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Journal articles on the topic 'Forough Farrokhzâd'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Vali-Zadeh, Mahdieh. "The Aesthetic of Desire and the Feminine Path of Individuation." Anthropology of the Middle East 16, no. 2 (2021): 110–27. http://dx.doi.org/10.3167/ame.2021.160206.

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Abstract Much has been said about the influential role of Forough Farrokhzad (1934–1967) in developing a feminine language in modern Iranian love poetry. Despite this, scholars have not systematically or theoretically examined what I call ‘the poetics of individuation’ in Forough's lyrics. The present article analyses Forough's poetic and individual paths of development as two inevitably parallel and intertwined routes. The article theorises that by removing a pre-imposed patriarchal sense of sin with regard to feminine love, Forough deconstructed the masculine narrative of good poetry in five

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2

Kolsoom Fazeli, Seyedeh, and Shahrokh Hekmat. "Análisis psicológico de los poemas de Forough Farrokhzad basados en las teorías de A. Adler y K. Horney." Apuntes Universitarios 11, no. 1 (2020): 278–96. http://dx.doi.org/10.17162/au.v11i1.572.

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El objetivo de este estudio fue el análisis psicológico de los poemas de Forough Farrokhzad basados en las teorías de A. Adler y K. Horney. Esta investigación se ha realizado utilizando un método descriptivo y análisis de contenido en el que trabaja el estudio de investigadores Forough Farrokhzad. Los resultados muestran que Forough Farrokhzad siempre se ha enfrentado con la censura y el pesimismo de la gente en nuestra sociedad de que nuestra cultura tradicional no pudo soportar su libertad que refleja sus emociones, pensamientos y afectos en sus poemas. Estos reflejan tanto las dificultade

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3

Березина, А., and A. Berezina. "The Socio-Political Aspect in Iranian Women’s Poetry (on the Example of Forough Farrokhzad Lyrics)." Scientific Research and Development. Modern Communication Studies 7, no. 5 (2018): 22–27. http://dx.doi.org/10.12737/article_5b9f9cec4b3aa7.27440906.

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The most important aspect in the study of a literary text as a form of sociocultural communication is the identification of its social orientation, the ability to generate ideas and influence their active functioning in the social space. The article deals with the socio-political aspect of the Forough Farrokhzad lyrics. She was the brightest representative of the new style in Persian poetry known as «she’r-e now» («new poetry»). The tools of feminist literary criticism were used as methodological basis of the work. During the study, all the poetic material of Forough Farrokhzad was analyzed, a

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4

Ebrahimi, Shima, and Zahra Esmaeili. "The Assessment of Defamiliarization in Forough Farrokhzad's Poetry." International Journal of Applied Linguistics & English Literature 2, no. 2 (2024): 165–71. https://doi.org/10.7575/aiac.ijalel.v.2n.2p.165.

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Defamiliarization is a literary device which has been coined by Shkolvsky and its aim is to move readers to see familiar things in an unfamiliar way. Shkolvsky argues that defamiliarization creates a ‘vision’ of the object instead of serving as a means for knowing it, and it is exactly what Forough Farrokhzad (1935-1967), the Iranian modern poet,  applies in her poems and what the authors of this study intend to demonstrate. Farrokhzad defamiliarizes her poetry by making familiar things seem new, by unearthing oppressive elements of familiar situations and relationships, and b

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5

Sanami, Mahsa, and Siamak Panahi. "Interior Design Based on Forough Farrokhzad Poetry." Journal of History Culture and Art Research 7, no. 1 (2018): 179. http://dx.doi.org/10.7596/taksad.v7i1.1347.

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6

Rasul, Hawkar Qadir, and Rebaz Mohammad Amin. "The Technique of Repetition in the Poems of Farhad Pirbal and Foroughi Forukhzad." Journal of University of Raparin 10, no. 1 (2023): 329–44. http://dx.doi.org/10.26750/vol(10).no(1).paper16.

