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Journal articles on the topic 'Folklore, Slovenian'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

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1

Babič, Saša, and Piret Voolaid. "Introduction: Earlier Experience of Collecting and Researching School Lore in Estonia and Slovenia." Folklore: Electronic Journal of Folklore 86 (August 2022): 7–14. http://dx.doi.org/10.7592/fejf2022.86.introduction.

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The current issue of the journal Folklore: Electronic Journal of Folklore was created as a collaboration between Estonian and Slovenian folklorists and ethnologists within the joint bilateral project, “Slovenian and Estonian Contemporary School Lore”. The main objective of the project was to analyse and compare the contemporary school lore, its collecting, use, and dynamics in two European countries with different geographical positions and characteristics, with a similar history, and no direct contact. The project focused on tradition and transformations of the folklore material, playfulness,

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2

Kovačič, Bojan, and Nejc Černela. "Stališča strokovnih delavcev do folklorne dejavnosti v osnovnih šolah s posebnim programom vzgoje in izobraževanja / Views of professionals regarding folklore activities in primary schools with a special education program." Glasbenopedagoški zbornik Akademije za glasbo ◆ The Journal of Music Education of the Academy of Music in Ljubljana 17, no. 34 (2021): 91–113. http://dx.doi.org/10.26493/2712-3987.17(34)91-113.

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The paper examines the views of professionals in primary schools with a special education program in relation to folkloric activities and content. The research involved 240 professionals from all 28 Slovenian educational institutions implementing the program. Respondents rated their agreement on statements related to formal education and folklore activities, inclusion of folklore content and activities, attitudes towards folklore and classroom work, and use of folklore content for therapeutic purposes on a 5-point scale. The main findings relate to the fact that during institutional training,

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3

Golež Kaučič, Marjetka. "Slovenska ljudska balada v srednješolskem izobraževanju – pastorka književnosti?" Jezik in slovstvo 64, no. 2 (2024): 41–57. http://dx.doi.org/10.4312/jis.64.2.41-57.

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The article attempts to determine how and by what means the Slovenian folk ballad is presented in the upper-secondary education process, based on a review and analysis of selected Slovenian curricula, including handbooks, textbooks and e-textbooks. For this purpose, we focus on the characteristics and features of the Slovenian ballad, as well as on the examples and their analysis offered in these publications. We also examine the experiences of some upper-secondary school teachers in regard to the topic. At the same time, the article focuses on the European and American educational space, intr

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Turk Niskač, Barbara, and Katarina Šrimpf Vendramin. "Play and Folklore in Children’s Peer Cultures." Folklore: Electronic Journal of Folklore 86 (August 2022): 33–58. http://dx.doi.org/10.7592/fejf2022.86.turk_srimpf.

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This article examines children’s creative production of and participation in a shared peer culture. Focusing on material on preschool children’s use of counting-out rhymes, faecal humour, and word play gathered in two Slovenian kindergartens by means of participant observation and video ethnography, the article demonstrates the importance of social participation in peer groups from an early age and the alliances, conflicts, and power hierarchies involved. Focusing on how children create and participate in children’s culture through interaction with other children in a peer group, ethnographic

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Klobčar, Marija. "The Perception of Bilingual Songs in Slovenia and the Cultural Dimensions of Language Selection." Tautosakos darbai 59 (June 2, 2020): 209–28. http://dx.doi.org/10.51554/td.2020.28375.

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This article identifies the circumstances in which bilingual songs in Slovenia existed and follows the changes in the songs’ social role from the first half of the 19th century to the period after the end of the Second World War. It follows these changes as they occurred within the framework of folkloristics and in the practices that folklore scholars tried to shape and those that continued without intervention.In order to discern the circumstances in which bilingual songs were created, the author focuses on two songs that were documented by one of the first collectors and researchers of Slove

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6

Kropej Telban, Monika. "Istrian Narrative Folklore in Studies by Maja Bošković-Stulli and Milko Matičetov." Narodna umjetnost 60, no. 2 (2023): 63–78. http://dx.doi.org/10.15176/vol60no204.

