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Books on the topic 'Four Seasons Theatre'

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1

Menehira, Hazel. Three dramatic decades: Wanganui's Four Seasons professional theatre, 1970-2000. Friends of the Four Seasons Theatre, 2009.

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2

Grand Opera House (London, Ont.), ed. Grand Opera House, London, Ont., season 1899-1900, programme: Friday, December 8th, Otis Skinner and his company, including Miss Nanette Comstock, will present Henry Arthur Jones' new comedy in four acts, entitled "The liars" .. s.n., 1986.

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3

Grand Opera House (London, Ont.), ed. Programme, Grand Opera House, London, Ont.: Season 1898-9, Tuesday, May 23rd, engagement of Otis Skinner, presenting Rosemary, a comedy in four acts, by Louis N. Parker and Murray Carson .. s.n., 1986.

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4

Toneelhuis, ed. Zes memo's voor een nieuw seizoen = Six memos for a new season = Six propositions pour une nouvelle saison. Bebuquin, 2020.

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5

Grand Opera House (London, Ont.), ed. Grand Opera House, London, Ont., programme: Season 1897-98 : Friday night and Saturday matinee, the young romantic actor Mr. Donald Robertson and ...Miss Brandon Douglass in the romantic tragedy in four acts The man in the iron mask .. s.n., 1986.

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6

Grand Opera House (London, Ont.), ed. Grand Opera House, London, Ont., programme: Season 1898-9, wednesday and Thursday Sept. 21st and 22nd, the beautiful southern actress Miss Lorraine Hollis, supported by the Lorraine Hollis Stock Company, in the society melo-drama in prologue and four acts "The tigress" .. s.n., 1986.

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7

Garside, Emily. Seasons of Love. Globe Pequot, the trade division of The Rowman & Littlefield Publishing Group, Inc., 2023. https://doi.org/10.5040/9798765148006.

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With its groundbreaking score, unabashed romanticism, and scrappy sensibility, Rent was like a firecracker thrown into a hushed theater, turning heads and upending conventions. But if its unexpected success was the stuff of theatrical legend, the story of its making was a bittersweet one, with composer Jonathan Larson, a student of Sondheim's finally making his Off-Broadway debut, tragically dying on the night of the final dress rehearsal. Even decades later, Rent lives on as a warmly remembered chapter in Broadway history, yet the show is too often trivialized, reduced to parody, or dissected
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8

Hischak, Thomas. Song of the Season. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350423756.

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What links the popular songs "You'll Never Walk Alone", "Send in the Clowns", "Memory" and "I Am What I Am"? They all originated in Broadway musicals.Song of the Seasonis for those who believe that the score is at the heart of a musical and is the essential building block on which the rest of a show is built. Through a systematic historical survey from 1891 to 2023 it argues that the best musicals survive because of their songs, from early 20th century classics such asShow BoatandOklahoma!through to the contemporary sound ofDear Evan HansenandHamilton. looking at outstanding songs from each Br
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9

Pollack, Howard. The Golden Apple. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190458294.003.0018.

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One of Latouche’s masterpieces, the opera The Golden Apple, with composer Jerome Moross, reimagines the Judgment of Paris story and the Homeric epics through the prism of early-twentieth-century America. Hanya Holm directed, and William and Jean Eckart did the memorable designs. First premiering at the Phoenix Theatre off-Broadway, it moved to Broadway for a short run there. Although more a critical than a popular sucess—it won the Donaldson Award, the Page One Award, and the New York Critics’ Circle Award for the season’s best musical—it remains a favorite among connoisseurs of American music
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10

Jeffs, Kathleen. Staging the Spanish Golden Age. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198819349.001.0001.

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This book offers first-hand experiences from the rehearsal room of the Royal Shakespeare Company’s 2004–5 Spanish Golden Age season in order to put forth a collaborative model for translating, rehearsing, and performing Spanish Golden Age drama. Building on the RSC season, the volume proposes translation and communication methodologies that can feed the creative processes of working actors and directors, while maintaining an ethos of fidelity with regards to the original texts. A successful theatrical ensemble thrives on the mingling of these different voices directed towards a common goal. Th
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11

Williams, Gareth. The 306. University of Edinburgh, 2024. http://dx.doi.org/10.2218/ed.9781836450597.

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The 306 is a trilogy of music-theatre works co-created by composer Gareth Williams and writer Oliver Emanuel that explore the stories of the 306 British soldiers executed during World War 1. Many of these 306 men, executed for cowardice, desertion and mutiny are not listed on any official memorials, even after they were conditionally pardoned by the British Government in 2006. This work gathered all of these names for the first time, listing them in song to complete the trilogy. As a part of 14-18 NOW (the UK-wide commemorative cultural program of work from 2016 – 2018) The 306 explored ideas
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12

Jeffs, Kathleen. Rehearsal and Translation. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198819349.003.0003.

