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Journal articles on the topic 'Fondazione Carlo Marchi'

Author: Grafiati
Published: 25 July 2024
Last updated: 31 July 2025

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1

Gisolfi, Diana. "Lorenzo Gnocchi. Paolo Veronese fra Artisti e Letterati. (Fondazione Carlo Marchi studi, 5.) Florence: Leo Olschki, 1994. 54 pls. + 114 pp. IL90.000." Renaissance Quarterly 50, no. 4 (1997): 1263–64. http://dx.doi.org/10.2307/3039453.

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Ghirardo, Diane Yvonne Francis. "La villa dei Collazzi: L’architettura del tardo Rinascimento a Firenze. Amedeo Belluzzi and Gianluca Belli. Fondazione Carlo Marchi 31. Florence: Olschki, 2016. xii + 286 pp. €76." Renaissance Quarterly 71, no. 2 (2018): 678–79. http://dx.doi.org/10.1086/699046.

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Bernstein, Joanne G. "Linda Pisani Francesco di Simone Ferrucci: Itinerari di uno scultore fiorentino fra Toscana, Romagna e Montefeltro. Fondazione Carlo Marchi. Studi 21. Florence : Leo S. Olschki , 2007 ISBN: 978-88-222-5613-3." Renaissance Quarterly 61, no. 1 (2008): 163–65. http://dx.doi.org/10.1353/ren.2008.0048.

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4

O’Regan, Noel. "Janie Cole. Music, Spectacle and Cultural Brokerage in Early Modern Italy: Michelangelo Buonarroti il giovane . 2 vols. Fondazione Carlo Marchi Quaderni 44. Florence: Leo S. Olschki, 2011. xiv + 789 pp. €89. ISBN: 978–88–222–5989–9." Renaissance Quarterly 66, no. 1 (2013): 224–25. http://dx.doi.org/10.1086/670442.

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Hanlon, Gregory. "Filippo Luti. Don Antonio de’ Medici e i suoi tempi. Fondazione Carlo Marchi Quaderni 27. Florence: Leo S. Olschki, 2006. x + 240 pp. + 5 b/w pls. index. illus. gloss. bibl. €28. ISBN: 88-222-5505-4." Renaissance Quarterly 60, no. 1 (2007): 152–53. http://dx.doi.org/10.1353/ren.2007.0057.

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6

Ghirardo, Diane Y. "Marco Calafati. Bartolomeo Ammannati: I Palazzi Grifoni e Giugni; La nuova architettura dei palazzi fiorentini del secondo Cinquecento. Fondazione Carlo Marchi Studi 28. Florence: Leo S. Olschki, 2011. xxiii + 398 pp. €140. ISBN: 978–88–222–6042–0." Renaissance Quarterly 65, no. 2 (2012): 535–36. http://dx.doi.org/10.1086/667286.

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7

Minonzio, Franco. "Barbara Agosti. Paolo Giovio: Uno storico lombardo nella cultura artistica del Cinquecento. Fondazione Carlo Marchi Quaderni 37.Florence: Leo S. Olschki, 2008. 194 pp. + 82 b/w pls. index. chron. 荤28. ISBN: 978–88–222–5765–9." Renaissance Quarterly 63, № 1 (2010): 256–57. http://dx.doi.org/10.1086/652584.

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8

Aquino, Lucia. "Gerardo de Simone , Il Beato Angelico a Roma 1445–1455. Rinascita delle arti e Umanesimo cristiano nell’Urbe di Niccolò V e Leon Battista Alberti , Florence, Olschki, 2018 ; 1 vol., xvi –358 p. ( Fondazione Carlo Marchi, Studi , 34). ISBN : 9788822265128. Prix : € 140,00." Le Moyen Age Tome CXXV, no. 1 (2020): XLVII. http://dx.doi.org/10.3917/rma.251.0213zu.

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9

Andreoli, Ilaria. "Giorgio Bacci, Le illustrazioni in Italia tra Otto e Novecento. Libri a figure, dinamiche culturali e visive . Firenze, L. Olschki, Fondazione Carlo Marchi - Studi, vol. 25, 2009, x-338 p. avec 331 fig. dans le texte et 26 tables h.t. en couleur." Bulletin du bibliophile N° 362, no. 2 (2015): 407–10. http://dx.doi.org/10.3917/bubib.362.0211.

