Relevant bibliographies by topics / Folklore – New Mexico

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Folklore – New Mexico'

Author: Grafiati
Published: 4 June 2021
Last updated: 5 February 2022

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Journal articles on the topic "Folklore – New Mexico"

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Gutierrez, Ramón A. "Folklore of New Mexico." Americas 46, no. 1 (July 1989): 95–96. http://dx.doi.org/10.1017/s0003161500076252.

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Crumrine, N. Ross. "Perspectives in Mexican American Studies, Volume 1: Readings in Southwestern Folklore; Old Villages and A New Town: Industrialization in Mexico; The Zinacantecos of Mexico: A Modern Maya Way of Life:Perspectives in Mexican American Studies, Volume 1: Readings in Southwestern Folklore.;Old Villages and A New Town: Industrialization in Mexico.;The Zinacantecos of Mexico: A Modern Maya Way of Life." Latin American Anthropology Review 3, no. 2 (December 1991): 76–77. http://dx.doi.org/10.1525/jlat.1991.3.2.76.2.

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Crumrine, N. Ross. "Perspectives in Mexican American Studies, Volume 1: Readings in Southwestern Folklore; Old Villages and A New Town: Industrialization in Mexico; The Zinacantecos of Mexico: A Modern Maya Way of Life." Latin American Anthropology Review 3, no. 2 (September 10, 2009): 76–77. http://dx.doi.org/10.1525/jlca.1991.3.2.74-i1.

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Gutierrez, Ramon A., Aurelio M. Espinosa, and J. Manuel Espinosa. "The Folklore of Spain in the American Southwest: Traditional Spanish Folk Literature in Northern New Mexico and Southern Colorado." Hispanic American Historical Review 67, no. 1 (February 1987): 149. http://dx.doi.org/10.2307/2515212.

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Gutiérrez, Ramón A. "The Folklore of Spain in the American Southwest: Traditional Spanish Folk Literature in Northern New Mexico and Southern Colorado." Hispanic American Historical Review 67, no. 1 (February 1, 1987): 149–50. http://dx.doi.org/10.1215/00182168-67.1.149.

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Briggs, Charles L., Aurelio M. Espinosa, and J. Manuel Espinosa. "The Folklore of Spain in the American Southwest: Traditional Spanish Folk Literature in Northern New Mexico and Southern Colorado." Journal of American Folklore 100, no. 396 (April 1987): 236. http://dx.doi.org/10.2307/540932.

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Däwes, Birgit. "“The People Shall Continue”: Native American Museums as Archives of Futurity." Anglia 138, no. 3 (September 15, 2020): 494–518. http://dx.doi.org/10.1515/ang-2020-0040.

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AbstractIn the Western cultural archive from James Fenimore Cooper’s ‘noble savages’ to Gore Verbinsky’s 2013 reincarnation of The Lone Ranger, Indigenous American cultures have, for the longest time, been relegated to the past and framed in representations that either displace them into nostalgic folklore or declare them conveniently vanished. While non-Native cultural products such as literary texts, photographs, and paintings, as well as museum exhibitions have coded Indigenous identities as static opposites to modernity, and thus deprived them of a future in Western culture, contemporary Indigenous writers, artists, and curators use these same cultural channels to contest the semiotics of absence, to assert cultural sovereignty, and to empower alternative modes of knowledge. This article considers tribal museums as interventional archives of knowing – in Derrida’s sense of both “assigning residence or of entrusting so as to put into reserve” and of “consigning through gathering together signs” (1995/1996: 3; original emphasis). With examples from a Pueblo cultural context, including an exhibition at Disneyworld, Florida; the Sky City Cultural Center and Haak’u Museum in Acoma, New Mexico; as well as the Indian Pueblo Cultural Center in Albuquerque, New Mexico, I trace the ways in which Native American museums strategically undermine what Mark Rifkin has termed “settler time” (2017: 9) and claim instead presence, sovereignty, inclusion, modernity, and futurity. In their specific outlines, these exhibits serve simultaneously as archives of Pueblo cultural heritage and as construction sites of temporality itself.1
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Weigle, Marta. "The Folklore of Spain in the American Southwest: Traditional Spanish Folk Literature in Northern New Mexico and Southern Colorado by Aurelio M. Espinosa." Western American Literature 21, no. 4 (1987): 379–80. http://dx.doi.org/10.1353/wal.1987.0173.

