Relevant bibliographies by topics / Folk songs, Low German

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Folk songs, Low German'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Folk songs, Low German.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Folk songs, Low German"

1

Radyszewśkyi, Rostyslaw. "Węgiersko-polskie dialogi w twórczości Lwa Węglińskiego." Studia Slavica Academiae Scientiarum Hungaricae 65, no. 2 (2022): 327–40. http://dx.doi.org/10.1556/060.2020.00026.

Full text
Abstract:
Artykuł dotyczy twórczości Lwa Węglińskiego (1827–1905), poety z pogranicza polsko-ukraińskiego, który wydał 6 zbiorów w języku ukraińskim pisanych alfabetem łacińskim i 7 książek w języku polskim, w których dominował materiał oparty o reminiscencje z historii i kultury różnych narodów, a także przekłady poezji i folkloru ludowego. Zbiór Snopek z niw słowiańskich i obcych (1885) jest w całości poświęcony przekładom z folkloru słowiańskiego: są w nim zawarte ukraińskie (42), morawskie (69), węgierskie – „obce pole” (21), niemieckie (60) pieśni ludowe. We wstępie Lew Węgliński określił pieśni wę
APA, Harvard, Vancouver, ISO, and other styles
2

Grudule, Māra. "The Transition from Song to Poetry in Latvian Literature in the Second Half of the 19th Century." Interlitteraria 28, no. 1 (2023): 49–63. http://dx.doi.org/10.12697/il.2023.28.1.5.

Full text
Abstract:
The Latvian nation is a singing nation. The Singing Revolution and similar song- and singing-related references are traditionally associated with the image of Latvians. The origins of written Latvian are also related to song: the oldest known Christian song in Latvian, dating from 1530, is also one of the oldest examples of Latvian-language text.
 In the second half of the 18th century, as a result of transferring from a German to a Latvian cultural space, a new genre of song was created by the German pastor Gotthard Friedrich Stender, the secular, didactic and sentimental ziņģe (a term c
APA, Harvard, Vancouver, ISO, and other styles
3

Schmitges, Andreas. "Funem (sh)eynem vortsl aroys?!—Approaches to the Study of Parallel Eastern Yiddish and German Folk Songs." European Journal of Jewish Studies 8, no. 1 (2014): 53–103. http://dx.doi.org/10.1163/1872471x-12341257.

Full text
Abstract:
Yiddish and German are two languages and cultures that are considered autonomous and important within the European cultural diversity. Although they are linguistically very close and historically interwoven, not much research has been done concerning the comparison of their folk cultures. The present comparative study of Eastern Yiddish and German folk songs is a first step towards a deeper understanding of the processes of cultural migration and transfer since the Middle Ages. The paper concentrates on three aspects: 1. Discussion of previous undervalued research by scholars in the twentieth
APA, Harvard, Vancouver, ISO, and other styles
4

Dembeck, Till. "Heute sprechen. Literatur, Politik und andere Sprachen im Lied (Herder, Alunāns, Barons)." Interlitteraria 26, no. 1 (2021): 31–48. http://dx.doi.org/10.12697/il.2021.26.1.4.

Full text
Abstract:
Speaking Today. Literature, Politics and Other Languages in Songs (Herder, Alunāns, Barons). This article claims that the politico-cultural relevance of literary texts in their respective present consists, among other aspects, of their handling of linguistic diversity. As examples, it presents three 18th and 19th century publications from the German and/or Latvian speaking territories which put (folk) songs into the centre of their rather different politicocultural endeavours. Herder’s collection of folk songs from 1778/79 is read as an attempt at a poetic new beginning that makes use of lingu
APA, Harvard, Vancouver, ISO, and other styles
5

Klobčar, Marija. "The Perception of Bilingual Songs in Slovenia and the Cultural Dimensions of Language Selection." Tautosakos darbai 59 (June 2, 2020): 209–28. http://dx.doi.org/10.51554/td.2020.28375.

