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Journal articles on the topic 'Folk songs, Lao'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Starikova, Ekaterina O. "The moon, the sun, and stars in Vietnamese folk songs." Russian Journal of Vietnamese Studies 7, no. 1 (2023): 82–94. http://dx.doi.org/10.54631/vs.2023.71-109874.

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The article is devoted to astral imagery in Vietnamese folk poetry. Author of the study analyzes folk songs (ca dao) about the Moon, the Sun, stars and constellations, as well as about mythical characters associated with astral myths. Folk songs are cited in Vietnamese language and accompanied by a Russian translation made by the author of the research. Moon imagery is widely represented in Vietnamese folk poetry, as the Moon is associated with the time when love songs are sung. There are both autochthonous Vietnamese and Chinese images. Some of the images of the Chinese origin are very popula

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2

Yoshida, Itsuko. "Application of Health Promotion Model Utilizing Lao Traditional Folk Songs to Liver Fluke Control." Impact 2019, no. 7 (2019): 32–34. http://dx.doi.org/10.21820/23987073.2019.7.32.

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3

YOSHIDA, Itsuko, Toshio KOBAYASHI, Sachiko TERAOKA, et al. "A trial of using traditional folk song “Lam” for health education in Lao PDR." Japanese Journal of Health and Human Ecology 77, no. 3 (2011): 109–20. http://dx.doi.org/10.3861/jshhe.77.109.

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4

McPherson, Laura, and Kevin M. Ryan. "Tone-tune association in Tommo So (Dogon) folk songs." Language 94, no. 1 (2018): 119–56. http://dx.doi.org/10.1353/lan.2018.0003.

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5

Krekovičová, Eva. "A Picture of a Gypsy in Folk Songs." Human Affairs 3, no. 2 (1993): 170–90. http://dx.doi.org/10.1515/humaff-1993-030209.

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6

Klymenko, Iryna. "Volynian Calendar and Ritual Melotypology: the Classical Lviv School and an Alternative Approach." Ethnomusic 20, no. 1 (2024): 76–105. https://doi.org/10.33398/2523-4846-2024-20-1-76-105.

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In 2021, the folk songs collection of ethnographic Volynia in the recordings of 1934-1935 Volhynian Folk Songs from the Archive of Filaret Kolessa was published in Lviv. The collection was compiled and prepared for publication by Lviv ethnomusi- cologists Viktoriya Yarmola and Yuriy Rybak on the basis of archival materials found in the archive of F. Kolessa by Professor Iryna Dovhaliuk. The book contains a detailed preface and an analytical article by Yuriy Rybak, which outlines the principles of compiling the oldest layer of melodies associated with the ancient rituals of the annual agricultu

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7

Yoshida, I., T. Kobayashi, S. Sapkota, and K. Akkhavong. "Evaluating educational media using traditional folk songs ('lam') in Laos: a health message combined with oral tradition." Health Promotion International 27, no. 1 (2011): 52–62. http://dx.doi.org/10.1093/heapro/dar086.

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8

Xi, Chen, Mohd Nasir Bin Hashim, Yi-Li Chang, and Marzelan Bin Salleh. "An Ecomusicology of Shaanxi Erhu based on “Lan Huahua Ballade”." Malaysian Journal of Social Sciences and Humanities (MJSSH) 10, no. 3 (2025): e003321. https://doi.org/10.47405/mjssh.v10i3.3321.

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Ecomusicology is a type of comprehensive study that attempts to use ethnomusicology or an anthropological lens to study music or the nature of sound (sonic), which is related to human social and cultural habits as well as the relationship to nature or the environment. Shaanxi erhu, otherwise known as “Qin pai erhu”, is a specific erhu music school with its special playing skills, strong regional characteristics formed through Shaanxi music style, adaption and creation based on Shaanxi local music elements including folk songs from north area and operas from Guan Zhong area. This study aims to

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Bødker, Jakob Kjær. "Lad os alle synge!" Tidsskriftet SANG 4 (August 17, 2023): 1–22. http://dx.doi.org/10.7146/sang.v4i.140097.

