Relevant bibliographies by topics / Folklore, haiti

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Folklore, haiti'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Folklore, haiti"

1

Coates, Carrol F. "Folklore in the Theatre of Franck Fouché." Theatre Research International 21, no. 3 (1996): 256–61. http://dx.doi.org/10.1017/s0307883300015376.

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Franck Fouché was born on 27 November 1915, in Saint-Marc, Haiti. His formative years were precisely the period of the first American occupation of the island. He received his baccalauréat from the Lycée Pétion in 1934. After studying literature at the Université d'Haïti, he returned to Saint-Marc as a professor of literature and director of the Lycée Sténio-Vincent in 1940. He began to publish poetry (‘Billet à Florel’, 1941) and founded a literary review, Horizon (1942). He wrote for two daily newspapers, Le National and Le Nouvelliste in 1944. He received a Licence en Droit from the Univers
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Machado, Isabel. "Interview with Rebecca Hope Dirksen." Journal of Festive Studies 3, no. 1 (2022): 284. http://dx.doi.org/10.33823/jfs.2021.3.1.121.

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Isabel Machado interviews Rebecca Hope Dirksen on After the Dance, the Drums Are Heavy: Carnival, Politics, and Musical Engagement in Haiti (2020). Interview date: Mar 17, 2021
 Dr. Rebecca Dirksen is an ethnomusicologist working across the spectrum of musical genres in Haiti and its diaspora. Her research concerns cultural approaches to development, crisis, and disaster; sacred ecologies, diverse environmentalisms, and ecomusicology; and applied/engaged/activist scholarship. She is a professor in the Department of Folklore and Ethnomusicology at Indiana University Bloomington and a found
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3

Duck, Leigh Anne. ""Rebirth of a Nation": Hurston in Haiti." Journal of American Folklore 117, no. 464 (2004): 127–46. http://dx.doi.org/10.2307/4137818.

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Abstract Zora Neale Hurston’s imperialistic political rhetoric in Tell My Horse seems incongruous with her previous cultural politics, but this work should be considered in relation to developments in Haitian ethnology. Where Hurston had previously believed that cultural populism could energize a democracy, her commitment to folklore was here linked with an authoritarian and racially essentialist political ideology. Hurston responded by severing her cultural analysis from her political assessments, a process apparent also in her later political commentary.
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Johnson, Grace L. Sanders. "Picturing Herself in Africa." Meridians 22, no. 2 (2023): 348–73. http://dx.doi.org/10.1215/15366936-10637681.

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Abstract This essay explores the relationship between imaging, archival cataloging, and African diasporic belonging through the developed and undeveloped photography of Haitian anthropologist Suzanne Comhaire-Sylvain. Using her family correspondences and research on folklore to contextualize her image-based archive on Haiti, the Belgian Congo, and Nigeria, the author proposes that Comhaire-Sylvain’s visual catalog is rendered legible through her undeveloped images taken in Africa. Tracing Comhaire-Sylvain’s contortions in front of and behind the camera, the author shows that her undeveloped an
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Ramsey, Kate. "Vodou and nationalism: The staging of folklore in mid‐twentieth century Haiti." Women & Performance: a journal of feminist theory 7, no. 2 (1995): 187–218. http://dx.doi.org/10.1080/07407709508571216.

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Crockett-Girard, Lauren. "Zombies in Unexpected Places: Rebellion, Subversion, and the Undead in Romantic Depictions of Obeah." Studies in the Fantastic 17, no. 1 (2024): 22–42. http://dx.doi.org/10.1353/sif.2024.a938414.

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Abstract: The lineage of the zombie myth is complex, reaching far beyond Haiti and Haitian folklore. To expand the zombie's literary history and further complicate our understanding of its cultural heritage, this paper will read four Romantic texts through Sarah Juliet Lauro's framework of the "protozombie": Maria Edgeworth's "The Grateful Negro" (1804), "Song of an Obeah Priestess" (Anonymous, 1821), Cynric R. William's Hamel, the Obeah Man (1827), and William Earle's Obi; or, The History of Three-Fingered Jack (1800). Although these texts do not depict a Haitian zombie-drone, their depiction
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7

Stettler, Stefany. "Mundo-sem-nós e Nós-sem-mundo." Revista Enunciação 9, no. 1 (2024): 104–21. http://dx.doi.org/10.61378/yeqm7v88.

