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Journal articles on the topic 'Foreign Sound Recording Industry'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 February 2022

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1

Gronow, Pekka. "Recording the History of Recording: A Retrospective of the Field." International Journal for History, Culture and Modernity 7, no. 1 (2019): 443–57. http://dx.doi.org/10.18352/hcm.565.

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The recording industry is now over 120 years old. During the first half of its existence, however, few archives documented or collected its products. Many early recordings have been lost, and discography, the documentation of historical recordings, has mainly been in the hands of private collectors. An emphasis on genre-based discographies such as jazz or opera has often left other areas of record production in the shade. Recent years have seen a growth of national sound collections with online catalogues and at least partial online access to content. While academic historians have been slow t

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2

Van Nort, Doug. "Multidimensional Scratching, Sound Shaping and Triple Point." Leonardo Music Journal 20 (December 2010): 17–18. http://dx.doi.org/10.1162/lmj_a_00005.

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The author discusses performance utilizing his greis software system, which is built around the principle of a “scrubbing” interaction with roots in the recording industry and the paradigm of scrubbing tape across a magnetic head.

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3

Hughes, Stephen Putnam. "Music in the Age of Mechanical Reproduction: Drama, Gramophone, and the Beginnings of Tamil Cinema." Journal of Asian Studies 66, no. 1 (2007): 3–34. http://dx.doi.org/10.1017/s0021911807000034.

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During the first half of the twentieth century, new mass media practices radically altered traditional cultural forms and performance in a complex encounter that incited much debate, criticism, and celebration the world over. This essay examines how the new sound media of gramophone and sound cinema took up the live performance genres of Tamil drama. Professor Hughes argues that south Indian music recording companies and their products prefigured, mediated, and transcended the musical relationship between stage drama and Tamil cinema. The music recording industry not only transformed Tamil dra

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Rykunin, Vladislav Vyacheslavovich. "The first jazz gramophone record: the music of the moment which became timeless." PHILHARMONICA. International Music Journal, no. 1 (January 2021): 14–22. http://dx.doi.org/10.7256/2453-613x.2021.1.35023.

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Jazz is the first type of music art the earliest stage of development of which had been recorded. A single play recorded in 1917 by the quintet Original Dixieland &ldquo;Jass&rdquo; Band from New Orleans is known in history as the first jazz record. There&rsquo;s a perception in the academic community that the musical material on this record can hardly be considered as a typical representative of jazz music of that period. The music was performed by the white musicians, though most first jazz bands were black, and the music was far from a real solo improvisation. However, it was no

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Meyer, Stephen C. "Parsifal's Aura." 19th-Century Music 33, no. 2 (2009): 151–72. http://dx.doi.org/10.1525/ncm.2009.33.2.151.

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Abstract ““Aura””——configured as an interplay of preservation and loss or——to quote the first version of Walter Benjamin's famous artwork essay——as an ““interweaving of space and time””——is central not only to sound recording, but also to the musical dramaturgy of Wagner's final work. This article examines ways in which this unusual alignment affected early (pre-1948) recordings of Parsifal. The potential contradictions implicit in the concept of aura are nowhere more strikingly revealed than in these early recordings. On one hand, they foreground the problems of reducing complex and lengthy w

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Williams, Christopher. "The Concrete ‘Sound Object’ and the Emergence of Acoustical Film and Radiophonic Art in the Modernist Avant-Garde." Transcultural Studies 13, no. 2 (2017): 239–63. http://dx.doi.org/10.1163/23751606-01302008.

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Radiophonic art could not have emerged at the end of the 1920s without an intense period of experimentation across the creative fields of radio, new music, phonography, film, literature and theatre. The engagement with sound recording and broadcast technologies by artists radically expanded the scope of creative possibility within their respective practices, and more particularly, pointed to new forms of (inter-)artistic practice based in sound technologies including those of radio. This paper examines the convergence of industry, the development of technology, and creative practice that gave

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Kocherzhuk, D. V. "Sound recording in pop art: differencing the «remake» and «remix» musical versions." Aspects of Historical Musicology 14, no. 14 (2018): 229–44. http://dx.doi.org/10.34064/khnum2-14.15.

