Relevant bibliographies by topics / Forough Farrokhzâd

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  1. Journal articles
  2. Dissertations / Theses
  3. Book chapters

Academic literature on the topic 'Forough Farrokhzâd'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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Journal articles on the topic "Forough Farrokhzâd"

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Kolsoom Fazeli, Seyedeh, and Shahrokh Hekmat. "Análisis psicológico de los poemas de Forough Farrokhzad basados en las teorías de A. Adler y K. Horney." Apuntes Universitarios 11, no. 1 (November 17, 2020): 278–96. http://dx.doi.org/10.17162/au.v11i1.572.

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El objetivo de este estudio fue el análisis psicológico de los poemas de Forough Farrokhzad basados ​​en las teorías de A. Adler y K. Horney. Esta investigación se ha realizado utilizando un método descriptivo y análisis de contenido en el que trabaja el estudio de investigadores Forough Farrokhzad. Los resultados muestran que Forough Farrokhzad siempre se ha enfrentado con la censura y el pesimismo de la gente en nuestra sociedad de que nuestra cultura tradicional no pudo soportar su libertad que refleja sus emociones, pensamientos y afectos en sus poemas. Estos reflejan tanto las dificultades por las que ha pasado como también se hacen eco de sus problemas psicológicos, como la inferioridad, la sumisión, la agresión y el trastorno disociativo. De hecho, su autorrevelación, supremacía y soledad elegida por ella misma fueron un intento intencional de cubrir y sanar sus debilidades. Luego de analizar sobre Forough, se identificó que su actitud negativa hacia el mundo y su pesimismo ha creado paranoia en algunas de sus poesías. Ella era pesimista en algunos de sus poemas y veía a todos los hombres ya veces a todas las personas como su enemigo.
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Березина, А., and A. Berezina. "The Socio-Political Aspect in Iranian Women’s Poetry (on the Example of Forough Farrokhzad Lyrics)." Scientific Research and Development. Modern Communication Studies 7, no. 5 (September 25, 2018): 22–27. http://dx.doi.org/10.12737/article_5b9f9cec4b3aa7.27440906.

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The most important aspect in the study of a literary text as a form of sociocultural communication is the identification of its social orientation, the ability to generate ideas and influence their active functioning in the social space. The article deals with the socio-political aspect of the Forough Farrokhzad lyrics. She was the brightest representative of the new style in Persian poetry known as «she’r-e now» («new poetry»). The tools of feminist literary criticism were used as methodological basis of the work. During the study, all the poetic material of Forough Farrokhzad was analyzed, and some of the presented poetic passages were translated to Russian for the first time by the author of this article.
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Sanami, Mahsa, and Siamak Panahi. "Interior Design Based on Forough Farrokhzad Poetry." Journal of History Culture and Art Research 7, no. 1 (March 31, 2018): 179. http://dx.doi.org/10.7596/taksad.v7i1.1347.

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Giv, Ahmad Lamei, and Majid Shahbazi. "A Comparative Study of Modernism in the Poems of Forough Farrokhzad and Adunis." Theory and Practice in Language Studies 6, no. 7 (July 1, 2016): 1377. http://dx.doi.org/10.17507/tpls.0607.07.

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Clash of the West with East countries (Iran, Lebanon and Syria) was a factor in changing the structure of Eastern societies, resulting in the emergence of political and social developments like constitutional movements. There are undeniable similarities between Arabic and Persian poetry because of the long historical ties, similar political and social contexts, close cultural backgrounds and the influence of European culture on their literatures. After the literary revolution occurred under the influence of European culture and literature, attention to modernism is a common approach used by Persian and Arabic poets. In both Arabic and Persian literature, Modern poet expresses his surrounding issues according to the needs of the community. Attention to the culture of the West is a common point closing Forough Farrokhzad and Adunis as two contemporary poets. Due to the different cultural and intellectual situations as well as the degree of their familiarity with the West, they have differences and similarities in the methods and the effects of modernization in the West. Using a descriptive-analytical approach, this article will show that Forough and Adunis have used modern manifestations such as secularism, feminism, nihilism, freedom, deconstruction, city and nationalism in their poems due to their relations with the West under the influence of cultural-political developments in their own societies.
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Mohammad pour, Mohsen, and Hossein Valizade. "Sylvia Plath's “Mirror” and Forough Farrokhzad’s “The Bird May Die” Comparative Analysis from a Mystical Perspective." Advances in Language and Literary Studies 8, no. 1 (February 1, 2017): 162. http://dx.doi.org/10.7575/aiac.alls.v.8n.1p.162.