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This article is dedicated to the memory of Croatian eminent folklorist, Maja Bošković-Stulli, who dedicated much of her research to Istrian narrative folklore. She was one of the leading folklorists of the second half of the 20th century and a contemporary of Slovenia’s Milko Matičetov, another exceptional folklorist and field researcher. Together, they are responsible for the collection of Istrian narrative folklore and studied the role which narratives had in the lives of Istrian people. The proximity of different ethnic groups in this territory led to the diversity and richness of narrative

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Olszewski, Maciej Bolesław. "Kilmingosios raganos atspindys skirtinguose veidrodžiuose: Veronikos iš Desenicės motyvo transformacija slovėnų kultūros kanone." Colloquia 53 (July 4, 2024): 121–34. http://dx.doi.org/10.51554/coll.24.53.07.

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The fate of Veronika of Desenice, a Medieval lady who was tried (and subsequently acquitted) in the first witchcraft trial on Slovenian soil, has been a profound source of inspiration for Slovenian folklore and culture since the 15th century. Over time, it has gradually evolved into one of the culture’s most enduring and canonical motifs. An impressive array of more than 25 texts, spanning various genres such as dramas, operas and novels, has emerged in the modern era, which has its beginnings in Slovenia 1848. In this article, I aim to examine the use of the motif of Veronika in modern texts,

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8

Babič, Saša. "Kako pjeva stara ptica, nauči ptiće pjevati." Narodna umjetnost 60, no. 2 (2023): 153–68. http://dx.doi.org/10.15176/vol60no209.

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Birds are present in everyday life, in forests, parks, cities, in fields and on playgrounds, by rivers and at entrances to stores, etc. Their ubiquity in human everyday life all through history leads to “birds” developing metaphorical meanings and producing powerful stereotypical images, which also motivate wider conceptual meanings. This article focuses on the lexeme ptica “bird” in Slovenian short folklore forms, its stereotypical representation and its metaphorical meanings. The ethnolinguistic approach will provide insight into the characteristics ascribed to birds as well as personificati

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9

Babič, Saša. "WASTE AND DIRT IN SHORT FOLKLORE FORMS." Traditiones 49, no. 1 (2020): 125–39. http://dx.doi.org/10.3986/traditio2020490107.

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The article examines the concept and metaphorical meaning of waste and dirt in short folklore forms, including archival material (phrasemes, proverbs, and beliefs) and also internet memes as a new, contemporary folklore form. Waste and dirt are traditionally conceptually linked to metaphors of unwanted, used, lower-quality, or even immoral. Slovenian proverbs and phrasemes, on the other hand, do not thematize waste management or handling dirt; only beliefs show some part of this. New forms, on the other hand, emphasize environmental pollution directly, using concepts of waste and pollution com

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10

Stanonik, Marija. "Genre System Dynamism in Nineteenth- and Twentieth-Century Slovenian Literary Folklore." Traditiones 37, no. 2 (2009): 129–67. http://dx.doi.org/10.3986/traditio2008370206.

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11

Brooks Pribac, Teya, and Marjetka Golež Kaučič. "Zoofolkloristics: Imagination as a Critical Component." Animals 14, no. 6 (2024): 928. http://dx.doi.org/10.3390/ani14060928.

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Nonhuman animal protagonists of folklore texts in the European space have tended to be perceived primarily as performing a symbolic and metaphoric function. But behind the symbols and the metaphors hide real flesh-and-blood nonhuman animals, and flesh-and-blood humans interacting with them, mostly from a position of power. The emerging discipline of zoofolkloristics considers nonhuman animals in their own right. Through critical analysis of folklore material, zoofolkloristics examines the role of animals and power relations within the interspecies entanglement with the aim of deconstructing th

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Pisk, Marjeta. "Folklore Studies and Presentations of Folk Song Traditions of Slovenian-Friulan Border Area." Traditiones 38, no. 1 (2009): 117–30. http://dx.doi.org/10.3986/traditio2009380108.

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13

Babič, Saša. "Obravnava folklornih obrazcev v osnovnošolskih berilih in revijah." Jezik in slovstvo 64, no. 2 (2024): 19–30. http://dx.doi.org/10.4312/jis.64.2.19-30.

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The purpose of the article is to review and present proverbs and riddles as part of folklore in primary school magazines, which are often also a didactic tool in school lessons, as well as in school readers. The analysis focuses on these materials in the children’s magazines Zmajček, Ciciban and Cicido, and in the youth magazine Pil in 2015, as well as in primary school readers for the entire period of primary school. Particular attention was devoted to units specifically intended to deal with the genre of proverbs and riddles. At least at the beginning of schooling, children are not (complete

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14

Golež Kaučič, Marjetka. "Podobe krvi v slovenski folklori in poeziji med svetim in profanimImages of Blood in Slovenian Folklore and Poetry Between Sacred and Profane." Studia mythologica Slavica 20 (April 20, 2017): 271. http://dx.doi.org/10.3986/sms.v20i0.6669.