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Background. Contemporary audio art in search of new sound design, as well as the artists working in the field of music show business, in an attempt to draw attention to the already well-known musical works, often turn to the forms of “remake” or “remix”. However, there are certain disagreements in the understanding of these terms by artists, vocalists, producers and professional sound engineer team. Therefore, it becomes relevant to clarify the concepts of “remake” and “remix” and designate the key differences between these musical phenomena. The article contains reasoned, from the point of vi

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Siriyuvasak, Ubonrat. "Commercialising the sound of the people: Pleng Luktoong and the Thai pop music industry." Popular Music 9, no. 1 (1990): 61–77. http://dx.doi.org/10.1017/s0261143000003731.

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Since Thailand's Copyright Act became law in 1979 an indigenous music industry has emerged. In the past, the small recording business was concentrated on two aspects: the sale of imported records and the manufacture of popular, mainly Lukkroong music, and classical records. However, the organisation of the Association of Music Traders – an immediate reaction to the enforcement of the Copyright law – coupled with the advent of cassette technology, has transformed the faltering gramophone trade. Today, middle-class youngsters appreciate Thai popular music in contrast to the previous generation w

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9

VanCour, Shawn, and Kyle Barnett. "Eat what you hear: Gustasonic discourses and the material culture of commercial sound recording." Journal of Material Culture 22, no. 1 (2017): 93–109. http://dx.doi.org/10.1177/1359183516679186.

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This article analyzes discursive linkages between acts of listening and eating within a combined multisensory regime that the authors label the gustasonic. Including both marketing discourses mobilized by the commercial music industry and representations of record consumption in popular media texts, gustasonic discourses have shaped forms and experiences of recorded sound culture from the gramophone era to the present. The authors examine three prominent modalities of gustasonic discourse: (1) discourses that position records as edible objects for physical ingestion; (2) discourses that preser

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10

Jhingan, Shikha. "Backpacking Sounds." Feminist Media Histories 1, no. 4 (2015): 71–88. http://dx.doi.org/10.1525/fmh.2015.1.4.71.

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The Bombay film music industry has been dominated by male music composers for the past eight decades. In this essay, the author explores the work of Sneha Khanwalkar, a young female music director who has brought forward new sound practices on popular television in India and in Bombay cinema. Instead of working in Bombay studios, Khanwalkar prefers to step out into the “field,” carving out dense acoustic territories using portable recording technologies. Her field studio becomes an unlimited space as readers see her backpacking, collecting sounds and musical phrases, and, finally, working with

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Hedges, Michael. "‘Modulation’ by Richard Powers: Digital sound, compression and the short story." Short Fiction in Theory & Practice 11, no. 1-2 (2021): 161–76. http://dx.doi.org/10.1386/fict_00042_1.

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This article presents a reading of ‘Modulation’ (2008) by Richard Powers. Firstly, I consider the short story’s representation of the MP3 music file, specifically its effects on how music is circulated and stored, as well as how it sounds. These changes are the result of different processes of compression. The MP3 format makes use of data compression to reduce the file size of a digital recording significantly. Such a loss of information devises new social and material relations between what remains of the original music, the recording industry from which MP3s emerged and the online markets in

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12

Wood, Nicholas Stuart. "Protecting Creativity: Why Moral Rights Should be Extended to Sound Recordings under New Zealand Copyright Law." Victoria University of Wellington Law Review 32, no. 1 (2001): 163. http://dx.doi.org/10.26686/vuwlr.v32i1.5899.

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Traditionally, moral rights have not extended to the creators of sound recordings under either common law or civil law systems. The somewhat outdated rationale of this exclusion of sound recordings from the ambit of moral rights protection was generally that sound recordings were merely mechanical reproductions of already existing musical works, and hence the recordings lacked sufficient creativity to make them worthy of moral rights protection. In 1996, the WIPO Performances and Phonograms Treaty sought to remedy this anomaly in copyright law by extending the moral rights of paternity and of

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Chaudhuri, S. K. "Power Sector Financing in India." Paradigm 1, no. 2 (1998): 48–59. http://dx.doi.org/10.1177/0971890719980208.

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The huge sum of capital required to finance the power development plan in India to achieve a target GDP growth of 7-8 per cent calls for heavy private investments-domestic and foreign. Private capital flow to the power sector can be induced by developing industry-market and regulatory utility to function as financially sound and commercially responsible entities.

