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Journal articles on the topic 'Folklore genre'

Author: Grafiati

Published: 7 June 2025

Last updated: 2 August 2025

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1

Shahla, HUSEYNLI. "THE PROBLEM OF FUNCTIONAL GENRE IN AZERBAIJANI FOLKLORE STUDIES." Epic studies 1, no. 33 (2024): 36–44. http://dx.doi.org/10.25587/2782-4861-2024-1-36-44.

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In this article the problem of functional genre, which is an important issue in folklore studies, is studied scientifically and theoretically. The formation of a new genre as a result of the process of deriving a genre from a genre has been brought to attention on the basis of specific texts. These genres are called functional genres and it has been considered on the basis of which specifics functionalize the genres such as “bayati”, “gerayli”, “goshma”, “temsil” and fairy tales. Thus, it was initially noted that the genre of “bayati” (quatrain) is not a specific genre, like many other genres,

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2

Tamabaeva, K., Zh Seisenbaeva, and S. Shormakova. "ANCIENT CALCULATIONS OF THE GREAT STEPPE – THE SPIRITUAL VALUE OF THE KAZAKH PEOPLE." BULLETIN Series of Philological Sciences 74, no. 4 (2020): 340–44. http://dx.doi.org/10.51889/2020-4.1728-7804.69.

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The article explores the deeply rooted nature of the space of folk thought and spiritual thinking through ancient steppe calculations, the genre of such folklore as the genre of folklore. Like many folk genres, ancient steppe problems are written in both poetic and prosaic form, with a predominance of syncretic character. This clearly indicates the need to study the problems of the ancient steppe as a folklore work. It has been scientifically established that folklore itself is an interdisciplinary syncretic art and phenomenon.

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3

Tokpayeva, Lyazzat Sabirovna, Gulzhana Aytzhanovna Kuzembayeva, and Diana Pavlovna Spulber. "A Comparative Lexical Analysis of Kazakh, Russian and English Children’s Folklore." RUDN Journal of Language Studies, Semiotics and Semantics 15, no. 1 (2024): 107–25. http://dx.doi.org/10.22363/2313-2299-2024-15-1-107-125.

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Occupying a special position in the oral folk art of any nation, children’s folklore is a complex field, which interrelates two areas: folklore for children and folklore created by children, learned from adults, and passed on from some children to other children. Human world and values are reflected in folklore - thus the ethnographic study of children’s folklore contributes to the understanding of the specifics of various cultures, and children’s participation in them. The purpose of the study is to describe children’s folklore in the Kazakh, Russian, and English languages from the linguistic

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4

Zavyalova, Olga. "Folklore genre designation among the Manden peoples." Tydskrif vir Letterkunde 60, no. 3 (2023): 17–26. http://dx.doi.org/10.17159/tl.v60i3.14401.

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In this article I deal with the problem of division into genres and genre designation in the oral tradition of the Bamana, Maninka, and Dyula. These people belong to the Manden or Mandinka, Mandingo peoples (Mali, Guinea, and Burkina Faso). For comparison, the names of similar genres among the Dogon are also given, as the Dogon consider themselves a Manden people, even though their languages do not belong to the Mandé language family. Both expeditionary materials and written sources were used. Almost all the words related to genre formation were recorded, and a description of the genres themse

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5

Rakysh, Zh, N. Sarsek, and A. Akan. "TRANSFORMATION OF MINOR GENRES IN KAZAKH POSTFOLKLORE." Keruen 83, no. 2 (2024): 101–9. http://dx.doi.org/10.53871/2078-8134.2024.2-07.

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In the article, the targeted audience and thematic character of the instructive stories that are spreading through the networks are classified, and the correlation and comparison of the types of proverbs that have changed in accordance with the times has been carried out. Today, it is known that small genres of traditional folklore are changing due to the widespread use of the Internet. Because folklore is a kind of communicative tool created together with humanity, it can be called a living phenomenon that adapts to the social life due to changes in cultural and historical conditions. Post-fo

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6

Qayumov, Olim. "FOLKLORNING INFORMATIV EPIK JANRLARIGA DOIR." TAMADDUN NURI JURNALI 11, no. 62 (2024): 103–6. https://doi.org/10.69691/ynwtpa05.

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This article examines the small epic genres of Uzbek folklore, which serve to convey information to the listener.The author puts forward new scientific and theoretical conclusions about “rumors", a modern informative genre ignored by folklore science.