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15

Avsenik Nabergoj, Irena. "POSEBNOSTI JUDOVSKIH ŽALOSTINK IN ŽALNIH OBREDOV V PROTIJUDOVSKEM OKOLJUSPECIAL FEATURES OF JEWISH LAMENTS AND MOURNING RITUALS IN HONOR OF THE DEAD IN AN ANTI-SEMITIC ENVIRONMENT." Traditiones 48, no. 2 (2019): 19–47. http://dx.doi.org/10.3986/traditio2019480202.

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Prispevek z metodama pozornega branja in intertekstualne primerjave med različnimi kulturami in religijami odkriva posebnosti judovskih žalostink za umrlimi in judovskih žalnih obredov, kot so izpričani v žalostinkah Svetega pisma in v posvetopisemskih judovskih virih, na antičnih judovskih nagrobnih napisih, v tradicionalnih judovskih verskih praksah žalovanja, v srednjeveških judovskih literarnih tradicijah spomina na mučence in v komemoracijah za žrtvami holokavsta v moderni judovski poeziji. Raziskuje tudi odnos do trpljenja in smrti Judov, izpričan v slovenskem ljudskem izročilu in v izbr

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16

Medved Udovič, Vida. "Književni pouk v osnovni šoli med tradicijo in sodobnostjo. Oživljanje žanrov slovstvene folklore pri mladih bralcih." Jezik in slovstvo 64, no. 1 (2024): 29–38. http://dx.doi.org/10.4312/jis.64.1.29-38.

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The article addresses the topic of teaching literature in primary school in the light of certain concerns expressed at the conference (Ljubljana, 2017) on the placement and treatment of literary texts from literary folklore, antiquity and the Bible in the Slovenian Curriculum in Primary School (Učni načrt za slovenščino, 2011) and in the readers currently used in primary school. Based on a review of the curriculum and selected readers, it was found that the presence and treatment of such texts is evident in both the curriculum and the readers. When treating such texts, it is especially importa

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17

Būgienė, Lina. "Raganavimas Lietuvos kaimo bendruomenėje XXI a. pradžioje (folkloro ekspedicijų duomenimis)." Tautosakos darbai 66 (January 26, 2024): 48–69. http://dx.doi.org/10.51554/td.23.66.03.

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The article is based on the materials collected during four folklore fieldwork sessions that took place in the different regions of Lithuania in the first decade of the 21st century. The aim is to present popular beliefs and legend-like narratives related to harmful magic that are still preserved in the Lithuanian villages, and the informants’ attitudes towards them. The point of departure for the analysis was the category of the “strange people” discussed by Norbertas Vėlius in his book “Mythical Beings of the Lithuanian Legends”. However, as folklore data from the beginning of the 21st centu

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18

Movrin, David. "Fortissimus robore: Martin Krpan as a case of biblical reception." Acta Neophilologica 42, no. 1-2 (2009): 197–207. http://dx.doi.org/10.4312/an.42.1-2.197-207.

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Martin Krpan z Vrha, written by Fran Levstik as a conscious experiment in prose-writing, has been interpreted variously during the last century and a half. The duel between a Slovenian peasant and a giant who comes to terrorise Vienna was in turn read by scholars as a political satire, the realisation of a literary and linguistic programme, a literary parody etc. Its motif was mostly interpreted with reference to Slavic folklore characters (Pegam and Lambergar, Prince Marko,peter Klepec etc.). The analysis according to the model devised by Vladimir Propp, however, shows striking similarities w

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19

Pisk, Marjeta. "Ljudska pesem med zavezanostjo tradiciji in nenehnim spreminjanjem." Jezik in slovstvo 65, no. 3-4 (2024): 9–21. http://dx.doi.org/10.4312/jis.65.3-4.9-21.

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In the article, we consider the dynamic relationship between the preservation of traditional genres and motifs in folk songs and the introduction of new songs during the period from the Reformation to the nineteenth century. This relationship was influenced by the evolving social context, which included both traditions that were linked to the institutional framework of churches and changes in the lives of singers. What has been preserved from this period is above all the records of religious folk songs in manuscripts and printed songbooks, while records of secular folk songs are relatively rar

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20

Chepelevskaya, Tatyana. "Art historical time in the works of Ivan Сankar". Slavic Almanac, № 1-2 (2019): 383–99. http://dx.doi.org/10.31168/2073-5731.2019.1-2.6.01.

