Relevant bibliographies by topics / Forugh Farrokhzad

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  1. Journal articles

Academic literature on the topic 'Forugh Farrokhzad'

Author: Grafiati
Published: 4 June 2021
Last updated: 21 February 2023

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Journal articles on the topic "Forugh Farrokhzad"

1

Babar Hussain and Ghulam Shabbir. "The Rebellious Attitudes Of Forugh Farrokhzad's Poetry." Dareecha-e-Tahqeeq 1, no. 2 (2022): 30–46. http://dx.doi.org/10.58760/dareechaetahqeeq.v1i2.11.

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Forugh Farrokhzad was one of Iran’s pre-eminent mid-20th-century writers, both reviled and revered for her poems, which often dealt with female desire. Throughout her life she struggled with how her gender affected the reception of her work in a culture where women were often confined to traditional roles, but where there are few higher callings than the life of a poet. Farrokhzad's strong feminine voice became the focus of much negative attention and open disapproval, both during her lifetime and in posthumous reception of her work. Emphasizing on human issues, she also calls for a recognitio
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2

Yahyapour, Marzieh, Janolah Karimi-Motahhar, Fahrahnaz Farmani, and Tatiana V. Maltseva. "“My poetry… is full of movement and heat, characteristic of life”: The theme of love in the lyrics Forugh Farrokhzad." Philological Sciences. Scientific Essays of Higher Education, no. 6 (November 2022): 128–35. http://dx.doi.org/10.20339/phs.6-22.128.

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The article deals with forms of representation of love theme in lyrics by F. Farrokhzad. It considers the fact that interpretation of love in Farrokhzad’s lyrics differs from traditional perception of love in oriental poetry. Hence the authors prove that F. Farrokhzad has broken the traditional circle of associations in oriental love lyrics and has rethought it by adding new “bodily” signs of love. Love in Farrokhzad’s lyrics is shown through the prism of everyday, natural and existential patterns. Love as an event serves as a core for the poetess’ lyrics and displaces the generic features of
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3

Motlagh, Amy. "Forugh Farrokhzad: Woman Poet and Icon." Iranian Studies 45, no. 5 (2012): 723–26. http://dx.doi.org/10.1080/00210862.2012.702561.

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4

Sandler, R., Jascha Kessler, Amin Banini, and Forugh Farrokhzad. "Bride of Acacias. Selected Poems of Forugh Farrokhzad." Journal of the American Oriental Society 105, no. 4 (1985): 795. http://dx.doi.org/10.2307/602786.

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5

Beard, Michael, and Michael C. Hillmann. "A Lonely Woman: Forugh Farrokhzad and Her Poetry." World Literature Today 63, no. 1 (1989): 158. http://dx.doi.org/10.2307/40145274.

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6

SUZUKI, Shuri. "The Poetry and the Aspects of Images of Forugh Farrokhzad." Bulletin of the Society for Near Eastern Studies in Japan 40, no. 1 (1997): 155–71. http://dx.doi.org/10.5356/jorient.40.155.

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7

Valling Pedersen, Claus. "Mirrors of Entrapment and Emancipation: Forugh Farrokhzad and Sylvia Plath." Iranian Studies 50, no. 5 (2017): 735–37. http://dx.doi.org/10.1080/00210862.2017.1285443.

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8

Pistoso, Maurizio. "Eterno femminino in veste persiana: due libri italiani su Forugh Farrokhzad." Oriente Moderno 90, no. 2 (2010): 473–80. http://dx.doi.org/10.1163/22138617-09002013.

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9

Zubizarreta, John. "The Woman Who Sings No, No, No: Love, Freedom, and Rebellion in the Poetry of Forugh Farrokhzad." World Literature Today 66, no. 3 (1992): 421. http://dx.doi.org/10.2307/40148358.

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10

Mahdavi, Shireen. "Bride of Acacias. By Forugh Farrokhzad. Translated by Jascha Kessler with Amin Banani. Delmar, New York: Caravan Books, 1982." Iranian Studies 19, no. 3-4 (1986): 312–15. http://dx.doi.org/10.1017/s002108620000445x.

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