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This chapter discusses the degree to which the texts in the RSC’s Spanish Golden Age season accomplished Boswell’s goal for these to be ‘accurate translations’ and ‘not adaptations’. Despite both theoretical and practical problems presented by using a ‘literal’ translation as part of the translation process of the comedia, it is a valuable step in translating plays of the Golden Age for English audiences. The wider purpose of this chapter is to develop a vocabulary and a vision of how the literal-to-performance-text transmission process might be improved. This allows for a more symbiotic relat
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13

Volz, Jim. Introduction to Arts Management. Bloomsbury Publishing Plc, 2017. http://dx.doi.org/10.5040/9781474239820.

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Introduction to Arts Management offers a unique, dynamic and savvy guide to managing a performing or visual arts organization, be that an arts center, theatre, museum, art gallery, symphony orchestra, or other arts company. For those training to enter the industry, workers in arts administration, or those seeking to set up their own company, the wealth of expert guidance and direct, accessible style of this authoritative manual will prove indispensable. Gathering best practices in strategic planning, marketing, fundraising and finance for the arts, the author shares practical, proven processes
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14

Boritt, Beowulf. Transforming Space Over Time. The Rowman & Littlefield Publishing Group, Inc., 2022. https://doi.org/10.5040/9798765147030.

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Transforming Space over Time tells the stories of six diverse productions: five on Broadway and one Off Broadway. Tony Award–winning set designer Beowulf Boritt begins with the moment he was offered each job and takes readers through the conceptual development of a set, the challenges of its physical creation, and the intense process of readying it for the stage. Theater is at heart a collaborative art form, and Boritt shares revealing details of his work with the many professionals—directors, designers, technicians, producers, stage managers, and actors—who contribute their talent and ideas t
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15

Flom, Jonathan. Get the Callback. 2nd ed. Rowman & Littlefield, 2016. https://doi.org/10.5040/9798881822132.

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All great auditions require preparation and practice, but what’s the secret to securing a callback? What are the best ways to prepare for that pivotal moment? And once you’re in front of the casting director, what does it take to make the most out of your moment in the spotlight? In this second edition of Get the Callback: The Art of Auditioning for Musical Theatre, Jonathan Flom provides practical advice on the many facets of preparation, including selection of songs and monologues to suit your voice and the audition, organizing and arranging your music, working with the accompanist, and pres
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16

Christoforidis, Michael. Dueling Carmens in Madrid. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780195384567.003.0004.

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The notion that Spanish audiences and critics rejected Carmen as an exoticist abomination is interrogated in Chapter 3, which investigates the opera’s arrival in Madrid during the 1887–88 season, and its ultimate embrace by local audiences. Carmen’s debut in the Spanish capital was surrounded by controversies, including a protracted legal dispute over performance rights between Madrid’s two leading lyric theaters, the Teatro Real and the Teatro de la Zarzuela. These events coincided with significant debates over Spanish cultural identity, and the translation of Carmen into Spanish for adaptati
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17

Woodfield, Ian. In Time of War. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190692636.003.0004.

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The year 1788 was a difficult one for the Austrian Monarchy, as the first campaign of the war against the Ottoman Empire ended inconclusively. Joseph II and Archduke Franz were away from Vienna, serving with the army. With persistent rumors that the opera buffa troupe was to be disbanded, the Vienna stage was affected by declining attendance rates. Against this background, Don Giovanni faced additional obstacles: the very late arrival of the new prima donna; the pregnancies of two leading singers; the poor reception accorded to newly recruited tenor and bass performers. In August, Joseph II fi
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18

Tovar, Stef. Map. Applause, 2021. https://doi.org/10.5040/9798765146934.

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The MAP: An Actor's Guide to On-Camera Acting teaches on-camera acting in a practical and technical way—helping new actors understand the rules of on-camera acting as if they are learning a foreign language and applying that language to their acting skill set. The book gives actors a step-by-step technique on how to audition for on-camera acting jobs and what to do on set after booking them. Many on-camera acting books are written by established movie stars and aren't geared toward actors in an undergraduate acting program or those who are just starting to audition for on-camera jobs for the f
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19

Ilbon munhŏn sok ŭi Yi Sun-sin p'yosang: The image of Yi Sun-sin in Japanese literature. Minsogwŏn, 2022.

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