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Journal articles on the topic 'Folkhem'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 May 2024

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1

Tischmann, Hannah. "’Borta bra men hemma bäst’? – Das schwedische miljonprogram in literarischen Darstellungen von seinen Anfängen bis in die Gegenwart." European Journal of Scandinavian Studies 50, no. 1 (April 28, 2020): 200–220. http://dx.doi.org/10.1515/ejss-2020-0012.

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AbstractThis article analyses literary approaches to the relation between the folkhem, the Swedish welfare state, and the miljonprogram (a public housing program between 1965 and 1974 implemented by the social democratic government with the aim to build 1 million homes to solve the housing shortage). Since its initiation, this housing program has been subjected to critique addressing, among others, issues with quality and the promotion of segregation and social exclusion. Literary discussions since the mid-1960s have both responded to this critique and challenged it. They have questioned the impact of welfare politics on a still divided society by drawing on negative aspects of miljonprogram-areas. Recent texts that negotiate class and ethnicity, however, reclaim these areas with positive descriptions. They highlight their meaning as homes for a large part of Swedish contemporary society and thereby re-connect to the original idea of the folkhem – a home for the people.

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2

Żmuda-Trzebiatowska, Magdalena. "Myten Och Dess Arvtagare. Historiska Och Skönlitterära Berättelser Om Folkhemmet." Folia Scandinavica Posnaniensia 16, no. 1 (December 1, 2014): 92–113. http://dx.doi.org/10.1515/fsp-2015-0007.

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Abstract The paper’s aim is to indicate the mutual relations between contemporary Swedish literature and the academic and political discourse on the welfare state’s crisis. The article’s first part discusses the genesis, evolution and meaning of the term ”Swedish folkhem” as it is understood today, i.e. as a political vision underlying the Swedish welfare state which with time has become a metaphor and a myth. In its other part the presence of historical narratives on the Swedish folkhem in five autobiographically inspired novels on childhood and growing up is investigated (Jonas Gardell’s En komikers uppväxt (1992), Lena Andersson’s Var det bra så? (1999), Mikael Niemi’s Populärmusik i Vittula (2000), Torbjörn Flygt’s Underdog (2001) and Susanna Alakoski’s Svinalängorna (2006). Analysing the chosen examples, the author of the paper focuses mainly on the issue of how the narratives known from political propaganda and debate are transformed, commented and used in a literary text to construct a collective identity.

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3

Olsson, Annika. "Groteska kroppar i folkhemmets sverige." Tidskrift för litteraturvetenskap 51, no. 1-2 (December 10, 2021): 139–52. http://dx.doi.org/10.54797/tfl.v51i1-2.1744.

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Grotesque bodies in the Swedish folkhem: Improper aesthetic and rhetoric in the magazine PUSS 1968–1974 In an analysis of the Swedish satirical magazine PUSS (1968–1974) this article explores what is considered as improper rhetoric and aesthetic in the public sphere. It draws on theories of representation and the culture of carnival laughter and the grotesque as well as research on the Swedish folkhem and satire and democracies. I coin the concept demogrotesque-atic in order to capture how PUSS, by using comics, grotesque bodies and carnivalesque, improper rhetoric and aesthetics, makes visible fundamental challenges to democratic societies. I argue that the magazine’s representational practices highlight the function of what is often considered ‘filth’ in the public sphere and the central role the grotesque body plays in upholding – and breaking – boundaries of propriety. I interpret this as important democratic work, and demonstrate that while the satire in PUSS is situated in a specific time and place, it is also part of a longstanding literary and artistic tradition.

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4

Żmuda-Trzebiatowska, Magdalena. "Styvbarnen i Folkhemmet?" Folia Scandinavica Posnaniensia 14, no. 1 (December 1, 2012): 157–77. http://dx.doi.org/10.2478/v10252-012-0014-2.