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Let Us All Sing!An Investigation of Metareferentiality in Hymn Singing from an Intermedial Perspective A number of hymns in The Danish Hymnal thematize the act of singing hymns together, thus incorporating a metareferential dimension. This article examines the significance and impact of this metareferentiality on the analysis of such hymns and for the understanding of the social context and practices they are embedded in. The theoretical framework for examining metareferentiality within a musical context is based on Werner Wolf’s definition, which characterizes metareferentiality as a form of

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Ma, Hangyu, and Sastra Laoakka. "Chinese Design Education: An Example of Xu Zhou Song Dynasty Culture "Misandao" Packaging." International Journal of Education and Literacy Studies 13, no. 2 (2025): 317–25. https://doi.org/10.7575/aiac.ijels.v.13n.2p.317.

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In ancient times, Xuzhou was known as Pengcheng and was one of the Nine Provinces of ancient China. With a long history, it is rich in cultural heritage and has a profound cultural accumulation, leaving behind a splendid and brilliant historical and cultural legacy for Xuzhou. Many historical and cultural sites have been preserved in material form. The people here inherit a rich and diverse array of ethnic and folk cultures. Besides the famous cultural resources of the Han Dynasty, many historical figures have left their mark in Xuzhou. Among them, the name of SuShi from the Song Dynasty is cl

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11

Rancāne, Anna. "KORDIRIGENTU TEREZIS I STANISLAVA BROKU ĪGUĻDEJUMS LATGALISKUOS KULTURVIDIS VEIDUOŠONĀ DAUGOVPILĪ 20. G. S. 60. GODŪS." Via Latgalica, no. 9 (May 5, 2017): 88. http://dx.doi.org/10.17770/latg2017.9.2734.

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20. godu symta 60.–70. godu Latgolys kulturvide i juos veiduotuoji vēļ ir moz pieteita i nūvārtāta. Koč itys laiks Latvejā īsazeimoj ar padūmu ideologejis viersvadeibu vysuos sabīdryskuos dzeivis jūmuos, ar rusifikaceju i latgalīšu drukys aizlīgumu, vystok i tūlaik atsarūn cylvāki, kas sovu īspieju rūbežūs ceņšās kūpt latgaliskū identitati i kulturu. Vīni nu taidim ļaudim ir izcylī kordirigenti Tereze Broka (1925) i Stanislavs Broks (1926–1977). Piec Latvejis Vaļsts konservatorejis beigšonys 1954. godā obeji jaunīši tyka nūsyuteiti dorbā iz Daugovpili. Eisā laikā jim izadeve krīvyskajā piļsātā

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12

Phimprajun, Rukbancha, Thanaporn Pengsri, Sarawut Choatchamrat, and Sayam Chuangprakhon. "Guidelines for the Development of Silp-Isan Klong Yao Band Performance Style." Journal of Educational Issues 8, no. 2 (2022): 278. http://dx.doi.org/10.5296/jei.v8i2.20116.

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This research aims to 1) study the style and development of the Silp-Isan Klong Yao drum band; and 2) present the guidelines to developing and creating the Klong Yao performance style, which is an integration to teach the Klong Yao ensemble course including of students majoring in folk music, College of Music, Mahasarakham University. The researchers studied preliminary studies based on research and collect academic papers, textbooks, and reports. In addition, the researchers conducted studies based on field data collection from knowledge groups, practitioners, and individual groups. The resul

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13

Cherkes, Bohdan, Józef Hernik, Karol Król, and Magdalena Wilkosz-Mamcarczyk. "Polish-Ukrainian Borderland Cultural Heritage Bridges—Lesson Drawn from Forced Population Relocation." Sustainability 13, no. 14 (2021): 7898. http://dx.doi.org/10.3390/su13147898.

