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1

Bogel, Fredric V. New Formalist Criticism. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137362599.

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2

N, Barron Jonathan, and Meyer Bruce 1957-, eds. New formalist poets. Gale, 2003.

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Kirby, Michael. A formalist theatre. University of Pennsylvania Press, 1987.

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Kirby, Michael. A formalist theatre. University of Pennsylvania Press, 1987.

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5

Kirby, Michael. A formalist theatre. University of Pennsylvania Press, 1987.

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6

Lemon, Lee T. Russian formalist criticism: Four essays. University of Nebraska Press, 2012.

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1893-1984, Shklovskiĭ Viktor, Shklovskiĭ Viktor 1893-1984, Tomashevskiĭ, B. V. (Boris Viktorovich), 1890-1957, and Ėĭkhenbaum Boris Mikhaĭlovich 1886-1959, eds. Russian formalist criticism: Four essays. University of Nebraska Press, 2012.

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8

Davis, Todd F., and Kenneth Womack. Formalist Criticism and Reader-Response Theory. Macmillan Education UK, 2002. http://dx.doi.org/10.1007/978-1-4039-1916-8.

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9

Kenneth, Womack, ed. Formalist criticism and reader-response theory. Palgrave, 2002.

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10

Any, Carol Joyce. Boris Eikhenbaum: Voices of a Russian formalist. Stanford University Press, 1994.

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11

1919-, Matejka Ladislav, and Pomorska Krystyna, eds. Readings in Russian poetics: Formalist and structuralist views. Dalkey Archive Press, 2002.

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12

Kikodze, Evgenii͡a. Urbanisticheskiĭ formalizm: Urban formalism. Izdatelʹskai︠a︡ programma "Interrosa", 2007.

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13

Tamanaha, Brian Z. Beyond the formalist-realist divide: The role of politics in judging. Princeton University Press, 2009.

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14

Gallery, Bucknell University Center, ed. Henry Lee McFee and formalist realism in American still life, 1923-1936. Bucknell University Press, 1987.

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15

British Neo-Formalist Circle. Silver Jubilee Conference. Neo-formalist papers: Contributions to the Silver Jubilee Conference to mark 25 years of the Neo-Formalist Circle : held at Mansfield College, Oxford, 11-13 September, 1995. Rodopi, 1998.

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16

Joe, Andrew, and Reid Robert 1948-, eds. Neo-formalist papers: Contributions to the Silver Jubilee Conference to mark 25 years of the Neo-Formalist Circle, held at Mansfield College, Oxford, 11-13 Septmeber, 1995. Rodopi, 1998.

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17

Twitchell, Beverly H. Cézanne and formalism in Bloomsbury. UMI Research Press, 1987.

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18

Shen, Lin. The formalist theatre of the children of Paul's with reference to their repertoire. University of Birmingham, 1989.

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19

Joe, Andrew, ed. Poetics of the text: Essays to celebrate twenty years of the neo-formalist circle. Rodopi, 1992.

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20

1941-, Everett Sally, ed. Art theory and criticism: An anthology of formalist, avant-garde, contextualist, and post-modernist thought. McFarland, 1991.

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21

Hyde, George. Formalism. Routledge, 1997.

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22

Medvedev, P. N. Formalʹnyĭ metod v literaturovedenii. Labirint, 1993.

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23

The Polish Formalist school and Russian Formalism. University of Rochester Press, 2002.

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24

Formalist Theory. Oxon Publishing Ltd, 1987.

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25

Formalist Theatre. University of Pennsylvania Press, 2013.

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26

Kirby, Michael. Formalist Theatre. University of Pennsylvania Press, 2011.

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27

Formalist Theatre. Univ.Pennsylvania P., 1990.

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28

Özgen, Murat. Formalist dilbilgisi kuramları. Ankara: Pegem Akademi Yayıncılık, 2018. http://dx.doi.org/10.14527/9786052411667.

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29

Wilson‐Okamura, David Scott. The Formalist Tradition. Oxford University Press, 2010. http://dx.doi.org/10.1093/oxfordhb/9780199227365.013.0039.

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30

Reid, Robert, and Joe Andrew. Neo-formalist Papers. Rodopi Bv Editions, 1998.

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31

A formalist manifesto. Unqualified Reservations, 2018.

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32

A formalist theatre. University of Pennsylvania Press, 1987.

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33

d’Aspremont, Jean. Sources in Legal-Formalist Theories. Edited by Samantha Besson and Jean d’Aspremont. Oxford University Press, 2018. http://dx.doi.org/10.1093/law/9780198745365.003.0018.

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This chapter reflects on how sources function as a vehicle of legal forms in international legal thought and practice. It specifically examines the extent to which the sources of international law are instrumental in the formalization of the determination of the contents of international legal rules as well as the formalization of the ascertainment of international legal rules. The chapter starts by distinguishing between two types of formalist theories—namely, content-determination formalism and law-ascertainment formalism—before offering some comparative insights. It then evaluates the exten
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34

Schauer, Frederick. Sources in Legal-Formalist Theories. Edited by Samantha Besson and Jean d’Aspremont. Oxford University Press, 2018. http://dx.doi.org/10.1093/law/9780198745365.003.0019.