Full text
Abstract:
This article identifies the circumstances in which bilingual songs in Slovenia existed and follows the changes in the songs’ social role from the first half of the 19th century to the period after the end of the Second World War. It follows these changes as they occurred within the framework of folkloristics and in the practices that folklore scholars tried to shape and those that continued without intervention.In order to discern the circumstances in which bilingual songs were created, the author focuses on two songs that were documented by one of the first collectors and researchers of Slove
APA, Harvard, Vancouver, ISO, and other styles
6

Jackson, Myles. "Harmonious Investigators of Nature: Music and the Persona of the German Naturforscher in the Nineteenth Century." Science in Context 16, no. 1-2 (2003): 121–45. http://dx.doi.org/10.1017/s0269889703000759.

Full text
Abstract:
ArgumentDuring the early nineteenth century, the German Association of Investigators of Nature and Physicians (Versammlung Deutscher Naturforscher und Ärzte) drew upon the cultural resource of choral-society songs as a way to promote male camaraderie and intellectual collaboration. Investigators of nature and physicians wished to forge a unified, scientific identity in the absence of a national one, and music played a critical role in its establishment. During the 1820s and 30s, Liedertafel and folk songs formed a crucial component of their annual meetings. The lyrics of these tunes, whose mel
APA, Harvard, Vancouver, ISO, and other styles
7

Xuan, Pham Thi, and Tran Anh Dung. "Choosing Folk Song for Children 5-6 Years Old Through Teaching Organization Music Activities in Preschool." European Journal of Theoretical and Applied Sciences 2, no. 3 (2024): 74–81. http://dx.doi.org/10.59324/ejtas.2024.2(3).08.

Full text
Abstract:
Folk songs have the ability to have a strong impact on people's thoughts and emotions, helping us develop aesthetic abilities, thinking, intellectual, physical qualities, and good moral feelings. More importantly, it forms national consciousness and love for the homeland. Currently, teachers are aware of the importance of using folk songs for 5-6 year old children in organizing musical activities in preschools. However, preschool teachers do not know how to choose folk songs in organizing and teaching music activities, causing the results of the activities to be low. This article focuses on an
APA, Harvard, Vancouver, ISO, and other styles
8

Pham, Thi Xuan, and Anh Dung Tran. "Choosing Folk Song for Children 5-6 Years Old Through Teaching Organization Music Activities in Preschool." European Journal of Theoretical and Applied Sciences 2, no. 3 (2024): 74–81. https://doi.org/10.59324/ejtas.2024.2(3).08.

Full text
Abstract:
Folk songs have the ability to have a strong impact on people's thoughts and emotions, helping us develop aesthetic abilities, thinking, intellectual, physical qualities, and good moral feelings. More importantly, it forms national consciousness and love for the homeland. Currently, teachers are aware of the importance of using folk songs for 5-6 year old children in organizing musical activities in preschools. However, preschool teachers do not know how to choose folk songs in organizing and teaching music activities, causing the results of the activities to be low. This article focuses on an
APA, Harvard, Vancouver, ISO, and other styles
9

Robb, David. "The mobilising of the German 1848 protest song tradition in the context of international twentieth-century folk revivals." Popular Music 35, no. 3 (2016): 338–59. http://dx.doi.org/10.1017/s0261143016000532.

Full text
Abstract:
AbstractThe rediscovery of democratic traditions of folk song in Germany after the Second World War was not just the counter-reaction of singers and academics to the misuse of German folk song by the Nazis. Such a shift to a more ‘progressive’ interpretation and promotion of folk tradition at that time was not distinct to Germany and had already taken place in other parts of the Western world. After firstly examining the relationship between folk song and national ideologies in the nineteenth century, this article will focus on the democratic ideological basis on which the 1848 revolutionary s
APA, Harvard, Vancouver, ISO, and other styles
10

Schröder, Gesine. "Nationale Musik — Musik im Dienst am Volk. Zu einer Variante sozialistisch-realistischer Musik der frühen DDR: Der Fall Kurt Schwaen." Studia Musicologica 56, no. 4 (2015): 301–16. http://dx.doi.org/10.1556/6.2015.56.4.1.