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7

Ravshanovna, RakhmonovaMakhbuba. "The Peculiarity of The Specificity and Systematization of Legends in Folklore Studies." International Journal Of Literature And Languages 5, no. 3 (2025): 24–27. https://doi.org/10.37547/ijll/volume05issue03-07.

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The article examines the genre nature of legends, the uniqueness of their poetics, and the scientific description of the varieties of the genre in folklore studies. The diversity of the paradigm of folklore legends, their constant interaction with other genres predetermine the introduction of new definitions and the clarification of existing ones. At present, the plots of various legends in the global context are the most popular narrative and content structures for expressing and transmitting personal religious feelings in modern oral folklore. Such stories expand the boundaries of reality an

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8

Khojamuratovich, Elmuratov Rashit. "TYPOLOGY OF IMAGES IN HISTORICAL LEGENDS OF KARAKALPAK AND ENGLISH FOLKLORE." ANGLISTICUM. Journal of the Association-Institute for English Language and American Studies 12, no. 1 (2023): 24. http://dx.doi.org/10.58885/ijllis.v12i1.24.ek.

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<p><span>Legends, which include part of the folklore heritage, are one of the main genres of oral creativity of the Turkic peoples. In the world science of folklore and literary criticism, a large number of works have been published on the definition of theoretical descriptions of legends. As you know, one of the main genres of folk art is that historical events are preserved to a certain extent in legends, which creates some opportunities for us to understand and learn about our past history, our primordial national culture, our literature. It is known that in modern world folklor

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9

Zhakenova, R. "FOLKLORE MOTIVES AND FANTASY GENRE SIGNS IN ANTONINA SCHIPULINA'S WORKS: "THE WITCH OF THE MISTLAND" AND "THE MYSTERY OF THE WITCH URSULA"." Scientific heritage, no. 92 (July 7, 2022): 63–66. https://doi.org/10.5281/zenodo.6807007.

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The article views genre peculiarities of the work of modern Kazakh children's writer Antonina Shipulina. The analysis reveals the mixture of folklore motives and fantasy genre signs, which allows to single out hybrid genres as a separate group in the genre system of modern children's literature in Kazakhstan.

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10

G. S. Kalbaeva. "Criteria and Principles for Determining the Genre Boundaries Among Subgenres of Folklore Prose." Journal of Advanced Zoology 44, S6 (2023): 33–37. http://dx.doi.org/10.17762/jaz.v44is6.1948.

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In the article, is scientifically analysed the principles and criteria to determine the genre boundary between the sub-genres of folklore prose such as myth, legend, story, fairy tale. In this, special attention is paid to defining the genre boundary of the legend genre of Karakalpak folk prose. In determining the boundaries between the genres of folklore prose, the relation of the events narrated in the work to the truth, the methods of description used in the description of the truth (the role of magic), the functional tasks performed in life, the features of the application of the actions o

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11

Yunusova, Guzel Faizrakhmanovna. "From munajat to lullaby: genre transfunction in Tatar musical folklore." Manuscript 18, no. 2 (2025): 467–75. https://doi.org/10.30853/mns20250066.

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The purpose of this study is to identify the phenomenon of borrowing the lullaby function inherent in a lullaby by samples of other genres. This little-studied issue in Russian ethnomusicology is considered using the example of one of the genres of the lyric-epic group of Tatar folklore – munajat. Attention is drawn and the reasons for using artifacts of this particular area of folk art as a lullaby are indicated. In this regard, some other samples of this group of Tatar folklore genres are characterized. Among them: bait, dastan and fairy tale. The scientific novelty of the work lies in the f

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12

Bakanova, A. V. "Small Genres of Spanish Folklore." Cuadernos Iberoamericanos 11, no. 3 (2023): 146–63. http://dx.doi.org/10.46272/2409-3416-2023-11-3-146-163.

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The article analyzes the small genres of Spanish folklore. Genre is the main form of study in folklore; it translates a certain life experience of the people. The formation of the Spanish genre system was influenced both by Western and Eastern folklore traditions, and Spain itself has repeatedly served as a cultural intermediary. Spanish and Russian folklorists do not share the same take on terminology: Spanish researchers do not typically classify groups of genres according to their volume, therefore proverbs and sayings are studied as part of phraseology, whereas riddles, rhymes, tongue twis

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13

Liubana, Metropoly Merlin J., Desta Gloria Siahaan, and Hesni Neno. "Folktales Genre in Border Area of Indonesia- Timor Leste: A Study of Oral Literature." International Journal of Language and Cultural (TIJOLAC) 3, no. 2 (2021): 86–96. https://doi.org/10.5281/zenodo.5523968.

