Relevant bibliographies by topics / Folklore style

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Folklore style'

Author: Grafiati
Published: 4 June 2025
Last updated: 1 August 2025

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Journal articles on the topic "Folklore style"

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Kazimoglu-Imanov, Mukhtar. "The problem of style in folklore." Dede Gorgud, no. 03 (2023): 47. http://dx.doi.org/10.59849/2309-7949.2023.3.47.

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Berezyuk, S. V. "STYLE FEATURES MUSICAL FOLKLORE OF THE EVENKS." Social Anthropology of Siberia 1, no. 2 (2020): 32–40. http://dx.doi.org/10.31804/2687-0606-2020-1-2-32-40.

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Pătraş, Andra Daniela. "Expression of the Romanian Folk Style in Béla Bartók’s String Quartet No. 1." Studia Universitatis Babeş-Bolyai Musica 67, no. 1 (2022): 305–19. http://dx.doi.org/10.24193/subbmusica.2022.1.19.

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"Bartók’s string quartets play an important role in his overall output, as they represent a stylistic universe encompassing almost his entire oeuvre. In his String Quartet No. 1, Bartók aimed at reworking and expanding the folk elements as well as at developing his own personal expression. Despite being deeply rooted in folklore, this is not a folkloric work, but an expression that goes beyond folklore, which the composer placed in a new relationship to art-music. The aim of this research paper is to explore the aspects of language, the content conforming to the preoccupations of the modern er
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Ramadhani, Rahimi, Hasanuddin WS, and Novia Juita. "STRUKTUR CERITA RAKYAT LEGENDA SI BAJAK SI KELAK KULIT DAN FUNGSI SOSIALNYA PADA MASYARAKAT DESA SIMALEGI KECAMATAN SIBERUT BARAT KABUPATEN KEPULAUAN MENTAWAI." Jurnal Bahasa dan Sastra 5, no. 1 (2018): 41. http://dx.doi.org/10.24036/898740.

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This research is aimed to describe: (1) the structure of folklore legends Si Bajak Si Kelak Kulit in Simalegi Village, West Siberut, District Mentawai Islands; (2) the social function of folklore legends Si Bajak Si Kelak Kulit in Simalegi Village, West District of Siberut, Mentawai Islands. This sort of research is a qualitative study using descriptive methods. This research data is folklore legends Si Bajak Si Kelak Kulit in Simalegi Village, West District of Siberut, Mentawai Islands. These data was collected from informants through interview, observation, and interviews records by informan
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Dr., Dimple. "MYTH AND FOLKLORE IN CHITRA BANERJEE DIVAKARUNI'S NOVEL." International Journal of Multidisciplinary Research and Modern Education (IJMRME) 6, no. 2 (2020): 60–62. https://doi.org/10.5281/zenodo.7663188.

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Divakaruni uses mythic and folkloric motifs in her novels to mythopoetically narrativise the struggles that mark the Indo-American diasporic existence and female experience. This is not just a narrative style but a process of giving a cognisable shape to the chaotic matrix of women's existential and experiential predicaments in an alien land. It is figured forth through her mythological or quasi-mythological and folkloric treatments of some existential severe, political and cultural issues. This paper studied Myth and Folklore in Chitra Banerjee Divakaruni's Novel.
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Abduvahabova, Mohina Azatovna, Nargiza Xayitmuratovna Eshankulova, Barno Akbar qizi Burtabaeva, and Bobir Norboyevich Umarov. "Stylistic Characteristics of the Gender Based Folkloric Discourse." International Journal of Innovative Technology and Exploring Engineering (IJITEE) 10, no. 1 (2020): 163–66. https://doi.org/10.35940/ijitee.A8142.1110120.