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This chapter claims that the idea of formalism exists in literary and artistic interpretation and designates an approach that takes the text as the exclusive object of interpretation. In legal theory, formalism similarly refers to taking the indications of existing law, whether written or unwritten, as presumptive or conclusive. This holds even against arguments from morality or policy that might produce a better outcome on a particular occasion. The same idea applies to legal sources, including the sources of international law. Thus, formalism about the sources of international law is an appr
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35

Haferkamp, Hans-Peter. Legal Formalism and its Critics. Edited by Heikki Pihlajamäki, Markus D. Dubber, and Mark Godfrey. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780198785521.013.41.

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Formalism is something bad. No one has ever referred to himself or herself as a formalist. Formalism amounts to an accusation and is an expression of anti-formalism. Formalists are portrayed as defending one-sided, often farcical views. Up to this day, this impedes access to the world these formalists inhabited, who actually thought on a more nuanced level than their critics. On top of that, formalism has always been used as a vague, polemic catchphrase, to describe a large number of different problems in a variety of contexts. In order to understand formalism, one must unravel these strands o
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36

Bogel, Fredric. New Formalist Criticism: Theory and Practice. Palgrave Macmillan, 2013.

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37

García-Salmones Rovira, Mónica. Sources in the Anti-Formalist Tradition. Edited by Samantha Besson and Jean d’Aspremont. Oxford University Press, 2018. http://dx.doi.org/10.1093/law/9780198745365.003.0010.

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This chapter traces the legal and political principles of two important schools of the twentieth century—the New Haven School and the School of Carl Schmitt—and situates them in their geographical and historical contexts. It analyses commonalities and especially differences in their political and legal projects. The chapter further argues that reaction against a naïve positivism reigning during the past century in international law essentially determined developments in both schools’ understanding of the concept of sources of law. In the discussion of Schmitt, the chapter focuses on sources of
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38

Baxi, Upendra. Sources in the Anti-Formalist Tradition. Edited by Samantha Besson and Jean d’Aspremont. Oxford University Press, 2018. http://dx.doi.org/10.1093/law/9780198745365.003.0011.

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This chapter explores the dialectics of international customary law. It argues that custom is at once a sheet anchor of public international law and its rope of sand as well. The chapter discusses aspects of chapter 9, the Third World Approaches to International Law (TWAIL) contexts of ‘custom’ as the source of international law norms and standards, the jusnaturalist invocation of custom, and the idea of a ‘future’ custom. In addition, the chapter argues that much of the TWAIL thought about resistance and renewal stands to be redirected to the varieties of imperial legal positivisms. It also a
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39

Bogel, F. New Formalist Criticism: Theory and Practice. Palgrave Macmillan Limited, 2013.

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40

Bogel, F. V. New Formalist Criticism: Theory and Practice. Palgrave Macmillan, 2013.

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41

New Formalist Criticism Theory And Practice. Palgrave Macmillan, 2013.

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42

Formalist and Functionalist Approaches in Linguistics. Taylor & Francis Group, 2019.

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43

Gal, Michalle. Visual Metaphors and Aesthetics: A Formalist Theory. Bloomsbury Publishing Plc, 2022.

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44

New formalist poets of the American West. Boise State University, 2001.

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45

Haskell B. (Haskell Brooks) 1 Curry. Outlines of a Formalist Philosophy of Mathematics. Creative Media Partners, LLC, 2021.

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46

Russian Formalist Criticism: Four Essays, Second Edition. University of Nebraska Press, 2014.

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47

Haskell B (Haskell Brooks) 1 Curry. Outlines of a Formalist Philosophy of Mathematics. Hassell Street Press, 2021.

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48

Mitchell, Alex, and Jasper Vught. Videogame Formalism. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463720663.

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Formalism is often used as an all-embracing term covering a range of ontological and methodological approaches in game studies, with little connection to the history or tradition of the approach in other fields. This dilutes the usefulness of the approach, and invites (often unfounded) criticism. Videogame Formalism addresses these issues through an exploration of the historical and theoretical roots of formalist approaches to videogame analysis, situating this approach within games studies, and arguing for its importance and applicability as a methodological toolkit and a theoretical framewor
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49

Levinson, Marjorie. What is New Formalism? Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198810315.003.0006.

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This chapter offers a critical review of the new formalist movement, especially in the first years of the twenty-first century. It explores new formalism’s embattled relationship to the new historicism, early and late, as well as to other forms of materialist critique. It distinguishes activist from normative new formalism. Activists want to restore to today’s reductive inscription of historical reading its original focus on form, traced most often to Marx, Freud, Adorno, and Jameson. Normative formalists campaign to bring back a sharp demarcation between history and art, discourse and literat
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50

Truth through proof: A formalist foundation for mathematics. Clarendon Press, 2010.

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