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Relevant bibliographies by topics / Folklore genre / Dissertations / Theses

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Dissertations / Theses on the topic 'Folklore genre'

Author: Grafiati

Published: 7 June 2025

Last updated: 2 August 2025

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1

Ingemark, Camilla Asplund. "The genre of trolls the case of a Finland-Swedish folk belief tradition /." Åbo : Åbo Akademi University Press, 2004. http://books.google.com/books?id=SjSCAAAAMAAJ.

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2

Haenninen, Kirsi. "The Construction of Self in Finnish First-person Supernatural Encounter Narratives." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1261592657.

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3

Hachem, Maya. "La production théâtrale en Syrie : acculturation ou folklore ? : l'oeuvre et l'époque d'Al-Qabbânî de 1865 à 1882." Paris 3, 1993. http://www.theses.fr/1994PA030032.

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Une approche historique et socioculturelle de la nahda une traduction du drame de harun er-rashid suivi par son analyse actantielle et par l'etude du systeme actoriel dans la dramaturgie de l'auteur<br>A social, cultural and historical approche of the nahda : a transletion of harun er-rashid drama by al-qabbani followed by its actantial analysis and an actorial study

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4

Acome, Justin. "Bluegrass Nonsense Politics." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1376941176.

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5

Podetti, Elena. "Une continuation de "Huon de Bordeaux" : "Yde et Olive" : édition critique et commentaire, entre réminiscences folkloriques et résonances littéraires." Thesis, Strasbourg, 2019. http://www.theses.fr/2019STRAC011/document.

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À la charnière des XIIIe et XIVe siècles un long cycle épique s’est constitué autour de Huon de Bordeaux. Ce que la critique appelle la Chanson d’Yde et Olive, pour indiquer la troisième continuation, regroupe en réalité trois unités narratives distinctes, Yde et Olive I, Croissant et Yde et Olive II, consacrées aux aventures de la petite fille et de l’arrière-petit-fils du héros bordelais. Dans ma thèse je propose une nouvelle édition critique, un commentaire et une étude de la réception en Italie de ces textes qui, quoique méconnus, constituent un échantillon représentatif de la plasticité d

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6

Овсянко, Олена Леонідівна, Елена Леонидовна Овсянко, Olena Leonidivna Ovsianko та А. Є. Біх. "Тексти малої форми в науковій картині світу". Thesis, Сумський державний університет, 2017. http://essuir.sumdu.edu.ua/handle/123456789/57261.

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Об’єктом дослідження є тексти малої форми, а предметом − їх структурно-функціональні ознаки.<br>The object of the research is small genre texts, the subject - their structural-functional characteristic.

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7

Binder, Kendall Joseph. "Rural Hysteria: Genre of the Reimagined Past, Spectacle of AIDS, and Queer Politics in Diana Lee Inosanto's The Sensei." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1367081027.

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8

Thurston, Timothy O'Connor. "Laughter on the Grassland: A Diachronic Study of A mdo Tibetan Comedy and the Public Intellectual in Western China." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1430960495.

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9

Green, Jennifer Elizabeth. "Aesthetic Excuses and Moral Crimes: The Convergence of Morality and Aesthetics in Nabokov's Lolita." unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-04272006-134431/.

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Thesis (M.A.)--Georgia State University, 2006.<br>Title from title screen. Paul Schmidt, committee chair ; Marti Singer, Chris Kocela, committee members. Electronic text (60 p.) : digital, PDF file. Description based on contents viewed Apr. 17, 2007. Includes bibliographical references (p. 55-64).

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10

Roth, Salomé. "Quand les dieux entrent en scène : pratiques rituelles afro-cubaines et performances scéniques à La Havane au lendemain de la Révolution." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA150/document.

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Ce travail porte sur les performances scéniques qui naquirent à Cuba de la rencontre entre l'idéologie marxiste, officiellement adoptée par le gouvernement depuis 1961, et les religions afro-cubaines, pratiquées sur l'île depuis l'arrivée des premiers esclaves africains. D'un côté, le gouver-nement révolutionnaire entreprit de transformer les rituels afro-cubains en folklore national, tout à la fois pour en neutraliser la portée religieuse et pour les intégrer au patrimoine d'une nation en pleine construction. De l'autre, il exigea au fil des années un militantisme croissant de la part des art

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11

Şerbu, Lavinia. "L'image de l'Orient dans l'oeuvre de la princesse Bibesco." Thesis, Aix-Marseille, 2013. http://www.theses.fr/2013AIXM3096.

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L’Orient de la Princesse Bibesco comporte plusieurs facettes et dépasse la dimension spatiale. Dans cette recherche, nous avons abordé premièrement une expérience « antérieure » à l’existence terrestre de Marthe, dévoilée dans ses mémoires– La Nymphe Europe. Livre I. Mes vies antérieures . Cette première partie nous l’avons appelée l’Orient historique/ hérité. Ensuite, notre recherche met en question un Orient créé (au palais de Mogoşoaia, sa résidence roumaine qu’elle appelle « un coin d’Orient »), un autre Orient vécu et idéalisé dans des notes de voyages où elle se montre plutôt une observa

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12

Molnar, Lauren B. "Pigeonholing without Hybridizing: The False Reduction of Toni Morrison's Beloved." Cleveland State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=csu1303442088.