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Due to the turbulent history, unstable political situation, and the diverse ethnic composition of the population, there are numerous and varied cultural heritage objects in the Polish-Ukrainian borderland area, which has also developed characteristic landscape forms. The aim of the paper is to identify the elements of Polish cultural heritage that have remained in the collective memory of inhabitants of the Ukrainian side of the Polish-Ukrainian borderland 75 years after the forced relocation. The questionnaire survey was carried out in 2019 in selected cities of Eastern Galicia, namely, Zhovk

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14

DOLGUSHINA, MARINA. "CROSS-CULTURAL CONNECTIONS IN BRIGHT SHENG'S OPERA THE SONG OF MAJNUN." Культурный код, no. 2023-1 (2023): 100–111. http://dx.doi.org/10.36945/2658-3852-2023-1-100-111.

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The article is devoted to the opera The Song of Majnun by Bright Sheng, the modern American composer of Chinese origin. This one-act opera was composed in 1992 and premiered in Chicago. In Russian musicology, this work is being studied for the first time. The authors analyze the history of the creation of the opera, the plot, composition, dramaturgy, and the specifics of the musical style. They pay special attention to the search for cross-cultural connections - the interaction of elements of Eastern (Persian, Chinese, Tibetan) and Western European cultures. The libretto of the opera is based

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15

Zuo, Lin, Jie Zhang, Ronda J. Zhang, et al. "The Transition of Soundscapes in Tourist Destinations from the Perspective of Residents’ Perceptions: A Case Study of the Lugu Lake Scenic Spot, Southwestern China." Sustainability 12, no. 3 (2020): 1073. http://dx.doi.org/10.3390/su12031073.

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As an important part of regional synthesis, the local landscape is a crucial source of attractiveness for tourist destinations, in which soundscapes play a notable and special role. Many studies have investigated changes in the economic, cultural, and environmental aspects of tourist destinations under development, while little attention has been paid to how soundscapes change after tourism development. To this end, we chose the Lugu Lake Scenic Spot as a study area and explored the characteristics of soundscape changes by conducting a survey of residents in six villages at different stages of

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16

Beadle, Joseph J. L. "Of Horror Games and Temples: Religious Gamification in Contemporary Taiwan." British Journal of Chinese Studies 12, no. 2 (2022): 11–45. http://dx.doi.org/10.51661/bjocs.v12i2.189.

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This article examines the intersection of Taiwanese horror videogame Devotion (2019) and folk religious ritual guanluoyin 觀落陰 (descent into the netherworld) as a new window into the symbiotic evolution of religion and gaming technology. It traces the curious trend whereby Taiwanese gamers, after encountering guanluoyin while playing Devotion, went to offline, physical guanluoyin temples to ‘play’ the ritual for themselves, and playfully invoked Devotion’s intra-game religious narrative in their extra-game lives. Devotion thus activated a dynamic community of gamers who, hungry for horror, prod

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17

Yang, Fuyin. "The Canzone Napoletana Phenomenon in the reflection of scientific critical thought." Aspects of Historical Musicology 21, no. 21 (2020): 98–112. http://dx.doi.org/10.34064/khnum2-21.06.

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Introduction. The Neapolitan song is a phenomenon associated with stable patterns of perception. This was a consequence of the popularity of the genre in the field of “light music”, when from the end of the 19th century to the 1970s, other non-pop forms of Canzone Napoletana were ousted from the musical context and the minds of listeners. The transfer of interest from authenticity to the field of musical “pop culture” naturally provoked a certain mode of silence in the research environment. Little interest in the study of the genre indicated a lag in scientific and analytical processes in comp

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18

Kalenichenko, O. M. "Interpretation of Gogol’s works on the puppet theater stage (based on the spectacle by Oksana Dmitrieva «May night, or Moonlight Witchcraft»)." Aspects of Historical Musicology 17, no. 17 (2019): 148–62. http://dx.doi.org/10.34064/khnum2-17.10.