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Bendixen, Mike, Denis Cranson, and Russell Abratt. "Consumer perceptions of a perilous product: International tourism to South Africa." South African Journal of Business Management 27, no. 4 (1996): 71–81. http://dx.doi.org/10.4102/sajbm.v27i4.811.

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Tourism can make a significant contribution to the development of South Africa by providing employment, contributing to foreign exchange earnings and by increasing economic activity. The aim of this study was to establish current perceptions, attitudes and orientations of foreign tourists towards post-apartheid South Africa as a tourist destination. A sample of 250 tourists were interviewed at London's Heathrow Airport. The results show that the South African tourism industry is faced with a multidimensional problem. It is a good example of a perilous or high risk product. However, with sound

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Keightley, Keir. "Long Play: Adult-Oriented Popular Music and the Temporal Logics of the Post-War Sound Recording Industry in the USA." Media, Culture & Society 26, no. 3 (2004): 375–91. http://dx.doi.org/10.1177/0163443704042258.

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16

Fishzon, Anna. "The Operatics of Everyday Life, or, How Authenticity Was Defined in Late Imperial Russia." Slavic Review 70, no. 4 (2011): 795–818. http://dx.doi.org/10.5612/slavicreview.70.4.0795.

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In this article, Anna Fishzon explores how the phenomena of celebrity culture and early sound recording contributed to notions of audientic selfhood in late imperial Russia. Public discussions about celebrities like the Bol'shoi Theater bass Fedor Shaliapin helped forge understandings of sincerity and spoke to contemporary concerns regarding the relationship between fame and artifice, the public persona and the inner self. Fishzon suggests that the emergent recording industry penetrated and altered everyday emotional experience, the arena of work, and the organization of leisure, linking gramo

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17

Roy, Elodie A. "‘Total trash’. Recorded music and the logic of waste." Popular Music 39, no. 1 (2020): 88–107. http://dx.doi.org/10.1017/s0261143019000576.

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AbstractThis article introduces three situated moments – or plateaux – in order to partially uncover the particular affinities between popular music and the ‘logic of waste’ in the Anthropocene Era, from early phonography to the present digital realm (with a focus on the UK, United States, and British India). The article starts with a ‘partial inventory’ of the Anthropocene, outlining the heuristic values of waste studies for research in popular music. The first plateau retraces the more historical links between popular music and waste, showing how waste (and the positive discourses surroundin

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Iyiola, Amos Damilare. "Denasalisation in the spoken French of Ijebu undergraduate French learners in selected universities in south West of Nigeria." AFRREV IJAH: An International Journal of Arts and Humanities 7, no. 3 (2018): 100–109. http://dx.doi.org/10.4314/ijah.v7i3.12.

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Denasalisation is a lexical phenomenon brought into play during the process of lexicalisation while nasalisation is a natural process which occurs when an oral sound is modified in the environment of an adjacent nasal sound. Little attention is paid to the former because phonologists admit that nasalisation is more natural during speech production. This paper, therefore, examined denasalisation in the spoken French of 50 Ijebu Undergraduate French Learners (IUFLs) in Selected Universities in South West of Nigeria with a view to establishing instances of denasalisation in their spoken French. D

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19

Yogatama, Adiprana. "Phonological Analysis of Indian Language." Register Journal 5, no. 1 (2012): 1–16. http://dx.doi.org/10.18326/rgt.v5i1.1-16.

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The aims of this research are to find out the language sounds produced by India speakers, to enrich the scientific realm of language sounds and to stimulate the students to deeply examine other foreign language sounds. For the purpose of the study, the researcher collected data from several sources. The data which were in the form of theoretical research literature were obtained from books in general linguistics, especially on Phonology, both English and Indonesian. For data or material which were in the form of research material to be studied, the researcher presented a native speaker of Indi

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Yogatama, Adiprana. "Phonological Analysis of Indian Language." Register Journal 5, no. 1 (2012): 1. http://dx.doi.org/10.18326/rgt.v5i1.249.

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The aims of this research are to find out the language sounds produced by India speakers, to enrich the scientific realm of language sounds and to stimulate the students to deeply examine other foreign language sounds. For the purpose of the study, the researcher collected data from several sources. The data which were in the form of theoretical research literature were obtained from books in general linguistics, especially on Phonology, both English and Indonesian. For data or material which were in the form of research material to be studied, the researcher presented a native speaker of Indi

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21

O’Grady, Pat. "The Master of Mystery." Journal of Popular Music Studies 31, no. 2 (2019): 147–64. http://dx.doi.org/10.1525/jpms.2019.312012.