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Literature and the local culture of a society are closely related to the traditions of the community itself. The study of folklore, in this study, aims to describe the genre of folklore. This study uses the theory of oral literature, which is mapped into the folktale genre. The research method is descriptive qualitative. The results showed that the folklore genre in the border area of Indonesia- Timor Leste is divided into three genres, namely legend, myth, and fairy tale. The legend returns eight stories, namely: 1) four legends from North Central Timor (NCT) Regency, namely <em>Kol Kit Nel</

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14

Redkova, Evgenia S. "The Concept of “Genre” in the Scientific Heritage of Feodosy Rubtsov." Journal of Siberian Federal University. Humanities & Social Sciences 15, no. 1 (2022): 95–102. http://dx.doi.org/10.17516/1997-1370-0879.

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Professor of the Leningrad State Conservatory composer Feodosy Antonovich Rubtsov (1904-1986) entered the history of Russian musicology as the author of the original concept of the structure of scales of folk songs. The scientist formulated main positions in monographs “Intonation Relations in the Songs of Slavs” (1962) and “The principles of mode construction in Russian Folk Songs” (1964). Comprehension of the concept of “genre”, the definition of genre features of traditional folk songs is a little-known side of Rubtsov’s scientific heritage. The study of archival documents (in particular, t

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15

Alieva, Fatima Abdulovna, Fatyma Khamzaevna Mukhamedova, and Aigul' Muratovna Bekeeva. "Song genres of traditional folklore of the Dargin people: ideological-aesthetic and artistic uniqueness." Litera, no. 10 (October 2020): 94–103. http://dx.doi.org/10.25136/2409-8698.2020.10.34105.

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The subject of this research is the key genres of song folklore of the Dargin people &ndash; one of the ethnoses of Dagestan, which includes such Akushin, Kaitag, Kubachin, Mekegin, Tsudakhar, and others. An attempt is made to examine genre diversity of the Dargin people traditional poetic folklore, describe the forms of existence of specific genres, determine their ideological-aesthetic and artistic content, trace their evolution and transformation, as well as characterize the poetics. The goal of this work consists in demonstration of genre diversity of the song folklore of the Dargin pe

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16

Danylets, Viktoriia. "Stylistic and Genre Elements of Hutsul and Gural Folklore in the Works of Ukrainian and Polish Composers." Bulletin of KNUKiM. Series in Arts, no. 43 (December 22, 2020): 82–87. https://doi.org/10.31866/2410-1176.43.2020.220093.

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The purpose of the article is to find out the key features for authentic music of the mountain areas in Ukraine and Poland and to characterise the influence of Hutsul and Gural folklore on the work of outstanding Ukrainian and Polish composers in the latter half of the 20th century. The research methodology is based on the theoretical, historical, comparative and analytical methods. The article applies methods of generalisation and concretisation of the scientific material. They are to understand the influence of genre and stylistic elements of Hutsul and Gural folklore on the work of signific

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17

Nigar Aghayeva. "COMPARATIVE ANALYSIS OF SOME LYRIC AND EPIC GENRES IN AZERBAIJANI AND ENGLISH CHILDREN’S FOLKLORE." International Academy Journal Web of Scholar, no. 2(44) (February 28, 2020): 17–21. http://dx.doi.org/10.31435/rsglobal_wos/28022020/6912.

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   Children's folklore genres play a very important role in children’s development. Article is devoted to the comparative study of some lyric and epic genre features of Azerbaijani and English children's folklore. Children folklore has a lot of common peculiarities. But there are also some differences. In this regard, the subject of the research is fundamental and comparative typological analysis of the lyric and epic genres of Azerbaijani and English children’s folklore were involved to the research. Article provides a comparative analysis of both Azerbaijani and English lul

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18

Elmuratov, R.Kh. "ABOUT THE THEME OF HISTORICAL LEGENDS IN KARAKALPAK FOLKLORE." ACADEMIC RESEARCH IN MODERN SCIENCE 2, no. 5 (2023): 32–38. https://doi.org/10.5281/zenodo.7634162.

