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Books on the topic 'Formina2'

Author: Grafiati

Published: 24 April 2022

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1

M, Caddell Robert, ed. Metal forming. 3rd ed. New York, NY: Cambridge University Press, 2007.

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2

Thermo forming. Munich: Hanser Publishers, 1987.

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3

Forming hypotheses. New York: Rosen Pub. Group's PowerKids Press, 2007.

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4

Filonov, I. P. Mekhanika prot͡s︡essov obkatki. Minsk: "Nauka i tekhnika", 1985.

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5

Kiln forming glass. Ramsbury: Crowood, 2010.

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6

Deer, W. A. Rock-forming minerals. 2nd ed. Bath, UK: Geological Society, 1997.

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7

Sheet metal forming. Bristol: Hilger, 1991.

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8

Spilsbury, Richard. Forming a band. Chicago, Illinois: Capstone Raintree, 2015.

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9

A, Howie R., and Zussman J, eds. Rock-forming minerals. 2nd ed. London: Geological Society, 1997.

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10

Berthoff, Ann E. Forming, thinking, writing. 2nd ed. Portsmouth, NH: Boynton/Cook Publishers, 1988.

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11

Franco, Rosario Ruiz. Mercedes Formica: 1916-. Madrid: Ediciones del Orto, 1997.

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12

A, Howie R., Zussman J, and Chang L. L. Y, eds. Rock-forming minerals. 2nd ed. Bath, UK: Geological Society, 2001.

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13

Plastic forming processes. Hoboken, NJ: John Wiley, 2008.

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14

Fleet, M. E. Rock-forming minerals. 2nd ed. London: Geological Society, 2003.

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15

Vollertsen, Frank. Micro Metal Forming. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013.

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16

Mesmer, Sharon. The virgin formica. Brooklyn, N.Y: Hanging Loose Press, 2008.

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17

Vollertsen, Frank, ed. Micro Metal Forming. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-30916-8.

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18

Salandro, Wesley A., Joshua J. Jones, Cristina Bunget, Laine Mears, and John T. Roth. Electrically Assisted Forming. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-08879-2.

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19

van der Goot, F. Gisou, ed. Pore-Forming Toxins. Berlin, Heidelberg: Springer Berlin Heidelberg, 2001. http://dx.doi.org/10.1007/978-3-642-56508-3.

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20

Lagerlund, Henrik, ed. Forming The Mind. Dordrecht: Springer Netherlands, 2007. http://dx.doi.org/10.1007/978-1-4020-6084-7.

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21

Radi, Bouchaib, and Abdelkhalak El Hami. Material Forming Processes. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2016. http://dx.doi.org/10.1002/9781119332718.

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22

Yu, Po L., and Carl A. Scupin. Forming Winning Strategies. Berlin, Heidelberg: Springer Berlin Heidelberg, 1990. http://dx.doi.org/10.1007/978-3-642-61295-4.

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23

Peimbert, Manuel, and Jun Jugaku, eds. Star Forming Regions. Dordrecht: Springer Netherlands, 1987. http://dx.doi.org/10.1007/978-94-009-4782-5.

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24

Schaefer, A. R. Forming a band. Mankato, Minn: Capstone High-Interest Books, 2004.

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25

Foà, Arnoldo. La formica: Poesie. Roma: Pellicanolibri, 1991.

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26

Mazzi, Benito. La formica rossa. Ivrea (Torino): Priuli & Verlucca, 2003.

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27

EDITUS, SciELO. As formigas poneromorfas do Brasil. 2015.

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28

1929-, Beaumont T., and City and Guilds of London Institute., eds. Forming. Amersham: Published as a co-operative venture between Stam Press Ltd and City and Guilds of London Institute, 1986.

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29

Bird, Terri. Forming. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474429344.003.0003.

