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Journal articles on the topic 'Forensic sciences in fiction'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Page, Mark, Jane Taylor, and Matt Blenkin. "Uniqueness in the forensic identification sciences—Fact or fiction?" Forensic Science International 206, no. 1-3 (2011): 12–18. http://dx.doi.org/10.1016/j.forsciint.2010.08.004.

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2

Kalandarishvili, K. A., and A. A. Mitrofanova. "On the Question of the Interpretation and Correlation of Fictions in the Criminal Procedural and Forensic Aspects." Rossijskoe pravosudie, no. 11 (2021): 86–94. http://dx.doi.org/10.37399/issn2072-909x.2021.11.86-94.

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The article is devoted to the study of the essence, signs and correlation of fictions in the criminal procedural and forensic aspects. The methodological basis of the study was the classical and modern general philosophical and legal developments of the indicated problem, the universal dialectical method of scientific knowledge, which is universal in nature, as well as the methods of logical deduction, induction, cognitive methods and techniques of observation, comparison, analysis, generalization and description. The authors carried out a critical and analytical review of the classifications

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3

O'Farrell, Mary Ann, and Ronald R. Thomas. "Detective Fiction and the Rise of Forensic Science." South Central Review 18, no. 3/4 (2001): 130. http://dx.doi.org/10.2307/3190364.

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4

O'Connor, Erin, and Ronald R. Thomas. "Detective Fiction and the Rise of Forensic Science." Albion: A Quarterly Journal Concerned with British Studies 33, no. 4 (2001): 683. http://dx.doi.org/10.2307/4052937.

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5

Pascoe, D. "Detective Fiction and the Rise of Forensic Science." Essays in Criticism 51, no. 4 (2001): 463–70. http://dx.doi.org/10.1093/eic/51.4.463.

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6

Cawelti, J. G. "Detective Fiction and the Rise of Forensic Science." American Literature 73, no. 3 (2001): 643–44. http://dx.doi.org/10.1215/00029831-73-3-643.

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7

Reitz, Caroline. "Detective Fiction and the Rise of Forensic Science (review)." Victorian Studies 45, no. 1 (2002): 192–94. http://dx.doi.org/10.1353/vic.2003.0062.

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8

Barbareschi, Mattia, Francesca Demichelis, Stefano Forti, and Paolo Dalla Palma. "Digital Pathology: Science Fiction?" International Journal of Surgical Pathology 8, no. 4 (2000): 261–63. http://dx.doi.org/10.1177/106689690000800401.

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9

Delahunt, Brett, and Mee Ling Yeong. "Micrograph magnification—Science or fiction?" Human Pathology 19, no. 8 (1988): 995–96. http://dx.doi.org/10.1016/s0046-8177(88)80023-6.

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10

Bergman, Kerstin. "Fictional Death and Scientific Truth: The Truth-Value of Science in Contemporary Forensic Crime Fiction." Clues: A Journal of Detection 30, no. 1 (2012): 88–98. http://dx.doi.org/10.3172/clu.30.1.88.

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11

Kalifa, Dominique. "Donald R. Thomas, Detective Fiction and the Rise of Forensic Science." Crime, Histoire & Sociétés 6, no. 1 (2002): 136–13801072002. http://dx.doi.org/10.4000/chs.264.

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12

Freese, Paul L. "Howard Hughes and Melvin Dummar: Forensic Science Fact Versus Film Fiction." Journal of Forensic Sciences 31, no. 1 (1986): 11894J. http://dx.doi.org/10.1520/jfs11894j.

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13

Miller, Gavin, and Anna McFarlane. "Science fiction and the medical humanities." Medical Humanities 42, no. 4 (2016): 213–18. http://dx.doi.org/10.1136/medhum-2016-011144.

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14

Scott, Bede. "Indices of the Esoteric: Crime, Forensic Science, and Oral Culture." Research in African Literatures 54, no. 2 (2024): 21–39. http://dx.doi.org/10.2979/ral.00002.

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ABSTRACT: This essay explores the relationship between geography, epistemology, and genre in Nii Ayikwei Parkes's Tail of the Blue Bird (2009). More specifically, I will be discussing the perspectival modulation that both the novel and its protagonist undergo as a consequence of a simple journey into the Ghanaian provinces. Kayo Odamtten, a forensic pathologist, has been sent to investigate a suspected murder in the remote village of Sonokrom. Although he relies on standard forensic procedures when he first arrives in the village, Kayo is eventually forced to utilize other perspectives, other

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15

Hirshbein, Laura. "L Ron Hubbard's science fiction quest against psychiatry." Medical Humanities 42, no. 4 (2016): e10-e14. http://dx.doi.org/10.1136/medhum-2016-010927.

