco, [Calif.]: VJ Music Productions, 1994.

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name, No. American folk songs. Saint-Nicolas: ditions Doberman-Yppan, 2003.

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Mashmalon, Micah. Palestinian folk songs. Silver Spring, Md: Shazco, 1988.

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6

Williams, Ralph Vaughan. English folk songs. London: Penguin, 2009.

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7

Eugenio, Damiana L. Philippine folk literature: The folk songs. Malate, Manila, Philippines: De La Salle University Press, 1996.

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8

Great Australian folk songs. Sydney: Ure Smith Press, 1991.

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9

Quartet, Kronos. Folk songs. 2017.

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10

Staff, Hal Leonard Corp. Folk Songs. Leonard Corporation, Hal, 2011.

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Book chapters on the topic "Folk songs Folk-songs"

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Yang, Yang. "The Melodious Zhuang Folk Songs." In Meta-functional Equivalent Translation of Chinese Folk Song, 3–48. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-6589-9_2.

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Zheng, Zhenduo. "Folk Songs in the Qing Dynasty." In History of Chinese Folk Literature, 563–603. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-5445-9_14.

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Zheng, Zhenduo. "Folk Songs in the Ming Dynasty." In History of Chinese Folk Literature, 453–89. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-5445-9_10.

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Zheng, Zhenduo. "Folk Songs in the Six Dynasties." In History of Chinese Folk Literature, 105–48. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-5445-9_4.

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Christoforidis, Michael. "Fabricating Spanish folk songs in Paris." In Manuel de Falla and Visions of Spanish Music, 68–87. Abingdon, Oxon; New York, NY: Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315142135-5.

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Yang, Yang. "The Classic Zhuang Folk Songs in English." In Meta-functional Equivalent Translation of Chinese Folk Song, 87–201. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-6589-9_5.

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Yang, Yang. "Meta-functional Equivalent Translation of Zhuang Folk Songs." In Meta-functional Equivalent Translation of Chinese Folk Song, 65–85. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-6589-9_4.

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Patel, Anshul, Anuj Shah, Krutarth Gor, and Sapan H. Mankad. "IFSC: A Database for Indian Folk Songs Classification." In Advances in Speech and Music Technology, 171–86. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-33-6881-1_15.

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Shekhawat, Devika Singh. "Encountering the Digital in Folk Songs and Oral History." In Literary Cultures and Digital Humanities in India, 344–60. London: Routledge India, 2022. http://dx.doi.org/10.4324/9781003354246-26.

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Novica, Dimas Rifqi, Dhia Asfa Awliya, and Ima Kusumawati Hidayat. "Reintroducing Indonesian Folk Songs to Children Using Augmented Reality Books." In Augmented Reality in Tourism, Museums and Heritage, 309–19. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-70198-7_17.

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Conference papers on the topic "Folk songs Folk-songs"

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Pan, Xiaoyu. "Sing a Folk Song to You-Literature Research of Dabie Mountain Folk Songs." In International Conference on Education, Management and Computing Technology (ICEMCT-16). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icemct-16.2016.104.

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Conklin, Darrell, and Christina Anagnostopoulou. "Comparative pattern analysis of cretan folk songs." In 3rd international workshop. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1878003.1878015.

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Liu, Yi, Lei Wei, and Peng Wang. "Regional Style Automatic Identification for Chinese Folk Songs." In 2009 WRI World Congress on Computer Science and Information Engineering. IEEE, 2009. http://dx.doi.org/10.1109/csie.2009.253.

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Axu, Hu, Su Min, and Gergentana. "Research on Mongolian Folk Songs Based on EGG." In 2015 Fifth International Conference on Instrumentation & Measurement, Computer, Communication and Control (IMCCC). IEEE, 2015. http://dx.doi.org/10.1109/imccc.2015.359.

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Zhang, Zhihong. "The Protection and Inheritance of Liaozhai Folk Songs." In 2017 International Seminar on Social Science and Humanities Research (SSHR 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/sshr-17.2018.68.

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Ai, Xirong. "An Analysis of Northern Shaanxi Folk Culture Embodied in Northern Shaanxi Folk Songs." In International Conference on Education, Management, Computer and Society. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/emcs-16.2016.139.

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Zhang, Pengyuan. "Cultural Value and Connotation of Yugur Folk Songs Heritage*." In Proceedings of the 6th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/assehr.k.191217.265.

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Neocleous, Andreas, Nicolai Petkov, and Christos N. Schizas. "Automated Segmentation of Folk Songs Using Artificial Neural Networks." In International Conference on Neural Computation Theory and Applications. SCITEPRESS - Science and and Technology Publications, 2014. http://dx.doi.org/10.5220/0005049101440151.

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Bokalo, Iryna. "SYMBOLISM OF GIFTS IN THE UKRAINIAN FOLK LOVE SONGS." In Scientific Development of New Eastern Europe. Publishing House “Baltija Publishing”, 2019. http://dx.doi.org/10.30525/978-9934-571-89-3_1.

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Kawase, Akihiro. "Quantitative Analysis of Traditional Folk Songs from Shikoku District." In 2017 International Conference on Culture and Computing (Culture and Computing). IEEE, 2017. http://dx.doi.org/10.1109/culture.and.computing.2017.48.

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Reports on the topic "Folk songs Folk-songs"

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Heynderickx, Haley. A Musical Analysis of the Past: America is in the Heart by Carlos Bulosan Re-told through the Craft of Folk Songs. Portland State University Library, January 2015. http://dx.doi.org/10.15760/honors.179.

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