Full text
Abstract:
‘Middle music’ and the ‘middle music theory’ of the German Democratic Republic have received little interest, although their products survive until today. Kurt Schwaen is known for his compositions for folk instruments and for his famous children’s songs such as “Wenn Mutti früh zur Arbeit geht” [When mom goes to work early in the morning]. Schwaen was an author of music for the folk, namely for amateur singers, mostly children, or lay instrumentalists, who played in mandolin or accordion orchestras. Schwaen’s compositions may be considered as a variant of socialistic realism in music. They fo
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Folk songs, Low German"

1

Ćurčin, Milan. "Srpska narodna pesma u nemačkoj književnosti." Beograd : Narodna biblioteka Srbije, 1987. http://catalog.hathitrust.org/api/volumes/oclc/18487273.html.

Full text
Abstract:
Originally presented as the author's Thesis (doctoral --Universität Wien) under the title: Das serbische Volkslied in der deutschen Literatur.<br>Includes bibliographical references (p. [169]-189) and index.
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Folk songs, Low German"

1

Rademacher, Johannes. Rezentes Liedgut am unteren Niederrhein: Untersuchungen zur deutsch-niederländischen Liedgemeinschaft. K.D. Wagner, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

ill, Church Caroline, ed. Do your ears hang low?: A love story. Scholastic, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

ill, Cote Pamela, ed. Do your ears hang low?: And other silly songs. Scholastic, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Fortmann, Manfred. Liederbuch: Volksliedertexte. Vincentz, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Deutsche Gesellschaft für Volkskunde. Kommission für Lied-, Musik- und Tanzforschung. Arbeitstagung. Lied, Tanz und Musik im Brauchtum: Protokoll der Arbeitstagung der Kommission für Lied-, Musik- und Tanzforschung in der Deutschen Gesellschaft für Volkskunde e.V. vom 9. bis 12. September 1982 in Münster/Westf. Volkskundliche Kommission für Westfalen des Landschaftsverbandes Westfalen-Lippe, 1985.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Winkler, Sepp. 2000 Gstanzl aus dem Innviertel: Gstanzl, Tanzl, Vierzeiler und Schnaderhüpfl. Moserbauer, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Stief, Wiegand. Register zu Alfred Quellmalz: Südtiroler Volkslieder, 3 Bände, Kassel, Bärenreiter 1968, 1972 und 1976. P. Lang, 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Traut, Horst. Die Liedersammlung des Johann Georg Steiner aus Sonneberg in der Überlieferung durch August Schleicher: Wissenschaftliche-populäre Ausgabe der im Stadtarchiv Sonneberg/Thür. als "Steinersche Liedersammlung" aufbewahrten Exzerpte August Schleichers zur Liederhandschrift des Sonneberger Malers Johann Georg Steiner (1746-1830). Hain, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

1785-1863, Grimm Jacob, Grimm Wilhelm 1786-1859, Oberfeld Charlotte, and Philipps-Universität Marburg Universitätsbibliothek, eds. Volkslieder: Aus der Handschriftensammlung der Universitätsbibliothek Marburg. N.G. Elwert, 1985.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Holzapfel, Otto. Lexikon folkloristischer Begriffe und Theorien: Volksliedforschung. Lang, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Folk songs, Low German"

1

Rimas, Juozas, and Juozas Rimas Jr. "Voice and Sound." In Etudes on the Philosophy of Music. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-63965-4_6.

Full text
Abstract:
AbstractThe principles of rhetoric were transferred from vocal music to instrumental music. Song is an extension of speech, while instrumental music is the transfer of song to an instrument (A. Maceina). Pursuit of song-like instrumental expression (“thinking in terms of song”—C. P. E. Bach) is one of the most important forms of musicality. If the externality of the instrument disappears, in this virtuosity the foreign instrument appears as a perfectly developed organ of the artistic soul (G. Hegel).Discovering a love of singing in his teens, the author developed a vocal orientation. Later, in
APA, Harvard, Vancouver, ISO, and other styles
2

Uher, Valerie. "Triumph of the Will (1935)." In Routledge Encyclopedia of Modernism. Routledge, 2024. http://dx.doi.org/10.4324/9780415249126-rem2143-1.