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This research is entitled "The Technique of Repetition in The Poems of Farhad Pirbal and Foroughi Forukhzad" by benefiting from the principles of the French school in the science of literature comparison, one of the most important elements of poetry is the poetry of both poets, the technique of repetition, as a prominent principle and embodiment of the structure of inner music in new poems in general and the poetry of both poets in particular. The comparison between the two poets seems to be due to the fact that, despite the fact that the poetry experiences of both poets are very similar in ma

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7

Giv, Ahmad Lamei, and Majid Shahbazi. "A Comparative Study of Modernism in the Poems of Forough Farrokhzad and Adunis." Theory and Practice in Language Studies 6, no. 7 (2016): 1377. http://dx.doi.org/10.17507/tpls.0607.07.

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Clash of the West with East countries (Iran, Lebanon and Syria) was a factor in changing the structure of Eastern societies, resulting in the emergence of political and social developments like constitutional movements. There are undeniable similarities between Arabic and Persian poetry because of the long historical ties, similar political and social contexts, close cultural backgrounds and the influence of European culture on their literatures. After the literary revolution occurred under the influence of European culture and literature, attention to modernism is a common approach used by Pe

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8

Mohammad pour, Mohsen, and Hossein Valizade. "Sylvia Plath's “Mirror” and Forough Farrokhzad’s “The Bird May Die” Comparative Analysis from a Mystical Perspective." Advances in Language and Literary Studies 8, no. 1 (2017): 162. http://dx.doi.org/10.7575/aiac.alls.v.8n.1p.162.

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Sylvia Plath’s mirror and Forough Farrokhzad’s the bird may die are two of the best known poems in the aspect of femininity, fighting for feminine rights and equality. The two poets though living distances apart, respectively in America and Iran, had the same poetic perspectives. These poems can be viewed in the aspect of mysticism and mystical state. The term mysticism defined by William James and Frederick Crossfield Happold, is a state of mind experiencing the finding of the hidden truth and the true self. Many have said that the poem mirror dictates the feministic aspect of Sylvia Plath's

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9

Monsefi, Mona. "The Power of Close-ups and the Poetics of Silence: The House is Black by Forough Farrokhzad." Acta Universitatis Sapientiae, Film and Media Studies 23, no. 1 (2023): 144–59. http://dx.doi.org/10.2478/ausfm-2023-0008.

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Abstract The House is Black is a lyrical documentary by a modernist Iranian poet and filmmaker, Forough Farrokhzad. It is a kind of symbolic visual poem about leper patients of a leprosarium in Iran made in 1962, which transcends time and place. This paper describes the ways in which the emphasis on the human body, references to historical and religious sources, and the use of the Biblical verses replace conventional interviews to create a narrative in the film. Utilizing Gilles Deleuze’s concept of affect, the paper analyses the camera’s focus on hands and feet, in contrast to absent facial e

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10

Berezina, A. V. "The Evolution of a Man’s Image in the Poetry by Forough Farrokhzad." Humanitarian Vector 12, no. 2 (2017): 42–48. http://dx.doi.org/10.21209/1996-7853-2017-12-2-42-48.

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11

Raoufzadeh, Narges, Sharzad Mohammadhosein, and Shiva Zaheri Birgani. "Analysis of Love, Death, Rebirth and Patriarchy in Two Contemporary Poetess Forough Farrokhzad and Sylvia Plath’s Selected Poems." Budapest International Research and Critics Institute (BIRCI-Journal) : Humanities and Social Sciences 2, no. 4 (2019): 56–64. http://dx.doi.org/10.33258/birci.v2i4.607.