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In the article on the example of the work of the biggest Slovenian writer Ivan Cankar (1876-1918) the subject of art historical time is studied. It raises the question of the place and role of historical time in the literary texts whose authors use it to organize plot, characters and art space. I. Cankar, as a rule, does not give expanded descriptions of one or another significant event. The historic time is presented in his works in the form of digressions, in the memories of the characters. Sometimes it refers to very recent history, presciently anticipating the importance of a phenomenon fo

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21

Теплова, И. Б. "Musical Folklore of Resia in Historical Retrospective: From Auditory Recordings to Digital Technologies." OPERA MUSICOLOGICA, no. 2022 (February 18, 2022): 112–33. http://dx.doi.org/10.26156/om.2022.14.1.007.

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Музыкальная культура Резии (территория Итальянской Славии) сохраняется на протяжении сотен лет благодаря изоляции в альпийских предгорьях. Статья посвящена берущей начало в середине ХIХ века истории изучения резианского фольклора, а также современным тенденциям, связанным с сохранением нематериального культурного наследия. Научный интерес исследователей разных специальностей нашел отражение как в публикациях (И. И. Срезневский, И. А. Бодуэн де Куртенэ, Элла фон Шульц), так и в экспедиционных (А. Ломакс, Д. Наталетти, Ю. Страйнар, М. Матичетов) и иных коллекциях звукозаписей. Собрание звуковых

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22

Mazurenko, Anastasiia. "THE SOUND ARCHIVE OF THE INSTITUTE OF ETHNOMUSICOLOGY OF THE RESEARCH SCIENTIFIC CENTER OF THE SLOVENIAN ACADEMY OF SCIENCE AND ARTS." Problems of music ethnology 18 (December 22, 2023): 17–26. http://dx.doi.org/10.31318/2522-4212.2023.18.294821.

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Since the end of February 2022, Ukrainian science experienced significant disruption caused by the full-scale war launched by the Russian Federation against Ukraine. As has often been the case in the history of armed conflicts, they have significantly affected various areas of culture, art and science, including ethnomusicology and its subject of research. The exodus of scholars within the country and abroad, the relocation and risk of destruction of archives, the more difficult condition for work in the field due to the martial law, the reduction of state funding in the fields of science and

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23

Tsyhanyk, Myroslava. "Yakiv Holovatskyi’s Creative Contacts with Figures of Slavonic Countries in the Context of Intercultural Relations in the First Half of the XIXth Century." Folk art and ethnology, no. 2 (July 30, 2021): 47–57. http://dx.doi.org/10.15407/nte2021.02.047.

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The article examines in detail the personal and creative contacts of Yakiv Holovatskyi with scholars and cultural-and-public figures of the West Slavonic and South Slavonic nations from the inception of the Ruthenian Triad circle in the 1830s to the early 1850s. The analysis of the problem’s historiography has shown that, despite the territorial fragmentation of Ukrainian lands (the increased control by the Austrian Empire and strict restrictions by the Russian Empire), the Ukrainians of the first half of the XIXth century managed to consolidate their forces and create strong interrelations fo

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24

Pisk, Marjeta, and Rebeka Kunej. "Jurjevanje Festival from Ritual to Festival." Český lid 111, no. 4 (2024): 421–40. https://doi.org/10.21104/cl.2024.4.02.

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The article seeks to provide insight into the process of establishing Slovenia’s oldest folklore festival named Jurjevanje in the town of Črnomelj through a discursive approach. Focused on the Zeleni Jurij (Green George) ritual as the basis of the festival, the article captures the local discourse and explores the festival’s historical development and its connection to broader folklore festivalisation in Slovenia. Key events in the 1930s related to various folklore events and festivals at that time within the region and outside it played pivotal roles. After the Second World War, Črnomelj atte

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Jemec Tomazin, Mateja. "Saša Babič: Beseda ni konj: estetska struktura slovenskih folklornih obrazcev / Word is Not a Horse / It Doesn't Hurt to Ask: Aesthetic structure of Slovenian short folklore forms." Studia mythologica Slavica 18 (July 6, 2015): 216. http://dx.doi.org/10.3986/sms.v18i0.2842.

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Kõiva, Mare, and Andres Kuperjanov. "Folklore Studies and Ethnology in Slovenia 2." Folklore: Electronic Journal of Folklore 29 (2005): 203–14. http://dx.doi.org/10.7592/fejf2005.29.slovenia.