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Over the past twenty years, the field of popular music studies has significantly enhanced our understanding of pop music production. Studies have drawn from a range of industry discussions to explore, for example, the ways in which emergent technologies have led to distinctive production techniques and the important role that recording technologies play in shaping the sound of pop music. Whereas many industry discussions have provided productive sites of analysis, they can also obstruct research in some respects. This article focuses on an area of music production where such industrial discuss

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22

Jimenez, Earl Clarence L. "Memories of Sounds: An Archiving Project in Two Aural Communities." ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL 5 (June 30, 2020): 1–8. http://dx.doi.org/10.30819/aemr.5-1.

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Documentation, collection, and the storage of music and sound is second nature to the discipline of ethnomusicology. Frances Desmore’s iconic photograph (albeit staged) of a gramophone with Blackfoot leader, Mountain Chief in the early 20th century quite accurately depicts a salient feature of the discipline --- the scholar and the local engaged in the recording of music. The technology and the dress have obviously undergone changes but the photograph continues to echo resonantly. As Jaap Kunst has said and quoted by Seeger, “Ethnomusicology could never have grown into an independent science i

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Porcello, Thomas. "The ethics of digital audio-sampling: engineers' discourse." Popular Music 10, no. 1 (1991): 69–84. http://dx.doi.org/10.1017/s0261143000004323.

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Over the course of the past several years the use of digital audio-sampling by composers, musicians, engineers and producers has increased to a point where the sampler is now as common in the recording studio as the microphone. Digital samplers allow one to encode a fragment of sound, from one to several seconds in duration, in a digitised binary form which can then be stored in computer memory. This stored sound may be played back through a keyboard, with its pitch and tonal qualities accurately reproduced or, as is often the case, manipulated through electronic editing. Because of its unsurp

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Qureshi, Regula Burckhardt. "His Master's Voice? Exploring Qawwali and ‘Gramophone Culture’ in South Asia." Popular Music 18, no. 1 (1999): 63–98. http://dx.doi.org/10.1017/s0261143000008734.

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‘No modern communications medium is more intrusive in modern Indian life than recorded and electronically amplified sound’ (Babb 1995, p. 10). In South Asia, even the most exclusive student of unmediated music-making cannot avoid a mediated public soundscape that may well transmit the music being studied over loudspeakers, radios, televisions, and cassette players. This is certainly the case for qawwali, a musical genre which is firmly embedded in Sufi practice, but is also widely recorded and media-disseminated for as long as the life of the Indian record industry itself. Acknowledging this m

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25

Sharma, Poonam Gautam. "THE DEVELOPMENT OF MUTUAL FUND INDUSTRY IN INDIA." International Journal of Research -GRANTHAALAYAH 4, no. 7 (2016): 162–73. http://dx.doi.org/10.29121/granthaalayah.v4.i7.2016.2609.

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The purpose of this article is to present the attributes of mutual fund industry in India, its development since inception with UTI, entry of public sector, private sector and foreign enterprise, various schemes offered by companies especially started to meet small investor’s needs. The article also explains the growth aspects of the mutual fund industry along with some guidelines that would result in safe investment and reasonable return. The main cause of underdevelopment of a nation is its poor capital formation. Mobilization of savings is the backbone of sound financial system and fo

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Yukun, Wang, Meng Guodong, Li Wangyang, and Huang Yali. "Research on Assessment of Emergency-response Capability in China’s Port Industry." E3S Web of Conferences 253 (2021): 01059. http://dx.doi.org/10.1051/e3sconf/202125301059.

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In China’s port industry, there is currently a lack of sound, systematic guidance and standards for the assessment of emergency-response capability. Taking the current emergency-management situation in China’s port industry as a starting point, this study analyzed current problems in emergency-response capability and examined advanced domestic and foreign practices in emergency management. The elements of emergency-response capability assessment were then established based on the following four aspects: organizational system, legal basis, operation mechanism, and guarantee system. An emergency

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27

Răsvan, Cătălin. "Sound Banks – a Priceless Aid in Contemporary Music Writing." Artes. Journal of Musicology 20, no. 1 (2019): 220–30. http://dx.doi.org/10.2478/ajm-2019-0012.

