Relevant bibliographies by topics / Fortune Trilogy

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Academic literature on the topic 'Fortune Trilogy'

Author: Grafiati
Published: 28 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Fortune Trilogy"

1

Bou, Enric. "Foraster de fora: entre la gran literatura i l’humor escèptic." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 22, no. 22 (2023): 462. http://dx.doi.org/10.7203/scripta.22.27842.

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Resum: Aquest article és una aproximació crítica a la trilogia de Manuel Foraster (1949-2016) «Foraster de fora»: Factures pagades (Tusquets 2012), Lisboa direcció París (Tusquets, 2014) i Sabadell Grand Central, Nova York Rambla (Tusquets, 2016). La trilogia consisteix en una refiguració de l’experiència vital de l’autor que va estar lligada al viatge: va seguir les passes d’Eduard Toda, de qui va estudiar i editar el dietari del viatge a Egipte. També va ser lector a les universitats de Bordeus i Nàpols. Era un personatge singular. La singularitat era accentuada per uns cognoms que condicion
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Tony, Thomas, and V. Francis Dr. "Customary Practices in Amitav Ghosh's Sea of Poppies." RESEARCH REVIEW International Journal of Multidisciplinary 03, no. 08 (2018): 29–31. https://doi.org/10.5281/zenodo.1341278.

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Indian society is made up of a number of various castes and classes. The first novel in Amitav Ghosh‘s Ibis trilogy has a village as its background. The life of the people in the village is so complex and is bound to the customs and traditions of the society. Familial situations often compel its members to make certain negotiations. Adverse circumstances in life impel to go in search of new fortune. While certain characters in Amitav Ghosh‘s Sea of Poppies ever cling to the patterns of the society others at certain crucial moments in their life are able to go beyond their belief pa
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3

Andrade, Ana Beatriz. "Dante Alighieri no teatro em Portugal: algumas notas sobre uma nova fortuna." Dante e l'Arte 9 (December 22, 2022): 87–96. http://dx.doi.org/10.5565/rev/dea.163.

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A Commedia de Dante Alighieri desde cedo foi objeto de leituras públicas, que acabaram por se ramificar em leituras com algum grau de encenação. A par destas, a Vida e a obra do vate florentino foram também a base para adaptações teatrais, que se tornaram um fenómeno não só em Itália como internacionalmente. A presença de Dante no teatro em Portugal, tal como a sua receção neste país, permanece um assunto ainda modestamente estudado. Sobre este tema é conhecido o poema dramático de Teófilo Braga Frei Gil de Santarém – Lenda faustina da Primeira Renascença (1905), no qual Dante é uma das person
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4

Vetlovskaya, Valentina E. "LITERARY DEVICES AND REALITY." Texts and History Journal of Philological Historical and Cultural Texts and History Studies 4 (2023): 29–61. http://dx.doi.org/10.31860/2712-7591-2023-4-29-61.

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This article deals with literary devices that, due to an author’s discretion, arise out of the simple description of a real object or an event. Alexandre Dumas used a technique of this kind in the central novel of his trilogy Queen Margot, La Dame de Monsoreau and The Forty-Five Guardsmen (1845—1848). In La Dame de Monsoreau, Dumas details a hunt, one of the favorite amusements of the royal court of Henry III of France and of the upper nobility. He describes it from the beginning of the exciting action to the end: first, the flushing out of a wild animal, then its pursuit, and, eventually, the
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5

Gualberto, Ana Cláudia Félix. "passeio no parque com Hilda Hilst." DLCV - Língua, Linguística & Literatura 16, no. 2 (2020): e020012. http://dx.doi.org/10.22478/ufpb.2237-0900.2020v16n2.60001.

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A fortuna crítica da produção narrativa de Hilda Hilst, mesmo tendo demonstrado um vasto crescimento a partir do final da década de 90, ainda concentra-se, em demasiado, na considerada “trilogia obscena”, “trilogia pornô-erótica” ou “trilogia erótica” que é composta por: O caderno rosa de Lori Lamby (1990), Contos d’escárnio: textos grotescos (1990) e Cartas de um sedutor (1991). Embora a construção da imagem de uma obscena senhora Hilda tenha sido elaborada por grande parte dos críticos literários, não pretendo seguir estes parâmetros de análise da prosa hilstiana, em especial, no que diz res
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6

Fachel de Medeiros, Rosângela, Guilherme Maia, and Diego Haase. "Rapsódia norteña." Revista FAMECOS 32, no. 1 (2025): e45990. https://doi.org/10.15448/1980-3729.2025.1.45990.

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Este ensaio parte de uma decupagem hermenêutica dos momentos em que a música intervém nos filmes O pântano (La Ciénaga, 2001), A menina santa (La niña santa, 2004) e A mulher sem cabeça (La mujer sin cabeza, 2008), da cineasta Lucrecia Martel, que conformam o que conhecemos como Trilogia de Salta. Em seguida, em diálogo com a fortuna crítica sobre a produção da diretora e sobre a utilização da música pré-existente no cinema contemporâneo, defendemos que sua obra contém marcadores geoculturais de um projeto de musicalização sofisticado, engenhoso e singular, que revela e demarca um território r
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7

Barnes (book editor), John C., Stefano Milioto (book editor), and Antonio Franceschetti (review author). "Le due trilogie pirandelliane. Il "teatro nel teatro", i "miti" e la loro fortuna nel mondo anglofono." Quaderni d'italianistica 14, no. 1 (1993): 184. http://dx.doi.org/10.33137/q.i..v14i1.10197.

