Relevant bibliographies by topics / Folk tale (Ballet)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Folk tale (Ballet)'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Folk tale (Ballet)"

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Sorokina, Svetlana P. "Folklore Fairy Tale in the First “Russian” Ballet of S. Diaghilev’s Entreprise." Studia Litterarum 8, no. 4 (2023): 250–71. http://dx.doi.org/10.22455/2500-4247-2023-8-4-250-271.

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The article analyzes the assimilation of the Russian folk tale in the ballet “The Firebird” created in 1910 by M. Fokin, I. Stravinsky, A. Golovin for S. Diaghilev’s Russian Seasons. The history of the composition of the ballet demonstrates that its main sources were fairy tales from the collection of A.N. Afanasiev “Folk Russian Tales,” such as “The Tale of Ivan Tsarevich, the Firebird and the Gray Wolf,” “The Firebird and Vasilisa the Princess,” “Koschey the Immortal.” To develop individual nuances, they could involve “The Tale of the Daring Young Man, Rejuvenating Apples and Living Water,”
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Долгова, Д. К. "Folk Ural Melodies in Sergei Prokofiev’s Ballet “The Tale of the Stone Flower”." OPERA MUSICOLOGICA 16/2, no. 2024 (2024): 138–65. http://dx.doi.org/10.26156/operamus.2024.16.2.008.

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Последний балет С. С. Прокофьева «Сказ о каменном цветке» отражает итог работы композитора в данном жанре. Связи с народной культурой в балете проявляются на различных уровнях — сюжетном, музыкально-тематическом, драматургическом. В настоящей статье установлены народно-песенные источники музыкального тематизма балета, представленные в архивах и публикациях, приведены нотации. Прокофьев включает в партитуру напевы уральского фольклора, что указывает на понимание им своеобразия локальных традиций. Уточнен жанровый состав используемых образцов: свадебное причитание, лирические и хороводные песни.
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Jing, Chen. "The Role of Ballet Scenes in the Magic Opera “Ilya Bogatyr” by C. A. Cavos and I. A. Krylov." Университетский научный журнал, no. 75 (August 25, 2023): 140–48. http://dx.doi.org/10.25807/22225064_2023_75_140.

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. The article is devoted to the opera “Ilya Bogatyr” created by composer C. A. Cavos and playwright I. A. Krylov in line with Pre-Romantic trends characteristic of the Russian art of the early 19th century. The performance refl ected the authors’ desire to create a national sample of the magic opera genre. The undoubted advantage of the opera “Ilya Bogatyr” was a variety of dance scenes: a comic ballet of heroes; light dances of nymphs and geniuses focused on ancient images; character dances in the Russian folk style; fairy-tale dances of evil spirits and oriental maidens. All ballet scenes ar
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O.O., Tarantseva. "ESTABLISHMENT AND DEVELOPMENT OF NATIONAL FOLK STAGE CHOREOGRAPHY." Collection of Research Papers Pedagogical sciences, no. 90 (November 4, 2020): 119–23. http://dx.doi.org/10.32999/ksu2413-1865/2020-90-19.

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У статті проаналізовано джерела та історичні передумови розвитку національної народно-сценічної хореографії. Визначено етапи становлення й розвитку виконавської школи народно-сценічного танцю та балету в Україні, відповідно, проаналізовано зміст та форми народної хореографії, визначено місце і роль танцювального мистецтва у культурному надбанні українців.Визначено плеяду видатних балетмейстерів, які внесли значний вклад у розвиток та пропаганду хореографічного мистецтва. Зокрема, відзначається праця Б. Ніжинської «Рух і школа руху», в якій висвітлюються педагогічні й естетичні погляди авторки
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Brūzgienė, Rūta. "Folk Tale “Eglė, the Queen of Serpents” [Eglė Žalčių Karalienė] on the Soviet Stage as a Representation of Lithuanian Culture." Contemporary Issues of Literary Studies - International Symposium Proceedings 16 (December 11, 2023): 249–58. http://dx.doi.org/10.62119/cils.16.2023.7553.