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ABSTRACT The subject of the article is the experience of social exclusion present in five contemporary novels on childhood and adolescence spent in the Swedish folkhem, by Jonas Gardell, Lena Andersson, Mikael Niemi, Torbjörn Flygt and Susanna Alakoski. In the first part of the article I am discussing social exclusion as a term used in the debate about the Swedish welfare-state in crisis. The second part is an analysis of the literary texts, using a sociological perspective. I am focusing there on portraits of the children that are main characters in the novels, the children whose personal identity is being shaped in the shadow of the collective dream of a perfect society. Asking a question about the specifically Swedish character of those children’s sense of exclusion, I am referring to the words of the social democratic leader Per Albin Hansson, who in his speech of 1928, presented a vision of Sweden as a happy and fair common home (folkhem), in which there is no place for either favored citizens (“darlings”), or for second-class citizens (“stepchildren”).

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5

Norocel, Ov Cristian. "Populist radical right protectors of the folkhem: Welfare chauvinism in Sweden." Critical Social Policy 36, no. 3 (January 5, 2016): 371–90. http://dx.doi.org/10.1177/0261018315621991.

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6

Grundström, Karin, and Irene Molina. "From Folkhem to lifestyle housing in Sweden: segregation and urban form, 1930s–2010s." International Journal of Housing Policy 16, no. 3 (January 14, 2016): 316–36. http://dx.doi.org/10.1080/14616718.2015.1122695.

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7

SUNDMARK, BJÖRN. "Of Nils and Nation: Selma Lagerlöf'sThe Wonderful Adventures of Nils." International Research in Children's Literature 1, no. 2 (December 2008): 168–86. http://dx.doi.org/10.3366/ircl.2008.0005.

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Recently past its centenary, The Wonderful Adventures of Nils (1906–7), by Selma Lagerlöf, has remained an international children's classic, famous for its charm and magical elements. This article returns to read the book in its original contexts, and sets out to demonstrate that it was also published as a work of instruction, a work of geography, calculated to build character and nation. Arguing that it represents the vested interests of the state school system, and the national ideology of modern Sweden, the article analyses Nils's journey as the production of a Swedish ‘space’. With a focus on representations of power and nationhood in the text, it points to the way Lagerlöf takes stock of the nation's natural resources, characterises its inhabitants, draws upon legends and history, and ultimately constructs a ‘folkhem’, where social classes, ethnic groups and linguistic differences are all made to contribute to a sense of Swedish belonging and destiny.

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8

Żmuda-Trzebiatowska, Magdalena. "Ett Sverige i miniatyr, ett Sverige i skrattspegel. Slyngstad Events som senfolkhemsk samhällssatir." Nordlit 51, no. 2 (November 29, 2023): 79–90. http://dx.doi.org/10.7557/13.6890.

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Romanen Slyngstad Events (2002) av Unni Drougge kan klassificeras som skröna, det vill säga uppdiktad, humoristisk berättelse som för det mesta ska underhålla. Parallellt innehåller boken en hel del samtidskritik. Åsabygden, ett fiktivt område i Skåne där handlingen är förlagd, drabbas av samma problem som det senmoderna svenska välfärdssamhället i stort och kan betraktas som ett Sverige i miniatyr. Genom att analysera romanens starka och utrycksfulla karaktärer vill jag visa att romanen inte endast är en underhållande skröna utan den kan betraktas som en samhällssatir där de enskilda aktörerna representarar olika levnadssätt och värderingar, men framförallt olika svagheter och brister hos medborgare i välfärdsstaten. I vidare mening framstår Slyngstad Events också som en berättelse om ett Sverige som inte längre är ett lyckligt folkhem och ett mönsterland utan håller på att förvandlas till sin motsats, ett bisarrt monsterland, vilket jag utvecklar genom att tolka romanen mot bakgrund av de olika historiska berättelserna om folkhemmet.

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9

Kassman, Anders. "One of all the others – a life course study of scouts, social capital, and stratification in the Swedish ‘Folkhem’." Journal of Civil Society 13, no. 1 (January 2, 2017): 71–89. http://dx.doi.org/10.1080/17448689.2017.1287843.

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10

Mårald, Erland, and Christer Nordlund. "Modern Nature for a Modern Nation:An Intellectual History of Environmental Dissonances in the Swedish Welfare State." Environment and History 26, no. 4 (November 1, 2020): 495–520. http://dx.doi.org/10.3197/096734019x15463432086883.