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Grasko, Anna. "Young Scholars Conference “Slavic World: Community and Diversity”. Moscow, 24–25 May 2022. Section “Literary studies”." Slavic World in the Third Millennium 17, no. 3-4 (2022): 290–94. http://dx.doi.org/10.31168/2412-6446.2022.17.3-4.16.

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This year, young scientists from Moscow and Kaliningrad took part in the work of the Literary Studies section. The reports were divided into three thematic blocks: “Literary transformations”, “Spatio-temporal paradigms”, and “Issues of genre and poetics”. As part of the fi rst thematic block, reports on inter-Slavic literary connections and transformations of literary images and plots were presented. Problems touched upon included the correlation of folklore and rock in the Belarusian cultural space, the formation of the image of a little man in Slovenian and Czech literature in comparison wit

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Неклюдов, Сергей Юрьевич. "From Myth to Ballad: The ‘Feminine Version’ of Plot Type AaTh 485А". ТРАДИЦИОННАЯ КУЛЬТУРА, № 3 (25 вересня 2022): 71–85. http://dx.doi.org/10.26158/tk.2022.23.3.005.

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Статья посвящена исследованию сюжета о похищении демоническим персонажем (или «диким человеком») девушки/женщины, ее принудительном браке с ним и бегстве от похитителя после рождения ребенка (~ детей). Этот сюжет является «женской версией» более распространенного типа AaTh 485А* («мужская версия»: похищение мужчины демонической женщиной / самкой «дикого человека»). «Женская версия» бытует в нескольких региональных редакциях: восточно- и центральноазиатских (якутские, монгольские, китайские, тибетские, гималайские, памирские - киргизские, таджикские); славянских (северно- и западнорусские, слов

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Cigoj Krstulović, Nataša. "PRIZADEVANJA GLASBENE MATICE ZA OHRANITEV IN OŽIVITEV LJUDSKE GLASBENE DEDIŠČINE TER USTANOVITEV INSTITUTA ZA RAZISKAVANJE SLOVENSKE GLASBENE FOLKLORE LETA 1934EFFORTS BY THE SLOVENIAN MUSIC SOCIETY TO REVIVE FOLKSONG REPERTOIRE AND INSTITUTIONALIZATION OF ETHNOMUSICOLOGY IN 1934." Traditiones 43, no. 2 (2014): 213. http://dx.doi.org/10.3986/traditio2014430211.

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Kunej, Drago, and Rebeka Kunej. "Dancing For Ethnic Roots:." Musicological Annual 55, no. 2 (2019): 111–31. http://dx.doi.org/10.4312/mz.55.2.111-131.

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Folk dance ensembles within minority ethnic communities (Albanian, Bosniak, Montenegrin, Croatian, Macedonian and Serbian) in Slovenia were formed in the 1990s, after the breakup of Yugoslavia. The authors present the key reasons for the folklore activities that contributed to the emergence of the so-called minority folk dance ensembles, describe their beginnings and how they eventually became organized, institutionalized, and integrated into the amateur culture system in Slovenia. The goal of minority folk dance ensembles is to dance for ethnic roots, but at the same time, the desire to enric

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Slakan, Tilen. "Analiza kompozicijskega stavka Alojza Srebotnjaka v orkestralni skladbi Slovenica / Analysis of Compositional Tehniques of Alojz Srebotnjak in the Orchestral Work Slovenica." Glasbenopedagoški zbornik Akademije za glasbo ◆ The Journal of Music Education of the Academy of Music in Ljubljana 16, no. 33 (2021): 59–90. http://dx.doi.org/10.26493/2712-3987.16(33)59-90.

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The following article presents a detailed analysis of compositional techniques in the orchestral work Slovenica for Brass, Percussion and Strings (1976) by Alojz Srebotnjak. It discusses the composer‘s intertwinment of folklore elements with the sonority of compositional processes in the 20th century. Throughout all three sentences Srebotnjak uses multiple linking compositional elements that he complexly intertwines on different levels of musical texture. The structure is also tightly connected to the concept of constructing different musical textures, melodical patterns, orchestral and dinami

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Ivančič Kutin, Barbara, and Monika Kropej Telban. "Legends of Places as Part of the Sustainable Development of Regions." Folklore: Electronic Journal of Folklore 81 (April 2021): 157–78. http://dx.doi.org/10.7592/fejf2021.81.ivancic_kropej.