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Legends, which include part of the folklore heritage, are one of the main genres of oral creativity of the Turkic peoples. In the world science of folklore and literary criticism, a large number of works have been published on the definition of theoretical descriptions of legends. As you know, one of the main genres of folk art is that historical events are preserved to a certain extent in legends, which creates some opportunities for us to understand and learn about our past history, our primordial national culture, our literature. It is known that in modern world folklore a structural-semant

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19

Kartasheva, Anna Olegovna, and Alena Aleksandrovna Ustinovskaya. "Valery Bryusov and Urban Folklore: a game with genre tradition." Litera, no. 4 (April 2023): 49–57. http://dx.doi.org/10.25136/2409-8698.2023.4.40532.

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The subject of the study is a literary game with the genre tradition of urban romance and factory (working) songs in the poetry of the poet of the Silver Age Valery Bryusov. The object of the study is Bryusov's genre palette and his creative searches in relation to the extensive development of genres of domestic and foreign literature, as well as folklore. The authors consider in detail such aspects of the topic as Bryusov's genre strategies, his playing with genre constants and the deliberate distortion of the genre "grid" of the working song with the involvement of features of another, relat

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20

Zakrevskaya, Ekaterina A. "CHASTUSHKA ON THE INTERNET: BETWEEN FOLKLORE AND STYLIZATION." Folklore: structure, typology, semiotics 7, no. 1 (2024): 37–67. http://dx.doi.org/10.28995/2658-5294-2024-7-1-37-67.

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Сhastushka’s – four-line folk ditties, usually humorous, sung in a lively manner, were widely spread during the 20th century. It is believed today that these ditties are the only genre of traditional folklore that still productively and actively exists nowadays. Chastuska’s formal features and its content allow it to exist not only as a spoken genre, but also on TV, on the Internet. Although researchers admit that Internet ditties significantly differ from traditional oral ones, they are still classified as folklore. However, this idea seems doubtful to me. I suggest categories of the Internet

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21

Shirinboyevna, Tosheva Nilufar. "Folklore in socio-domestic novels (using the example of Adil Yakubov's novel "Adolat manzili")." European International Journal of Philological Sciences 5, no. 1 (2025): 17–20. https://doi.org/10.55640/eijps-05-01-04.

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Since the genre of the novel is a large genre, it contains more characters, images, and details than other genres. The scope of the plot is also shaped more broadly. In our national novels, from proverbs created by our people to epics, the hero's psyche and the nature of the work are realistically shown to the reader.

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Gasharova, Aida Ruslanovna. "The peculiarity of syntactic constructions of Lezgian folk riddles." Филология: научные исследования, no. 6 (June 2021): 70–76. http://dx.doi.org/10.7256/2454-0749.2021.6.34296.

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The subject of this research is the peculiarity of syntactic constructions of Lezgain folk riddles. The object of this research is the aphoristic genre of Lezgian folklore &ndash; the riddles. Along with other folklore genres, riddles hold a remarkable place in the folklore poetics Lezgins, featuring prevalence of storytelling. The relevance the selected topic lies in the absence of specific research dedicated to comprehensive analysis of this genre of Lezgian folklore. The article illustrates the syntactic constructions of folk riddles of Lezgins. The conducted brief syntactic analysis is

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Liugaitė-Černiauskienė, Modesta. "Folk Ballad beyond the Genre Definition." Tautosakos darbai 63 (July 20, 2022): 123–37. http://dx.doi.org/10.51554/td.22.63.06.

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The ballad has long existed in the periphery of the Lithuanian folkloristics. In this article, the folk ballad’s role and place in the Lithuanian folksong tradition is explored discussing two classical works of the Lithuanian folklore research characterized by their rather diverse theoretical assumptions. Both works were published in the end of the 1960s. The first one is the study on the Lithuanian folk ballads by Pranė Jokimaitienė (1968), and the second one is the monograph by Donatas Sauka discussing the uniqueness and value of folklore (1970). The author of the article suggests examining

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24

Adizova, Obodon Istamovna. "LES CLASSEMENT DES FAITS FOLKLORIQUES FRANÇAIS." Innovative Development in Educational Activities 2, no. 21 (2023): 79–87. https://doi.org/10.5281/zenodo.10138383.

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<i>The article describes the genre of folklore, its history and principles of development. It is based on the information about the origin, evolution, characteristics and structure of the folklore genre.</i>

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Khaninova, Rimma M. "Жанр харал в калмыцкой поэзии ХХ в." Монголоведение (Монгол судлал) 14, № 2 (2022): 418–40. http://dx.doi.org/10.22162/2500-1523-2022-2-418-440.

