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Books on the topic 'Four Love Songs'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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1

Smith, Peter Fox. North Pomfret poems: Songs of life, love, and death for four seasons, 1968-1993. [North Pomfret, Vt.]: P.F. Smith, 1995.

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2

For the sender: Four letters, twelve stones one story. Carlsbad, Cal: Hay House Inc, 2012.

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3

Marley, Cedella. One love. San Francisco, Calif: Chronicle Books, 2011.

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4

Love songs for the dead. Beverly Hills, Calif: Laredo Pub. Co., 2000.

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5

group), Queers (Musical. Love songs for the retarded. Berkeley, Calif: Rad Girlfriend Records, 2017.

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6

Oguibe, Olu. Songs for Catalina. London: Savannah, 1994.

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7

Marley, Cedella. One love. San Francisco, Calif: Chronicle Books, 2011.

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8

ill, Mason Janeen I., ed. John Denver's For baby (for Bobbie). Nevada City, Calif: Dawn Publications, 2009.

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9

For her son's love. New York: Steeple Hill Books, 2007.

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10

Love songs for a tender god. Lantzville, B.C: Oolichan Books, 2002.

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11

Gardiner, Mary. Three love? songs: For voice and piano. Calgary, AB: Alberta Keys Music Publishing, 2003.

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12

Shearman, Robert. Love songs for the shy and cynical. Maidenhead, London: Big Finish, 2009.

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13

Yamada, Kōsaku. A cycle of five Japanese love-songs: For high or medium voice with piano accompaniment. New York, NY: Classical Vocal Reprints, 1998.

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14

ill, Andreasen Dan, ed. Love song for a baby. New York: Little Simon, 2011.

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15

Maxwell, Ann. Love song for a raven. Richmond: MiraBooks, 1995.

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16

ill, Andreasen Dan, ed. Love song for a baby. New York: Simon & Schuster Books for Young Readers, 2002.

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17

Laitman, Lori. The love poems of Marichiko: Six songs for soprano and cello. Bryn Mawr, Pa: Merion Music, 1997.

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18

Rochberg, George. Seven early love songs: For voice and piano. Bryn Mawr, Pa: T. Presser, 1992.

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19

Davis, Jimmie. You are my sunshine. New York: Cartwheel Books, 2011.

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20

Davis, Jimmie. You are my sunshine. New York: Cartwheel Books, 2011.

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21

A love song for the Sabbath. Washington, DC: Review and Herald Pub. Association, 1988.

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22

Gabel, Shainee, and Bob Yari. A love song for Bobby Long. Culver City, Calif: Sony Pictures Home Entertainment, 2005.

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23

Butterworth, George. Love blows as the wind blows: For voice and string quartet. Boca Raton, Fla: Masters Music Publications, 1998.

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24

Schock, Harriet. Becoming remarkable: For songwriters and those who love songs. Nevada City, CA: Blue Dolphin Pub., 1999.

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25

Mīrābāī. For love of the Dark One: Songs of Mirabai. Boston: Shambhala Publications, 1993.

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26

For love of the dark one: Songs of Mirabai. Prescott, Ariz: Hohm Press, 1998.

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27

1951-, Boultinghouse Philis, ed. Once upon a love song: Inspirations for love and romance. West Monroe, LA: Howard Pub. Co., 2005.

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28

ill, Littlewood Karin, and Bacharach Burt F. 1928-, eds. I say a little prayer for you. New York, NY: Scholastic Inc., Chicken House, 2002.

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29

Richie, Lionel. The love ballads of Lionel Richie: For easy piano. Port Chester, NY: Cherry Lane Music Co., 1987.

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30

Morrison, Bill. A love song for Ulster: A trilogy. London: Nick Hern Books, 1994.

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31

Love meets the dragons: A field manual for ministers. Carmel, CA: SunInk Publications, 1997.

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32

Buchler, Michael. Licentious Harmony and Counterpoint in Porter’s “Love for Sale”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040092.003.0011.