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Many newly established thematic routes and parks include narrative traditions to be experienced in their natural environment. Quality products of this kind are the result of well-developed concepts that follow expert guidelines and strategies and can be, as such, part of sustainable tourism, which strives to preserve ties with tradition to the greatest extent possible. This article includes some examples of different presentations of narrative tradition or local legends in places and discusses the problems with which such presentations cope. The article particularly discusses two examples of t

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Vasic, Aleksandar. "'The Music Herald' 1922: A esthetical and ideological aspects." Muzikologija, no. 9 (2009): 97–111. http://dx.doi.org/10.2298/muz0909097v.

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The Music Herald was the first music magazine to appear in Belgrade after WWI. It was published monthly, for a year (January - December 1922). Its editor-in-chief was Petar Krstic, a composer. Other members of the editorial staff were Bozidar Joksimovic, Stevan Hristic, Kosta Manojlovic (composers) Vladimir R. Djordjevic (an ethnomusicologist) and Jovan Zorko (a violinist). Over 200 articles were published in the magazine. It dealt with different genres of music writings, such as articles, treatises, documents on the history of Serbian / Yugoslav music, music criticism, polemics, necrologies a

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Triglav Čekada, Mihaela, Edo Kozorog, and Božidar Premrl. "The Jama (Luegg) estate boundary marks in the forests of Hrušica, Slovenia." Geodetski vestnik 69, no. 02 (2025): 180–204. https://doi.org/10.15292/geodetski-vestnik.2025.02.180-204.

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In this paper, old cadastral municipalities boundary marks are presented that have been preserved in the forests of Hrušica above Postojna, Nanos, Javornik above Črni Vrh and Javorniki above Cerknica (Slovenija). The study area has been limited to the former estate of Jama (Predjama), for which a description of its boundary has been preserved from 1589. Over the centuries, its boundaries have been transformed into the boundaries of cadastral municipalities, administrative and forestry units. The boundary marks from 1691, 1823 and the period 1863–1881 were examined in the field. The inscription

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Hrobat, Katja. "Use of oral tradition in archaeology: The case of Ajdovščina above Rodik, Slovenia." European Journal of Archaeology 10, no. 1 (2007): 31–56. http://dx.doi.org/10.1177/1461957108091481.

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This article addresses the potential of oral tradition (folklore) in the archaeological study of the past. It deals with oral traditions concerning landscape features in the area of the prehistoric and Roman site of Ajdovščina above Rodik, Slovenia. The palimpsest nature of modern landscapes can be regarded as a syncretic sum of past ways of life, land use, religious practices, and cults. In oral tradition concerning the ancient inhabitants of Ajdovščina, it is possible to discern the obscured memory of historical process. Certain sites, referred to in local oral tradition, mainly in the form

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Hrvatin, Klara. "Srečenosne »beštije«." Poligrafi 27, no. 107/108 (2022): 45–69. http://dx.doi.org/10.35469/poligrafi.2022.363.

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Glasbila iz Skuškove zbirke Slovenskega etnografskega muzeja izkazujejo ornamentalne in figuralne upodobitve, simbolika katerih predstavlja številne izzive. Pogosto se nanašajo na srečenosne zveri ruishou (瑞獸), med katerimi izstopajo upodobitvi mitološkega bitja qilin (麒麟) in zmaja (龍 long), simbolika katerih je zgodaj prežela kitajsko zgodovino, folkloro, religijo in umetnost. V prispevku nas bo zanimalo predvsem dvoje. Najprej se bomo posvetili analizi motivike figuralnih upodobitev na glasbilih in razmislili, kaj nam lahko interpretacija te v širšem kontekstu kitajske kulture odkrije novega

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Savić, Vanja-Ivan. "‘Our Father’ – In or Out? : Religious Education and Secular Tendencies in Croatian Public Schools in the European Context." Law, Identity and Values 1, no. 1 (2021): 131–43. http://dx.doi.org/10.55073/2021.1.131-143.

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This study discusses religious education in Croatian and European schools, within the overall context of religious symbols in public life. Europe is a vibrant and non-homogenous continent that comprises many cultures and traditions based mostly on Roman law. Various legal cultures and value systems have developed in Europe, which differ due to developmental variations within the European continental system. Religious education is offered in most European countries in various forms. Only three European countries, Albania, Slovenia, and (to some extent) France do not allow religious teaching in

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Shylinhouski, Kiryl. "Swinka folk game : genesis, semantics, adaptation of the rules of the game." Sport i Turystyka. Środkowoeuropejskie Czasopismo Naukowe 4, no. 1 (2021): 55–74. http://dx.doi.org/10.16926/sit.2021.04.03.

