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Books on the topic 'Ford Granada automobile'

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1

Minter, Matthew. Ford Granada owners workshop manual. Haynes, 1987.

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2

Minter, Matthew. Ford Granada owners workshop manual. Haynes, 1990.

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3

Larry, Warren. Granada & Monarch owners workshop manual. Haynes Pub. Group, 1987.

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4

Ryan, Mark. Ford Crown Victoria & Mercury Grand Marquis automotive repair manual. Haynes Pub. Group, 2007.

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5

Ryan, Mark. Ford Crown Victoria & Mercury Grand Marquis automotive repair manual. Haynes Pub. Group, 2010.

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6

Baime, A. J. Go like hell: Ford, Ferrari, and their battle for speed and glory at Le Mans. Houghton Mifflin Harcourt, 2009.

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7

A, Freeman Kerry, Gaffney Debra, and Chilton Book Company, eds. Chilton's Ford Crown Victoria/Mercury Grand Marquis: 1989-93 repair manual. Chilton Book Co., 1993.

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8

Go like hell: Ford, Ferrari, and their battle for speed and glory at Le Mans. Houghton Mifflin Harcourt, 2009.

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9

Legg, A. K. Ford Granada Owner's Workshop Manual. Haynes Publishing Group P.L.C., 2013.

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10

Minter, Matthew. Ford Granada 1985-88 Owners Workshop Manual. 2nd ed. Haynes Publishing, 1988.

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11

Mead, John S. Ford Granada 1977-85 Owner's Workshop Manual. Haynes Manuals Inc, 1986.

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12

Chilton Ford Crown Victoria 1989 - 10 Repair Manual. Cengage Learning, 2011.

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13

Coomber, Ian. Ford Sierra and Granada Diesel Engine 1977-90 Owner's Workshop Manual (Service & Repairs). Haynes Manuals Inc, 1991.

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14

Ford Crown Victoria/Grand Marquis: 1989 through 2006 (Chilton's Total Car Care Repair Manual). Haynes Manuals, Inc., 2008.

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15

Chilton's Ford: Crown Victoria/Grand Marquis, 1989-98 repair manual. W.G. Nichols, 2000.

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16

Baime, A. J. Go Like Hell: Ford, Ferrari, and Their Battle for Speed and Glory at le Mans. Houghton Mifflin Harcourt Publishing Company, 2010.

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17

Go Like Hell: Ford, Ferrari, and Their Battle for Speed and Glory at le Mans. Penguin Random House, 2010.

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18

Baime, A. J. Go Like Hell: Ford, Ferrari, and Their Battle for Speed and Glory at le Mans. Houghton Mifflin Harcourt Trade & Reference Publishers, 2010.

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19

Baime, A. J. Go Like Hell: Ford, Ferrari and Their Battle for Speed and Glory at le Mans. Transworld Publishers Limited, 2011.

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20

Go Like Hell: Ford, Ferrari, and Their Battle for Speed and Glory at Le Mans. Mariner Books, 2010.

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21

Return to Glory: The Story of Ford's Revival and Victory at the Toughest Race in the World. Grove/Atlantic, Incorporated, 2018.

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22

DeBord, Matthew. Return to Glory: The Story of Ford's Revival and Victory at the Toughest Race in the World. Grove/Atlantic, Incorporated, 2017.

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23

Return to glory: The story of Ford's revival and victory at the toughest race in the world. Atlantic Monthly Press, 2017.

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24

Wimpffen, Janos. Winged Sports Cars & Enduring Innovation: The International Championship for Manufacturers in Photographs, 1962-1971. David Bull Pub, 2006.

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25

Braziel, Jana Evans. Riding with Death. University Press of Mississippi, 2017. http://dx.doi.org/10.14325/mississippi/9781496812742.001.0001.

Full text
Abstract:
On the southern end of the Grand Rue, a major thoroughfare that runs through the center of Port-au-Prince, waits the Haitian capital's automobile repair district. This junkyard of steel and rubber, recycled parts, old tires, and scrap metal might seem an unlikely foundry for art. Yet, on the street's opposite end thrives the Grand Rue Galerie, a working studio of assembled art and sculptures wrought from the refuse. Established by artists André Eugène and Jean Hérard Celeur in the late 1990s, the Grand Rue's urban environmental aesthetics radically challenge ideas about consumption, waste, and environmental hazards, as well as consider innovative solutions to these problems in the midst of poverty, insufficient social welfare, and lack of access to arts, education, and basic needs. This book explores the urban environmental aesthetics of the Grand Rue sculptors and the beautifully constructed sculptures they have designed from salvaged parts and materials. The book constructs an urban ecological framework for understanding these sculptures amid environmental degradation and grinding poverty. The book regards the underdeveloped cities of the global South as alternate spaces for challenging the profit-driven machinations of global capitalism. Above all, the book presents Haitian artists who live on the most challenged Caribbean island, yet who thrive as creators reinventing refuse as art and resisting the abjection of their circumstances.
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