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The concepts of "world-without-us" and "us-without-world," coined by Eduardo Viveiros de Castro and Déborah Danowski in the work "Há mundo por vir?" (2017), when related to cinematic zombies – creatures challenging Cartesian differentiation between res cogitans and res extensa due to their lack of consciousness, i.e., the inability to recognize the world – prompt the question: what would it be like, borrowing Giorgio Agamben's formulation (2006), if there were neither a world nor humans, without ecosystem and species ceasing to exist? Is it possible to have a world-without-us or us-without-wor
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8

Wibowo, Erwin. "NILAI BUDAYA DALAM CERITA RAKYAT HIKAYAT DATUK TUAN BUDIAN DAN SULTAN DOMAS PEMIMPIN YANG SAKTI DAN BAIK HATI." tuahtalino 13, no. 2 (2020): 156. http://dx.doi.org/10.26499/tt.v13i2.1336.

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This study aims to describe the cultural values contained in the folklore of Hikayat Datuk Tuan Budian, and Sultan Domas Pemimpin yang Sakti dan Baik hati. The method used in this research is descriptive and data in forms of words which are quotations. The source of folklore is a book entitled Hikayat Datuk Tuan Budian, and Sultan Domas Pemimpin yang Sakti dan Baik hati published by Kantor Bahasa Lampung in 2017. Results of this study is there are cultural values in the two books of folklore. Cultural values which can include faith, pray to God, diligent prayer, thanking God and believe in for
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Rema, I. Nyoman. "TRANSFORMASI IDEOLOGI HARITI DI BALI." Forum Arkeologi 29, no. 1 (2017): 21. http://dx.doi.org/10.24832/fa.v29i1.177.

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Brayut legend is very popular in Bali. It is the legend of the conjugal life which had eighteen children. This legend is often associated with Hariti mythology, which also had many children. The purpose of this research is to determine the transformation of Hariti ideology in Bali. The result of this research is some varieties of media transformation of Hariti ideologi such as statues, folklore, legends, literary works such as poems about Brayut geguritan. Balinese people rarely know the name of Hariti. It is known that a family or a statue that has many children as Berayut. Nevertheless, the
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Arono, Arono, Irma Diani, Wisma Yunita, Ruri Aulia, and Syahriman Syahriman. "Pengabdian Masyarakat Melalui Taman Bacaan Model Kampung Literasi Di Desa Rindu Hati, Bengkulu Tengah." Empowerment : Jurnal Pengabdian Masyarakat 5, no. 02 (2022): 144–61. http://dx.doi.org/10.25134/empowerment.v5i02.4964.

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The low literacy culture of the Indonesian people currently affects the low interest in reading and writing in the community. This service activity aims to describe and reveal the data of the illiterate community and their tendency to read and write, train the public in reading and writing to the community so that they can grow their interest in reading and writing, compiling literacy into an anthology of folklore and poetry both in print and through the media. online, as well as describing responses to reflections on activities that have been carried out to provide input and action on the lit
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Dissertations / Theses on the topic "Folklore, haiti"

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Degoul, Franck. "Dos à la vie, dos à la mort : une exploration ethnographique des figures de la servitude dans l'imaginaire haïtien de la zombification." Aix-Marseille 3, 2005. http://www.theses.fr/2005AIX32038.

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Partant du constat bibliographique que l'imaginaire populaire haïtien de la zombification n'avait jamais véritablement fait l'objet d'une exploration ethnographique susceptible d'en restituer, en profondeur et de manière détaillée, les logiques subtiles, la complexité, l'ampleur et les significations éventuelles, l'auteur se donne pour objet de retracer le processus de production du zombi tel qu'il est conçu en Haïti, cela à la faveur d'une exploration réglée de ses différentes étapes restituées selon une chrono-logique inspirée des conceptions locales. Posant que l'imaginaire collectif haïtie
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Viddal, Grete Tove. "Vodú Chic: Cuba's Haitian Heritage, the Folkloric Imaginary, and the State." Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11315.