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Martínez, Victoria Ladwig. "Aurelio M. Espinosa.The Folklore of Spain in the American Southwest: Traditional Spanish Folk Literature in Northern New Mexico and Southern Colorado.Ed. J. Manuel Espinosa. Univ. Oklahoma Press, 1985. 328 pp. $24.95." Romance Quarterly 35, no. 1 (February 1988): 127–28. http://dx.doi.org/10.1080/08831157.1988.9932600.

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Pohorecky, Zenon S. "Signs from the Ancestors: Zuni Cultural Symbolism and Perceptions of Rock Art. M. Jane Young with foreword by Dell Hymes, photography by Nancy L. Bartman, Robert H. Leibman, and M. Jane Young, and drawings by Murray Callahan, Snowden Hodges, and Alex Seowtewa. Publications of the American Folklore Society, New Series. University of New Mexico Press, Albuquerque, 1988. xxv + 308 pp., figures, notes, appendix, biblio., index. $24.95 (cloth)." American Antiquity 56, no. 1 (January 1991): 181–82. http://dx.doi.org/10.2307/281010.

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Dissertations / Theses on the topic "Folklore – New Mexico"

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Copley, Alexandra. "Transmigrants weaving a new American landscape /." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1218551523.

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Books on the topic "Folklore – New Mexico"

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Weigle, Marta. The lore of New Mexico. Albuquerque: University of New Mexico Press, 2003.

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2

1947-, White Peter, ed. The lore of New Mexico. Albuquerque: University of New Mexico Press, 1988.

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3

Aragon, Ray John De. New Mexico book of the undead: Goblin & ghoul folklore. Charleston, SC: The History Press, 2014.

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4

Stevens, Reed. Treasure of Taos: Tales of northern New Mexico. Santa Fe, N.M: Mariposa Pub., 1992.

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Hayes, Joe. Everyone knows Gato Pinto: More tales from Spanish New Mexico. Santa Fe, N.M: Mariposa Pub., 1992.

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6

Janda, J. The lost child: A folktake. New York: Paulist Press, 1999.

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Peña, Abe M. Memories of Cíbola: Stories from New Mexico villages. Los Ranchos de Albuquerque: Rio Grande Books, 2007.

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Peña, Abe M. Memories of Cíbola: Stories from New Mexico villages. Albuquerque: University of New Mexico Press, 1997.

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Christmas in New Mexico: Recipes, traditions, and folklore for the holiday season. Phoenix, AZ: Golden West Publishers, 1991.

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10

Romero, Melaquías. The lost gold mine of Juan Mondragón: A legend from New Mexico. Tucson: University of Arizona Press, 1990.

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Book chapters on the topic "Folklore – New Mexico"

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Rios, Fernando. "Musical Dimensions of Indigenismo." In Panpipes & Ponchos, 21–57. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190692278.003.0002.

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In 1925, La Paz city residents observed Bolivia’s first centennial of political independence, with official state celebrations that in hindsight appear remarkably devoid of Bolivian nationalist exhibitions of indigenismo. Twenty-three years later, urban La Paz hosted another lavish commemoration, this time to honor the city’s 400th anniversary. But, in a clear departure from the 1925 centennial, the 1948 event included a “folklore” festival that was wholly devoted to Andean indigenous music-dance traditions, the Concurso Folklórico Indígena del Departamento. As the Concurso’s inclusion in the 1948 celebration suggests, mainstream La Paz criollo-mestizo views about the cultural value and meanings of Andean indigenous expressive practices had undergone a significant transformation in the twenty-three years following the 1925 centennial. This chapter elucidates this major shift, by exploring key developments in the paceño indigenista musical scene that transpired in the period from the 1920s to 1940s. Throughout Latin America, elite and middle-class interest in regionally distinctive music-dance expressions reached new heights in the early decades of the 20th century, as part of a quest among a varied cast of politicians, writers, and artists for local traditions that unmistakably demonstrated the nation’s cultural uniqueness. Indigenismo represented a manifestation of this phenomenon. The Bolivian variant of this nativist movement took inspiration from indigenista currents radiating from other Latin American countries, including Mexico and Argentina, but above all else from Peru.
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