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In the mid-1990s, the concept 'ecological modernisation' was established to characterise the perception that environmental protection and economic growth are not mutually exclusive but rather comprise a solid foundation for sustainable development. We argue in this essay that believing that modernisation, economic growth and a healthy environment could go hand-in-hand was nothing new as far as Sweden was concerned. Rather, it is a belief that developed during the 'folkhem era (1930s-1970s) due to an extensive dialogue about the proper relationship between nature and society in the construction of the welfare state. We highlight the idea of 'dissonances' as a salient metaphor describing the disharmonic relation between old and new and modern society and modern nature. According to advocates of modernisation, it was important to overcome dissonances - backwardness, inefficient use of natural resources and negative 'side effects' of societal progress such as pollution and environmental damage - between society and nature. Instead, by rational thinking and new technology it would be possible to make society and nature go hand-in-hand and thereby enhance human welfare. However, broadened knowledge and intellectual horizons and critiques of progress have brought new problem complexes and dissonances to light. Like the dream of Sweden the modern Model Nation, the definitive answer to the difficulties of the environmental issue has constantly been deferred.

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11

Ekrem, Carola. "Folket." Budkavlen 81 (June 13, 2023): 116. http://dx.doi.org/10.37447/bk.130731.

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12

Haycock, David Boyd. "‘The Cabals of a Few Designing Members’: The Presidency of Martin Folkes, PRS and the Society's First Charter." Antiquaries Journal 80, no. 1 (September 2000): 273–84. http://dx.doi.org/10.1017/s0003581500050241.

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This short paper examines the presidency of Martin Folkes (1690–1754) and the events surrounding the incorporation of the Society by a Royal Charter from George II in 1751. Folkes was also president of the Royal Society of London, and a small number of Antiquaries feared that incorporation was a plot hatched by ‘a few designing members’ either to line their own pockets or to subsume their society into its older, wealthier rival. Folkes in turn was a controversial figure, renowned f or his irreligious beliefs and satirized for his poor government of the Royal Society.

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13

Breguez, S. "IV Folkcom Amplia Fronteiras." Comunicação & Sociedade 23, no. 36 (December 31, 2001): 217–20. http://dx.doi.org/10.15603/2175-7755/cs.v23n36p217-220.

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14

Adjeketa, Blessing. "Eurocentric(ism) and Folk(ism) in Edegborode Festival Performance." مجلة بيت المشورة, no. 4 (August 30, 2023): 26–41. http://dx.doi.org/10.33001/18355/imjct0410.

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This essay analyses the Edegborode Annual Festival Performance of Sapele, Delta state, Nigeria, as one among the many dramatic performances in Africa, with economic values, vis-à-vis the possibility of adapting the festival into contemporary folk drama using Sam Ukala’s Folkism eight (8) Laws of Aesthetic Response. There is no doubt about the tourism potential and the economic values present in many Nigerian festival Performances. However, the question of whether traditional African performances can be classified as drama or not still lingers. Adopting traditional African performances into modern African folk drama is also a challenge. It is based on these that this study is carried out. I adopt the ethnographic method of research in carrying out this research. Participant observation and face-to-face interview method was explored. I aim to examine and measure the number of western performative elements like plot, character (isation), music, song, performance arena (stage), and the audience, in the Edegborode Annual Festival Performance, and how these aesthetics fit into modern African folk drama using Folkism as a yardstick. The study shows that the Edegborode festival performance provides entertainment to its audience. Also, its ability to attract over Four Thousand (4000) local tourists within Delta State every year adds economic value to community development. Most importantly, when subjected to the aesthetics of Folkism, the Edegborode annual festival is viable source material for modern folk drama. However, there is a need for a further critical study of the economic and health potentials of the use of traditional herbs and plants in traditional festival performances. Keywords: Eurocentricism, Edegborode, Festivals, Folkism Performances

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15

Elvebakk, Beate. "Vitenskap til folket!" Nytt Norsk Tidsskrift 29, no. 01 (March 5, 2012): 101–6. http://dx.doi.org/10.18261/issn1504-3053-2012-01-14.