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16

Burney, Ian. "Our Environment in Miniature: Dust and the Early Twentieth-Century Forensic Imagination." Representations 121, no. 1 (2013): 31–59. http://dx.doi.org/10.1525/rep.2013.121.1.31.

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This article explores the articulation of the crime scene as a distinct space of theory and practice in the early twentieth century. In particular it focuses on the evidentiary hopes invested in what would at first seem an unpromising forensic object: dust. Ubiquitous and, to the uninitiated, characterless, dust nevertheless featured as an exemplary object of cutting-edge forensic analysis in two contemporary domains: writings of criminologists and works of detective fiction. The article considers how in these texts dust came to mark the furthest reach of a new forensic capacity they were prom

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17

Min-Ju Han. "The Politics of the Korean Forensic Science and Detective Fiction in the Colonial Period." Studies in Korean Literature ll, no. 45 (2013): 237–68. http://dx.doi.org/10.20881/skl.2013..45.007.

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18

Pérez Romero, César. "A mirror in fiction: drawing parallelisms between Camus’s La Peste and COVID-19." Medical Humanities 47, no. 3 (2021): e4-e4. http://dx.doi.org/10.1136/medhum-2021-012156.

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COVID-19 represents one of the most challenging global health issues in modern times. However, as epidemics have affected humans since our origins, many before us have described how significantly they compromise human lives. Leaving apart the aspects more linked to medicine and health sciences, we focus here on analysing how epidemics force people to change their habits, what type of emotions and behaviours they promote, and which roles are played by different social actors. For such a purpose, especially if we wish to draw some parallels between past epidemics and COVID-19, historical records

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19

Gibson, Richard. "Graphic illustration of impairment: science fiction, Transmetropolitan and the social model of disability." Medical Humanities 46, no. 1 (2018): 12–21. http://dx.doi.org/10.1136/medhum-2018-011506.

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The following paper examines the cyberpunk transhumanist graphic novel Transmetropolitan through the theoretical lens of disability studies to demonstrate how science fiction, and in particular this series, illustrate and can influence how we think about disability, impairment and difference. While Transmetropolitan is most often read as a scathing political and social satire about abuse of power and the danger of political apathy, the comic series also provides readers with representations of impairment and the source of disability as understood by the Social Model of Disability (SMD). Focusi

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20

Bradley, Quintin. "The accountancy of marketisation: Fictional markets in housing land supply." Environment and Planning A: Economy and Space 54, no. 3 (2021): 493–507. http://dx.doi.org/10.1177/0308518x211061583.

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This article investigates the performative role of accountancy in embedding market mechanisms in public services. Drawing on the work of Karl Polanyi, it argues that marketisation can be understood as a work of calculative modelling in which the fiction of a self-regulating market is propagated through the concealment of the social and political practices on which it depends. Exploring this thesis in the marketisation of housing land supply, the article provides a forensic study of an accountancy procedure called the Housing Delivery Test that modelled an ideal housing market in the English la

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21

Howard, Richard. "The medical science fiction of James White: Inside and Outside Sector General." Medical Humanities 42, no. 4 (2016): 271–76. http://dx.doi.org/10.1136/medhum-2016-010910.

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22

Sellberg, Karin. "The subjective cut: sex reassignment surgery in 1960s and 1970s science fiction." Medical Humanities 42, no. 4 (2016): e20-e25. http://dx.doi.org/10.1136/medhum-2016-010968.

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23

Hite, Katherine, and Daniela Jara. "Presenting unwieldy pasts." Memory Studies 13, no. 3 (2020): 245–52. http://dx.doi.org/10.1177/1750698020914010.

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In the rich and varied work of memory studies, scholars have turned to exploring the meanings that different communities assign to the past, the social mediations of memories, as well as how the memories of subaltern subjects re-signify the relationship between history and memory. This special issue explores the ever present dynamics of unwieldy pasts through what have been termed “the spectral turn” and “the forensic turn.” We argue that specters (which appear in the literature as ghosts, or as haunting) and exhumations defy notions of temporality or resolution. Both trace the social dynamics

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24

Gos, Tomasz, and Roman Hauser. "Evaluation of the emotional state shortly before death -science-fiction or a new challenge?" International Journal Of Legal Medicine 108, no. 6 (1996): 327–28. http://dx.doi.org/10.1007/bf02432131.

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25

Tisdall, Laura. "The psychologist, the psychoanalyst and the ‘extraordinary child’ in postwar British science fiction." Medical Humanities 42, no. 4 (2016): e4-e9. http://dx.doi.org/10.1136/medhum-2016-010912.

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26

Smith, Susan. "‘Limbitless Solutions’: the Prosthetic Arm, Iron Man and the Science Fiction of Technoscience." Medical Humanities 42, no. 4 (2016): 259–64. http://dx.doi.org/10.1136/medhum-2016-010963.