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ForoughFarrokhzad and Sylvia Plath’s poems are closely linked to their personal life and their marriage. Their poems are confessional in style. Farrokhzad criticizes Iranian male dominant society in which women are marginalized and haven’t any voice in the society, so seeking their voice and identity in modern literature, especially in modern Persian poetry. Sylvia Plath attempts to resist patriarchy in her society through her poems too. Two poets highlighting and expressing the lack of interest in life and the sole desire to die in most of their poems. Not only poetic imagery and themes like

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12

Elahi, Babak. "Mirrors of Entrapment and Emancipation : Forough Farrokhzad and Sylvia Plath / Leila Rahimi Bahmany." American Journal of Islamic Social Sciences 33, no. 3 (2016): 115–19. http://dx.doi.org/10.12816/0037464.

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13

POLLEDRI, Claudia, André HABIB, and Bamchade POURVALI. "Soulèvements iraniens. Enjeux contemporains du cinéma et des arts visuels en Iran." Regards, no. 31 (March 31, 2024): 15–19. https://doi.org/10.70898/regards.v0i31.980.

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« Pourquoi devrais-je m’arrêter ? Pourquoi ? »Forough Farrokhzad, Seule la voix demeure Une femme et son cri : guttural, désespéré, tourné vers le ciel de nuit depuis une voiture en course ; ses bras s’agitent dans les airs et hurlent, eux aussi, à la victoire après une fuite effrénée des protagonistes pour échapper à une agression. Mais on le comprend vite : la puissance inouïe de ce cri viscéral, libératoire, presque bestial, transperce l’écran et nous parvient tout droit avec toute sa force, c’est le cri de la liberté. Liberté de hurler sans retenue « Fuck you ! ». Liberté de laisser ses ch

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14

Bassak, H., and F. S. Bokharaei. "A glance on love & infidelity in "Captive" composed by Foroogh Farrokhzad." Journal of Fundamental and Applied Sciences 8, no. 3 (2016): 1049. http://dx.doi.org/10.4314/jfas.v8i3s.101.

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15

Mehrpouyan, Azadeh, and Elahesadat Zakeri. "Critical Feminist Discourse and Authorial Identity in Contemporary Women’s Writers: Woolf, Daneshvar, and Farrokhzad." Journal of Critical Studies in Language and Literature 4, no. 2 (2023): 30–39. http://dx.doi.org/10.46809/jcsll.v4i2.199.

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Literature and culture are a propitious way to connect human life and the world and feminism is a universal affair and not to be limited to a society, geographical region, or time. Comparative literature is also a sphere of literary study in which the works of two/more two writers from different languages and nationalities are compared with one another and acts as a social, cultural, and literary brigade and cycle. This article explores feminism and femininity with an image of authorial identity in three selected modern women writers’ works: Virginia Woolf, Simin Daneshvar, and Forough Farrokh

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16

Patterson, J. R. "Let Us Believe in the Beginning of the Cold Season: Selected Poems by Forough Farrokhzad." World Literature Today 96, no. 3 (2022): 58–59. http://dx.doi.org/10.1353/wlt.2022.0126.

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17

Tootonsab, Zahra. "“How Tremendous Are Your Deeds!”: The Reluctant Celebrity and Affective-Feminist Life of Forough Farrokhzad." Canadian Theatre Review 194 (April 1, 2023): 78–80. http://dx.doi.org/10.3138/ctr.194.017.

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18

Hasan, Mariwan, and Saman Mohammed. "Love and Emancipation in Forough Farrokhzad's Selected Poems: A Psycho-analytical Approach." ISSUE EIGHT 5, no. 1 (2021): 42–49. http://dx.doi.org/10.25079/ukhjss.v5n1y2021.pp42-49.

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The love relationship between couples can be influenced by several factors influencing it to become a strong one in one’s life or vice versa. Finding a real love is always considered to be the key point in the meeting of opposite sexes. In order not to face psychological problems in the future, everyone’s concern is to seek for the right person. This is true to some degree for many human beings. Real love can make one feel happy and pleased but it can sometimes make one upset and hopeless. Also, superficial love can be the same because it can be the cause of pleasure for the lover who only see

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19

Hilal, Baraa Khaled. "سمات الأنا الشعرية الأنثوية الحداثية بين روضة الحاج وفروغ فرخزاد (مقدمة نقدية نفسية مقارنة)". al-Turāṯ al-adabī 2, № 2 (2024): 101–32. https://doi.org/10.52015/al-turathal-adabi.v2i2.31.