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Introduction. In Kalmyk folklore, the genres of yöräl (well-wishing) and kharal (curse) cluster with magic poetry characterized by ritual and communicative functions. The latter genre remains understudied since informants had avoided uttering such narratives fearing their negative impacts, therefore the available records of kharals are much fewer than those containing yöräls. This affected essentials of kharals authored by 20th-century Kalmyk poets, including the former’s peripheral position in the genre system of Kalmyk lyrics and a small number of such poetic examples. The article discusses

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Khaninova, Rimma M. "Благопожелание чаю в современной калмыцкой лирике: фольклорный аспект". Монголоведение (Монгол судлал) 15, № 2 (2023): 253–70. http://dx.doi.org/10.22162/2500-1523-2023-2-253-270.

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Introduction. The article examines the genre of tea well-wishes in contemporary Kalmyk lyric poetry through the prism of folklore tradition. The fact that the theme has been somewhat understudied from the latter perspective makes the work relevant enough. Goals. The article aims to investigate the folklore aspect in Kalmyk poets’ narratives addressing Kalmyk tea. Materials and methods. The paper analyzes related Kalmyk- and Russian-language poems by contemporary Kalmyk poets representing different generations. The study shall examine a number of folklore genres, such as tea well-wishes, prover

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Khaninova, Rimma M. "Благопожелание чаю в современной калмыцкой лирике: фольклорный аспект". Монголоведение (Монгол судлал) 15, № 2 (2023): 95–112. http://dx.doi.org/10.22162/2500-1523-2023-2-95-112.

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Introduction. The article examines the genre of tea well-wishes in contemporary Kalmyk lyric poetry through the prism of folklore tradition. The fact that the theme has been somewhat understudied from the latter perspective makes the work relevant enough. Goals. The article aims to investigate the folklore aspect in Kalmyk poets’ narratives addressing Kalmyk tea. Materials and methods. The paper analyzes related Kalmyk- and Russian-language poems by contemporary Kalmyk poets representing different generations. The study shall examine a number of folklore genres, such as tea well-wishes, prover

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28

Urdea, Alexandra. "Folklore Music on Romanian TV." Television Histories in (Post)Socialist Europe 3, no. 5 (2014): 35. http://dx.doi.org/10.18146/2213-0969.2014.jethc054.

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Music genres rooted in folklore have often been interpreted as ideological manoeuvres to forge a sense of national identity (Gordy, Mihailescu, Baker, Cash). This article explores formalized folklore performances of muzică populară as forms ‘media rituals’ (Couldry), and focuses on the role that television has played in establishing the genre as we know it today. It analyses the link between muzică populară as rooted in mass participation activities during communism, and ‘media rituals’ as framed on television (Couldry), indiscriminately and democratically involving the entire population that

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Belyaeva, Tatyana Nikolaevna. "The Role of Folklore in the Formation of the Genre of the Satirical Novel (based on the Material of the Mari Literature of the First Third of the XX Century)." Litera, no. 12 (December 2022): 66–74. http://dx.doi.org/10.25136/2409-8698.2022.12.39402.

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This article examines the problem of folklore and literature based on the material of the Mari national literature of the first third of the twentieth century. The subject of the study is the role of folklore traditions in the formation of the genre of the satirical novel. The influence of folklore images-characters, genres of oral folk art (fairy tale, proverb, saying, etc.), their poetics and stylistics on the process of formation of Mari national literature, on the birth of the first Mari satirical novel – N. V. Ignatiev's novel "Savik" is shown. In such a scientific and theoretical aspect,

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Gasharova, Aida R. "GOOD WISHES AS A MAGICAL GENRE OF LEZGHIN FOLKLORE." Proceedings of Southern Federal University. Philology 28, no. 4 (2024): 165–73. https://doi.org/10.18522/1995-0640-2024-4-165-173.

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The article is devoted to one of the least studied problems in Lezghin folklore – the magical genre of oral and poetic creativity. We find elements of the magical genre in the structure of good wishes, curses, conspiracies, ritual and mythological works. We touch upon the texts of magical poetry (good wishes), which were first introduced into scientific circulation. Along with other genres of folklore, Lezghins present good wishes. It has been established that good wishes are one of the very archaic genres of folk art. The ideological and thematic orientation of the works of this genre is dire

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Krasheninnikova, Yulia A. "The research of wedding speeches in the 1st third of the 20th century: ideas, methods, promising directions." Vestnik of Kostroma State University 31, no. 1 (2025): 190–97. https://doi.org/10.34216/1998-0817-2025-31-1-190-197.