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Hundreds of thousands of Haitian agricultural laborers arrived in Cuba to cut cane as the Cuban sugar industry was expanding between the 1910s and the 1930s, and many settled permanently on the island. Historically, Haitian laborers occupied the lowest strata in Cuban society. Until relatively recently, the maintenance of Haitian traditions in Cuba was associated with rural isolation and poverty. Today however, the continuation of Haitian customs is no longer associated with isolation, but exactly the opposite. Cuba's Haitian communities are increasingly linked with cultural institutes, herita
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3

Dautruche, Joseph Ronald. "Culture, patrimoine et tourisme en Haïti : construction et dynamique de reconstruction d’une destination touristique." Doctoral thesis, Université Laval, 2013. http://hdl.handle.net/20.500.11794/22665.

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Les rapports des colons, des missionnaires, des occupants, des voyageurs, des journalistes et les travaux de certains anthropologues ont contribué à mettre en place ce qui est considéré comme la « culture » de certains peuples ou certains pays. Ces textes participent à des constructions identitaires ou de différences culturelles par rapport à d’autres communautés ou d’autres pays. Ils sont adaptés dans des films, des romans et reproduits dans les guides de voyages, et subséquemment demandés par leurs visiteurs. En agréant la vision touristique de leur culture, ces pays deviennent des réussites
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Kuhl, Isabel [Verfasser], and Cesare Vecellio. "Cesare Vecellios Habiti antichi et moderni : ein Kostüm-Fachbuch des 16. Jahrhunderts / vorgelegt von Isabel Kuhl." 2008. http://d-nb.info/999500015/34.

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Books on the topic "Folklore, haiti"

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Métraux, Alfred, and Alfred Métraux. Voodoo in Haiti. Schocken Books, 1989.

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2

Aróstegui, Natalia Bolívar. Haiti, fuego sagrado. Ediciones Vigía, 2010.

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3

ill, Lisker Emily, ed. Please, Malese!: A trickster tale from Haiti. Melanie Kroupa Books/Farrar, Straus and Giroux, 2002.

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MacDonald, Amy. Please, Malese!: A trickster tale from Haiti. Dorling Kindersley Pub., 2001.

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5

Wolkstein, Diane. The magic orange tree, and other Haitian folktales. Schocken Books, 1997.

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Wolkstein, Diane. Bouki dances the Kokioko: A comical tale from Haiti. Harcourt Brace, 1997.

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7

1953-, Hay Frederick J., ed. When night falls, kric! krac!: Haitian folktales. Libraries Unlimited, 1999.

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8

Joseph, Kendalie. Dans folklò 1. Kopivit Laksyon Sosyal, 2007.

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9

Déita. Objets au quotidien: Art et culture populaire en Haïti. Editions Conjonction, Institut français d'Haïti, 1993.

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Nuorirenqing and Haixi Mongolzu Zangzu Zizhizhou (China). Wen hua ju., eds. Haixi Zang zu min jian gu shi. Haixi Mengguzu Zangzu Zizhizhou wen hua ju, 1985.

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Book chapters on the topic "Folklore, haiti"

1

Lamothe, Daphne. "Vodou Imagery, African American Tradition,and Cultural Transformation in Zora Neale Hurston’s Their Eyes Were Watching God." In Zora Neale Hurston’s Their Eyes Were Watching God. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195121735.003.0009.

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Abstract Zora nealf hurston wrote Their Eyes Were Watching God in 1937 while in Haiti collecting folklore on Vodou.1 A year later, she published Tell My Horse, which documents the findings from that expedition. While the history of these publications suggests that, for Hurston, folklore and fiction converge in Haiti, few critics have adequately explored that juncture. Most acknowledge Hurston’s interest in Haitian Vodou, but their analyses of the impact of this belief system on her work frequently do not extend beyond perfunctory glosses. A notable exception is Ellease Southerland’s essay “The
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2

Swanson, Lucy. "The Popular Zombie." In The Zombie in Contemporary French Caribbean Fiction. Liverpool University Press, 2023. http://dx.doi.org/10.3828/liverpool/9781802077995.003.0005.

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Whereas chapters 1 through 3 of this book show that the zombie has been widely appropriated by “highbrow” literary fiction of the French Caribbean, especially of Haiti, the final chapter explores a trait that characterizes the zombie both in the French Caribbean and in Hollywood B movies: its status as a “popular” figure, meaning both its association with popular culture (whether folklore or mass media), and its symbolic connection to the masses. Gary Victor—widely considered the most popular writer in Haiti—revives and foregrounds the zombie’s association with popular culture and the populace
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"Vodou, Nationalism, and Performance: The Staging of Folklore in Mid-Twentieth-Century Haiti." In Meaning in Motion. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822397281-020.

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