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The poetic ego is a modern expression must distinguish the poet who has a unique poetic personality. In the modern era, Ego witnessed many transformations, with the emergence of the romantic school, but the symbolic and existential schools created another form of the Ego, emerged from psychiatric clinics and was crystallized by the Austrian psychologist (Sigmund Freud), I intend to address one type of these new poetic transformations, classical characteristics of Female Ego in the works of the Sudanese poet Rawdha Al-Hajj compared to the Iranian poet Forough Farrokhzad." the Sudanese I will st

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20

"A Comparative Study in the Poetry of Lorca and Forough Farrokhzad." Advances in Language and Literary Studies 7, no. 6 (2016). http://dx.doi.org/10.7575/aiac.alls.v.7n.6p.178.

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21

Rahaman, Habibur. "Poetry as a Sexual-textual Site of Transgression: Some Insights into the Poetry of Emily Dickinson and Forough Farrokhzad." Spectrum, November 17, 2022, 173–94. http://dx.doi.org/10.3329/spectrum.v16i100.61077.

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This paper explores different representations of female sexuality portrayed in the poetry of a nineteenth-century American poet, Emily Dickinson (1830-1886) and a twentieth-century Iranian poet, Forough Farrokhzad (1934-1967). Their poetry has been largely characterized by an assertion of female sexuality and its impact on female creativity. Their works particularly highlight the ways male sexuality subjugates female sexuality and formulates an androcentric world of creativity. As their poetry postulates, women’s suppressions and sufferings in their personalsexual- textual world can be attribu

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22

Fomeshi, Behnam. "Parvīn I'tisāmī and Women's Rights?" Women Poets Iranica, November 21, 2024. https://doi.org/10.5281/zenodo.14211640.

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This article examines the overlooked feminist dimensions in the poetry of Parvīn I‘tisāmī (1907–1941), a pivotal yet underrepresented figure in modern Persian literature. While scholarly attention has focused on the social critiques in her work, the thematic exploration of "inequality," particularly gender disparity, has received insufficient analysis. This study positions Parvīn alongside notable feminist Persian poets such as Tāhirah Qurrat al-‘Ayn, Forough Farrokhzad, and Simin Behbahani, highlighting her unique contribution to this literary tradition. The article identifi

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23

Dastjerdi, Hossein Vahid, Yasamin Khosravani, Masoud Shokrollahi, and Nasim Mohiman. "Translation Quality Assessment (TQA): A Semiotic Model for Poetry Translation." Lebende Sprachen 56, no. 2 (2011). http://dx.doi.org/10.1515/les.2011.021.

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AbstractToday the focus of translation scholars has shifted from stable aspects of texts to dynamic aspects. Such a focus requires close attention to the semiotic level of the text in translation which in turn leads to considering semiotic as well as textual aspects of a text in translation quality assessment (TQA). The present study was an attempt to apply semiotics to a model of translation assessment proposed by Vahid et al. (Journal of Language and Translation: 7–40, 2008), which is a holistic model for the evaluation of poetry translation. Although such an enterprise deserves appreciation

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24

Devictor, Agnès. "« Les yeux ouverts, les yeux fermés. La Maison est noire, Forough Farrokhzad ». Cinéma 07, Editions Léo Scheer, printemps 2004, pp. 58-82. - « Le choc des titans. Un feu, Ebrahim Golestan ». Cinéma 07, Editions Léo Scheer, printemps 2004,." Abstracta Iranica, Volume 28 (May 15, 2007). http://dx.doi.org/10.4000/abstractairanica.7422.

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