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A folk tale “Eglė, the Queen of Serpents” is one of the most exceptional Lithuanian mythical tales, which has received a lot of attention from researchers of Indo-European mythology. After a Lithuanian poetess Salomėja Nėris (1904–1945) wrote a poem following the plot of the fairy tale, it became extremely popular on the Lithuanian stage during the Soviet period. Performances based on this tale or poem not only received several productions on different puppet theater stages, but there was also a ballet written by the composer Eduardas Balsys (1919–1984) which went through several different ada
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Makarova, Zoia, and Olha Bilash. "The Snow Queen Ballet in Interpretations of Ukrainian and Foreign Ballet Masters." Dance Studies 6, no. 2 (2023): 191–99. https://doi.org/10.31866/2616-7646.6.2.2023.295185.

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<strong>The purpose of the article&nbsp;</strong>is to identify the peculiarities of choreographic interpretations of The Snow Queen created by Ukrainian and foreign choreographers based on the fairy tale of the same name by Hans Christian Andersen in 2007&ndash;2023.&nbsp;<strong>The research methodology&nbsp;</strong>is based on the chronological principle and the use of analytical and comparative methods.&nbsp;<strong>The scientific novelty&nbsp;</strong>of the article lies in the fact that it is the first to identify the ideological, compositional and lexical features of the interpretation
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Чэнь, Цзыжань. "Music as a space for the dialogue of Russia and China: on the “Chinese trail” in the works of composer Klimenty Korchmarev." Вестник Адыгейского государственного университета, серия «Филология и искусствоведение», no. 2(297) (October 31, 2022): 165–71. http://dx.doi.org/10.53598/2410-3489-2022-2-297-165-171.

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В статье исследуется присутствие китайской темы в творчестве русского композитора К.А. Корчмарёва. Обосновывается идея о том, что, будучи учеником В.О. Малишевского, входившего в «беляевский кружок» и овладевающего композиторским ремеслом под руководством Н.А. Римского-Корсакова и А.К. Глазунова, Корчмарёв выступает продолжателем традиций, заложенных в русской музыкальной культуре его предшественниками, по-своему разрабатывая тему Востока. Наряду с первым туркменским балетом «Веселый обманщик», акцентируется внимание на таких творческих достижениях композитора, как создание музыки к мультфильм
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Makiіenko, Stepan. "The stylistic originality of Yurii Shevchenko’s instrumental works on the example of “ThreeUkrainian Songs” for string orchestra." Aspects of Historical Musicology 33, no. 33 (2023): 156–72. http://dx.doi.org/10.34064/khnum2-33.09.

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Statement of the problem. The musical language of Ukrainian composers of the XX–XXI centuries is a complex and rather poorly studied field in modern musicology. This phenomenon raises many questions due to the diversity of styles, forms, and individual expressive systems of composers. Music for chamber ensemble vividly reflects the significant transformations in the artistic perception owned to our era. This musical context includes the work of the Ukrainian composer Yuriі Valentynovych Shevchenko (1953–2022), an outstanding figure in the national musical culture. The composer’s work is consid
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Boiko, Olha. "CULTURAL ALLUSIONS IN TEXT CREATION OF UKRAINIAN AND RUSSIAN FANTASY." Odessa National University Herald. Series: Philology 26, no. 2(24) (2022): 17–29. http://dx.doi.org/10.18524/2307-8332.2021.2(24).251833.

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The article is devoted to the analysis of allusion as an element of intertextuality, which plays an important role in the text - making of Russian and Ukrainian fantasy texts. Scientific investigations are analyzed, in which there are definitions of allusion as a stylistic figure and stylistic reception, hint and indirect reference. The origin of allusion as borrowing of a pretext, and also its semantic-compositional role in expression of constructive intertextuality (according to N. Fateeva) is characterized. It is determined that allusions, according to A. Tyutenko, work to increase the cont
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Kalenichenko, O. M. "Interpretation of Gogol’s works on the puppet theater stage (based on the spectacle by Oksana Dmitrieva «May night, or Moonlight Witchcraft»)." Aspects of Historical Musicology 17, no. 17 (2019): 148–62. http://dx.doi.org/10.34064/khnum2-17.10.