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Background. M. Gogol’s «Evenings on a Farm Near Dikanka» often attract the attention of theater directors. Thus, in June 2009, the premiere of the play «May night, or Moonlight Witchcraft» directed by Oksana Dmitrieva, took place at the Kharkov Puppet Theater. Trying to reveal the genre nature of the production, theater critics give it such definitions as a fairy tale, musical, fantasy, ethno-folk show, liturgy, mystery play, as well as analyze individual finds of a young director, but the complete picture of the artistic features of this performance is absent yet. In this regard, the purpose

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19

Đozić, Adib. "Identity and shame – How it seems from Bosniaks perspective. A contribution to the understanding of some characteristics of the national consciousness among Bosniaks." Historijski pogledi 4, no. 5 (2021): 258–88. http://dx.doi.org/10.52259/historijskipogledi.2021.4.5.258.

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The relationship between identity and national consciousness is one of the important issues, not only, of the sociology of identity but of the overall opinion of the social sciences. This scientific question has been insufficiently researched in the sociological thought of Bosnia and Herzegovina, and with this paper we are trying to actualize it. Aware of theoretical-methodological and conceptual-logical difficulties related to the research problem, we considered that in the first part of the paper we make some theoretical-methodological notes on the problems in studying this phenomenon, in or

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20

Min, Siran. "Study on the Current Development and Dissemination of Jidong Folk Song from the Perspective of Intangible Cultural Heritage Based on VAR Modeling." Applied Mathematics and Nonlinear Sciences 9, no. 1 (2024). http://dx.doi.org/10.2478/amns-2024-0670.

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Abstract This study explores the development status and dissemination effect of Jidong folk songs under the perspective of intangible cultural heritage through VAR modeling, to provide new perspectives and methods for protecting and inheriting traditional folk songs. Using a panel space VAR model, the effects of intangible cultural heritage protection, human capital and physical capital on Jidong folk songs were analyzed. The study first utilizes the VAR model for lag determination and smoothness test, then explores the variables’ interactions through the impulse response analysis path. The re

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21

McPherson, Laura, and Kevin M. Ryan. "Tone-tune association in Tommo So (Dogon) folk songs: Supplemental Material." Language 94, no. 1 (2018). http://dx.doi.org/10.1353/lan.2018.0016.

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22

I, Yoshida, Sapkota S, and Akkhavong K. "Entertainment-Education Using Traditional Folk Song among Female Factory Workers in Lao PDR." Journal of Community Medicine & Health Education 07, no. 02 (2017). http://dx.doi.org/10.4172/2161-0711.1000507.

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23

Callahan, Mat. "Was Folk Music a Commie Plot?" Monthly Review, April 1, 2021, 52–59. http://dx.doi.org/10.14452/mr-072-11-2021-04_9.

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The revival of folk music—music derived from rural southern sources, unamplified, and, to a large extent, comprised of old songs of anonymous origin—was more than just another fad. Folk music encapsulated longings for an idyllic past, for a time before crass commercialism turned music into a commodity, and for relationships between musicians and audiences that were egalitarian and holistic.

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24

Ruiz, Jiménez Juan. "Preparación de la fiesta de canonización de San Luis Gonzaga y San Estanislao de Kostka en Salamanca (1727)." Paisajes sonoros históricos (c.1200-c.1800), December 15, 2023. https://doi.org/10.5281/zenodo.10393088.

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En diciembre de 1726, el papa Benedicto XIII elevaba a los altares a los jesuitas Luis Gonzaga y Estanislao Kostka. En Salamanca, la Compañía de Jesús preparó minuciosamente los festejos con el adorno de la iglesia, el colegio y los santos. Para la procesión general, diferentes agentes se encargaron de la elaboración de los altares efímeros en la calle y de la ornamentación del recorrido. Las procesiones de traslado de los santos y la vocación desde las torres de la iglesia de la Compañía y desde la catedral preludiaron el inicio de los festejos. In December 1726, Pope Benedict XIII raised the

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