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16

Eriksen, Stein Sundstøl. "Hvem er folket?" Agora 37, no. 01-02 (November 28, 2020): 341–46. http://dx.doi.org/10.18261/issn1500-1571-2020-01-02-17.

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17

Skogvoll, Eirik. "Defibrillator til folket?" Tidsskrift for Den norske legeforening 130, no. 2 (2010): 132. http://dx.doi.org/10.4045/tidsskr.09.1234.

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18

Bolt, Mikkel. "Folket som rest:." Slagmark - Tidsskrift for idéhistorie, no. 72 (August 15, 2015): 71–88. http://dx.doi.org/10.7146/sl.v2015i72.107202.

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The article brings together three short texts by Giorgio Agamben: “What is a people?” from Means without Ends from 1996, the third chapter from The Time that Remains from 2000 and the oral presentation “What is a movement?” from 2005. It analyzes Agamben’s idea of the people as internally divided. Through a juxtaposition with Marx’ notion of the proletariat, the article discusses Agamben’s attempt to develop a inoperative, but nonetheless revolutionary counter-paradigm to the biopolitical power paradigm of the West.

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19

Haug, Kjell. "Helsekommunikasjon til folket." Tidsskrift for Den norske legeforening 132, no. 4 (2012): 446. http://dx.doi.org/10.4045/tidsskr.11.1429.

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20

Valeur, Hanne Støre. "Genetikk til folket." Tidsskrift for Den norske legeforening 133, no. 14 (2013): 1474. http://dx.doi.org/10.4045/tidsskr.13.0823.

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21

Skoglund, Einar. "Leger til folket." Tidsskrift for Den norske legeforening 133, no. 17 (2013): 1847–50. http://dx.doi.org/10.4045/tidsskr.13.0867.

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22

N’jie, Haddy. "Demens til folket!" Tidsskrift for Den norske legeforening 134, no. 1 (2014): 124. http://dx.doi.org/10.4045/tidsskr.13.1530.

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23

Solberg, Berge. "Stamcelleforskning for folket?" Tidsskrift for Den norske legeforening 134, no. 6 (2014): 644. http://dx.doi.org/10.4045/tidsskr.14.0048.

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24

Henningsen, Lars N. "Folkehjem i Aabenraa 10. februar." Sønderjydske Årbøger 107, no. 1 (January 1, 1995): 14–23. http://dx.doi.org/10.7146/soenderjydskeaarboeger.v107i1.81210.

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25

Honemann, Volker, and Felix Fabri. "Rezension von: Fabri, Felix, Tractatus de civitate Ulmensi ..." Zeitschrift für Württembergische Landesgeschichte 75 (March 7, 2022): 558–60. http://dx.doi.org/10.53458/zwlg.v75i.2085.

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Felix Fabri O. P., Tractatus de civitate Ulmensi, Traktat über die Stadt Ulm, hg., übersetzt und kommentiert von Folker Reichert, Bibliotheca Suevica Nr. 35, hg. von Ulrich Gaier u. a., Gefördert vom Zweckverband Oberschwäbische Elektrizitätswerke (OEW), Konstanz: Ed. Isele 2012. 436 S., 1 Abb. ISBN 978-3-86142-561-8. € 25,–Felix Fabri O. P., Traktat über die Stadt Ulm, übersetzt und kommentiert von Folker Reichert, Bibliotheca Alemannica 1, hg. von Klaus Isele, Norderstedt 2014. 260 S., 1 Abb. ISBN 978-3-7347-3832-6. € 20,40

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26

Svane, Marie-Louise. "Demokratiet i litteraturhistorisk fokus." K&K - Kultur og Klasse 42, no. 118 (December 30, 2014): 291–94. http://dx.doi.org/10.7146/kok.v42i118.19852.

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27

Niemelä, Seppo. "Taistelu kansasta." Aikuiskasvatus 24, no. 4 (December 1, 2004): 358–59. http://dx.doi.org/10.33336/aik.93595.