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10

Newbigin, Nerida. "Aldo Castellani. Nuovi canti carnascialeschi di Firenze: Le “canzone” e mascherate di Alfonso de’ Pazzi. Fondazione Carlo Marchi Quaderni 29. Florence : Leo S. Olschki, 2006. xii + 296 pp. + 2 color and 6 b/w pls. index. append. bibl. €29. ISBN: 978-88-222-5565-4." Renaissance Quarterly 60, no. 4 (2007): 1315–17. http://dx.doi.org/10.1353/ren.2007.0461.

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11

Harness, Kelley. "Janie Cole. A Muse of Music in Early Baroque Florence: The Poetry of Michelangelo Buonarroti il Giovane. Fondazione Carlo Marchi 33. Florence: Leo S. Olschki, 2007. xiii + 389 pp. + 5 color pls. index. append. illus. tbls. bibl. €48. ISBN: 978–88–222–5704–8." Renaissance Quarterly 62, no. 4 (2009): 1258–59. http://dx.doi.org/10.1086/650060.

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12

Wilkins, David G. "Bruce Boucher, ed. Earth and Fire: Italian Terracotta Sculpture from Donatello to Canova. London and New Haven: Yale University Press, 2001. xii + 312 pp. + 80 color and 120 b/w pls. index, illus. bibl. $75. ISBN: 0-300-09080-3. - Francesco Caglioti. Donatello e i Medici: Storia della David e della Giuditta. (Fondazione Carlo Marchi: Studi, 14.) Florence: Leo S. Olschki, 2000. xxvi + 530 pp. + 1 color pl. index, append. €144.61. ISBN: 88-222-4941-0." Renaissance Quarterly 56, no. 3 (2003): 777–79. http://dx.doi.org/10.2307/1261625.

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13

Hilje, Emil. "Slika Bogorodice s Djetetom u The Courtauld Institute of Art u Londonu - prijedlog za Petra Jordanića." Ars Adriatica, no. 4 (January 1, 2014): 213. http://dx.doi.org/10.15291/ars.496.

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A painting of the Virgin and Child, signed as “OPVUS P. PETRI”, from the former Fareham Collection (today at the Courtauld Institute of Art), has been known in the scholarly literature for a long time but has only been subject to tangential analyses. These studies attempted to attribute it to painters meeting relatively dubious criteria: that their name was Peter (Petar) and that they could be linked to the painting circle of Squarcione or, more specifically, to that of Carlo Crivelli with whose early works, especially the Virgin and Child (the Huldschinsky Madonna) at the Fine Arts Gallery in
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14

Мингазов, Шамиль Рафхатович. "БУЛГАРСКИЕ РЫЦАРИ ЛАНГОБАРДСКОГО КОРОЛЕВСТВА". Археология Евразийских степей, № 6 (20 грудня 2020): 132–56. http://dx.doi.org/10.24852/2587-6112.2020.6.132.156.

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Настоящая работа является первым общим описанием на русском языке двух некрополей Кампокиаро (Кампобассо, Италия) – Виченне и Морионе, датируемых последней третью VII в. – началом VIII в. Культурное содержание некрополей показывает прочные связи с населением центральноазиатского происхождения. Важнейшим признаком некрополей являются захоронения с конем, соответствующие евразийскому кочевому погребальному обряду. Автор поддержал выводы европейских исследователей о том, что с большой долей вероятности некрополи оставлены булгарами дукса–гаштальда Алзеко, зафиксированными Павлом Диаконом в VIII в
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15

"Francesco Stella, ed., La scrittura infinita: Bibbia e poesia in età medievale e umanistica. Atti del Convegno di Firenze, 26–28 giugno 1997, promosso dalla Fondazione Carlo Marchi, dal Centro Romantico del Gabinetto Vieusseux, dalla S.I.S.M.E.L. et da “Semicerchio: Rivista di poesia comparata.” (Millennio Medievale, 28; Atti di Convegni, 8.) Florence: SISMEL, Edizioni del Galluzzo, 2001. Pp. xi, 628. €98.13." Speculum 77, no. 04 (2002): 1433–34. http://dx.doi.org/10.1017/s0038713400113120.

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