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Background. M. Gogol’s «Evenings on a Farm Near Dikanka» often attract the attention of theater directors. Thus, in June 2009, the premiere of the play «May night, or Moonlight Witchcraft» directed by Oksana Dmitrieva, took place at the Kharkov Puppet Theater. Trying to reveal the genre nature of the production, theater critics give it such definitions as a fairy tale, musical, fantasy, ethno-folk show, liturgy, mystery play, as well as analyze individual finds of a young director, but the complete picture of the artistic features of this performance is absent yet. In this regard, the purpose
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Dissertations / Theses on the topic "Folk tale (Ballet)"

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LEE, HUI-HSING, and 李蕙行. "A Study on Folk Fairy Tale Elements in Taiwanese Ballad Booklets (kua-a-tsheh): The War between the Fly and the Mosquito and Nezha Shaking the Sea." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/n8kf4g.

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碩士<br>國立臺南大學<br>國語文學系中國文學碩士在職專班<br>104<br>Taiwanese ballad booklets (kua-a-tsheh) are the various collections of Taiwanese recitation and the vocal art of “ballad” in written form. From the reserved information nowadays, it shows that Taiwanese ballad booklets not only come in various versions but also are diverse in contents. The contents have high values in languages, literature, history, and culture. Among the various versions of Taiwanese ballad booklets, the aspect of children’s literature is needed further exploration. This thesis chooses two folk fairy tales: The War between the Fly and
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Books on the topic "Folk tale (Ballet)"

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Wilson, Christopher R., and Mervyn Cooke, eds. The Oxford Handbook of Shakespeare and Music. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780190945145.001.0001.

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This compendium reflects the latest international research into the many and various uses of music in relation to Shakespeare’s plays and poems, the contributors’ lines of inquiry extending from the Bard’s own time to the present day. The coverage is global in its scope, and includes studies of Shakespeare-related music in countries as diverse as China, the Czech Republic, France, Germany, India, Italy, Japan, Russia, South Africa, Sweden, and the Soviet Union, as well as the more familiar Anglophone musical and theatrical traditions of the United Kingdom and the United States. The range of ge
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Schultze, Sydney. Culture and Customs of Russia. Greenwood, 2000. http://dx.doi.org/10.5040/9798400635700.

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Culture and Customs of Russiais a splendid introduction to the largest country in the world. This timely volume gives the scope of the country from earliest history through the breakup of the Soviet Union to the present day. Students and a general audience will learn about the land, history, thought and religion, social customs, marriage and family, education, cuisine, fashion, literature, media, film, the arts, and architecture. The authoritative breadth of coverage, accessibility, and engaging writing style are truly outstanding. Culture and Customs of Russiaencompasses the grand achievement
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Hays, Ethel, and Clement Clarke Moore. Night Before Christmas - with Fold-Out Decoration. Laughing Elephant, 2021.

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Book chapters on the topic "Folk tale (Ballet)"

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Meglin, Joellen A. "White She-Devil in an Otherwise Black Cast." In Ruth Page. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780190205164.003.0005.

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Page’s first large-scale ballet, La Guiablesse, is most famous for its casting of a twenty-three-year-old Katherine Dunham. Produced for the 1933 Chicago World’s Fair, A Century of Progress, the ballet featured Page as the She-Devil, opposite an otherwise all-black cast. Later, Page asked Dunham to assume the title role and to restage the ballet for the Chicago Grand Opera; then, the mentor turned the performance rights to the ballet over to her mentee. La Guiablesse was quite a feat of intercultural communication: a Martinique folk tale recorded by Lafcadio Hearn, an immigrant European Americ
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Karpeta, Paulina, and Olga Radziszewska. "Dusze na pokucie. O ludowym pochodzeniu martwicy z To lubię i jej pokrewieństwie z Marą Pcimską." In Kliszczacy: Przemiany językowo-kulturowe polskiej wsi. Ksiegarnia Akademicka Publishing, 2025. https://doi.org/10.12797/9788383682815.08.