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13

Boekhoorn, Dimitri Nikolai. "Bestiaire mythique, légendaire et merveilleux dans la tradition celtique : de la littérature orale à la littérature écrite." Phd thesis, Rennes 2, 2008. http://tel.archives-ouvertes.fr/tel-00293874/fr/.

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L'auteur propose d'étudier le « bestiaire celtique », entendu comme l'ensemble des animaux réels avant tout, dans la littérature celtique du Moyen Âge. A travers les textes mythologiques, héroïques et hagiographiques surtout, une vue d'ensemble sera établie. Il veut savoir ce que sont devenus les animaux cultuels de l'Antiquité dans les textes médiévaux ; il étudie également le rôle et le symbolisme des autres animaux de la tradition médiévale, qui n'étaient pas forcément importants pendant l'Antiquité ; il fait le tour de la question en donnant un aperçu du corpus étudié, en faisant des référ

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14

Zoumanigui, Akoye Massa. "L'Epopée de Zébéla Tokpa Pivi : Culture Loma, performance, genres narratifs et non narratifs." Thesis, Besançon, 2011. http://www.theses.fr/2011BESA1031.

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Notre projet de thèse vise à analyser ce qui porte la trace du travail de la mémoire collective dans un discours de littérature orale, de la transmission qui assure la compréhension et la conservation du message. Il s'agit pour nous d'expliquer comment la profération du discours de littérature orale et la performance à laquelle il donne lieu restitue les valeurs culturelles des loma.Cette épopée retrace l'histoire d'un chef de guerre qui fait encore de nos jours partie de la culture populaire au pays des loma en République de Guinée. Nous assurons la transcription en langue locale lɔɠɔmagooy e

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15

GALAJDOVÁ, Nicole. "Vývojové a mediální proměny Popelky jako pohádkového příběhu a jako postavy." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-381459.

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Master thesis deals with changes of elements, that constitute a fairy tale of the Cinderella in different times, cultural and media contexts. Therefore, thesis analyzes and compares different literal and film renderings of the story based upon morfological composition of the fairy tale and motives and gender stereotypes present in it. Individual features of tales are then processed and divided on archetypal and changeable. Main character, the Cinderella , is also considered, and her common characteristic is documented within gender analysis for every version of the story. Thesis also deals wit

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16

Jagošová, Anna. "Současný dětský folklor." Master's thesis, 2021. http://www.nusl.cz/ntk/nusl-448700.

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Anna Jagošová, Současný dětský folklor Abstract The diploma thesis deals with the current form of children's verbal folklore. It focuses specifically on children's games, , taunts and marginally rhymes and songs with a steady and mostly rhyme structure. The aim of this thesis is to compare the expression of current children's verbal folklore with the expression of traditional children's verbal folklore. Describe their characteristics and compare with the already proposed categorization (Jelínková, 1952, Tucker, 2008), or eventually propose own categorization, and primarily to analyze the expre

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17

Bellaviti, Sean. "Negotiating Musical Style in Panama: Nationalism, Professionalism and the Invention of Música Típica Popular." Thesis, 2013. http://hdl.handle.net/1807/35775.

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This dissertation provides both an historical outline and contemporary ethnographic account of the Panamanian musical practice called “música típica popular,” which is commonly understood in Panama to denote a specific kind of vernacular music that is widely embraced. By examining the social-historical processes, events and discourses that have contributed to the genre’s development, this study seeks to develop greater understanding of what I argue is this music’s particular and pronouncedly ambiguous relationship to prominent themes of Panamanian cultural nationalism. Specifically, I endeavo

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18

Theron, Elizabeth Rabie. "Jacob van Maerlant se Der naturen bloeme as ensiklopediese narratief." Diss., 2003. http://hdl.handle.net/10500/1108.

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Text in Afrikaans<br>During the past decade various studies have been conducted on the medieval bestiary and simultaneously much has been written on the life and work of the medieval scholar and writer, Jacob van Maerlant. Van Maerlant's famous encyclopaedic work, Der Naturen B/oeme (Book of Nature) has been thoroughly investigated in recent literary studies, though little has been done to identify this work as encyclopaedic narrative. The term, encyclopaedic narrative, is relatively unknown in Western literature and therefore demands the research which is conducted in this thesis. In

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19

Omolola, Bayo Rasheed. "The study of oral tradition in Yoruba movies." Thesis, 2013. http://hdl.handle.net/10500/13268.

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The study examines two selected Yorùbá movies, focuses on the oral tradition, feelings, and messages in them. Its purpose is to show that the classification or categorisation by previous scholars is not limited to Yorùbá movies; it is adaptable to other movies. Consequently, the study sets out to find an identity for Yorùbá movies and is able to accomplish its aim. It draws on copious examples of oral tradition genres in the selected movies, extract their examples from the movies, and use the extracts to make an argument that the unique way to identify Yorùbá movies is the Yorùbá oral traditio

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20

Tsiu, M. W. (Moruti William) 1944. "Basotho oral poetry at the beginning of the 21st century." Thesis, 2008. http://hdl.handle.net/10500/1362.

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Largely based on material recorded during an internationally sponsored inter-university research tour through the Sesotho speaking area of southern Africa in August 2000, this thesis explores the state of the Basotho oral poetry, the dithoko `praise poems', the difela `mine workers' chants' and the diboko `family odes' at the beginning of the 21st century. Unlike the classical dithoko which were inspired by the wars or the battles in which the Basotho fought as well as cannibalism, those composed at the beginning of the 21st century are inspired by socio-economic and political situations

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