Full text
Abstract:
Triumph des Willens (Triumph of the Will) is a black and white propaganda film made by German filmmaker Leni Riefenstahl. The film documents the 1934 Nazi Party Congress in Nuremberg, including speeches by Adolf Hitler, Rudolf Hess, Joseph Goebbels and other Nazi leaders. The film eschews the newsreel-style documentary realism popular at the time and instead relies on innovations in cinematography, editing and music to communicate that Hitler is the saviour of the German people. Betraying a modernist fascination with visual spectacle, Riefenstahl documented the pageantry of the occasion from m
APA, Harvard, Vancouver, ISO, and other styles
3

"Index of low German Songs." In Singing Mennonite. University of Manitoba Press, 1989. http://dx.doi.org/10.1515/9780887558955-019.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Robb, David. "Conclusion: The Making of Tradition; The Protest Songs of 1848 in the German Folk Revival." In Songs for a Revolution. Boydell and Brewer, 2020. http://dx.doi.org/10.1515/9781787448629-006.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Marissen, Michael. "The Serious Nature of the Quodlibet in Bach’s Goldberg Variations." In Bach against Modernity. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197669495.003.0011.

Full text
Abstract:
Abstract This chapter presents new discoveries about the ostensible merry old German folk-song sources for the Quodlibet from Johann Sebastian Bach’s Goldberg Variations. From new evidence found in art, opera librettos, printed sermons, and older German dictionaries, it argues that Bach, by having in truth combined not two puerile folk songs but rather one particular hymn and one particular folk song, wrote the work not as jokesome entertainment or as self-expression but as an act of premodern Lutheran tribute to the heavenly and earthly realms of God. In the Goldbergs Quodlibet, the suprapers
APA, Harvard, Vancouver, ISO, and other styles
6

Sheehan, James J. "Eighteenth-century Culture." In German History 1770-1866. Oxford University PressOxford, 1990. http://dx.doi.org/10.1093/oso/9780198221203.003.0004.

Full text
Abstract:
Abstract JOHANN GOTTFRIED HERDER, a teacher’s son in the Prussian town of Mohringen, swiftly exhausted the meagre intellectual resources available to him at home and in the local school. By the time he was ten or eleven he had begun to wander the streets looking for new books; when he saw one through a window, he would ask to borrow it at once. Towards the end of his life, when he was a venerable figure on the cultural scene, Herder told an audience of schoolboys how joyfully he recalled his earliest encounters with authors old and new: ‘Scarcely anything in later years matched this pleasure,
APA, Harvard, Vancouver, ISO, and other styles
7

Malone, Mark Hugh. "Dawson the Composer." In William Levi Dawson. University Press of Mississippi, 2023. http://dx.doi.org/10.14325/mississippi/9781496844798.003.0004.

Full text
Abstract:
As a composer, Dawson strove to be the voice of his people, using the culturally rich tones and drawing on his own history of musical experiences as a child in Anniston, Alabama. While a student at Tuskegee Institute, Dawson learned of Antonin Dvořák’s selection of African American folk songs as the “true” essence of an American musical sound and embarked on a mission to set the Folk Song of the American Negro (which many refer to as “spirituals”) for choirs and instruments. During his constant effort to study the history of music first created in America by his enslaved ancestors, Dawson comp
APA, Harvard, Vancouver, ISO, and other styles
8

Graham, Sandra Jean. "Blurring Boundaries between Traditional and Commercial." In Spirituals and the Birth of a Black Entertainment Industry. University of Illinois Press, 2018. http://dx.doi.org/10.5622/illinois/9780252041631.003.0008.

Full text
Abstract:
By the late 1870s the jubilee marketplace was in full swing, and the term jubilee singer had become so diluted as to be essentially meaningless. All manner of jubilee singers represented themselves as tradition bearers, giving rise to frequent skirmishes over legitimacy that were played out in marketing. As traditional spirituals, contrafacta, parodies, answer songs, and parodies of parodies cycled back on each other, the boundaries between them and their performers blurred. Some troupes, like the Wilmington Jubilee Singers, began as concert artists but ended up as minstrel or variety entertai
APA, Harvard, Vancouver, ISO, and other styles
9

Bohlman, Philip V. "The Nation and Its Fragments." In Song Loves the Masses. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520234949.003.0008.