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28

Eliesen, Gry. "Husbanken, eneboligen og folket." Plan 38, no. 02 (May 18, 2006): 12–19. http://dx.doi.org/10.18261/issn1504-3045-2006-02-04.

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29

Rasmussen, Tor Fr. "Hele folket i storbyer?" Plan 42, no. 05 (November 1, 2010): 36–41. http://dx.doi.org/10.18261/issn1504-3045-2010-05-08.

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30

Bergem, Ragnar Misje. "Hvor mye veier folket?" Agora 37, no. 01-02 (November 28, 2020): 229–57. http://dx.doi.org/10.18261/issn1500-1571-2020-01-02-11.

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31

Eide, Lars. "Hele folket i arbeid?" Tidsskrift for psykisk helsearbeid 4, no. 03 (December 11, 2007): 319–22. http://dx.doi.org/10.18261/issn1504-3010-2007-03-11.

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32

Wood, Ellen Meiksins. "Demos versus «vi, folket»." Agora 41, no. 2-3 (January 26, 2024): 201–35. http://dx.doi.org/10.18261/agora.41.2-3.9.

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33

Sybesma, Wilbert, Marjo Starrenburg, Michiel Kleerebezem, Igor Mierau, Willem M. de Vos, and Jeroen Hugenholtz. "Increased Production of Folate by Metabolic Engineering of Lactococcus lactis." Applied and Environmental Microbiology 69, no. 6 (June 2003): 3069–76. http://dx.doi.org/10.1128/aem.69.6.3069-3076.2003.

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ABSTRACT The dairy starter bacterium Lactococcus lactis is able to synthesize folate and accumulates large amounts of folate, predominantly in the polyglutamyl form. Only small amounts of the produced folate are released in the extracellular medium. Five genes involved in folate biosynthesis were identified in a folate gene cluster in L. lactis MG1363: folA, folB, folKE, folP, and folC. The gene folKE encodes the biprotein 2-amino-4-hydroxy-6-hydroxymethyldihydropteridine pyrophosphokinase and GTP cyclohydrolase I. The overexpression of folKE in L. lactis was found to increase the extracellular folate production almost 10-fold, while the total folate production increased almost 3-fold. The controlled combined overexpression of folKE and folC, encoding polyglutamyl folate synthetase, increased the retention of folate in the cell. The cloning and overexpression of folA, encoding dihydrofolate reductase, decreased the folate production twofold, suggesting a feedback inhibition of reduced folates on folate biosynthesis.

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34

Souza, M. I. A. R., and M. C. A. Medeiros. "V Folkcom Aponta Caminhos e Perspectivas." Comunicação & Sociedade 24, no. 38 (December 31, 2002): 243–47. http://dx.doi.org/10.15603/2175-7755/cs.v24n38p243-247.

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35

Kirst, S. "VII Folkcom Aborda a Folkcomunicação Política." Comunicação & Sociedade 26, no. 42 (December 31, 2004): 201–4. http://dx.doi.org/10.15603/2175-7755/cs.v26n42p201-204.

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36

Bourdieu, Pierre. "Måter å bruke «folket» på." Agora 37, no. 01-02 (November 28, 2020): 325–31. http://dx.doi.org/10.18261/issn1500-1571-2020-01-02-15.

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37

Lindholm, Markus. "Neandertal – folket som forsvant." Naturen 145, no. 01 (March 15, 2021): 65–67. http://dx.doi.org/10.18261/issn.1504-3118-2021-01-08.

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38

Spjøtvold, Morten. "Kunst og fyll til folket." Norsk museumstidsskrift 5, no. 01 (May 9, 2019): 10–29. http://dx.doi.org/10.18261/issn.2464-2525-2019-01-03.

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39

Eriksen, Per. "Folket som ville binde Gud." Kirke og Kultur 111, no. 01 (March 1, 2006): 61–69. http://dx.doi.org/10.18261/issn1504-3002-2006-01-08.