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The article analyses the research works, dated the 1st third of the 20th century, devoted to the genre of wedding speeches. The authors of these works (Dmitry Zelenin, Angelina Moreyeva, Eugenia Blomquist) contributed to the development of such problems as the study of specificity of folklore genre, intertextual connections of folklore texts, folklore and lubok, principles of drafting of indexes of folklore motifs, principles of publishing expeditionary materials, methods of classifying texts of wedding speeches, etc.

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Loktionova, Nadezhda M., Svetlana A. Kruglova, Olesya A. Drozdova, Irina A. Zhyvotkova, and Olga Y. Potanina. "Category Features of Toast as Small Speech Genre." SHS Web of Conferences 50 (2018): 01019. http://dx.doi.org/10.1051/shsconf/20185001019.

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Toasts logically fit into modern cultural space, including folklore. Folklore as a field of artistic creativity is widely spread in a variety of forms and types in modern reality. This phenomenon is dynamic, evolving, and quickly transformable; within humanitarian knowledge it interacts with such concise concepts as post-folklore, subculture; it reflects quality changes of public and everyday life of our era. Conceptually, the subject field of urban folklore is fairly well understood and even developed despite its specifics and complexity.

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Birtalan, Ágnes. "A JANGAR-CHAPTER CHANTED BY THE BAARIN KHUURCH RINCHIN." Acta Orientalia Academiae Scientiarum Hungaricae 73, no. 1 (2020): 85–106. http://dx.doi.org/10.1556/062.2020.00002.

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In the present paper, one chapter of the Jangar epic, chanted by the famous storyteller, khuurch Rinchin of Inner-Mongolian Baarin origin, is discussed from two main points of view: (1) the spread of Jangar among Mongols not belonging to Oirats and Kalmyks, and (2) how contemporary social circumstances transform the traditional heroic epic into another folkloric genre, i.e. the so-called khuuriin ülger. The chapter ‘Minggan, the Beauty of the World’ told by khuurch Rinchin—discussed here—is well known from other Jangar publications like the ‘Mingyan the Beauty of the World’ (published in the T

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Tanauova, Zh. "The Connection of Humorous Stories with Other Genres of Folklore." Iasaýı ýnıversıtetіnіń habarshysy 122, no. 4 (2021): 47–56. http://dx.doi.org/10.47526/2021-4/2664-0686.05.

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Until now, Kazakh folk prose has been widely studied cognitively. In general, folklore as a science pays great attention to the genre of prose. However, it would be wrong to say that all genres of Kazakh folklore have been studied and known to the broad masses. Despite the large number of humorous stories, in Kazakh folklore they are considered within other genres of prose. In other words, humorous stories in Kazakh folklore were not the subject of a separate, special study. If we pay attention to the opinions expressed in the writings of famous scientists-researchers in the field of folklore,

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Кудаева, Зинаида Жантемировна. "On the problem of the genre composition of folk prose about Zhabagi Kazanoko." Вестник Адыгейского государственного университета, серия «Филология и искусствоведение», no. 3(282) (March 2, 2022): 193–200. http://dx.doi.org/10.53598/2410-3489-2021-3-282-193-200.

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Представленная статья может рассматриваться в качестве одного из этапов разработки и воссоздания системы жанров адыгской народной несказочной прозы, результаты которого могут быть использованы в дальнейших теоретических исследованиях, а также для составления собрания адыгского прозаического фольклора. В статье исследуется цикл нарративов, связанных с именем народного мудреца и общественно-политического деятеля Кабарды Жабаги Казаноко (предположительно 1686-1750 гг.), который представлен разнообразными по своему жанровому воплощению, тематике и проблематике произведениями фольклора. В результат

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Baltymova, М. "Genre classifications of Kazakh children’s folklore." Bulletin of L.N. Gumilyov Eurasian National University. Philology Series 130, no. 1 (2020): 8–14. http://dx.doi.org/10.32523/2616-678x-2020-130-1-8-14.

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Patidinovich, Nurdinov Qamardin. "Classification of Uzbek music folklore genre." ACADEMICIA: An International Multidisciplinary Research Journal 11, no. 6 (2021): 258–65. http://dx.doi.org/10.5958/2249-7137.2021.01606.2.

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Ziyba, Aitmuratova. "The history and theory of folklore as a form of worldview." American Journal Of Social Sciences And Humanity Research 5, no. 2 (2025): 98–101. https://doi.org/10.37547/ajsshr/volume05issue02-24.