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THE SOULS IN PENANCE: ON THE FOLK ORIGIN OF THE SPIRIT FROM “I LIKE IT” AND ITS RELATIONSHIP WITH THE SPIRIT FROM PCIM It has not yet been established whether the folk song Adam Mickiewicz refers to in the footnote to the ballad “I Like It” actually existed. On the other hand, the list of related folk tales is quite long. The similarity between individual oral pieces and the ballad has already been demonstrated by pointing out common themes, especially the penance for insensitivity and rejection of love. However, none of the folk tales turns out to be similar enough to “I Like It” to dispel do
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Merwe, Peter Van Der. "Vocal Music." In Origins of the Popular Style. Oxford University PressOxford, 1992. http://dx.doi.org/10.1093/oso/9780198163053.003.0010.

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Abstract If anything, American vocal music is even more tangled, more maze like, than American instrumental music. In instrumental music one has only the tunes to worry about; in vocal music there are the words as well. When Newman White wrote of black American song, ‘Generally speaking, practically any stanza is at home in practically any song,’ he was hardly exaggerating. In 1845 it was remarked that Tunes show the same protean quality. The same tunes often did service for work songs, spirituals, and other purposes. British folk tunes might be transformed into blues. Instrumental and vocal t
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Alpatov, Sergey. "The Concept of Family in Traditional Narratives of Tale Type ATU 1343* “The Children Play at Hog-Killing”." In Slavic & Jewish Cultures Dialogue Similarities Differences. Sefer; Institute of Slavic Studies, Russian Academy of Sciences, 2020. http://dx.doi.org/10.31168/2658-3356.2020.14.

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The article is devoted to the study of the problem of verbal representation of the real experience of family tragedies in the cultural baggage of European oral and handwritten traditions, which is becoming particularly relevant in modern conditions of the growth of information flows, a change in communicative paradigms and the transformation of social roles and value hierarchies. The object of study is the popular tales of the plot ATU 1343* “The Children Play at Hog-Killing”, considered in terms of motive structure, genesis, as well as genre forms of its implementation (rumor, short story, ba
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GERTSMAN, ELINA. "Un baile que mata." In Danses imaginades, danses relatades. Paradigmes iconogràfics del ball des de l’Antiguitat clàssica fins a l’edat mitjana = Dancing Images and Tales. Iconography of dance from Classical to Middle Age. Institut Català d'Arqueologia Clàssica, 2014. http://dx.doi.org/10.51417/trama_01_10.

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This essay explores the role of dancing in the late medieval Dance of Death or Danse macabre imagery. An examination of contemporary medieval sermons, visionary writings, and folk legends suggests that death and dancing were closely connected throughout the Middle Ages, and that this connection was highly significant for the implied audiences of the danse macabre. I finally argue that dancing works as a sign of death and its displacement in the Dance of Death imagery
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Conference papers on the topic "Folk tale (Ballet)"

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Chkheidze, Paata. "The Type of a Hero in Anglo-Saxon Epic and Georgian Folklore/Mythology." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.3.8933.

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The hero, as the main constituent of fiction, experienced a palpable, almost absolute devaluation from medieval literary texts before William Thackeray declared the arrival of a novel without a hero and since then, with varying degrees of success, writers have tried to bring back the hero in fiction but mostly in vain. It should not be surprising that similar processes take place in the texts of geographically and culturally distant literatures. The current research is about the hero of Anglo-Saxon heroic epic “Beowulf” and the hero of the Georgian folk ballad Iakhsari. A comparative analysis
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