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Abstract Sound banks are collections of sound samples from musical instruments of the symphonic orchestra, traditional instruments from various areas of the world and sounds of virtual devices, such as synthesizers, which are increasingly present in contemporary musical creations. Sound banks are loaded in a device called sampler, which can edit and play them. The article describes analog and especially virtual samplers, complex devices that can store or play sounds from specific libraries of sound banks. It also defines and catalogs the main types of digital virtual instruments (that include

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28

Galbat, Hassan, and Farhad Fahandezh Sa’adi. "Iranian EFL Teachers’ Perceptions of Learning Accent." International Journal of Applied Linguistics and English Literature 7, no. 3 (2018): 108. http://dx.doi.org/10.7575/aiac.ijalel.v.7n.3p.108.

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Since the appearance of “Audio-lingual Method”, the issue of foreign accent has been the focus of many researchers and many teachers attempted to sound as native like as possible to better teach native English accent. The present study attempted to uncover the Iranian EFL teachers’ perceptions on accent, the way they viewed their own accent, and how English accent can be improved. Totally 50 male and female teachers with different age range, qualifications, teaching and learning experiences participated in the study. The data of the study were collected using Teachers’ Perceptions of Accent Qu

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Gibson, Will, Peter Callery, Malcolm Campbell, Andy Hall, and Dave Richards. "The Digital Revolution in Qualitative Research: Working with Digital Audio Data through Atlas. Ti." Sociological Research Online 10, no. 1 (2005): 57–68. http://dx.doi.org/10.5153/sro.1044.

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Modern versions of Computer Assisted Qualitative Data Analysis Software (CAQDAS) are enabling the analysis of audio sound files instead of relying solely on text-based analysis. Along with other developments in computer technologies such as the proliferation of digital recording devices and the potential for using streamed media in online academic publication, this innovation is increasing the possibilities of systematically using media-rich, naturalistic data in place of transcribed ‘de-naturalised’ forms. This paper reports on a project assessing online learning materials that used Atlas.ti

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Jahan, Ishrat, and Fareen Zaman. "Analysis of the Financial Soundness of Footwear Industry in Bangladesh: An Empirical Study using Z-score." Global Disclosure of Economics and Business 6, no. 1 (2017): 51–60. http://dx.doi.org/10.18034/gdeb.v6i1.116.

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Among all the available statistical techniques, Altman’s Z-score is found to be the most reliable technique to measure the financial soundness of any given business organization. In this paper, we have selected footwear industry which is the second largest foreign currency earner in Bangladesh. This industry is contributing in a greater scale to the economy of our country. The prime objective of this study is to assess the financial heath, i.e. analyze the probability of bankruptcy of the listed companies of the footwear industry. We have studied the financial statements of five companies list

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31

Fenster, Mark. "Buck Owens, country music, and the struggle for discursive control." Popular Music 9, no. 3 (1990): 275–90. http://dx.doi.org/10.1017/s0261143000004098.

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In the early- and mid-1960s, as mainstream popular music began to reach and exploit the growing youth market, the country music genre was going through a number of important transformations (see Malone 1985; Hemphill 1970). During this period the country music industry, including record companies, recording studios, managing and booking agents, music publishers and musicians, was becoming more fully consolidated in Nashville. In addition, a different kind of dominant sound was beginning to coalesce, based on a more ‘uptown’ feel and intended for a more cosmopolitan audience accustomed to mains

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32

Parc, Jimmyn, and Shin Dong Kim. "The Digital Transformation of the Korean Music Industry and the Global Emergence of K-Pop." Sustainability 12, no. 18 (2020): 7790. http://dx.doi.org/10.3390/su12187790.

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There are a number of voices who blame digitization for having a number of negative effects on the music industry including a decline in album sales, copyright infringement, unfair royalty payments, and competition with foreign multinationals. Yet, the global emergence of Korean pop music or K-pop suggests a different narrative, particularly given that its growth was largely unexpected among industry experts. Understanding the key to its international breakthrough can thus produce meaningful lessons for the music industries of other countries for their own further take-off. This constitutes th

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Indrawati, Ni Luh Ketut Mas, Weddha Savitri, and Agung Istri Aryani. "The Capability of Pronouncing French Phonemes by Students of English Department, Udayana University." Lingual: Journal of Language and Culture 5, no. 1 (2018): 43. http://dx.doi.org/10.24843/ljlc.2018.v05.i01.p07.