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40

Petershagen, Wolf-Henning, and Felix Fabri. "Rezension von: Fabri, Felix, Tractatus de civitate Ulmensi." Ulm und Oberschwaben 58 (July 17, 2023): 472–74. http://dx.doi.org/10.53458/uo.v58i.6925.

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Felix Fabri O.P.: Tractatus de civitate Ulmensi / Traktat über die Stadt Ulm. Herausgegeben, übersetzt und kommentiert von Folker Reichert (Bibliotheca suevica 35). Konstanz: Edition Isele 2012; 435 S., geb., 25,00 EUR

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41

Petershagen, Wolf-Henning, Folker Reichert, and Alexander Rosenstock. "Rezension von: Reichert, Folker; Rosenstock, Alexander (Hrsg.), Die Welt des Felix Fabri." Ulm und Oberschwaben 61 (March 6, 2024): 428–31. http://dx.doi.org/10.53458/uo.v61i.10809.

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Folker Reichert/Alexander Rosenstock (Hg.): Die Welt des Felix Fabri (Veröffentlichungen der Stadtbibliothek Ulm 25). Weißenhorn: Anton H. Konrad Verlag 2018; 296 S., 42 Farbabb., 17 s/w-Abb., geb., 39,80 EUR

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42

Krogh, Birthe, and Ellen Bo. "Folke- eller uddannelsesbibliotek?" Biblioteksarbejde, no. 30 (June 15, 2018): 31–34. http://dx.doi.org/10.7146/bibarb.v0i30.106325.

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43

Dahlqvist, Rune, and Gunnar Alván. "Honouring Folke Sjöqvist." European Journal of Clinical Pharmacology 69, S1 (May 2013): 1. http://dx.doi.org/10.1007/s00228-013-1513-9.

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44

Schmieder, Felicitas, Folker Reichert, and Alexander Rosenstock. "Rezension von: Reichert, Folker; Rosenstock, Alexander (Hrsg.), Die Welt des Frater Felix Fabri." Zeitschrift für Württembergische Landesgeschichte 80 (August 18, 2022): 508–9. http://dx.doi.org/10.53458/zwlg.v80i.3583.

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45

Dias, E. P. M. "Folkcom Resgata Sincretismo Cultural em Luiz Beltrão." Comunicação & Sociedade 28, no. 47 (June 30, 2007): 243–45. http://dx.doi.org/10.15603/2175-7755/cs.v28n47p243-245.

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46

Harrits, Kirsten Folke. "At fotografere arbejde." Passage - Tidsskrift for litteratur og kritik 35, no. 84 (December 31, 2020): 125–28. http://dx.doi.org/10.7146/pas.v35i84.124942.

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47

Hostrup Haughbølle, Rikke. "Folket, eliten og demokratiet i Tunesien." Udenrigs, no. 2 (June 1, 2006): 91–100. http://dx.doi.org/10.7146/udenrigs.v0i2.119579.

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Officielt fremstår Tunesien som homogent, men skal der skabes en farbar vej mod en egentlig demokratiudvikling, må fokus flyttes til den diversitet, der præger befolkningen.

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48

Pacheco, H. P. "Rede Folkcom Cria Mais Uma Linha de Eventos." Comunicação & Sociedade 23, no. 36 (December 31, 2001): 224–26. http://dx.doi.org/10.15603/2175-7755/cs.v23n36p224-226.

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49

Eiriksson, Matthias Engberg. "At forstå (folke)biblioteket." Dansk Biblioteksforskning 5, no. 1 (October 26, 2009): 41–43. http://dx.doi.org/10.7146/danbibfor.v5i1.97478.

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ANMELDELSE:Andersen, J, Jochumsen H, Rasmussen CH (red.)(2008): At forstå biblioteket. En introduktion til teoretiske perspektiver. København: [S.l.]: Danmarks Biblioteksforening. 267 s. ISBN 978-87-90849-53-5

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50

Lees, Peter, and Pierre‐Louis Toutain. "Folke Rasmussen: An appreciation." Journal of Veterinary Pharmacology and Therapeutics 44, no. 3 (May 2021): 418. http://dx.doi.org/10.1111/jvp.12954.

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