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8

Lepschy, Laura, John C. Barnes, and Stefano Milioto. "Le due trilogie pirandelliane: Il 'teatro nel teatro', i 'miti' e la loro fortuna nel mondo anglofono." Modern Language Review 89, no. 2 (1994): 510. http://dx.doi.org/10.2307/3735320.

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9

French, David, Bill Ballantyne, and Archie Crail. "1949, Bat Masterson’s Last Regular Job, Exile." Canadian Theatre Review 66 (March 1991): 83–84. http://dx.doi.org/10.3138/ctr.66.014.

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Critics who viewed David French’s three earlier plays about the Mercer family as a “trilogy” will no doubt be expanding it to a “tetralogy” with the appearance of 1949. But this play makes very clear what should have been evident before: the Mercer plays do not constitute a unified saga portraying the fortunes of a single family through time, but are rather a set of variations on a theme, in which French’s family myth is embodied in a series of plays of different styles and involving different characters, although some of these characters share names and a few basic personality traits. The Jac
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10

Zalla, Jocelito. "Os homens-fronteira: problemas históricos e soluções ficcionais em Erico Verissimo." Remate de Males 36, no. 2 (2016): 461. http://dx.doi.org/10.20396/remate.v36i2.8647911.

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A fortuna crítica sobre Erico Verissimo geralmente enfatiza valores universais em sua obra, apesar da tematização de aspectos históricos e folclóricos de alcance regional. Se essa operação tende a legitimar o estudo de sua ficção, também pode desconectá-la de seu meio de produção e de circulação imediata. Este artigo, assim, pretende analisar as relações entre O continente, primeiro livro da trilogia O tempo e o vento - dedicado à formação histórica do Rio Grande do Sul - e a tradição letrada local. Dois procedimentos metodológicos principais serão adotados: identificar respostas literárias a
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Books on the topic "Fortune Trilogy"

1

Manning, Olivia. The great fortune: Volume one of The Balkan trilogy. Chivers, 1988.

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2

Manning, Olivia. The fortunes of war: The Balkan trilogy. New York Review Books, 2010.

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Manning, Olivia. The fortunes of war: The Balkan trilogy. New York Review Books, 2009.

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Manning, Olivia. The fortunes of war: The Balkan trilogy. New York Review Books, 2009.

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5

Arnold, J. Douglas. Nintendo 64: Survival Guide Volume Two. Sandwich Islands Publishing Company, 1998.

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6

Great Fortune (Balkan Trilogy). Chivers Audio Books, 1993.

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7

Campbell, Ray. Fortune: Fortune Part 1 of a Trilogy. Independently published, 2018.

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8

Dub, Sherri A. Fortune Bound: Book 1 the Fortune Station Trilogy. BookBaby, 2019.

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9

Marie, Robertson Eleanor. Stars of Fortune (Guardians Trilogy). Berkley, 2017.

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Marie, Robertson Eleanor. Stars of Fortune (Guardians Trilogy). Piatkus Books, 2001.

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Book chapters on the topic "Fortune Trilogy"

1

Casali, Giovanna. "Echi e silenzi: fortuna e sfortuna dell’Agamennone nel teatro musicale." In Lexis Supplements. Fondazione Università Ca’ Foscari, 2022. http://dx.doi.org/10.30687/978-88-6969-632-9/013.

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This essay aims to offer some considerations on the reception of Agamemnon in musical theatre. First of all, it will investigate the reasons why the presence of Aeschylus’ tragedy on the operatic stage is so scant, highlighting the reasons for the compositional and thematic choices that have left the drama in silence. Then, through some specific examples, it will analyse the presence of echoes of the Agamemnon since, as a tragedy, it had rarely been a source of a specific libretto. In contrast, the Atreus’ house protagonists have had ample fortune as characters in operas concerning, for exampl
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2

"The fortune-teller's bride (FS:15)." In The Hsu-Tang Library of Classical Chinese Literature: The Misadventures of Master Mugwort: A Joke Book Trilogy from Imperial China. Oxford University Press, 2023. https://doi.org/10.1093/oseo/instance.00316054.

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Lopes, Leandro Silva. "BIOGRAPHICAL CRITICISM: A METHODOLOGICAL PATH FOR SELF-WRITING FILMS." In Beyond Borders: A Multidisciplinary Journey. Seven Editora, 2025. https://doi.org/10.56238/sevened2025.008-013.

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In recent years, first-person film production, which elaborates memories and intimate feelings, has been gaining more space in Brazilian filmography. At the same speed as the accomplishments of the "intimate writings" or "writings of the self", his critical fortune also expands. Part of the theoretical foundation still drinks from the source of the literary field, in authors such as Philippe Lejeune or Serge Doubrovsky. We will start here with a question: in a first-person film, what can the biography of the director say? To problematize it, we will work on the works and biography of filmmaker
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