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Sylvia Plath’s mirror and Forough Farrokhzad’s the bird may die are two of the best known poems in the aspect of femininity, fighting for feminine rights and equality. The two poets though living distances apart, respectively in America and Iran, had the same poetic perspectives. These poems can be viewed in the aspect of mysticism and mystical state. The term mysticism defined by William James and Frederick Crossfield Happold, is a state of mind experiencing the finding of the hidden truth and the true self. Many have said that the poem mirror dictates the feministic aspect of Sylvia Plath's life, and how women are visualized or valued by men, or that the poem demonstrates the aging of Plath into a wise and old woman. In this paper however we aim to introduce another perspective in which claims Sylvia Plath's mirror seeks mysticism and finding the true self. The narrator in the poem, first a mirror and then a lake, thinks its reflections out loud. This paper also aims to relate this matter to Forough Farrokhzad's poem the bird may die, a poem believed by critics to state the sufferings from social injustice of her time, though now seen through mystical spectacles. In the poem Farrokhzad declares her sorrow of darkness, and seeks an invitation to the birds’ feast. Furthermore, this paper briefly introduces the troubled life of the two poets demonstrating the similarities of their situation and circumstances, and the effect of these difficulties on their poetry. On this paper first mysticism, it’s definition and theoretical studies by William James and Frederick Crossfield Happold are introduced, followed by a brief biography of Sylvia Plath and Forough Farrokhzad, stating the difficulties and problems they encountered, and then the mystical analysis of the two poems, analyzing each line for elements, metaphors, and symbolic features through a mystical point of view, are indicated accordingly. The bird, mirror, lake, night, water, fish, moon, and sun are all signs and symbols the poets used to demonstrate seeking mysticism, reality, and finding the true self, and also the obstacles which prevents them to do so. These two poems were the latest works of the poets, before they committed suicide.
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Berezina, A. V. "The Evolution of a Man’s Image in the Poetry by Forough Farrokhzad." Humanitarian Vector 12, no. 2 (2017): 42–48. http://dx.doi.org/10.21209/1996-7853-2017-12-2-42-48.

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Raoufzadeh, Narges, Sharzad Mohammadhosein, and Shiva Zaheri Birgani. "Analysis of Love, Death, Rebirth and Patriarchy in Two Contemporary Poetess Forough Farrokhzad and Sylvia Plath’s Selected Poems." Budapest International Research and Critics Institute (BIRCI-Journal) : Humanities and Social Sciences 2, no. 4 (November 6, 2019): 56–64. http://dx.doi.org/10.33258/birci.v2i4.607.

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ForoughFarrokhzad and Sylvia Plath’s poems are closely linked to their personal life and their marriage. Their poems are confessional in style. Farrokhzad criticizes Iranian male dominant society in which women are marginalized and haven’t any voice in the society, so seeking their voice and identity in modern literature, especially in modern Persian poetry. Sylvia Plath attempts to resist patriarchy in her society through her poems too. Two poets highlighting and expressing the lack of interest in life and the sole desire to die in most of their poems. Not only poetic imagery and themes like death, frustration and failure are common points that convey pessimistic views in their poems, but also few of their poems convey optimistic elements of life and hope so this paper is going to explain them too. Farrokhzad and Plath, two contemporary female poets, attempted to gain a voice for women in their country. They are considered as the successful feminist voices in their countries and astonishingly share the same themes and issues in their poetry. The present paper aims to highlight characteristics of confessional poetry and elaborate on concepts of love, death, rebirth and patriarchy in ForoughFarrokhzad and Sylvia Plath’s poems.
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Elahi, Babak. "Mirrors of Entrapment and Emancipation : Forough Farrokhzad and Sylvia Plath / Leila Rahimi Bahmany." American Journal of Islamic Social Sciences 33, no. 3 (July 2016): 115–19. http://dx.doi.org/10.12816/0037464.