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The main purpose of the article is to study the folk game Swinka and fine tune its rules in order to incorporate the game into tourism initiatives, recreation and social practices (such as weddings), as well as lay foundations for further study of the game with reference to pedagogy, psychology and sociology. The article examines games recorded in the 19th – 20th centuries on the territories of Belarus, Poland, Lithuania, Russia, Serbia, Croatia and Slovenia. Research methods from the field of folklore, linguistics and sociology are aimed at analyzing the plots of the game, the rules, the unst

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Kropej Telban, Monika. "Pripovedna pot po Ljubljani. Slovstveno izročilo kot del ogleda mesta." Jezik in slovstvo 64, no. 2 (2024): 79–94. http://dx.doi.org/10.4312/jis.64.2.79-94.

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Based on a study of various stories regarding select locations in the centre of Ljubljana, Slovenia’s capital city, the article presents a Storytelling Tour of Ljubljana – a walking tour that includes the most important sights in the centre of Ljubljana. This narrative legacy is part of the identity of local social groups. It presents information regarding the living conditions, mentality and emotionality of the people for the periods in which they were both created and passed on. Presenting this narrative legacy as an oral performance has great potential for the cultural, tourist and educatio

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Vuletic, Dean. "Generation Number One: Politics and Popular Music in Yugoslavia in the 1950s." Nationalities Papers 36, no. 5 (2008): 861–79. http://dx.doi.org/10.1080/00905990802373579.

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Popular music is one of the cultural phenomena that has been most shared among the peoples inhabiting the territory of the former Yugoslavia; indeed, considering the persistence of a common popular music culture there even after the break up of the Yugoslav federation in 1991, there is perhaps little in cultural life that unites them more. It was in the 1950s that a Yugoslav popular music culture emerged through the development of local festivals, radio programs and a recording industry, at a time when popular music was also referred to as “dance,” “entertainment” or “light” music, and when ja

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Spicijarić Paškvan, Nina. "Prilog za bibliografiju radova s područja lingvistike u časopisima Atti e memorie della Società istriana di archeologia e storia patria i Pagine istriane." Histria : the Istrian Historical Society review 6, no. 6 (2016): 145–60. http://dx.doi.org/10.32728/h2016.05.

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Na istarskom se poluotoku na prijelazu iz 19. u 20. st. počinju tiskati dvije serijske publikacije. Prva, naslova Atti e memorie della Società istriana di archeologia e storia patria (AMSI) počinje izlaziti 1884. u Poreču kao časopis društva Società istriana di archeologia e storia patria, osnovanoga u Poreču iste godine. Uz neke prekide taj časopis izlazi i danas. Druga je publikacija Pagine istriane (PI), koja je od 1903. do 1987. s dvama prekidima izlazila u Kopru, Puli, Trstu i Genovi. Oba časopisa u sebi objedinjuju raznoliku tematiku vezanu za Istru, Furlaniju i Julijsku krajinu te Kvarn

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Marjeta Pisk and Katarina Šrimpf Vendramin. "Večjezične kratke folklorne oblike: primeri iz Goriških brd." Studia mythologica Slavica 24 (October 4, 2021). http://dx.doi.org/10.3986/sms20212409.

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The article focuses on short folklore forms recorded in the Gorica Hills (slv. Goriška brda) in the 20th and early 21st centuries, which can be considered as non-linguistic or non-ethnically bound folklore features. The language of these folklore forms is a mixture of the dialectal forms of the contact languages (Slovene, Italian, partly Friulian). Using the examples of the collected material, we analyse in which genres of the short folklore forms multilingualism appears, what function it has and how the characteristics of the territory are reflected in them. We compare sources or parallels in

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Olszewski, Maciej Bolesław. "What Does One Need to Build a Bridge in Slovenia? Research on Slovenian Folk Tales, Games, Dances and Rituals Related to Bridge Construction and the Building Process." Slavia Meridionalis 24 (October 31, 2024). http://dx.doi.org/10.11649/sm.3291.