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This study aims at investigating the ability of the pronunciation of French phonemes by students of English Department, Faculty of Culture, Udayana University. It also intends to analyse the way they articulated the phonemes and identified factors affecting their pronunctiation. This research is very interesting to do considering that the correct pronunciation of a phoneme or sound of a Foreign Language is one of the important points that must be mastered by the learners. The French sound system which is different from Indonesian and English certainly becomes one of the obstacles for students

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Tatang, Tatang, and Cucu Hayati. "SUNDANESE PHONOLOGICAL INTERFERENCE OF THE RECITATION OF SURA AL-FATIHA OF THE HOLY QURAN." Jurnal Pendidikan Bahasa dan Sastra 18, no. 2 (2019): 235–45. http://dx.doi.org/10.17509/bs_jpbsp.v18i2.15511.

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Culture is one of elements that affect a person's proficiency of foreign languages. Sundanese phonological structure is different from Arabic. Therefore, it is difficult for some Sundanese people to pronounce Arabic. For example, Sundanese tends to face difficulties in reciting the verses of the Holy Quran. The Holy Quran is the Muslims’ holy book that is written in Arabic. The recitation of the Holy Quran should be in accordance with the Arabic phonology. In fact, Some Sundanese make irregularities or interference during reciting the Suras (chapters) of the Holy Quran. This study aims to reve

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Chowdhury, AHM Yeaseen, Nazrul Islam, and Md Zahedul Alam. "Impediments of Supply Chain Management Application in Readymade Garments Industry of Bangladesh." Journal of Business and Social Sciences Research 4, no. 1 (2019): 1–12. http://dx.doi.org/10.3126/jbssr.v4i1.28989.

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There is a paramount importance of the Readymade Garments (RMG) industry of Bangladesh as it is the highest contributor in earning foreign exchange for the country. But the industry is facing stiff competition from other RMG producing countries including China, India, and Sri Lanka of the world. Hence, competitiveness especially at the manufacturing level became important for this industry. An efficient Supply Chain Management can increase the competitiveness and the satisfaction of the customers. Nowadays, SCM plays an integral part of a firm’s success as it allows firms to quickly deliver pr

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SYMES, COLIN. "From Tomorrow’s Eve to High Fidelity: novel responses to the gramophone in twentieth century literature." Popular Music 24, no. 2 (2005): 193–206. http://dx.doi.org/10.1017/s0261143005000462.

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Music and literature have long-standing links. Music has drawn on literature, and vice versa. The advent of the phonograph transformed the condition of music in myriad ways. It made music more accessible and more portable. It also created a new industry of music makers: record producers and engineers, recording artists and record journalists. In this paper I examine the literary responses to the phonograph, and argue that novelists such as Jules Verne, Sinclair Lewis, Bram Stoker and Thomas Mann were among the first to respond to the phonograph, helping to demystify many of the fears that acco

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Celik, Saban, and Banu Esra Aslanertik. "Linkages Between Value Based Performance Measurements and Risk Return Trade Off: Theory and Evidence." Cuadernos de difusión 16, no. 31 (2011): 63–83. http://dx.doi.org/10.46631/jefas.2011.v16n31.04.

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In this study we attempt to investigate the linkages between value-based performance measurements and risk-return trade off in a way to explain cross sectional asset returns. On the side of value based performance measurements, three groups of variables are used as a sorting factor: traditional measures which consist of accounting based and market based; recently popularized measures such as Economic Value Added and Market Value Added and theoretically sound measures such as foreign investor allocation and firm systematic risk indicators. The goals of the study are (i) to show how value based

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Oujezdský, Aleš. "Creation of Educational Video Tutorials and Their Use in Education." International Journal of Information and Communication Technologies in Education 3, no. 1 (2014): 28–39. http://dx.doi.org/10.1515/ijicte-2014-0003.

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Abstract Educational video tutorials are currently modern teaching resources. They are primarily used as a guide when working with various software applications. The tutorials can be produced in high definition, including narration and subtitles. However, creating such a video tutorial is not easy. Students at the Department of Information and Communication Technologies are learning to create these video tutorials. The basis of a tutorial is the creation of a script. The next step is a high quality screen capture, sound recording and subtitle creation. The tutorial can be accompanied by severa

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Sher, Alina Andreevna, and Rimma Aleksandrovna Timofeeva. "The works of Alex Steinweiss: design of the music album cover as a new trend in graphic design." Культура и искусство, no. 4 (April 2021): 104–15. http://dx.doi.org/10.7256/2454-0625.2021.4.35373.