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This article explores the history and theoretical foundations of folklore as a form of worldview, focusing on the development of oral folk art in Karakalpak culture. Folklore, which emerged as a primary means of artistic expression, played a crucial role in reflecting the social, economic, and political life of the people. The study examines the syncretic nature of early artistic forms and their evolution into distinct literary genres—lyric, epic, and drama. Special attention is given to Karakalpak folklore, its genre classification, and its function in shaping national identity and cultural c

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Sherzodovna, Uzakova Gulbakhor. "Folk Motives in Modern Russian Literature." Tuijin Jishu/Journal of Propulsion Technology 44, no. 4 (2023): 4249–53. http://dx.doi.org/10.52783/tjjpt.v44.i4.1656.

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The article discusses folklore motifs in modern Russian literature, the use of folklore elements in their various genres, as well as issues of enriching literature with folklore elements. The main goal of the study is to show not only folklorists but also professional readers the trends of modern literature. As Academician D.S. Likhachev noted, works that do not have an author are called folklore works. In folklore, there may be a performer and a storyteller, but there is no author or writer as a unique element of the artistic structure. Folklore, like literature, is the art of words. This giv

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Cherkasov, V. A. "Stroganov, M. (2022). The Russian counting-out rhyme. Its genre, typology, and an index of subjects: A study and texts. Moscow: Literaturniy institut imeni A. M. Gorkogo. (In Russ.)." Voprosy literatury, no. 3 (June 12, 2025): 196–201. https://doi.org/10.31425/0042-8795-2025-3-196-201.

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The review is devoted to M. Stroganov’s latest installment in his series of folklore studies, which discusses the problems of genre-specific characteristics and classification of Russian counting-out rhymes. The first part of the book contains a monographic study with a conceptual argument in favour of the scholar’s unique function-based classification of the rhymes. In offering his reasons for the approach, Stroganov calls into question several premises made by the eminent 1920s scholar G. Vinogradov, which underlie modern folklorists’ ideas of the genre and classification of counting-out rhy

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Abikhanova, G., М. Satinbekova, and Е. Khuatbekuly. "Motif Index of the Epic Poem “Kozy Korpesh – Bayan Sulu” (According to Aarne-Thomson Classification)." Iasaýı ýnıversıtetіnіń habarshysy 136, no. 2 (2025): 7–17. https://doi.org/10.47526/2025-2/2664-0686.189.

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The article analyzes the motif index in the love poem “Kozy Korpesh – Bayan Sulu” according to the Aarne–Thompson–Uther (ATU) system. Modern Kazakh folklore studies are undergoing significant changes due to advancements in research. The Aarne–Thompson–Uther (ATU) system is a collection of lists that classify genres and types of fairy tales in folklore studies. This article analyzes the motif index in the epic poem genre, not in the fairy tale genre. The relevance of the research stems from understanding the evolving nature of the genre, its role, and its significance in the context of Kazakh f

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Harutyunyan, H. "ABOUT SOME GENRE FEATURES LULLABY SONG." Sciences of Europe, no. 124 (September 8, 2023): 8–12. https://doi.org/10.5281/zenodo.8327850.

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The lullaby is one of the unique folklore genres. refers to ohm, it has existed since ancient times and in each individual case demonstrates the authentic features of creativity inherent in a certain nationality. The article is devoted to the musicological characterization of the genre and the musicological substantiation of the existence of its subgenres.

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Korolkova, Inga. "Field and scholarly studies of calendar folklore of Novgorod region: results and prospects." PHILHARMONICA. International Music Journal, no. 6 (June 2020): 75–86. http://dx.doi.org/10.7256/2453-613x.2020.6.33571.

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The article focuses on calendar-ceremonial folklore of Novgorod region as an important component of folklore song traditions of the region. The musical and poetical forms of the calendar are considered in terms of type, genre and realm. The author is the first to systematize the data about calendar folklore recordings made in Novgorod region by various collectors in the 1960s - 1990s. The author gives special attention to the results of field studies of Saint Petersburg Conservatory named after N.A. Rimski-Korsakov. The author introduces into scientific discourse a range of items of calendar f

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Trostina, M. A., and A. A. Raslova. "LOGIC AND ABSURD IN "PARENTAL PROHIBITIONS": REPRESENTATION IN FOLKLORE TEXTS." Bulletin of Udmurt University. Series History and Philology 30, no. 6 (2020): 1097–103. http://dx.doi.org/10.35634/2412-9534-2020-30-6-1097-1103.