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What Does One Need to Build a Bridge in Slovenia? Research on Slovenian Folk Tales, Games, Dances and Rituals Related to Bridge Construction and the Building Process Human sacrifices and supernatural beings are the two most common motifs in folklore material related to bridge-building projects. This article is an attempt to deal with Slovenian folklore material that refers to the act of bridge building and to show which of these motifs seem to be closer to the Slovenian tradition. To achieve this goal, I present examples of Slovenian folktales, dances, games and other folk culture texts. I als

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Telban, Monika Kropej. "Karel Štrekelj and His Unpublished Collection of Slovenian Folktales." Fabula 58, no. 3-4 (2017). http://dx.doi.org/10.1515/fabula-2017-0026.

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Abstract:Karel Štrekelj (1859–1912), a prominent Slovenian folklorist and philologist, published among other a scientific edition of Slovenian Folk Songs and was also the first to introduce the term »folklore« to Slovenian humanities. He focused his scientific attention on dialects, etymology, historical grammar, and history of literature but his greatest contribution was to the field of folklore studies and ethnology. While he published the collection of folk songs, the manuscripts of folk tales have remained unpublished. These tales had been sent to him by collectors from different parts of

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Bešter, Tomaž. "Slovenian Translations of Grimm‘s Fairy Tales: a Bibliography." Knjižnica: revija za področje bibliotekarstva in informacijske znanosti 57, no. 1 (2013). http://dx.doi.org/10.55741/knj.57.1.14194.

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ABSTRACTThe closing moments of the brothers Grimm year to celebrate the 200th anniversary of publishing the 1st volume of Kinder- und Hausmärchen represent a perfect opportunity to honor the memory of the authors by publishing a bibliography of Slovenian translations of their fairy tales. The article gives a chronological bibliography of Slovenian monographs, articles and sound recordings that are translations or renditions of Grimm’s fairy tales. Thus, a reader enters into a 163 years period in which either collections or individual Grimm’s fairy tales were translated revealing a lot of inter

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Kropej Telban, Monika. "Folktales about the Plague and Healing Practices against It in Narrative Folklore." Kronika 70, izredna (2022). http://dx.doi.org/10.56420/kronika.70.izr.03.

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The contribution discusses the narrative folklore about the plague, most notably how it spread, how people tried to protect themselves against the disease and how they treated it in Slovenian territory and, to some extent, within the wider European framework. The first part presents the analysis of folktales in which the Plague, personified as a demonic figure, roams from place to place, from one land to another. The second part focuses on steps taken to prevent the disease from spreading and means of protection against it, as well as healing, charms, incantations, and other vernacular practic

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Palleiro, María Inés. "Los estudios de Folklore en el Instituto de Filología, a 100 años de su fundación." Filología, no. 55 (September 27, 2023). http://dx.doi.org/10.34096/filologia.n55.12547.

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Este artículo intenta trazar un panorama diacrónico de los estudios de Folklore en el Instituto de Filología y Literaturas Hispánicas “Dr. Amado Alonso”, a 100 años de su fundación. Su propósito es destacar aportes de prestigiosas figuras que, desde distintas perspectivas, construyeron un itinerario académico, como legado para futuras generaciones de investigadores y folkloristas. El recorrido subraya la relevancia del diálogo con otros institutos de investigación de la Argentina y del mundo dedicados a los archivos del Folklore, presente ya desde su instancia fundacional. Entre estos centros,

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Stanonik, Marija. "Ivan Grafenauer: First Chair of the SAZU Institute of Slovenian Ethnology and Researcher of Literary Folklore." Traditiones, February 15, 2011, 11–114. http://dx.doi.org/10.3986/traditio2011400101.

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Ivančič Kutin, Barbara. "Elementi slovenstva v odnosu do matične domovine in do latinskoameriške kulture v narativnem gradivu, dokumentiranem pri argentinskih Slovencih." Studia mythologica Slavica 26 (July 13, 2023). http://dx.doi.org/10.3986/sms20232606.

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Prispevek temelji na enomesečni terenski raziskavi, ki je leta 2019 potekala na treh lokacijah v Argentini med slovenskimi priseljenci in njihovimi potomci z namenom dokumentiranja narativnega gradiva, predvsem slovstvene folklore. Večina pripovedovalcev, ki jih je raziskava zajela, so emigranti oz. njihovi potomci, ki so se v Argentino naselili po drugi svetovni vojni kot politični begunci. Ta slovenska skupnost je v novi deželi takoj po prihodu vzpostavila slovenske domove, ki so skrbeli za izobraževanje in gojenje slovenskega jezika in kulture (in s tem identitete) vse do danes. Analiza ugo

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