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27

Pheasant-Kelly, Frances. "Towards a structure of feeling: abjection and allegories of disease in science fiction ‘mutation’ films." Medical Humanities 42, no. 4 (2016): 238–45. http://dx.doi.org/10.1136/medhum-2016-010970.

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28

Reitz, Caroline. "BOOK REVIEW: Ronald R. Thomas.DETECTIVE FICTION AND THE RISE OF FORENSIC SCIENCE. Cambridge and New York: Cambridge University Press. 2000." Victorian Studies 45, no. 1 (2002): 192–94. http://dx.doi.org/10.2979/vic.2002.45.1.192.

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29

Hauser, Roman, Marek Wiergowski, Tomasz Gos, Marcin Marczak, Bartosz Karaszewski, and Łucja Wodniak-Ochocińska. "Alarm pheromones as an exponent of emotional state shortly before death—Science fiction or a new challenge?" Forensic Science International 155, no. 2-3 (2005): 226–30. http://dx.doi.org/10.1016/j.forsciint.2005.08.005.

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30

Page, Joshua, and Philip Goodman. "Creative disruption: Edward Bunker, carceral habitus, and the criminological value of fiction." Theoretical Criminology 24, no. 2 (2018): 222–40. http://dx.doi.org/10.1177/1362480618769866.

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Drawing on Edward Bunker’s semi-autobiographical novels, this article argues for the criminological value of fiction. Drawing inspiration and extending core insights from “narrative criminology” and “popular criminology”, we posit that novels and other creative sources can disrupt scholarly commonsense, pushing scholars to reconsider and extend theoretical perspectives. Specifically, Bunker’s fiction encourages re-thinking of overly cognitive (i.e. “mentalist”) understandings of “prisonization”, which do not sufficiently capture the embodiment of carceral culture and routines. Through Bunker’s

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31

Morgan, Ruth M., and Peter A. Bull. "The philosophy, nature and practice of forensic sediment analysis." Progress in Physical Geography: Earth and Environment 31, no. 1 (2007): 43–58. http://dx.doi.org/10.1177/0309133307073881.

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The rapidly expanding field of forensic geoscience derives its roots from nineteenth- and early twentieth-century scientists who both influence and are influenced by literature and fictional writing. Forensic geoscience borrows much, but not all, of its precepts from geological and geomorphological analytical techniques. Fundamental differences exist between forensic geoscience and its sister disciplines, fundamental enough to make the unwary geoscientist succumb to philosophical and practical pitfalls which will not only endanger the outline of their report, but may well indeed provide false-

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32

Daukantas, Patricia. "Optics In Forensics: Separating Science from Fiction." Optics and Photonics News 18, no. 3 (2007): 18. http://dx.doi.org/10.1364/opn.18.3.000018.

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33

Daukantas, Patricia. "Optics In Forensics: Separating Science from Fiction." Optics and Photonics News 18, no. 4 (2007): 20. http://dx.doi.org/10.1364/opn.18.4.000020.

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34

Kirby, David A. "Forensic fictions: Science, television production, and modern storytelling." Studies in History and Philosophy of Science Part C: Studies in History and Philosophy of Biological and Biomedical Sciences 44, no. 1 (2013): 92–102. http://dx.doi.org/10.1016/j.shpsc.2012.09.007.

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35

O’Connor, Erin. "Ronald R. Thomas. Detective Fiction and the Rise of Forensic Science. (Cambridge Studies in Nineteenth-Century Literature and Culture 26.) New York: Cambridge University Press. 1999. Pp. xviii, 341. $59.95. ISBN 0-521-65303-7." Albion 33, no. 4 (2001): 683–84. http://dx.doi.org/10.1017/s0095139000068241.

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36

Langdon, M. "Forensic fact or fiction?" Engineering & Technology 5, no. 5 (2010): 41. http://dx.doi.org/10.1049/et.2010.0508.

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37

Hausken, Liv. "Forensic Fiction and the Normalization of Surveillance." Nordicom Review 35, no. 1 (2014): 3–16. http://dx.doi.org/10.2478/nor-2014-0001.

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Abstract This essay investigates forensic fiction as a trend in televised crime fiction and argues that this trend or subgenre is particularly interesting if we are to understand how surveillance is portrayed in contemporary society. The essay looks particularly into an extremely popular example of forensic fiction, namely CSI and its two spin-offs CSI: NY and CSI: Miami. Through a discussion of the conceptions of knowledge, crime and power, which seem to come forth in the three CSI series, the present article argues that the particular blend of technological optimism, positivism and moralism

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38

Frantzen, Mikkel Krause. "The Forensic Fiction of Roberto Bolaño’s2666." Critique: Studies in Contemporary Fiction 58, no. 4 (2016): 437–48. http://dx.doi.org/10.1080/00111619.2016.1246412.

