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Books on the topic 'Formigé'

Author: Grafiati

Published: 4 June 2021

Last updated: 17 February 2022

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1

Instituto Te cnico de Materiales y Construcciones (Madrid), ed. Proyecto y ca lculo de estructuras de hormigo n: En masa, armado y pretensado : [de acuerdo con la nueva instruccio n EHE-08 : de acuerdo con el EUROCO DIGO EC-2]. 2nd ed. [Madrid]: INTEMAC, 2008.

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2

Carbó, Joaquim. Elogi de la formiga. Barcelona: Columna Edicions, 1996.

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3

Bondarenko, V. Ca lculo de las estructuras de hormigo n armado y de piedra. Moscu: Mir, 1990.

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4

M, Caddell Robert, ed. Metal forming. 3rd ed. New York, NY: Cambridge University Press, 2007.

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5

Thermo forming. Munich: Hanser Publishers, 1987.

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6

Forming hypotheses. New York: Rosen Pub. Group's PowerKids Press, 2007.

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7

As historias da formiga Madanela. La Coruña, España: Editorial Nova Galicia, 1987.

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8

Filonov, I. P. Mekhanika prot͡s︡essov obkatki. Minsk: "Nauka i tekhnika", 1985.

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9

Thonier, Henri. Le Be ton precontraint aux e tats-limites. Paris: Presses de l'E cole Nationale de Ponts et Chausse es, 1985.

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10

Kiln forming glass. Ramsbury: Crowood, 2010.

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11

Deer, W. A. Rock-forming minerals. 2nd ed. Bath, UK: Geological Society, 1997.

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12

Sheet metal forming. Bristol: Hilger, 1991.

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13

Spilsbury, Richard. Forming a band. Chicago, Illinois: Capstone Raintree, 2015.

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14

A, Howie R., and Zussman J, eds. Rock-forming minerals. 2nd ed. London: Geological Society, 1997.

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15

Berthoff, Ann E. Forming, thinking, writing. 2nd ed. Portsmouth, NH: Boynton/Cook Publishers, 1988.

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16

Franco, Rosario Ruiz. Mercedes Formica: 1916-. Madrid: Ediciones del Orto, 1997.

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17

A, Howie R., Zussman J, and Chang L. L. Y, eds. Rock-forming minerals. 2nd ed. Bath, UK: Geological Society, 2001.

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18

Plastic forming processes. Hoboken, NJ: John Wiley, 2008.

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19

Fleet, M. E. Rock-forming minerals. 2nd ed. London: Geological Society, 2003.

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20

Vollertsen, Frank. Micro Metal Forming. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013.

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21

Mesmer, Sharon. The virgin formica. Brooklyn, N.Y: Hanging Loose Press, 2008.

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22

Vollertsen, Frank, ed. Micro Metal Forming. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-30916-8.

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23

Salandro, Wesley A., Joshua J. Jones, Cristina Bunget, Laine Mears, and John T. Roth. Electrically Assisted Forming. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-08879-2.

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24

van der Goot, F. Gisou, ed. Pore-Forming Toxins. Berlin, Heidelberg: Springer Berlin Heidelberg, 2001. http://dx.doi.org/10.1007/978-3-642-56508-3.

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25

Lagerlund, Henrik, ed. Forming The Mind. Dordrecht: Springer Netherlands, 2007. http://dx.doi.org/10.1007/978-1-4020-6084-7.

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26

Radi, Bouchaib, and Abdelkhalak El Hami. Material Forming Processes. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2016. http://dx.doi.org/10.1002/9781119332718.

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27

Yu, Po L., and Carl A. Scupin. Forming Winning Strategies. Berlin, Heidelberg: Springer Berlin Heidelberg, 1990. http://dx.doi.org/10.1007/978-3-642-61295-4.

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28

Peimbert, Manuel, and Jun Jugaku, eds. Star Forming Regions. Dordrecht: Springer Netherlands, 1987. http://dx.doi.org/10.1007/978-94-009-4782-5.

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29

Schaefer, A. R. Forming a band. Mankato, Minn: Capstone High-Interest Books, 2004.

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30

Foà, Arnoldo. La formica: Poesie. Roma: Pellicanolibri, 1991.

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31

EDITUS, SciELO. As formigas poneromorfas do Brasil. 2015.

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32

Formiga Amiga. Moderna, 2004.

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33

Formiga Preguiçosa, A. Elevação, 2004.

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34

Etxebeste, Mariasun Landa, Marc Brocal Llobregat, and Pep Brocal Llobregat. Una formiga original. Edicions Bromera, S.L., 2004.

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35

Etxebeste, Mariasun Landa, Marc Brocal Llobregat, and Pep Brocal Llobregat. Una formiga original. Edicions Bromera, S.L., 2004.

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36

1929-, Beaumont T., and City and Guilds of London Institute., eds. Forming. Amersham: Published as a co-operative venture between Stam Press Ltd and City and Guilds of London Institute, 1986.

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37

Bird, Terri. Forming. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474429344.003.0003.

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Abstract:

The aim of art for Deleuze and Guattari is to render perceptible forces that lie beyond perception and to capture, in what is given, the forces that are not given. They task artists with producing compounds of sensation, heterogeneous assemblages of affects and intensities, extracted from forces lying at the limits of sensibility. This chapter explores the forming of these assemblages through processes of capture orientated around practices employing sculptural methodologies. Although Deleuze and Guattari have little to say about sculpture in general or specific works, they refer to the sensations of stone and metal as vibrating according to the order of strong and weak rhythms. Drawing on the writing of Gilbert Simondon these rhythms are discussed as dynamic modulations that emphasise temporal appearance. And examined in relation to Jack Burnham’s use of systems thinking identified in the artworks, by artists such as Hans Haacke and Public Share, that register complex flows of matter-energy exchanges.

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38

Quintane, Nathalie. Formage. P.O.L., 2003.

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39

), Nooshin Hoshyar (Ed, ed. Formian. Multi Science Publishing Co., 1993.

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40

Da Formiga ao Elefante. Mundo Maior, 2003.

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41

Sorgente, Donato, and Gianfranco Palumbo. Superplastic Forming. Trans Tech Publications, Limited, 2020.

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42

Clow, Faye, and Daniel G. Zack. Forming & Funding. Amer Library Assn, 1990.

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43

Elliott, Cathy. Forming Hypotheses. Perfection Learning, 2006.

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44

Elliot, Cathy. Forming Hypotheses. Perfection Learning, 2006.

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45

Superplastic Forming. Trans Tech Publications, Limited, 2020.

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46

Forming Habits. Swamp Fox Press, 2001.

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47

Metal Forming. Cambridge University Press, 2007.

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48

Formica Forever. Distributed Art Publishers, 2014.

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49

Hoffmann, E. T. A. Signor Formica. José J. de Olañeta, 2002.

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50

Metal Forming. Elsevier, 2021. http://dx.doi.org/10.1016/c2020-0-02428-x.

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