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The aim of art for Deleuze and Guattari is to render perceptible forces that lie beyond perception and to capture, in what is given, the forces that are not given. They task artists with producing compounds of sensation, heterogeneous assemblages of affects and intensities, extracted from forces lying at the limits of sensibility. This chapter explores the forming of these assemblages through processes of capture orientated around practices employing sculptural methodologies. Although Deleuze and Guattari have little to say about sculpture in general or specific works, they refer to the sensations of stone and metal as vibrating according to the order of strong and weak rhythms. Drawing on the writing of Gilbert Simondon these rhythms are discussed as dynamic modulations that emphasise temporal appearance. And examined in relation to Jack Burnham’s use of systems thinking identified in the artworks, by artists such as Hans Haacke and Public Share, that register complex flows of matter-energy exchanges.

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30

), Nooshin Hoshyar (Ed, ed. Formian. Multi Science Publishing Co., 1993.

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31

Sorgente, Donato, and Gianfranco Palumbo. Superplastic Forming. Trans Tech Publications, Limited, 2020.

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32

Clow, Faye, and Daniel G. Zack. Forming & Funding. Amer Library Assn, 1990.

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33

Elliott, Cathy. Forming Hypotheses. Perfection Learning, 2006.

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34

Elliot, Cathy. Forming Hypotheses. Perfection Learning, 2006.

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35

Superplastic Forming. Trans Tech Publications, Limited, 2020.

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36

Forming Habits. Swamp Fox Press, 2001.

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37

Metal Forming. Cambridge University Press, 2007.

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38

Formica Forever. Distributed Art Publishers, 2014.

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39

Formiga Amiga. Moderna, 2004.

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40

Hoffmann, E. T. A. Signor Formica. José J. de Olañeta, 2002.

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41

Chudnoff, Elijah. Forming Impressions. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198863021.001.0001.

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Perception and intuition are our basic sources of knowledge about the concrete world around us, and more abstract matters such as mathematics, metaphysics, and morality. Perception and intuition, however, are also capacities we deliberately improve in ways that draw on our knowledge about these domains. How can the sensory and intellectual impressions that lie at the foundation of our knowledge themselves be informed by our knowledge? In Forming Impressions: Expertise in Perception and Intuition, Chudnoff addresses this and other questions that derive from trying to understand the improvability of our basic sources of knowledge. At the extreme of improvement lies expertise, and there is a wealth of research on the structures and mechanisms underlying expert perception and expert intuition that promises to illuminate the nature and significance of improvements to these sources of knowledge in general. Taking this cue, the first part of the book lays the groundwork for the rest by elaborating an interpretation of the psychology of expertise. The second part develops a setting for thinking about the epistemology of expert perception and expert intuition. The third part of the book explores the significance of the resulting view of intuition and its improvability for recent debates about philosophical methodology. Chudnoff defends a rationalist view of the role of intuition in philosophy that can be traced back to classic works on methodology such as Descartes’ Rules and Spinoza’s Emendation of the Intellect.

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42

Metal Forming. Elsevier, 2021. http://dx.doi.org/10.1016/c2020-0-02428-x.

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43

Knafl, Anne K. Forming God. Penn State University Press, 2014. http://dx.doi.org/10.1515/9781575068992.

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44

Nelson, Adele. Forming Abstraction. University of California Press, 2022. http://dx.doi.org/10.1525/9780520385207.

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45

(Editor), I. M. Ward, P. D. Coates (Editor), and M. M. Dumoulin (Editor), eds. Solid Phase Processing of Polymers (Progress in Polymer Processing). Hanser Gardner Publications, 2000.

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46

Hingole, Rahulkumar S., and Kishor Purushottam Kolhe. Elements of Metal Forming: Bulk Forming Processes. Springer, 2018.

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47

Algarra, Alejandro, and 0. Descubra as Formigas. CIRANDA CULTURAL, 2010.

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48

Cidade de Formigas. Ática, 1995.

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49

Rock-Forming Minerals: Non Silicates (Rock-Forming Minerals). 2nd ed. Longman Publishing Group, 1995.

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50

Vollertsen, Frank. Micro Metal Forming. Springer, 2015.

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