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Bassak, H., and F. S. Bokharaei. "A glance on love & infidelity in "Captive" composed by Foroogh Farrokhzad." Journal of Fundamental and Applied Sciences 8, no. 3 (September 1, 2016): 1049. http://dx.doi.org/10.4314/jfas.v8i3s.101.

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Hasan, Mariwan, and Saman Mohammed. "Love and Emancipation in Forough Farrokhzad's Selected Poems: A Psycho-analytical Approach." ISSUE EIGHT 5, no. 1 (June 30, 2021): 42–49. http://dx.doi.org/10.25079/ukhjss.v5n1y2021.pp42-49.

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The love relationship between couples can be influenced by several factors influencing it to become a strong one in one’s life or vice versa. Finding a real love is always considered to be the key point in the meeting of opposite sexes. In order not to face psychological problems in the future, everyone’s concern is to seek for the right person. This is true to some degree for many human beings. Real love can make one feel happy and pleased but it can sometimes make one upset and hopeless. Also, superficial love can be the same because it can be the cause of pleasure for the lover who only seeks a temporary relationship i.e., superficial love but similarly it can be the source of sadness for the partner whose intention in such a relationship is a real love. This strenuous power manifests itself in the behavior and sometimes in the appearance of the human beings. When one of the lovers stops his/her love relationship with his/her lover by starting a new relationship with another person, due to their beauty, this will be called superficial love. Such relations may culminate in deceiving and telling lies. This research will consider textual and psychological approaches in the analysis of the selected poems of Forough Farrokhzad to demonstrate real love and superficial love that may cause psychological and social impacts.
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Dissertations / Theses on the topic "Forough Farrokhzâd"

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Lotfinia, Tahereh. "Forough Farrokhzâd et la poésie française du XIXe siècle : pour une analyse comparée à travers la métaphore." Thesis, Lille 3, 2016. http://www.theses.fr/2016LIL30010.

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Dans cette thèse est présentée la poésie de Forough Farrokhzâd, poétesse iranienne du XXe siècle. Notre étude part du fait que les poètes contemporains iraniens ont été des lecteurs attentifs de la poésie française des XIXe et XXe siècles qui a joué un rôle décisif dans leur ouverture à la modernité. C’est par l’entremise d’une lecture de la poésie Farrokhzâd que nous nous proposons d’analyser ces rapports catalysés ici par la métaphore. Cette figure de style, très ancienne et très située dans la poésie iranienne, définit ainsi une présentation renouvelée des images chez cette poétesse précurseur. Ce travail de recherche évoque aussi, autour de Forough, la poésie féminine dans la littérature iranienne, dans ses créations anciennes et contemporaines
This thesis presents the poetry of Forough Farrokhzad, an Iranian poet of 20th century. Our research indicates the fact that the contemporary Iranian poets have been attentive readers of the 19th and 20th century’s French poetry which played a crucial role in their openness to modernity. Through the study of Forough Farrokhzad’s poetry we analyze these relationships via metaphor. This figure of speech, very ancient and prevalent in Iranian poetry, defines a new presentation of the images in this precursor poet. This study about Forough also evokes the feminine poetry in Iranian literature whether in its ancient or contemporary creations
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Book chapters on the topic "Forough Farrokhzâd"

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Farrokhzad, Forough, and Hasan Honarmandi. "iii. Hasan Honarmandi’s Interview with Forough Farrokhzad." In Global Modernists on Modernism. Bloomsbury Academic, 2019. http://dx.doi.org/10.5040/9781474242356.ch-038.

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