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The article deals with educational paremies, which are stable formulas that contain a ban on a child violation of the norms of behavior in society. Stable genre features of parental prohibitions are identified (formality, absurd of the forecast, humour, imagery, educational orientation), their connection with folk pedagogy is shown and their difference from traditional signs that is orientation at age peculiarities is determined. The main functions of "parental prohibitions" are educational and entertaining ones. The classification of signs-prohibitions on a thematic basis is given. The ancien

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Kurbanova, Djamilya. "Genre Classification and the Current State of Turkmen Musical Folklore." Culture and Arts in the Modern World, no. 24 (September 22, 2023): 155–67. http://dx.doi.org/10.31866/2410-1915.24.2023.287693.

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The aim of the article is to characterise the existing classification systems of Turkmen musical folklore, as well as to outline new ways of studying folklore genres to determine their typological characteristics. Results. Turkmen music is part of a single common Turkic culture, and its musical folklore is distinguished by a variety of genres and forms. Having studied the currently available systems for classifying the musical folklore genres, the author suggests classifying Turkmen folk songs not only based on their functional features but also by grouping them by timbre and methods of sound

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Kolesnyk, N. "The problem of entering folklore onyms into dictionaries based on Ukrainian ritual folklore." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu Serìâ Fìlologìâ 16, no. 28 (2023): 174–85. http://dx.doi.org/10.34079/2226-3055-2023-16-28-174-185.

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The article is a continuation of a number of author’s publications dedicated to lexicographical studies of folklore onyms. It is proved that the question of compiling a dictionary of folk proper names, which would systematically cover folk proper names, based on particular descriptive principles according to their specific features, is a current issue today. The paper dwells on the key moments of designing such lexicographical project and concrete samples of the dictionary entries are provided. The entries are based on different genres of the material found in collected works ‘Ukrainian ritual

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Khaninova, Rimma M. "Жанр йорял в калмыцкой поэзии ХХ в. (по материалам газетной периодики 1930–1940-х гг.)". Oriental studies 15, № 2 (2022): 397–413. http://dx.doi.org/10.22162/2619-0990-2022-60-2-397-413.

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Introduction. In folklore of Mongolic peoples, well-wishes are referred to as ritual poetry. This is one of the ancient, surviving and widespread genres to have essentially preserved the idea of word magic. It has undergone some changes but still articulates benevolent messages towards future. The Mongolian ерɵɵл (derived from Mong. ерɵɵ ‘bless, wish well, greet’), Kalmyk йɵрəл (from Kalm. йɵрǝх), and Buryat үрээрнууд address family life, nature, society, state, universe to narrate the history, lifestyles, culture, and philosophy of the ethnos. The article proves topical enough since yöräls by

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Bobunova, Mariya A. "On the research potential of lexicographic complexes of folklore texts." Voprosy leksikografii, no. 28 (2023): 44–65. http://dx.doi.org/10.17223/22274200/28/3.

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The article deals with the lexicographic complexes of folklore texts and their research potential. The structure of the complexes and the principles of their creation are described. Each component of the complex is briefly characterized: folklore megatext, alphabetical frequency glossary, word list and concordance. The folklore megatext is viewed as a unified text that combines specific passportized texts related by genre and spatiotemporal characteristics. The alphabetical frequency glossary includes all megatext lexemes, arranged in alphabetical order, indicating the frequency of each word.

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Biysenbaev, Quwandiq. "Ethnopedagogical And Ethnofolkloristic Features of Karakalpak Children's Games Folklore." American Journal of Philological Sciences 05, no. 04 (2025): 172–74. https://doi.org/10.37547/ajps/volume05issue04-42.

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The article emphasizes the educational aspects of game songs belonging to Karakalpak folklore, including children's game folklore, as an independent genre. Ethno-pedagogical features of children's game folklore are also analyzed.

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Kurbanova, Djamilya. "Genre Classification and the Current State of Turkmen Musical Folklore." Culture and Arts in the Modern World, no. 24 (September 22, 2023): 155–67. https://doi.org/10.31866/2410-1915.24.2023.287693.

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<i>The aim of the article </i>is to characterise the existing classification systems of Turkmen musical folklore, as well as to outline new ways of studying folklore genres to determine their typological characteristics. <i>Results</i>. Turkmen music is part of a single common Turkic culture, and its musical folklore is distinguished by a variety of genres and forms. Having studied the currently available systems for classifying the musical folklore genres, the author suggests classifying Turkmen folk songs not only based on their functional features but also by grouping them by timbre and met

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