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39

Martín-Subero, José Ignacio, Ilse Chudoba, Lana Harder, et al. "Multicolor-FICTION." American Journal of Pathology 161, no. 2 (2002): 413–20. http://dx.doi.org/10.1016/s0002-9440(10)64197-1.

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40

Olson, Georgine. "Fiction Acquisition/Fiction Management." Journal of Electronic Resources Librarianship 10, no. 19 (1998): 1–9. http://dx.doi.org/10.1300/j101v10n19_01.

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41

Bonetto, Éric, Cynthia Lopez-Bagousse, Dimitri Naczaj, Nathalie Bonnardel, and Thomas Arciszewski. "Le design-fiction entre science-fiction et sciences comportementales." Marché et organisations Pub. anticipées (December 31, 2024): I131—XXX. https://doi.org/10.3917/maorg.pr1.0131.

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Cet article propose d’intégrer la méthode du design-fiction, basée sur les imaginaires et les prototypes science-fictionnels, dans l’approche des sciences comportementales. Cette intégration a deux objectifs : (1) rendre compte des mécanismes cognitivo-comportementaux qui fondent cette méthode de plus en plus prisée par les organisations, et (2) en saisir précisément les objectifs afin de pouvoir en évaluer les effets, en questionnant non seulement sa fonction épistémique (i.e., les types de connaissances que le design-fiction vise à créer), mais également sa fonction conative (i.e., les types

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42

Palmer, Joy. "Tracing Bodies: Gender, Genre, and Forensic Detective Fiction." South Central Review 18, no. 3/4 (2001): 54. http://dx.doi.org/10.2307/3190353.

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43

Sultonova, Dilnoza Sokhibjonovna. "Development of crime fiction in Uzbek literature." ISRG Journal of Arts Humanities & Social Sciences (ISRGJAHSS) I, no. V (2023): 463–67. https://doi.org/10.5281/zenodo.10040102.

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<i>This paper discusses the development of Uzbek prose in crime fiction. It first provides a literature review on the development of Uzbek prose, followed by a discussion on the different genres of Uzbek prose. First, a general description of the works is given in which the criminal theme is covered in the works of ancient folklore and classical literary figures of the Middle Ages. It then highlights the key genres of Uzbek prose in crime fiction, including the crime novel, the detective story etc. As technology and understanding of human behavior evolved, so did the genre of crime fiction. Na

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44

McCalmont, Timothy H. "Fact or fiction?" Journal of Cutaneous Pathology 37, no. 11 (2010): 1130–31. http://dx.doi.org/10.1111/j.1600-0560.2010.01616.x.

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45

Bonoli, Lorenzo. "Fiction, épistémologie et sciences humaines." A contrario 5, no. 1 (2007): 51. http://dx.doi.org/10.3917/aco.051.0051.

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46

Martynuska, Małgorzata. "Karin Slaughter’s Crime Novel "Blindsighted" as a Southern Forensic Thriller." Tematy i Konteksty 18, no. 13 (2023): 412–26. http://dx.doi.org/10.15584/tik.2023.26.

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The forensic thriller has emerged as a significant subgenre of crime fiction that depicts the work of medical examiners, coroners, forensic pathologists, and anthropologists who analyze scientific evidence. Forensic investigators do not engage directly in pursuing the criminal; instead, they interpret the physical evidence collected from the victim's body and the crime scene. The popularity of forensic fiction, film, and TV series has created the general assumption that criminalistics has become a routine police procedure. This article presents Karin Slaughter's novel Blindsighted as an exampl

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47

DeHart, Florence E., and Karen Matthews. "French Fiction:." Cataloging & Classification Quarterly 9, no. 2 (1988): 3–24. http://dx.doi.org/10.1300/j104v09n02_02.

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48

Davenport, Edward. "Fiction Science." Philosophy of the Social Sciences 17, no. 4 (1987): 579–84. http://dx.doi.org/10.1177/004839318701700410.

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49

Saarti, Jarmo. "Fiction indexing and the development of fiction thesauri." Journal of Librarianship and Information Science 31, no. 2 (1999): 85–92. http://dx.doi.org/10.1177/096100069903100203.

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50

McLaughlin, Bryan, Bailey A. Thompson, and Amber Krause. "Political Fiction." Social Science Computer Review 36, no. 3 (2017): 277–95. http://dx.doi.org/10.1177/0894439317718536.

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This study draws attention to a largely overlooked, but crucial, facet of modern politics—the political e-mail. A mixed-method analysis of 1 year’s worth of political e-mails was used to compare and contrast how the Democratic and Republican parties employed e-mails during the 2014 election. Results reveal both parties placed a clear emphasis on fundraising and voter mobilization but also utilized distinct appeals, calls to action, and political narratives. Republican e-mails employed more interactive features and offered rewards that reinforced political hierarchies. The Republican narrative

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