Relevant bibliographies by topics / Folk-songs, Romanian

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  2. Dissertations / Theses
  3. Books

Academic literature on the topic 'Folk-songs, Romanian'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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Journal articles on the topic "Folk-songs, Romanian"

1

Grib, Vitalie. "PHENOMENON OF ION DRAGOI – EXPONENTIAL FOR THE ROMANIAN FOLKLORE FROM THE BACAU AREA." Akademos 60, no. 1 (2021): 130–33. http://dx.doi.org/10.52673/18570461.21.1-60.17.

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Instrumental musical folklore, especially playing and listening songs, was and remains in the repertoire of professional musicians, fiddlers. Among them, the fiddlers-violinists have a special role in the preservation, promotion and development of popular instrumental music. We refer to those who are faithful to local traditions both in terms of interpretive style and repertoire. A virtuoso of the bow is the great Moldavian fiddler from the Bacau area Ion Dragoi. He left us a rich legacy of songs, which became models of inspiration, but also samples for the training of young violinists. The an
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2

Cherciu, Ion. "Cercetarea monografică a portului popular românesc în cadrul Școlii Sociologice de la București. Momentul Lucia Apolzan." Anuarul Muzeului Etnograif al Transilvaniei 30 (December 20, 2016): 22–35. http://dx.doi.org/10.47802/amet.2016.30.02.

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In the interwar Romanian culture, the Sociological School of Bucharest led by D. Gusti had a unique approach of the folk culture which was seen as a living organism in constant movement and evolution. Folk creations - musical and literary, peasant costume and artefacts etc. are no longer treated as "museum or archive objects ", but as living and interdependent parts composing a giant gear – the social corpus. Therefore, not only songs, but also singing, not only stories, but the storytelling etc. will be studied, precisely – and especially – the "social functions" of those creations. For the p
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3

SZALAY, Zoltan. "From Pure Source Only – Collection of Hungarian Folk Songs Project." BULLETIN OF THE TRANSYLVANIA UNIVERSITY OF BRASOV SERIES VIII - PERFORMING ARTS 13 (62), SI (2021): 277–86. http://dx.doi.org/10.31926/but.pa.2020.13.62.3.30.

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The collection contains a selection of folk songs from the Hungarian population living in Romania. Of the four volumes planned, three have been published so far. The entire collection is expected to span 18 regions and 3 micro-regions, as well as a strip of hundreds of kilometers from Transylvania and other areas outside Transylvania. These include some more developed areas which abandoned their traditions in the first half of the last century, and some more traditional regions. The first three volumes comprise folk songs from 174 localities, collected by 126 collectors, including Béla Bartók,
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4

Gavryushina, Lidia K. "The Old Believers’ villages in Romania: Life of Generations and the Destiny of Traditions." Slavic World in the Third Millennium 13, no. 3-4 (2018): 160–73. http://dx.doi.org/10.31168/2412-6446.2018.3-4.1.14.

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The article deals with the spiritual aspects of life of Old Believers’ communities in contemporary Romania and the changes in their traditional culture, which took place during the second part of the last century. People whose stories we present here told us that faith was the foundation, on which both a person and the community could lean on in difficult situations. Оne of the main peculiarities of the church life of Lipoveni is the intercommunication of church ceremonies and folk traditions. One of the most interesting facts about them in Manuylovka (Bucovina) is the sequence of church and f
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5

Baalbaki, Ioana. "From ethnomusicologist to composer. Sándor Veress and the Moldavian Collection." Artes. Journal of Musicology 22, no. 1 (2020): 245–61. http://dx.doi.org/10.2478/ajm-2020-0014.

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AbstractAs a student of Zoltán Kodály and Béla Bartók, but also a close collaborator of László Lajtha at the Hungarian Ethnographic Museum in Budapest, and later of Béla Bartók at Folk Department of the Hungarian Academy of Science, Sándor Veress followed the path of his masters regarding the relation with folklore music. In 1930, he undertook an expedition in Moldavia, Romania, to collect music from the Csángó population, a small Hungarian speaking community, of catholic faith, living in the east of the Carpathian Mountains. In the seven villages he has visited, he collected, with the help of
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6

Anderson, Martin. "London, Cadogan Hall and King's Place: Second London Festival of Bulgarian Culture." Tempo 67, no. 265 (2013): 81–83. http://dx.doi.org/10.1017/s0040298213000557.

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One of the most enjoyable characteristics of London musical life is that it is peopled by a generous number of foreigners who, every so often, take it upon themselves to enlighten the rest of us as to the music we are missing from back home. These can, of course, be hit-and-miss occasions, but it's in the nature of exploring unknown music of any age that you will happily put up with a handful of duds if you come away with a real discovery ringing in your ears. The Second London Festival of Bulgarian Culture (I seem to have missed the First) ran in various venues over the course of November 201
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Dissertations / Theses on the topic "Folk-songs, Romanian"

1

Williamson, Linda Jane. "Narrative singing among the Scots travellers : a study of strophic variation in ballad performance." Thesis, University of Edinburgh, 1985. http://hdl.handle.net/1842/8223.

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Two modes of singing were evident in narrative performances recorded by Scots travellers: singing set melodies to memorized or re-created texts, and improvising on a variable melody to a memorized or a variable text. In travellers' society both modes are acceptable but the majority of travellers today prefer set melodies. The improvisatory mode was traditional and used by the older travellers born before World War I, five of whom became my informants or Ewan NacColl's, re. Travellers' Songs from England and Scotland (1977). The tradition of narrative improvisation appears to be obsolete with t
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Books on the topic "Folk-songs, Romanian"

1

Doran, Gheorghe. Pădure, soro pădure: Culegere de folclor literar din Munții Locvei (Caraș-Severin). Editura Mirton, 1999.

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2

Bălăianu, Mihai. Cântece bătrânești și doine. Sic Press & Design, 1994.

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3

Cernea, Eugenia. Cîntecul popular nou. Editura uzicală, 1986.

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4

Șandru, Dumitru. Folclor românesc. Editura Minerva, 1987.

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5

Olteanu, A. Gh. Structurile retorice ale liricii orale românești. Scrisul Românesc, 1985.

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6

Pernot, Hubert Octave, Constantin Eretescu, Iordan Datcu, and Nicolae Iorga. Mission en Roumanie: Culegerea de folclor românesc a lui Hubert Pernot (1928). Academia Română, Fundația Națională pentru Știință și Artă, 2009.

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7

Petreanu, Liviu. Cântece populare olteneşti. Profile Publishing, 2001.

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8

Șandru, Dumitru. Folclor românesc. Editura Minerva, 1987.

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9

Roșu, Costa. Colinde românești. Editura Episcopiei Caransebeșului, 1999.

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10

Ciubotaru, Ion H. Folclorul obiceiurilor familiale din Moldova: Marea trecere. Universitatea "Al. I. Cuza" Centrul de Lingvistică, Istorie Literară și Folclor, Arhiva de Folclor a Moldovei și Bucovinei, 1986.

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