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Discourse analysis includes such types of speech activities as speaking, listening, reading and writing, i.e. through this analysis it is possible to analyze dialogic, monologue texts, natural speech, any type of texts in terms of genre. Discourse analysis is usually connected to psychological (cognitive, cultural-historical), linguistic (grammatical, textological, stylistic), semiotic (semantic, syntactic, pragmatic), philosophical (structuralist, poststructuralist, deconstructivist), logical (argumentative and analytical), informational-communicative and rhetorical approaches. In this manusc
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Denisenko, A., A. V. Starkova, and O. M. Vassilyeva. "H.P. Lovecraft’s unique style: catalyst for the rise of Lovecraftian internet folklore." Vestnik of M. Kozybayev North Kazakhstan University, no. 3 (59) (October 23, 2023): 139–43. http://dx.doi.org/10.54596/2958-0048-2023-3-139-143.

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This article delves into the enduring influence of H.P. Lovecraft on internet folklore, specifically focusing on his distinctive writing style and narrative techniques. By analyzing examples from Lovecraft's seminal works, such as “At the Mountains of Madness” and “The Call of Cthulhu,” we illustrate how Lovecraft’s ability to evoke cosmic horror and existential dread has served as a catalyst for the emergence of Lovecraftian internet folklore. This study sheds light on how Lovecraft's legacy continues to shape and thrive in the dynamic digital landscape of internet folklore.
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Danylets, Viktoriia. "Stylistic and Genre Elements of Hutsul and Gural Folklore in the Works of Ukrainian and Polish Composers." Bulletin of KNUKiM. Series in Arts, no. 43 (December 22, 2020): 82–87. https://doi.org/10.31866/2410-1176.43.2020.220093.

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The purpose of the article is to find out the key features for authentic music of the mountain areas in Ukraine and Poland and to characterise the influence of Hutsul and Gural folklore on the work of outstanding Ukrainian and Polish composers in the latter half of the 20th century. The research methodology is based on the theoretical, historical, comparative and analytical methods. The article applies methods of generalisation and concretisation of the scientific material. They are to understand the influence of genre and stylistic elements of Hutsul and Gural folklore on the work of signific
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Jazuli, Abdin Munib, and Febrian Mahardika Devanda. "Design of "Reog Ponorogo" Game Character Assets to Introduce Indonesian Folklore." International Journal of Social Science And Human Research 06, no. 04 (2023): 2056–59. https://doi.org/10.5281/zenodo.7801776.

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This research is entitled "Designing Character Assets with RPG Style based on Reog Ponorogo Folklore". And main problem are development of technology will be affects the interest of millennials in preserving Indonesian culture. Becomes an important point of problems in this work are (1) How to concept the de-sign of character assets in RPG style based on Reog Ponorogo folklore that are unique and interactive? (2) How to visualize the design of character assets adapted from Reog Ponorogo folklore figures to be attractive for the target audiences? The purpose of this work is to create
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Buryak, Marina K. "Creative Work of Novgorod Original Singers as a Reference for Modern Folk-Singing Education." Musical Art and Education 8, no. 3 (2020): 159–74. http://dx.doi.org/10.31862/2309-1428-2020-8-3-159-174.

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The article presents the theoretical grounding of the folk-singing technologies of Novgorod original singers (authentic performers) as fundamental to the developed author’s methods: intonational-formulaic, vocal-phonatory, polyphonic-specific, local-style. The identified features of authentic intonation-formulaic education and the study resulted singing fund of children’s song folklore became “key” and end-to-end mechanisms in the author’s method of forming and developing skills of sustainable singing intonation with each participant in the educational process aimed at preserving and further d
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Dissertations / Theses on the topic "Folklore style"

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Jones, Dena Kay. "The piano works of Joaquin Rodrigo: An evaluationof social influences and compositional style." Diss., The University of Arizona, 2001. http://hdl.handle.net/10150/289715.

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This document represents the investigative research on the solo piano music of Joaquin Rodrigo, a repertoire that dates from 1923 to 1987. A biographical sketch of the composer precedes a general overview of his twenty-three solo piano works. Discussion of musical trends that influenced Rodrigo provides a context for tracing his development as a composer. Analytic descriptions of two of Rodrigo's early piano works, Suite para piano of 1923 and the Preludio al gallo mananero of 1926, demonstrate how Rodrigo incorporated early 20th century compositional techniques into his own style. Although Ro
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Gelfand, Lynn. "Tales, technology, and transformations how different media environments shape the structure, style, and content of folk narratives /." [Bloomington, Ind.] : Indiana University, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3319906.

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Thesis (Ph.D.)--Indiana University, Dept. of Folklore and Ethnomusicology, 2008.<br>Title from PDF t.p. (viewed on May 11, 2009). Source: Dissertation Abstracts International, Volume: 69-08, Section: A, page: 3267. Adviser: Mary Ellen Brown.
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Карагозян, Роксана, Євгенія Головчанська та Володимир Мусієнко. "Художньо-композиційні особливості сучасної веб-ілюстрації мобільних ігрових додатків". Thesis, Університет Григорія Сковороди в Переяславі, 2021. https://er.knutd.edu.ua/handle/123456789/18546.

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На основі аналізу історії геймдизайну та прототипів відомих ігор виявити тенденції дизайну ігрових додатків. Запропоновано дизайн, сюжет та стиль нового ігрового додатку, в основі якого ‒ герої українського фольклору.<br>Based on the analysis of the history of game design and prototypes of famous games to identify design trends in-game applications. The design, plot, and style of the new game application, based on the heroes of Ukrainian folklore, are offered.
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Bryant, Gai. "Cuban Folkloric and Traditional Music Styles: rumba, danzón, punto libre and bolero adapted for Jazz Big Band in Australia using Modern Compositional Techniques." Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/15760.

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This research has focused on the adaptation and interpretation of Cuban folkloric styles of rumba, danzon, punto libre and bolero. The dearth of commercial recording during the troubled years of Gerardo Machado's presidency (1925-1933) and the revolution of 1959 made it necessary to source archival recordings of rumba and punto libre as well as conduct interviews with living Cuban musicians and musicologists in order to research these folkloric genres. Whilst numerous recordings of danzón and bolero for large ensemble exist no texts were found regarding the orchestration of these styles across
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Bohui, Djedje Hilaire. "Forme et fonction de l'expression du haut degré dans deux oeuvres d'Ahmadou Kourouma." Clermont-Ferrand 2, 1995. http://www.theses.fr/1995CLF20079.

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Loin de la célébration oecuménique et de l'idéalisation négritudiennes de l'Afrique pré-coloniale et du culte du français normatif par les écrivains de sa génération, Kourouma élabore une nouvelle esthétique romanesque délibérement iconoclaste. Tentative de synthèse entre la tradition orale et l'écriture romanesque classique, l'esthétique kouroumienne se situe dans une problématique énonciative. Si l'objet d'étude est l'expression du haut degré, le but du travail est double. Il s'agit d'abord de montrer l'influence de la tradition orale sur le style du romancier à travers la présence obsédante
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De, Leon Rebecca Casas. "Colorín colorado este cuento no se ha acabado : modernized folklore Latino style." Thesis, 2012. http://hdl.handle.net/2152/ETD-UT-2012-05-5249.

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This is a children’s literature review of recent Latino folklore. Three theoretical perspectives create the framework of this analysis: Funds of Knowledge (Moll, 1990), Reader Response theories (Rosenblatt, 1982), and Culturally Relevant Teaching (Ladson-Billings, 1992). This work is set within the context of bilingual education that promotes biliteracy. Four themes are identified: Latino Counter Stories of European Folklore, European Cumulative Rhymes Acculturated, New Adaptations of old Latino Folklore, and Folklore Characters in New Adventures. The first two categories include stories wit
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Bellaviti, Sean. "Negotiating Musical Style in Panama: Nationalism, Professionalism and the Invention of Música Típica Popular." Thesis, 2013. http://hdl.handle.net/1807/35775.

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This dissertation provides both an historical outline and contemporary ethnographic account of the Panamanian musical practice called “música típica popular,” which is commonly understood in Panama to denote a specific kind of vernacular music that is widely embraced. By examining the social-historical processes, events and discourses that have contributed to the genre’s development, this study seeks to develop greater understanding of what I argue is this music’s particular and pronouncedly ambiguous relationship to prominent themes of Panamanian cultural nationalism. Specifically, I endeavo
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Lavoie, Sophie. "Les violoneux du Saguenay-Lac-St-Jean : style et répertoire des derniers de leur lignée." Thèse, 2019. http://hdl.handle.net/1866/23596.

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La région du Saguenay-Lac-St-Jean est géographiquement située dans une enclave qui a contribué à l’isolement des populations s’y étant installées. Aussi cet éloignement aurait-il favorisé la présence de certaines spécificités culturelles dans cette région, spécificités ayant été relevées au sein de plusieurs domaines tel que la génétique, la linguistique, le patrimoine culinaire, l’histoire et la musique. Cette recherche vise à documenter plus spécifiquement l’élément musical dans la région du Saguenay-Lac-St-Jean par l’analyse du style et du répertoire de quatre joueurs de violon traditionnel
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Mugovhani, Ndwamato George. "Venda choral music: compositional styles." Diss., 2007. http://hdl.handle.net/10500/1202.

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Black choral music composers in South Africa, inspired by the few opportunities available to them until recent times, have nonetheless attempted to establish, perhaps subconsciously, some choral tradition and, in doing so, incorporate African musical elements in their works. My research traces the foundations and historical development of choral music as an art amongst Vhavenda, and the contributions made thereto by a number of past and present Venda composers that this researcher could manage to identify and trace, to the music of the people. The selected composers are Stephen Maimela Dziv
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Prifti, Egli. "Klavír v soudobé albánské hudbě." Doctoral thesis, 2015. http://www.nusl.cz/ntk/nusl-334657.

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This dissertation deals with comprehensive analysis of contemporary Albanian piano pieces. There have been selected compositions with artistic and educational value for these purposes. The pieces also represent different genres of Albanian piano music. Genres are exceptionally important in this view; the stylish range was reduced, in recent past. The reason was based not on cultural field, but on strict ideological rules. Piano music is embedded in a broader historical context that allows to stress the peculiarities of the Albanian musical language and thereby to clarify the uniqueness and val
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Books on the topic "Folklore style"

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Krakowie, Muzeum Narodowe w., ed. Polskie style narodowe 1890-1918: Polish national styles 1890-1918. Muzeum Narodowe w Krakowie, 2021.

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Donev, Vladimir. Folklor i narativno modelirane v beletristikata na Li͡u︡ben Karavelov. Izd-vo "PAN-VT", 1998.

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Jousse, Marcel. The oral style. Garland Pub., 1990.

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Lane, Anne Kelly. What's cooking in Cape Ann: Food-folklore-fun. Seastone Publications, 2001.

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Lane, Anne Kelly. What's cooking in Cape Ann: Food-folklore-fun. Seastone Publications, 2001.

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Gullatte, Mary Magee. Grits and redeye gravy: Classic country cookin' --a taste of culture, folklore and cures. M. Gullatte], 1994.

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Nusom, Lynn. Billy the Kid cook book: Recipes and folklore from Billy the Kid country. Arroyo Press, 1992.

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Dabney, Joseph Earl. Smokehouse ham, spoon bread & scuppernong wine: The folklore and art of Southern Appalachian cooking. Cumberland House, 2010.

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Dabney, Joseph Earl. Smokehouse ham, spoon bread & scuppernong wine: The folklore and art of Southern Appalachian cooking. Sourcebooks, 2010.

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Dabney, Joseph Earl. Smokehouse ham, spoon bread & scuppernong wine: The folklore and art of Southern Appalachian cooking. Sourcebooks, 2010.

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Book chapters on the topic "Folklore style"

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Noorlander, Paul M., and Masoud Mohammadirad. "3. Narrative Style and Discourse in Kurdish and Neo-Aramaic Oral Literature." In Neo-Aramaic and Kurdish Folklore from Northern Iraq. Open Book Publishers, 2022. http://dx.doi.org/10.11647/obp.0306.03.

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Castro, Rafaela G. "Z." In Chicano Folklore. Oxford University PressNew York, NY, 2001. http://dx.doi.org/10.1093/oso/9780195146394.003.0025.

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Abstract A style of suit worn by African Americans, Filipino Americans, and Mexican Americans during the 1930s and 1940s. In Chicano culture this style of dress is primarily associated with the pachucos of the 1940s. The fashion at that time was to wear very baggy pants with pegged legs, long jackets with high and sharp shoulder pads, thick-soled shoes, and long watch chains dangling from the belt. An addition to the whole style common to Chicanos was a particular haircut, long with a ducktail and a wide-brimmed hat.
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"Style and Transliteration." In The Bible in Folklore Worldwide. De Gruyter, 2023. http://dx.doi.org/10.1515/9783110478211-204.

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N’Diaye, Diana Baird. "Agency, Reciprocal Engagement, and Applied Folklore Practice: Beyond the Smithsonian Folklife Festival." In Curatorial Conversations. University Press of Mississippi, 2016. http://dx.doi.org/10.14325/mississippi/9781496805980.003.0015.

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This chapter focuses on the participatory research projects African Immigrant Folklife and Will to Adorn: African American Style, Community, Identity, which provided fieldwork training that has yielded documentation for the planning of Smithsonian Folklife Festivals and other projects. The author reflects on the applied aspects of public folklore, describing a curatorial approach that prioritizes commitment to community self-determination and building reciprocal research-learning relationships between Smithsonian staff and community-based cultural researchers.
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Snow, K. Mitchell. "Mexicanism Russian Style." In A Revolution in Movement. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9780813066554.003.0003.

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The influence of Serge Diaghilev’s Ballets Russes saturated the artistic environment inhabited by Diego Rivera and Roberto Montenegro in Paris before World War I. In predecessors to the debates surrounding nationalism in Mexico, Diaghilev explored its intersections with folk art in the pages of his magazine Mir iskusstva. Montenegro studied with Diaghilev ally Hermen Anglada who urged his disciples to use elements from their nation’s folklore to escape the hegemony of Parisian modernism. Although Rivera disparaged the Ballet Russes’s influence on Mexican art, he painted his “Mexican trophy,” a
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Richardson, Todd. "Folklore in Vacuo (and Other Disciplinary Predicaments)." In Implied Nowhere. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496822956.003.0015.

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In the form of a lyric essay, this chapter interrogates the motives and methods of mainstream folklore scholarship. The author identifies a variety of factors that discourage folklorists from taking more expressive chances in order to understand the specialized style that has come to dominate folklore scholarship. This hyper-professionalization of folkloristic writing has, the author argues, led to what Benjamin Botkin once called “folklorists talking to themselves or folklore in vacuo.” In order to make folklore studies resonate with a broader audience, the author calls for folkloristic writi
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"A Unified National Style: Folklore Performance in the Soviet Context." In Performing Russia. Routledge, 2004. http://dx.doi.org/10.4324/9780203317570-7.

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Pellegrini, Ernestina. "Rapsodia critica per Nane Oca e il suo autore." In Per sentiero e per foresta. Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-420-2/005.

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In the cycle of novels of Nane Oca, popular culture, folklore, visionary imagination and, at the same time, civic engagement are put together. This paper focuses on different features of the work and the author’s style, retracing the steps of a critical interest that dates back to the middle 1980s.
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Magyar, Zoltán. "Narratívtípusok és népi emlékezet: egy dél-erdélyi falu mondahagyománya." In A Magyarságkutató Intézet Évkönyve 2023. Magyarságkutató Intézet, 2024. https://doi.org/10.53644/mkie.2023.11.

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This paper aims to review the folklore tradition of Alsórákos (today: Racoş, Romania) a Hungarian-inhabited settlement on the southwestern part of Szeklerland, but already outside the historical administrative boundaries of Udvarhely county, presenting the most typical topics and legend types of local oral folklore. As known folklore collections are only sporadically known available since 19-20th centuries from this village, and they mostly reflect specific local folk custom, the majority of the thesis was compiled based on the ethnographic fieldwork of the last two decades, focusing on the te
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Pozhidaeva, Galina A. "Significance of the Russian Medieval Sacred Music for the Russian Musical Classics." In Hermeneutics of Old Russian Literature: Issue 20. А.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/horl.1607-6192-2021-20-579-591.

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The article reveals the interdependence of the most important typological qualities of the Russian professional school — the epic beginning and broad melody and chant — with the development of sacred music of the Middle Ages and folklore. The epic style of the znamenny chant that prevailed in the early period (11th–14th centuries) in many aspects coincides with the bylin epic. At a later period of Muscovite Russia (15th–17th centuries) the melody of Junior edition of the znamenny chant and the development of new lengthy chants — putevoj, demestvennyj and bolshoj — led to recognition of the lea
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Conference papers on the topic "Folklore style"

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Liu, Limei. "THE RESEARCH ON THE SOURCES OF CHINESE MATERIALS IN JAPANESE THE LEGENDS OF TŌNO." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.40.

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Tono Monogatari, published in 1910, is the pioneering and classic work of Yanagida Kunio, the father of modern Japanese folklore. Using Tono Monogatari as the starting point, Yanagida himself created the Japanese folklore, which the Japanese are proud of. Japanese academic circles have always regarded Tono Monogatari as a record of the local folk in Tono, Northeast Japan. Even Zhou Zuoren, who first got acquainted with this book in Japan, regarded it as a work of purely Japanese local studies. This article first starts with the text of Tono Monogatari, examines the relationship between its “Ch
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Tipa, Violeta. "Folklore (folkloric expressions) in the language of Ion Creanga’s characters (based on fi lms inspired by the writer’s work)." In Simpozion internațional de etnologie: Tradiții și procese etnice, Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2023. http://dx.doi.org/10.52603/9789975841733.15.

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Th e rich folklore background, created over the millennia, is one of the inexhaustible sources of inspiration for the classic of our literature Ion Creanga. His vivid, unmistakable style, which is due to popular spirituality, became the subject of many researches of linguists, philologists, literati, who mentioned the writer’s ingenuity to captivate through the spoken word. His works are written in a popular language, enriched with the most diverse phraseological structures: comparisons, metaphors, sayings, proverbs and witty remarks, which give the text originality, depth and unrepeatable bea
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Piriyeva, Leyla. "THE ROLE OF CLOTHING VOCABULARY IN THE FORMATION OF FOLKLORE STYLE IN THE ASHUG’S WORK." In THEORETICAL AND EMPIRICAL SCIENTIFIC RESEARCH: CONCEPT AND TRENDS. European Scientific Platform, 2021. http://dx.doi.org/10.36074/logos-28.05.2021.v1.70.

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Cazac, Radu. "Trio for violin, clarinet and piano by Oleg Negruța: characteristic aspects of language." In Cultura și arta: cercetare, valorificare, promovare. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2024. https://doi.org/10.55383/ca2024.08.

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The author’s aim is to study some structural and language elements applied in the work Trio for violin, clarinet and baritone by Oleg Negruța. Following the detailed analysis of the creation Trio for violin, clarinet and piano by O. Negruța, we point out that the given work consists of three contrasting parts according to the tempo Allegro con fuoco-Andante cantabile-Allegro vivace, in which the author is based on the tradition of classical and romantic music harmoniously combined with elements of the folkloric musical language. We can say that in part I, the direction of classical music preva
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Munteanu, Angela. "Times and the interior and exterior architectural stylistic character of the Romanian-Moldovan traditional dwelling, incontestable museum decoration." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.09.

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Every nation has a history of multiple cultural, ethnic, linguistic interferences, which complement each other from one century to another. The Romanian people have a tumultuous past, with periods of Ottoman occupation, the liberation and unification of Greater Romania, but also the separation from the mother country after the Second World War. Currently, the political and national development path of the Republic of Moldova is struggling between the East and the West. Romanian traditional stylistics represents us through culture, tradition, and customs. We have a valuable cultural heritage in
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Crasnova-Severin, Ecaterina. "The vocal cycles of Maurice Ravel in the composer's creative heritage." In Cultura și arta: cercetare, valorificare, promovare. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2024. https://doi.org/10.55383/ca2024.04.

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The article analyzes three vocal cycles by Maurice Ravel „Five Greek Folk Melodies”, „Folk Songs” and „Two Jewish Songs”. They were written over the course of 10 years – from 1904 to 1914. Each cycle is individualized, has a unique character, having in common the support on the folklore source. The author characterizes the ideational structure of the cycles, their specific genre and style, and the peculiarities of the piano part. It is concluded that when M. Ravel works with folk sources, he leaves the vocal melody unchanged and performs the piano part as a commenting component of the ensemble
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Gimunová, Marta, Tomáš Vodička, Kristián Jánsky, et al. "The effect of classical ballet, Slovakian folklore dance and sport dance on static postural control in female and male dancers." In 12th International Conference on Kinanthropology. Masaryk University Press, 2020. http://dx.doi.org/10.5817/cz.muni.p210-9631-2020-4.

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Purpose: Classical ballet, Slovakian folklore dance, and sport dance training differ in their way how to master the art of dance; however, postural control is essential for the correct exe-cution of complex movements used in all types of dance. The aim of this study was to analyse the differences in static postural control between classical ballet dancers, Slovakian folklore dancers and sport dancers and to analyse the effect of body mass, body height and toe grip strength on postural control. Methods: 68 dancers, between 17 to 28 years of age, participated in this study: 21 dancers from Slova
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ZAMFIR, Oana Diana. "Myriam Marbé – Avant-garde and Ideological Neutrality." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2024. https://doi.org/10.35218/icds-2024-0005.

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Myriam Marbé (1931-1997) was part of the Golden Generation of Romanian composers, involved in developing the technique of composition following the model of the European avant-garde. This objective was at odds with the aesthetic of socialist realism officially promoted in the 1950s and 1960s. The composer managed to avoid political conformism due to her style, in which she combines innovative language with musical and spiritual sources of Romanian folklore. The artist’s creative prestige reached a first climax with the famous work Ritual for the thirst of the earth (1968). The interest in capi
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Nikolaev, Dmitry. "“HAPPY VICTORIOUS NEW YEAR, INVINCIBLE COUNTRY!”: PRAVDA'S POETRY IN THE BEGINNING OF 1943." In FIRST KULAKOV READINGS: ON THE FIELDS OF RUSSIA'S MILITARY. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3635.khmelita-19/99-128.

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In the article, the poetic works published in the newspaper Pravda in January-March 1943 are considered for the first time as an unity of texts. The pathos, themes, poetics, style and genre features of the poems of N. Aseev, D. Bedny, A. Bezymensky, E. Dolmatovsky, N. Zaryan, V. Inber, S. Marshak, M. Rylsky, A. Surkov, N. Tikhonov, S. Shchipachev and others are analyzed. Poetry is considered in the context of the main historical events of the time - the break of the siege of Leningrad, the victory in the Battle of Stalingrad, as well as main soviet holidays and memorable dates. It is proved th
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Blidar, Crina-Rozalia. "Traditions and customs in the country of Codru, Maramureş." In Conferinţă ştiinţifică naţională "Salvgardarea şi conservarea digitală a patrimoniului etnografic din Republica Moldova". Institute of Cultural Heritage, Republic of Moldova, 2023. http://dx.doi.org/10.52603/9789975841856.04.

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The current county of Maramureş is made up of four ethnographic areas, geographically, historically and ethnographically distinct, being an ancient Romanian hearth with history chiseled in wood and stone, in soul and in verb. These are called countries of Maramureş, and namely: Maramureşului Country, or Historical Marmaureşul or Voivodal, Lapuşului Country, Chioarului Country and last but not least, Codrului Country. One of the most controversial countries of Maramureş, Ţara Codrului, covers a rather narrow area compared to other ethno-folkloric areas, the ethno-cultural space of this area cur
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