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No one would mistake Cole Porter's “Love for Sale” for a love song. Yet this less-than-subtle song about the world's oldest profession, from the 1930 musical The New Yorkers, confronts the nature of love and, by extension, the love song genre. Because of its daring text, it not only was banned in Boston but was considered so risqué that at the time radio stations across America refused to play it. Porter's musical setting of his infamous lyrics also deviated from the normative structures found in contemporaneous popular—and especially love—songs, and his structural departures were not simply motivated by relatively obvious concerns for text painting. This chapter attempts to unpack and understand these musical anomalies through close analyses of harmony, counterpoint, and text.

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33

Stober, Carol. Love Songs for Autoharp. Mel Bay Publications, 2003.

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34

Love Songs for Sceptics. Simon & Schuster, Limited, 2020.

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35

Pishiris, Christina, and Nicky Diss. Love Songs for Skeptics. Dreamscape Media, 2021.

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36

Hal Leonard Publishing Corporation (COR). Love Songs For Singers. Hal Leonard Corporation, 1995.

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37

Hal Leonard Publishing Corporation (COR). For My Love: 15 Contemporary Love Songs. Hal Leonard, 2006.

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38

ARTISTS, VARIOUS. Songs for the Soul-Love. MADACY, 2000.

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39

Love Songs For String Quartet. String Letter Publishing, 2010.

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40

Hal Leonard Publishing Corporation (COR). Love Songs for a Lifetime. Hal Leonard Corporation, 1999.

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41

101 love songs for buskers. London: Wise Pubs., 1992.

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42

Pennie. Love Songs for Our Children. Songs & Co, 1989.

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43

Espoito, Tony. Love Songs: Simplified for Piano. Warner Bros Pubns, 1995.

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44

Love Songs for Our Children. Songs & Co, 1989.

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45

Piano Love Songs For Dummies. Hal Leonard Publishing Corporation, 2010.

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46

Burke, Devin. “Good Bye, Old Arm”. Edited by Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199331444.013.21.

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Over 45,000 soldiers became amputees during the Civil War. The scale of wartime disability challenged American beliefs that masculinity and patriotism were virtually inseparable from able-bodiedness. By the war’s end, the amputated limb had become a recurring subject in music, photography, and literature. This essay discusses representative Civil War era songs about amputee veterans and analyzes how they musically and lyrically negotiated the cultural scripts of disability, masculinity, and patriotism. These scripts became especially complex when able-bodied women performed the songs in the voices of disabled veterans. Three songs are discussed in detail, including the song “Old Arm, Good Bye,” in which a soldier sings a love ballad to his freshly amputated arm, thanking the arm for its strength and loyalty to the Union. These songs reconstructed the disabled veteran, and indeed the amputated arm itself, as complex symbols of both patriotism and Victorian masculinity.

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47

Love Songs for Lovers: A Collection of Romantic Songs. Alfred Publishing Company, 2002.

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48

Clover, Joshua. Roadrunner. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478021698.

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Jonathan Richman and the Modern Lovers' 1972 song “Roadrunner” captures the freedom and wonder of cruising down the highway late at night with the radio on. Although the song circles Boston's beltway, its significance reaches far beyond Richman's deceptively simple declarations of love for modern moonlight, the made world, and rock & roll. In Roadrunner, cultural theorist and poet Joshua Clover charts both the song's emotional power and its elaborate history, tracing its place in popular music from Chuck Berry to M.I.A. He also locates “Roadrunner” at the intersection of car culture, industrialization, consumption, mobility, and politics. Like the song itself, Clover tells a story about a particular time and place—the American era that rock & roll signifies—that becomes a story about love and the modern world.

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49

Springer, Kathryn. For Her Son's Love. Harlequin Mills & Boon, Limited, 2012.

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50

Springer, Kathryn. For Her Son's Love. Harlequin Enterprises, Limited, 2010.

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