Full text
Abstract:
The first use of the word and concept, Volkslied (folk song), appears in Herder’s 1773 essay on the Ossian controversy, published in an influential volume of essays containing his own reflections the German character of art and culture, which included contributions by Johann Wolfgang von Goethe, among other leading Enlightenment intellectuals. Herder’s Ossian essay gathers fragments from correspondence with an imagined reader, thus allowing him to relate many different themes from eighteenth-century debates about song and poetry, especially the possibilities of translation of ancient myth and
APA, Harvard, Vancouver, ISO, and other styles
10

Herder, Johann Gottfried, and Philip V. Bohlman. "Epilogue." In Song Loves the Masses. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520234949.003.0020.

Full text
Abstract:
With a final contextualizing chapter, Philip V. Bohlman interprets Herder’s 1769 sea journey as a metaphor for the writings on music and nationalism, and for his sweeping influence on the history of ideas that we attribute to modernity. Dramatically leaving his post as pastor and director of religious life for the German community of Riga, Herder embarked on a sea journey that would provide him with the new experiences that would shape his approaches to anthropology, education, philosophy, religion, the universal history of humanity, and music. The 1769 sea journey, captured in the notes of an
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Folk songs, Low German"

1

Šebestová, Irena. "Das Volkslied im Hultschiner Ländchen." In Form und Funktion. University of Ostrava, 2024. http://dx.doi.org/10.15452/fuflit2023.08.

Full text
Abstract:
The Hlučín Region, which today forms part of the Czech Republic, is a region whose name was used in modern times and for the first time in connection with its annexation to the Czechoslovak Republic in 1920. The course of its eventful history, which was determined by various power interests, was significantly influenced over the centuries by the coexistence of the Czech/Moravian population with the German minority. The influence of the German language, culture, customs and manners is reflected in political and social coexistence as well as, among other things. in the regional folk songs. The f
APA, Harvard, Vancouver, ISO, and other styles
2

Wiśniewski, Piotr. "Polish church songs - Easter tropes." In ALTITUDO MUNDI SPIRITUALIS. Духовність у сучасному світі: просвітницько-культурогічний підхід. Publishing House "Krok", 2024. http://dx.doi.org/10.37835/ams-2024-17-18-04-1.01.

Full text
Abstract:
The article notes that Gregorian chant had a special influence on the emergence and development of Polish liturgical hymns. Crucial for the development of Easter hymns was the appearance in the church liturgy of the so-called troparas, i.e. short phrases or whole sentences that supplement the original liturgical texts, which are considered the primary source of religious hymns in national languages. The oldest Polish sources on this topic date back to the 14th century. It has been noted that the custom of singing Polish Easter songs during the procession of the Resurrection of Christ dates bac
APA, Harvard, Vancouver, ISO, and other styles
3

Pilar, Martin. "EWALD MURRER AND HIS POETRY ABOUT A DISAPPEARING CULTURAL REGION IN CENTRAL EUROPE." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s28.06.

Full text
Abstract:
The contemporary Czech poet using the pseudonym Ewald Murrer (born in 1964 in Prague) used to be a representative of Czech underground literature before 1989. Then he became one of the most specific and original artists of his generation. The present essay deals with his very successful collection of poetry called The Diary of Mr. Pinke (1991, English translation published in 2022). Between the world wars, the most Eastern part of Czechoslovakia was so-called Subcarpathian Ruthenia (or Karpatenukraine in German). This rural and somewhat secluded region neighbouring Austrian Galicia (or Galizie
APA, Harvard, Vancouver, ISO, and other styles
4

Pilar, Martin. "EWALD MURRER AND HIS POETRY ABOUT A DISAPPEARING CULTURAL REGION IN CENTRAL EUROPE." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s10.06.

Full text
Abstract:
The contemporary Czech poet using the pseudonym Ewald Murrer (born in 1964 in Prague) used to be a representative of Czech underground literature before 1989. Then he became one of the most specific and original artists of his generation. The present essay deals with his very successful collection of poetry called The Diary of Mr. Pinke (1991, English translation published in 2022). Between the world wars, the most Eastern part of Czechoslovakia was so-called Subcarpathian Ruthenia (or Karpatenukraine in German). This rural and somewhat secluded region neighbouring Austrian Galicia (or Galizie
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Folk songs, Low German' for particular source types:
Journal articles Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography