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Journal articles on the topic 'Folklore style'

Author: Grafiati

Published: 4 June 2025

Last updated: 1 August 2025

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1

Kazimoglu-Imanov, Mukhtar. "The problem of style in folklore." Dede Gorgud, no. 03 (2023): 47. http://dx.doi.org/10.59849/2309-7949.2023.3.47.

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Berezyuk, S. V. "STYLE FEATURES MUSICAL FOLKLORE OF THE EVENKS." Social Anthropology of Siberia 1, no. 2 (2020): 32–40. http://dx.doi.org/10.31804/2687-0606-2020-1-2-32-40.

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Pătraş, Andra Daniela. "Expression of the Romanian Folk Style in Béla Bartók’s String Quartet No. 1." Studia Universitatis Babeş-Bolyai Musica 67, no. 1 (2022): 305–19. http://dx.doi.org/10.24193/subbmusica.2022.1.19.

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"Bartók’s string quartets play an important role in his overall output, as they represent a stylistic universe encompassing almost his entire oeuvre. In his String Quartet No. 1, Bartók aimed at reworking and expanding the folk elements as well as at developing his own personal expression. Despite being deeply rooted in folklore, this is not a folkloric work, but an expression that goes beyond folklore, which the composer placed in a new relationship to art-music. The aim of this research paper is to explore the aspects of language, the content conforming to the preoccupations of the modern er

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Ramadhani, Rahimi, Hasanuddin WS, and Novia Juita. "STRUKTUR CERITA RAKYAT LEGENDA SI BAJAK SI KELAK KULIT DAN FUNGSI SOSIALNYA PADA MASYARAKAT DESA SIMALEGI KECAMATAN SIBERUT BARAT KABUPATEN KEPULAUAN MENTAWAI." Jurnal Bahasa dan Sastra 5, no. 1 (2018): 41. http://dx.doi.org/10.24036/898740.

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This research is aimed to describe: (1) the structure of folklore legends Si Bajak Si Kelak Kulit in Simalegi Village, West Siberut, District Mentawai Islands; (2) the social function of folklore legends Si Bajak Si Kelak Kulit in Simalegi Village, West District of Siberut, Mentawai Islands. This sort of research is a qualitative study using descriptive methods. This research data is folklore legends Si Bajak Si Kelak Kulit in Simalegi Village, West District of Siberut, Mentawai Islands. These data was collected from informants through interview, observation, and interviews records by informan

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Dr., Dimple. "MYTH AND FOLKLORE IN CHITRA BANERJEE DIVAKARUNI'S NOVEL." International Journal of Multidisciplinary Research and Modern Education (IJMRME) 6, no. 2 (2020): 60–62. https://doi.org/10.5281/zenodo.7663188.

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Divakaruni uses mythic and folkloric motifs in her novels to mythopoetically narrativise the struggles that mark the Indo-American diasporic existence and female experience. This is not just a narrative style but a process of giving a cognisable shape to the chaotic matrix of women's existential and experiential predicaments in an alien land. It is figured forth through her mythological or quasi-mythological and folkloric treatments of some existential severe, political and cultural issues. This paper studied Myth and Folklore in Chitra Banerjee Divakaruni's Novel.

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Abduvahabova, Mohina Azatovna, Nargiza Xayitmuratovna Eshankulova, Barno Akbar qizi Burtabaeva, and Bobir Norboyevich Umarov. "Stylistic Characteristics of the Gender Based Folkloric Discourse." International Journal of Innovative Technology and Exploring Engineering (IJITEE) 10, no. 1 (2020): 163–66. https://doi.org/10.35940/ijitee.A8142.1110120.

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Discourse analysis includes such types of speech activities as speaking, listening, reading and writing, i.e. through this analysis it is possible to analyze dialogic, monologue texts, natural speech, any type of texts in terms of genre. Discourse analysis is usually connected to psychological (cognitive, cultural-historical), linguistic (grammatical, textological, stylistic), semiotic (semantic, syntactic, pragmatic), philosophical (structuralist, poststructuralist, deconstructivist), logical (argumentative and analytical), informational-communicative and rhetorical approaches. In this manusc

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Denisenko, A., A. V. Starkova, and O. M. Vassilyeva. "H.P. Lovecraft’s unique style: catalyst for the rise of Lovecraftian internet folklore." Vestnik of M. Kozybayev North Kazakhstan University, no. 3 (59) (October 23, 2023): 139–43. http://dx.doi.org/10.54596/2958-0048-2023-3-139-143.

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This article delves into the enduring influence of H.P. Lovecraft on internet folklore, specifically focusing on his distinctive writing style and narrative techniques. By analyzing examples from Lovecraft's seminal works, such as “At the Mountains of Madness” and “The Call of Cthulhu,” we illustrate how Lovecraft’s ability to evoke cosmic horror and existential dread has served as a catalyst for the emergence of Lovecraftian internet folklore. This study sheds light on how Lovecraft's legacy continues to shape and thrive in the dynamic digital landscape of internet folklore.

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Danylets, Viktoriia. "Stylistic and Genre Elements of Hutsul and Gural Folklore in the Works of Ukrainian and Polish Composers." Bulletin of KNUKiM. Series in Arts, no. 43 (December 22, 2020): 82–87. https://doi.org/10.31866/2410-1176.43.2020.220093.

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The purpose of the article is to find out the key features for authentic music of the mountain areas in Ukraine and Poland and to characterise the influence of Hutsul and Gural folklore on the work of outstanding Ukrainian and Polish composers in the latter half of the 20th century. The research methodology is based on the theoretical, historical, comparative and analytical methods. The article applies methods of generalisation and concretisation of the scientific material. They are to understand the influence of genre and stylistic elements of Hutsul and Gural folklore on the work of signific

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Jazuli, Abdin Munib, and Febrian Mahardika Devanda. "Design of "Reog Ponorogo" Game Character Assets to Introduce Indonesian Folklore." International Journal of Social Science And Human Research 06, no. 04 (2023): 2056–59. https://doi.org/10.5281/zenodo.7801776.

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This research is entitled "Designing Character Assets with RPG Style based on Reog Ponorogo Folklore". And main problem are development of technology will be affects the interest of millennials in preserving Indonesian culture. Becomes an important point of problems in this work are (1) How to concept the de-sign of character assets in RPG style based on Reog Ponorogo folklore that are unique and interactive? (2) How to visualize the design of character assets adapted from Reog Ponorogo folklore figures to be attractive for the target audiences? The purpose of this work is to create

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Buryak, Marina K. "Creative Work of Novgorod Original Singers as a Reference for Modern Folk-Singing Education." Musical Art and Education 8, no. 3 (2020): 159–74. http://dx.doi.org/10.31862/2309-1428-2020-8-3-159-174.

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The article presents the theoretical grounding of the folk-singing technologies of Novgorod original singers (authentic performers) as fundamental to the developed author’s methods: intonational-formulaic, vocal-phonatory, polyphonic-specific, local-style. The identified features of authentic intonation-formulaic education and the study resulted singing fund of children’s song folklore became “key” and end-to-end mechanisms in the author’s method of forming and developing skills of sustainable singing intonation with each participant in the educational process aimed at preserving and further d

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Cristescu, Constanta. "Musical styles of byzantine tradition from western and southwestern romania reflected in the work Anastasimatar Arădean." Studiul artelor şi culturologie: istorie, teorie, practică, no. 2(43) (April 2023): 7–12. http://dx.doi.org/10.55383/amtap.2022.2.01.

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The traditional Byzantine music of western and southwestern Romania was a collective music, orally perpetuated as the folklore, a music in which no composers stood out, as they stood out in the orthodox musical culture of Moldova, Muntenia and Oltenia. Regional musical styles of Byzantine tradition were formed in these areas, through a long process of enclavisation for centuries. They are the result of the inter-influence of Byzantine music with the folklore and with the Western music culture imposed through the school. One of these sub-zonal styles from southwestern Romania is the style prese

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Dobzhanskaya, Oksana E. "MODERN PROCESSES IN THE MUSICAL FOLKLORE OF NARYM SELKUPS." Folklore: structure, typology, semiotics 7, no. 3 (2024): 81–94. http://dx.doi.org/10.28995/2658-5294-2024-7-3-81-94.

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The article discusses the processes of development of modern musical folklore among the Narym Selkups based on the analysis of the publication “Ob tunes of Narym Selkups” (compiled by V. Tuzakova and I. Korobeynikova, Tomsk, 2015). Russian folklore and Soviet mass song are influencing the modern musical folklore of the southern Selkups, and the creativity of amateur Selkup composers (melodists) is developing. In the works of modern musical folklore, the main marker of national identity is the Selkup language. Manifestations of the “Selkup” musical style (scale, organization of melodic movement

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Morozova, Ekaterina N. "Stylistic text characteristics of Mari folk fairy tales." Finno-Ugric World 14, no. 1 (2022): 44–57. http://dx.doi.org/10.15507/2076-2577.014.2022.01.44-57.

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Introduction. The relevance of the article is determined by the need to identify and describe the stylistic characteristics of the texts of folklore genres, as well as revealing the composition of the identified expressive means and figurative techniques of the Mari language. With a modern interest to the spiritual heritage of nations, the development of philological sciences, an analysis of the stylistic characteristics of the texts of Mari fairy tales can provide a more complete picture of the language and style of Mari folklore, which is an integral part of the system of functional styles o

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Klich, Lynda. "Flatness, Fabric, and Folklore." Latin American and Latinx Visual Culture 6, no. 1 (2024): 83–87. http://dx.doi.org/10.1525/lavc.2024.6.1.83.

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During the first half of the twentieth century, representing the body was a pivotal means to reimagine national and regional identities at a moment when the legacies of colonial power structures were coming under increasing scrutiny. The body became a vehicle through which artists could envision new, expanded, and intersecting notions of race, gender, class, nation, and region. Through close readings of single images created in eight different countries—Guatemala, Bolivia, Brazil, Uruguay, Mexico, Venezuela, Colombia, and Cuba—this Dialogues contains essays by scholars from South America, Euro

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Gustsa, Fitshafa, and Elisa Nurul Laili. "AN ANALYSIS OF FIGURATIVE LANGUAGE IN TAYLOR SWIFT’S FOLKLORE ALBUM." Teaching English as Foreign Language Literature and Linguistics 2, no. 2 (2022): 11–26. http://dx.doi.org/10.33752/teflics.v2i2.3434.

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Abstract: In this research, the researcher used the descriptive qualitative method to analyze the data of figurative language and stylistics discovered in Taylor Swift's selected song lyrics on the Folklore album. This research is intended to find out the types and meanings of figurative language used in Folklore album, and to find out the types and functions of stylistics used in Folklore album. The researcher found some types of figurative language which is used in Folklore album there are Metaphor 12, Allegory 4, Metonymy 3, Verbal irony 7, Hyperbole 7, Personification 7, Symbol 14, Paradox

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Shakhov, Pavel S. "On the morphology of oral song culture in the context of inter-discourse and interlanguage interaction (based on the Siberian-Mordovian material)." Sibirskiy filologicheskiy zhurnal, no. 1 (2025): 41–60. https://doi.org/10.17223/18137083/90/3.

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The paper analyzes musical and poetic texts adopted by folk singers based on Erzya-Mordovian material recorded in the villages of Altai Krai and Kemerovo Oblast from 2007 to 2017. The texts have been systematized in terms of three levels of their attribution: text form (oral, printed, media), text type (folklore, authors’), and text language (own, other). A consistent description is provided of the identified adaptation forms of oral, printed, and media texts to the oral song practice. The examination of the unique musical and poetic adaptations of borrowed texts by performers illuminates the

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Revika, Revika, and Yenni Hayati. "CATEGORIES, STRUCTURE, AND FUNCTION OF FOLKLORE IN LIMA PULUH DISTRICT COMMUNITIES." RETORIKA: Jurnal Bahasa, Sastra, dan Pengajarannya 13, no. 1 (2020): 137. http://dx.doi.org/10.26858/retorika.v13i1.11303.

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The purpose of this study is to determine the categories, structure, and functions of folklore in the MuaroPaitiNagari community. The method used in this research is descriptive method. The results showed that of the 12 folklore found in the Nagari community of MuaroPaiti, there are myths, myths, and fairy tales. The structure of folklore in the village of MuaroPaiti includes plot/plot, character/character, setting, language style, and theme. Meanwhile, the function contained in the folklore of the MuaroPaitiNagari community is as entertainment, projection systems, equipment validating institu

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Hogan, Patrick Colm. "The Problems of “Culture,” and the Future of Universals: A Rejoinder." Style 58, no. 3 (2024): 357–416. http://dx.doi.org/10.5325/style.58.3.0357.

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ABSTRACT In the rejoinder to the commentaries on his target article, Hogan seeks to clarify his criticism of “culture” as a theoretical concept and to extend his defense of a research program in story universals. In order to do so, he organizes the fifteen commentaries into groups—advocates of a biocultural synthesis; writers working in the technical analysis of narrative and style; critics who consider the study of literary universals in the context of folklore studies, and so on. In the course of these responses, Hogan touches on a range of subsidiary topics, from Homer’s Iliad to New Histor

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Putra AF, Marzon, and Nurizzati Nurizzati. "STRUKTUR DAN FUNGSI SOSIAL CERITA RAKYAT (LEGENDA SETEMPAT) PINCURAN TUJUAH DI KANAGARIAN SIKUCUA TIMUR KECAMATAN V KOTO KAMPUANG DALAM KABUPATEN PADANG PARIAMAN." Jurnal Bahasa dan Sastra 6, no. 2 (2018): 205. http://dx.doi.org/10.24036/81023090.

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This study aims to describe: (1) folklore structure of local legend Tujuah in Kanagarian Sikucua Timur sub-district V Koto Kampuang Dalam Padang Pariaman district, (2) social function folklore local legend Tujuah in Kanagarian Sikucua Timur sub-district V district Koto Kampuang sub-district Padang Pariaman. This type of research is qualitative research using descriptive methods. The data of this research are folklore of local legends of Tujuah in Kanagarian Sikucua Timur, Subdistrict V, Koto Kampuang Dalam, Padang Pariaman District. The data in this study were analyzed in four stages, namely:

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Ibnu Prayitno, Nanang Muttaqin, Abdul Muktadir, and Ansyori Gunawan. "Hubungan Pemahaman Gaya Bahasa dalam Cerita Rakyat terhadap Minat Baca Siswa Kelas V Sekoah Dasar Negeri 17 Kota Bengkulu." JURIDIKDAS: Jurnal Riset Pendidikan Dasar 2, no. 3 (2020): 170–74. http://dx.doi.org/10.33369/juridikdas.2.3.170-174.

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The aims in this study to determines the correlation between understanding of folklore language style against reading interest on the V grade students in SDN 17 Bengkulu city. Research method using correlational with quantitative. The population are 46 people located in SDN 17 bengkulu city. The sampling technique used saturated side (census. Questionnaire and data is a data collection technique with a questionnaire for assessing reading interest in the home of 20 item statements while the test for understanding the style with 5 questions that serve as benchmark. Data analysis techniques use t

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Humeniuk, Olha M. "Genre and Style Structure of Expatriate Folklore Lyrics by Crimean Tatars (“The Song of Cool Water”)." Studia Litterarum 8, no. 2 (2023): 242–67. http://dx.doi.org/10.22455/2500-4247-2023-8-2-242-267.

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Plot-motif treatment is one of reasonable in classification of expatriate song. It allows to distinguish prevail plot motif in the certain subgroup of corresponding folklore works. Investigating the song folklore by Crimean Tatars, we can rather clearly divide it by such principle. It is possible to determine the songs, where such motifs are dominant as moods and meditations concerning necessity of abandonment from native country, the troubles during departure and sailing to foreign land through sea expanse; the ordeals and severities of adaptation to new circumstances; bitterness of separatio

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Firdaus, Muhamad Yuda, and Dian Hartati. "PERBANDINGAN ANALISIS STRUKTURAL CERITA RAKYAT “LEGENDA MATAHARI DAN PEMANAH ULUNG” ASAL JAMBI DAN CERITA PENDEK “HOUI DAN CHANA” ASAL JEPANG." SeBaSa 5, no. 1 (2022): 92–103. http://dx.doi.org/10.29408/sbs.v5i1.4949.

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The research was conducted to see two literary works from different countries, languages, and cultures but have similarities and differences in them. The creation of literary works cannot be separated from the culture of society. The source of the research data is the Jambi Indonesian folklore “The Legend of the Sun and the Ultimate Archer” with the short story “Houi dan Chana” by Siahara Akemi. The research uses a qualitative research paradigm. The findings show that the similarities between the two literary works can be seen in the storyline, which has a forward plot and language style using

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Fitria Afni, Wirasti, Kasmantoni Kasmantoni, and Heny Friantary. "Analisis Kajian Bentuk dan Unsur Intrinsik Cerita Rakyat di Bengkulu." JPI : Jurnal Pustaka Indonesia 4, no. 2 (2024): 78–83. https://doi.org/10.62159/jpi.v4i2.1274.

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Folklore is a story from ancient times that lived among the people and was passed down orally. Folklore has intrinsic elements in it which make folklore interesting and easy for readers to understand. There are seven intrinsic elements of folklore, namely theme, plot, characters and characterization, setting, point of view, language style and message. This research aims to analyze the study of the form and intrinsic elements of folklore in Bengkulu. The research method used is descriptive qualitative research. With secondary data sources and primary data, data collection techniques use observa

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Mocanu, Daniel. "Stylistic Features of Church Music After Dimitrie Cunțanu, a Default Typology." Studia Universitatis Babeş-Bolyai Musica 68, Sp.Iss. 1 (2023): 225–60. http://dx.doi.org/10.24193/subbmusica.2023.spiss1.14.

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"Present both in the melodies recorded by Dimitrie Cunțanu and in the melodies that we find in the oral tradition, modal constructions represent melodic molds for defining the central Transylvanian musical style. The correct framing of a melodic line is achieved by means of the scale, the cadential system and the melodic formulae. The ecclesiastical musical style according to Cunțanu, which was derived s from the Byzantine musical tradition, has become an individual style among ecclesiastical musical styles by uniquely assimilating various musical elements from folklore, music of the related c

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Zhang, Honghai, and Yongxin Huo. "Application Value of Dynamic Graphic in Protection of Social Folklore Tradition-Taking Buyi Wedding Series Dynamic Graphics Design as an Example." E3S Web of Conferences 236 (2021): 04054. http://dx.doi.org/10.1051/e3sconf/202123604054.

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With the development of network technology and the change of people’s life style, many social folklore traditions in China are gradually forgotten by people. For this reason, protection of social folklore tradition has received much attention in recent years. Based on the analysis of the cultural origin and characteristics of social folklore tradition, this paper proposes to apply the design and expression methods of dynamic graphic to the protection and dissemination of social folklore tradition in order to show them in a more interesting way. Additionally, taking Buyi wedding series dynamic

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Surkov, V. V. "Folklore and Mythological Motifs and Images in the Lyrical Poetry by Viktor Rydberg." Izvestiia Rossiiskoi akademii nauk. Seriia literatury i iazyka 83, no. 4 (2024): 113–18. http://dx.doi.org/10.31857/s1605788024040118.

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Abstract. The article devoted to the folklore and mythological motifs and images in the poetry by Viktor Rydberg (1828–1895). The influence of the Romantic tradition traces in his literary style.The Romantic authors of the early 19th century specifically turned to the national folklore and scandinavian mythology, and Rydberg comes after them. But Romanticists tend to stilization of folksongs, and folklore and mythologicalmaterial is inherently valued for them. This feature is not inherent to the post-Romantic poetry. The analysis of poems by Rydberg revealed that using folklore and mythologica

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Danylets, Viktoriia. "The hutsul music features in the structural and stylistic context of the performing folkloryzm." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 57, no. 57 (2020): 77–88. http://dx.doi.org/10.34064/khnum1-57.05.

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Research objective. The article aims to describe the structural and stylistic components of performing folklorism and consideration regarding the existing definitions of multifaceted concept «performing folklorism», which represents theoretical and methodological tools for deep analysis of stylistics, genre, technical and performing elements and musical features that folklore expresses, their extrapolation to performing interpretative diversity in the context of Ukrainian music art. The methodology of the research is based on the theoretical, historical, comparative and analytical methods. The

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Prayogo, Koko Is, and Ranang Agung Sugihartono. "DIRECTING ANIMATION DALAM FILM SERI SERIBU SATU CANDI." Capture : Jurnal Seni Media Rekam 8, no. 1 (2017): 34–47. http://dx.doi.org/10.33153/capture.v8i1.1899.

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The making of the work of this final project animation departs from the assumption thatÂ the development of Indonesian films is much about the search for identity or an identity,Â and the struggle of nationalism. However, there are still less of them involving folkloreÂ that developed in Indonesian society.By using creative formula of Kentaro Kimura style,Â the making of this film tries to lift the folklore in Indonesia and try to pack it interestingly.Â At the stage of idea creation,we do a research of the narrative element of a folklore andÂ reconstructed to explore possibilities in making i

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Ashkhotov, B. G. "About the mastery of interpreting musical folklore." REPORTS ADYGE (CIRCASSIAN) INTERNATIONAL ACADEMY OF SCIENCES 21, no. 4 (2021): 70–76. http://dx.doi.org/10.47928/1726-9946-2021-21-4-70-76.

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A.A. Khavpachev, an outstanding representative of his people. He was a multifaceted gifted person who left an indelible mark on the traditional culture of the Circassians. This legendary personality became famous as a great connoisseur of the invaluable musical and poetic heritage of the people, a unique interpreter of song genres, the author of numerous poems, prose works and songs. This article examines the individual qualities of his performing style.

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Korolkova, Inga. "Novgorod musical-epic tradition - the possibilities of reconstruction." PHILHARMONICA. International Music Journal, no. 1 (January 2021): 102–22. http://dx.doi.org/10.7256/2453-613x.2021.1.35025.

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The author is the first to raise the problem of reconstruction of the musical-epic traditions of Novgorod region. The research object is chant-declamation forms of folklore, typologically related to the bylina tradition. The research subject is their structural and stylistic peculiarities. For the first time, all facts of existence of musical epos, recorded in Novgorod region by various collectors, are gathered in one source - from the auditory notations of A.K. Lyadov (1890) to the latest evidence of existence of the musical-epic tradition (the recordings of Leningrad - St.Petersburg conserva

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Derevianchenko, Olena. "Mykhailo Verikivskyiʼs “Five Pieces For String Quartet on Folk Themes”: Principles of Folklore Processing". Scientific herald of Tchaikovsky National Music Academy of Ukraine, № 134 (17 листопада 2022): 69–84. http://dx.doi.org/10.31318/2522-4190.2022.134.269612.

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Relevance of research. The introduction to the musicological using of the manuscript of M. Verikyvskyi's early work, which was previously only briefly mentioned in the literature, is connected with the current scientific trend of studying little-known pages of the history of Ukrainian music of the era of national liberation struggles of the 20th century. The return of the forgotten artefact of the composer's heritage is intended to contribute to the establishment of more complete and objective picture of the development of genres, stylistic trends, individual authorial style, etc. The purpose

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Sharandin, Anatoliy L., and Yixin Li. "Folk and author’s fairy tales in the aspect of linguistic consciousness." Neophilology, no. 22 (2020): 235–49. http://dx.doi.org/10.20310/2587-6953-2020-6-22-235-249.

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The analysis of the problem of the relationship among folk, authors’ folk and authors’ literary tales with linguistic consciousness types is presented. The analysis results indicate that the texts of fairy tales are linguistic representatives of creative (artistic) consciousness and correlate with types of concepts. Folk tales reflect the creative potential of everyday consciousness and represent the folklore concept. Authors’ folk tales are interpretative tales that reflect the syncretic (collective and individual, folk and author’s) consciousness and implement the folklore and literary conce

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Simatupang, Desti Adelia, and Zulfadhli. "Struktur dan Fungsi Sosial Cerita Rakyat Legenda Putri Runduk di Provinsi Sumatera Utara." Persona: Kajian Bahasa dan Sastra 3, no. 1 (2024): 113–21. http://dx.doi.org/10.24036/jpers.v3i1.206.

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This research aims to explain the structure and social function of the folklore of the legend of Putri Runduk in Sibolga Ilir Village. This qualitative research with descriptive method uses data from the folklore of the legend of Putri Runduk in Sibolga Ilir Village. Data were collected through interviews, observations, and data recording, then analyzed with the stages of data description, data classification, and reporting. The results showed that the structure of the folklore legend of Putri Runduk consists of language style, characterization, plot, setting, theme, and mandate, and its socia

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Díaz-Mas, Paloma. "Folk Literature among Sephardic Bourgeois Women at the Beginning of the Twentieth Century." European Journal of Jewish Studies 3, no. 1 (2009): 81–101. http://dx.doi.org/10.1163/102599909x12471170467367.

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AbstractFolklorists, philologists and ethnomusicologists have emphasized the important role of women for the preservation of Sephardic folklore and traditional literature in the twentieth century. Many scholars accept that Sephardic women who knew and performed folklore where almost illiterate and belonged to lower classes. This article intends to show that at the beginning of the twentieth century, some bourgeois, middle-class Sephardic women, although they had a very Western, modern life style, knew and appreciated the intangible heritage of Sephardic folklore that they had received handed d

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Hutsol, Alona, and Anastasiia Yumrukuz. "FEATURES OF THE REPRODUCTION OF FOLKLORE ELEMENTS IN THE TRANSLATION OF UKRAINIAN FOLKTALES." Naukovy Visnyk of South Ukrainian National Pedagogical University named after K. D. Ushynsky: Linguistic Sciences 2020, no. 31 (2020): 118–33. http://dx.doi.org/10.24195/2616-5317-2020-31-8.

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Recently, more and more urgently we can note the increased interest in the problems and features of the translation of folklore text. The authors of works associated with each year appear, explore the features and certain difficulties of translating folklore genres and folk tales, in particular, the difficulties associated with reproducing the national cultural background in translation, the difficulties associated with maintaining a special form of existence, difficulties associated with the display folklore thinking, the difficulties associated with symbolic translation of a folklore text in

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Khamdamova, Sayyora. "Folklore Traditions in the Works of Atoyi." International Journal of Multicultural and Multireligious Understanding 9, no. 2 (2022): 300. http://dx.doi.org/10.18415/ijmmu.v9i2.3498.

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The article is devoted to the analysis of the mastery of the use of folklore elements in the poems of Atoyi, a truly popular poet. Turkish literature up to Alisher Navoi, in particular, the works of Atoyi, Sakkoki, Lutfi, Gadoi, Yakin, Muqimi, Amir, is simple and clear in terms of language, fluent in style and resonant. This is explained by the widespread use of folk proverbs and figurative expressions in their poems. Compatibility for the people is also a key feature of Atoyi's poems.

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Minyakov, I. D. "The influence of folklore and genres in V. Bibergan’s music." Vestnik of Saint Petersburg State University of Culture, no. 4 (45) (December 2020): 59–63. http://dx.doi.org/10.30725/2619-0303-2020-4-59-63.

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Vadim Bibergan’s music for Russian folk orchestra is important artistic phenomenon and material for study of his musical style. The patterns that define this style are rooted in many of its aspects. Among them, two very noticeable ones can be distinguished: the influence of various genre models and the connection between the composer’s music and folklore, both Russian and foreign. The influence of folk music is determined by at least three parameters: attitude towards quotations from folklore primary sources, the formation and development of musical material, and the introduction of syncretist

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Sergeeva, Tatiana S. "FUNCTIONAL AND STYLISTIC SPECIFICS OF STAGE FOLKLORE (from the practice of the state folk ensembles of the Republic of Tatarstan)." Arts education and science 4, no. 37 (2023): 182–88. http://dx.doi.org/10.36871/hon.202304182.

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The article is devoted to the problems of stage folklore, its functional and stylistic specifics. On the example of two state folk ensembles of Tatarstan, the result of authentic folklore adaptation to the modern socio-cultural situation is considered. Both ensembles occupy their own niches in the cultural process, distinguished by a certain autonomy with their own style, artistic and performing specificity. They share the goal of preserving, studying and promoting the best examples of folk art, and differ in their composition, repertoire, methods of using folk material, and tour map. The auth

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Ivanauskaitė-Šeibutienė, Vita. "Folkloristics without Illusions. Some Thoughts on the Contexts of Folklore Research by Donatas Sauka." Tautosakos darbai 58 (December 20, 2019): 228–36. http://dx.doi.org/10.51554/td.2019.28399.

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The 90th anniversary of birth of the famous Lithuanian literary scholar and folklorist, professor of the Vilnius University Donatas Sauka (1929–2015) is celebrated in 2019. The article discusses various contexts of the folklore research and academic activities by Donatas Sauka, revealing his own attitude towards folklore as well. Donatas Sauka is rightly placed among the most original and creative Lithuanian folklore researchers. His works and lectures that he gave to the students of the Vilnius University encourage regarding folklore as an integral part of the human life in the traditional co

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Nedbaylik, S. R., and N. K. Dmitrieva. "THE MAIN FEATURES OF THE FORMATION OF EPIGRAMMATIC STYLE IN RUSSIAN LITERATURE." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 26, no. 98 (2024): 57–65. https://doi.org/10.37313/2413-9645-2024-26-98-57-65.

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The article regards main trends of the epigrammatic style evolution in Russian literature of different historical periods. In this connection, a diachronic review of peculiar features and manifestations of this genre is made, with accentuating its genetic links with small folklore literary forms, such as: ditties, nursery rhymes, joke songs, proverbs, sayings, jokes and many others. Speaking about the importance of historic literary traditions in the formation of Russian epigrammatic style, as such, the author pays tribute to the doubtless originality and singularity of the so called «accusato

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DANYLІUK, N. O. "UKRAINIAN LINGUO-FOLKLORE STUDIES: THEIR HISTORY, CURRENT STATE, AND PERSPECTIVES." Movoznavstvo 320, no. 5 (2021): 34–48. http://dx.doi.org/10.33190/0027-2833-320-2021-5-003.

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The article is devoted to the evolution, present state and perspectives of development of the Ukrainian linguo-folklore studies that are conducted by Sv. Yеrmolenko, N. Zhuravliova, A. Moisiienko, T. Betsenko, Y. Diadyshcheva-Rosovetska, N. Kolesnyk, R. Serdeha and others. The main aspects of the analysis of the language of the Ukrainian folk poetic texts of the period from the end of the 19th century until the middle of the 20th century were considered. They are historical linguistic, linguo-stylistic, linguo-didactic, linguo-cultural, ethnolinguistic, linguo-conceptual, linguo-semiotic. Two

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Batiuk, Elizabeth K. "Calling the Ancestors to Dance." Journal of Extreme Anthropology 7, no. 2 (2024): 79–109. http://dx.doi.org/10.5617/jea.10289.

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The Abakuá are an all-male ceremonial association founded in Cuba in the 1830s which persist to this day as exponents of a form of Afrocuban folklore. Legally recognized on the island for the first time in 2005, the Abakuá community has asserted its autonomy and criticized state uses of folklore through public performance events. One such event on August 23, 2011, mobilizes members of the community-at-large alongside professional folkloric performers. The participation of Abakuá community members transforms the event from an official-style folkloric show to a community-centered event through c

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Dudareva, M. A. "APOPHATICISM OF PAIN IN S.A. YESENIN’S POEM “BLACK MAN” (LIMINAL STATES IN RUSSIAN CULTURE)." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 24, no. 84 (2022): 52–60. http://dx.doi.org/10.37313/2413-9645-2022-24-84-52-60.

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The object of the article is apophaticism as a phenomenon of artistic culture. The subject is apophaticism of the phenomenon of pain, which is perceived from metaphysical positions in the Russian philosophical thought. The material for the article is represented by S.A. Yesenin’s poem “Black Man” and his early poems. The ethos of life and death in the poet’s art is subject to hermeneutic reconstruction. Much attention is given to the Russian folklore tradition in the poet’s works, which is expressed both explicitly and implicitly. One can find liminal, i.e. borderline states in the Russian fol

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Козлова, Тамара Алексеевна, and Лариса Павловна Карпушина. "FORMATION OF FOLK SONG PERFORMANCE SKILLS IN THE FOLKLOR ENSEMBLE UNDER THE CONDITIONS OF ADDITIONAL EDUCATION." Pedagogical Review, no. 6(34) (December 14, 2020): 61–66. http://dx.doi.org/10.23951/2307-6127-2020-6-61-66.

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В рамках дополнительного образования воспитание детей начинается с приобщения к народным традициям, музыкальному фольклору. Одной из форм вовлечения детей в народно-певческое исполнительство является фольклорный ансамбль, на занятиях которого формируются навыки исполнения народных песен. На основе комплексного, диалектического, сравнительно-сопоставительного, логического подходов, а также теоретического анализа психолого-педагогической и методической литературы, обоснован процесс формирования навыков исполнения песен в рамках народных традиций в фольклорном ансамбле, осуществляемого в условиях

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Veiga, Nancy E. "Commentary: Sexism, Sex Stereotyping, and the Technical Writer." Journal of Technical Writing and Communication 19, no. 3 (1989): 277–83. http://dx.doi.org/10.2190/c7l9-nd3x-83cy-m1qm.

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This article discusses the impact of possible sex-based differences in communication styles on the technical writer's job. Linguistic research proposes a male and female style of communication. While it is helpful to acknowledge possible differences in communication styles, technical writers must be concerned with the moral and legal implications of sex stereotyping. To explore these issues, the article discusses what it is technical writers do, and who they interact with on a daily basis. It then reviews linguistic research, and linguistic folklore. Finally, the article determines that techni

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Vinokurova, Antonina Afanas'evna, and Anna Igorevna Oshchepkova. "The metaphorical nature of V. Lebedev 's lyrics." Филология: научные исследования, no. 12 (December 2023): 96–105. http://dx.doi.org/10.7256/2454-0749.2023.12.69111.

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The authors examine the poetics of metaphor in the lyrics of V. Lebedev, one of the founders of the Even literary tradition. Vasily Dmitrievich Lebedev is a collector of Even folklore, a linguist who creatively reworked and adapted the spiritual heritage of his people in modern poetic forms, thereby breathing new life into the epic and song oral creativity of the Evens. The peculiarity of the poetic style of V. Lebedev, as a representative of young-written literature, is the orientation to folklore poetics. It is metaphoricity that is a characteristic feature of the poet's individual manner. M

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Savvinova, Gul'nara Egorovna. "Features of the artistic style in the works of P. A. Oyunsky." Филология: научные исследования, no. 4 (April 2025): 25–33. https://doi.org/10.7256/2454-0749.2025.4.73991.

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The subject of the study is the features of the artistic style in the works of P. A. Oiunsky. The object of the research is the writer's stories "The Fox and the Badger," "The Argument," "Is it Reality or a Dream?!," "How a Yakut Transformed into an Evil Spirit." The author examines the stylistic features of the texts in detail. The work presents an analysis of the stylistic techniques used by the writer. The aim of the research is to identify the characteristics of the author's style in P. Oiunsky's works. To achieve this goal, the following tasks were addressed: to identify the details of th

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Negara, Lalu Ikhwanul Satya, Sultan Arif Rahmadianto, and Didit Prasetyo Nugroho. "PERANCANGAN VIDEO ANIMASI 2D CERITA PUTRI MANDALIKA SEBAGAI UPAYA PELESTARIAN BUDAYA UNTUK ANAK SEKOLAH DASAR." Sainsbertek Jurnal Ilmiah Sains & Teknologi 3, no. 1 (2022): 216–31. http://dx.doi.org/10.33479/sb.v3i1.204.

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One of the folklore in Lombok is the story of Putri Mandalika. Princess Mandalika is a princess who threw herself into the sea to avoid division between kingdoms. However, there is a lack of awareness for the younger generation in preserving folklore. For this reason, there are appropriate alternative media to introduce Putri Mandalika's story, one of them is animation video. The method used is a qualitative method. Qualitative data obtained through observation, interviews, and literature study. Animated video of Putri Mandalika story using a paper cut design style with 6 minutes 37 seconds du

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Kwami, Robert. "A West African Folktale in the Classroom." British Journal of Music Education 3, no. 1 (1986): 5–18. http://dx.doi.org/10.1017/s026505170000509x.

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The author describes an investigation into the use of West African folklore in the school curriculum by means of an African folktale which became the basis for a project in the class music lessons. Starting with research into West African folklore, particularly children's stories and songs, in Ghana and Nigeria between 1979 and 1983, music was composed in a basically African style to go with an adaptation of one of the stories.The practical work in a London primary school investigated ways of minimising the apparent dichotomy between African and Western musics in the curriculum.

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Nofrialdi, Wendi, Hasanuddin WS, and Muhammad Ismail Nasution. "STRUKTUR DAN FUNGSI SOSIAL LEGENDA SETEMPAT SAMPURAGA DI DESA SIRAMBAS KECAMATAN PANYABUNGAN BARAT KABUPATEN MANDAILING NATAL." Jurnal Bahasa dan Sastra 6, no. 1 (2018): 110. http://dx.doi.org/10.24036/81009050.

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This research had a purpose to describe Social Structure and Function of Legend of Sampuraga Story. The theory used by researchers in this research was folklore theory. The type of this research is qualitative research with description method which is explaining facts explicitly obtained from research object. To be able to describe the Social Structure and Function of the Legend of Sampuraga, this research is done by analyzing the data as an object with the following steps. (1) to describe the Structure of Folklore Legend of Sampuraga. (2) to describe the socio-function of the folklore of the

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