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This article is discusses the works of the graphic designer Alex Steinweiss (1917 &ndash; 2011), who was involved in music industry of the United States. The author examines the causes and effects of the emergence of a new trend in graphic design, associated with the design of music album covers, as well as analyzed some of the covers invented by Steinweiss in the 1940s. A brief overview is given to the evolution of sound recording media and their packaging. The subject of this research is the art of Alex Steinweiss, while the object is the envelopes for LP vinyl records, invented by the d

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Brennan, Matt, and Kyle Devine. "The cost of music." Popular Music 39, no. 1 (2020): 43–65. http://dx.doi.org/10.1017/s0261143019000552.

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AbstractWhat is the cost of music in the so-called Anthropocene? We approach this question by focusing on the case of sound-recording formats. We consider the cost of recorded music through two overlapping lenses: economic cost, on the one hand, and environmental cost, on the other. The article begins by discussing how the price of records has changed from the late 19th to the 21st century and across the seven most economically significant playback formats: phonograph cylinder, gramophone disc, vinyl LP, cassette tape, compact disc, digital audio files on hard drive, and streaming from the clo

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Höhler, Julia, and Rainer Kühl. "What strategies do dairy companies realize? Using content analysis to examine strategies in the German dairy market." International Food and Agribusiness Management Review 22, no. 5 (2019): 635–50. http://dx.doi.org/10.22434/ifamr2019.0008.

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A realized strategy can be understood as the sum of a company’s observable strategic actions over time. This concept of strategy is difficult to grasp empirically. However, the content analysis enables a systematic, dynamic and theoretically sound recording of realized strategies. To demonstrate the potential of the method in capturing strategies we encode 4,158 pieces of information about strategic actions of ten European dairy companies in the German market for over 11 years. Based on this we suggest a mixed methods approach to learn more about the individual companies’ competitive moves and

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Suantari, Ni Kadek, I. Made Suastra, and I. Gusti Agung Istri Aryani. "Balinese Students Pronunciation in Learning English: A Case Study of Sixth-Grade Students at SDN 1 Petulu Ubud." Humanis 25, no. 2 (2021): 166. http://dx.doi.org/10.24843/jh.2021.v25.i02.p06.

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This study is aimed to identify how the Balinese students pronounce English consonants and to analyse the factors that influenced the Balinese student’s pronunciation in pronouncing English consonants. This study was conducted as field research and the data was collected from the Balinese student’s pronunciation by recording their voices in pronouncing the target phonemes. Besides, interviewing was also done to know the factors that influence them in pronouncing the target phonemes. Data of this research was descriptively analysed by using qualitative methods and analysed by the theory propose

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Henckels, Caroline. "A Duty to Consult Foreign Investors When Changing the Regulatory Framework? Implications for Non-Communicable Disease Prevention and Beyond." Journal of World Investment & Trade 21, no. 5 (2020): 698–723. http://dx.doi.org/10.1163/22119000-12340192.

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Abstract Several decisions of international investment tribunals can be read as suggesting that the fair and equitable treatment standard may oblige governments to consult foreign investors in the course of developing new laws and policies. This position would significantly expand the concept of fair and equitable treatment, and goes far beyond what most domestic legal systems require of governments. Generally speaking, there may be sound instrumental and normative reasons for engaging in consultation with affected stakeholders in the course of legislative and policy development. However, with

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Morgan, Frances. "Pioneer Spirits: New media representations of women in electronic music history." Organised Sound 22, no. 2 (2017): 238–49. http://dx.doi.org/10.1017/s1355771817000140.

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The Alternative Histories of Electronic Music conference in 2016 reflected a rise in research that explores new and alternative directions in electronic music historiography. Accordingly, attention has been focused on practitioners previously either ignored or thought to be marginal; a significant number of these figures are women. This fact has caught the attention of print and online media and the independent recording industry and, as a result, historical narratives of female electronic musicians have become part of the modern music media discourse. While this has many positive aspects, som

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Jung, Dae-Hyun, Na Yeon Kim, Sang Ho Moon, et al. "Deep Learning-Based Cattle Vocal Classification Model and Real-Time Livestock Monitoring System with Noise Filtering." Animals 11, no. 2 (2021): 357. http://dx.doi.org/10.3390/ani11020357.

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The priority placed on animal welfare in the meat industry is increasing the importance of understanding livestock behavior. In this study, we developed a web-based monitoring and recording system based on artificial intelligence analysis for the classification of cattle sounds. The deep learning classification model of the system is a convolutional neural network (CNN) model that takes voice information converted to Mel-frequency cepstral coefficients (MFCCs) as input. The CNN model first achieved an accuracy of 91.38% in recognizing cattle sounds. Further, short-time Fourier transform-based

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Bender, Helena. "Effectiveness of the eastern grey kangaroo foot thump for deterring conspecifics." Wildlife Research 32, no. 7 (2005): 649. http://dx.doi.org/10.1071/wr04091.

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Overabundant wild populations of herbivores often present challenges to primary industry, competing with stock, and damaging crops and property. Eastern grey kangaroos (Macropus giganteus) are one of seven macropodid species that are considered a problem in agriculture in Australia. Most deterrent devices available commercially use sounds that do not occur in nature (i.e. artificial sounds), which often have a short-lived or no effect on the target species, whereas trials with biologically significant sounds are often more effective and provide greater resistance to habituation. I used a playb

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Trifu, Alexandru. "Micro and Macroeconomic Approaches Regarding Foreign Direct Investments Throughout Offshore Entities." Journal of Social and Development Sciences 3, no. 5 (2012): 180–83. http://dx.doi.org/10.22610/jsds.v3i5.701.

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Offshore companies represent a key-link of the current operations of the multinationals, banking institutions and, even, of the small and medium enterprises (SME) and are able to perform complicated tasks in a special business environment. These jurisdictional entities offer, mainly, fiscal benefits, comparative with other types of jurisdictional entities. The advantages are targeting the enterprises or companies which establish their social headquater, or to individuals who are resident in these territories. The final scope is represented by attracting the expanding companies, by attracting c

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Narangua, O. "Development of Banking Activities in Emerging Market Countries." Review of Business and Economics Studies 7, no. 1 (2019): 26–43. http://dx.doi.org/10.26794/2308-944x-2019-7-1-26-43.

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The global financial crisis of 2008 has shown the importance of a sound and profitable banking industry in developed, developing and emerging countries as well. Therefore, it is highly valuable to understand the development of banking activities in emerging market economies not only for evaluating the impact of them for encouraging emerging economies’ growth, but also establish the overall effect of these processes to global financial market. Moreover, during the last few years, the role of the emerging economy in the world economy is increasing substantially due to its economic growth, indust

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MONTEROLA, CHRISTOPHER, CHERYL ABUNDO, JERIC TUGAFF, and LORCEL ERICKA VENTURINA. "PREDICTION OF POTENTIAL HIT SONG AND MUSICAL GENRE USING ARTIFICIAL NEURAL NETWORKS." International Journal of Modern Physics C 20, no. 11 (2009): 1697–718. http://dx.doi.org/10.1142/s0129183109014680.

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Accurately quantifying the goodness of music based on the seemingly subjective taste of the public is a multi-million industry. Recording companies can make sound decisions on which songs or artists to prioritize if accurate forecasting is achieved. We extract 56 single-valued musical features (e.g. pitch and tempo) from 380 Original Pilipino Music (OPM) songs (190 are hit songs) released from 2004 to 2006. Based on an effect size criterion which measures a variable's discriminating power, the 20 highest ranked features are fed to a classifier tasked to predict hit songs. We show that regardle

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Webb, Jen. "Cleaning up the Grunge." Media International Australia 90, no. 1 (1999): 157–65. http://dx.doi.org/10.1177/1329878x9909000115.

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In 1996, Triple J's ‘Unearthed’ competition awarded the Central Queensland prize to Andalusion, a grunge band of four young high school students. Since winning this award, the band has been transformed from a group of musical amateur-enthusiasts to a semi-professional band with an industry manager, recording contracts, video and CD recordings, steady (paid) gigs in public venues and a clear career trajectory. The band's music is also changing from semi-heavy grunge, deeply inflected by teenage angst, to a more reflective and developed sound. In other words, it seems that they have been relocat

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