Relevant bibliographies by topics / Fourteenth-century manuscripts

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Fourteenth-century manuscripts'

Author: Grafiati
Published: 4 June 2021
Last updated: 14 February 2022

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Journal articles on the topic "Fourteenth-century manuscripts"

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Biemans, Jos. "No Miniatures, not even Decoration, yet Extraordinarily Fascinating New Hypotheses Concerning the Lancelot Compilation and Related Manuscripts." Quaerendo 39, no. 3-4 (2009): 225–56. http://dx.doi.org/10.1163/001495209x12555713997330.

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AbstractThis essay sheds new light on the controversial fourteenth-century poet and compiler Lodewijk van Velthem. Specifically, the article considers the possible relationships between The Hague, Koninklijke Bibliotheek, MS 129 A 10, the manuscript containing the famous Lancelot Compilation, and Leiden, University Library, MS BPL 14 E, the only extant manuscript with Velthem's entire Fifth Part of the Spiegel historiael. A note written at the end of the manuscript in The Hague naming Velthem has been interpreted in different ways, either as a note of the manuscript's ownership, or as the attribution of the compilation to Velthem. Other scholars have considered Velthem the 'corrector' of the manuscript. The relatively low quality of these two manuscripts, as well as the types of annotations made in the margins of MS 129 A 10, however, can be explained when we consider both books as the poet's working copies, as manuscripts which formed part of Velthem's own literary archive.
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Drechsler, Stefan. "The Illuminated Þjófabálkr in Fourteenth-Century Icelandic Jónsbók Manuscripts." Viking and Medieval Scandinavia 12 (January 2016): 1–40. http://dx.doi.org/10.1484/j.vms.5.112416.

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Nelson, Kathleen E. "A fragment of medieval polyphony in the Archivo Histórico Provincial of Zamora." Plainsong and Medieval Music 2, no. 2 (1993): 141–51. http://dx.doi.org/10.1017/s0961137100000498.

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The source to be discussed here is one of a collection of about 288 fragments of liturgical manuscripts. These form the section entitled Pergaminos musicales in the Archivo Histórico Provincial of Zamora in western Spain. Most of the fragments contain notated chant while a few give texts without music. Whilst studying the collection I found that one, Pergamino musical 184, contains polyphony. The significance of this new source probably lies principally in its relationship to the great polyphonic manuscript of Las Huelgas (Burgos, Monasterio de Las Huelgas) from late thirteenth- or early fourteenth-century Spain. Pergamino musical 184 (hereafter referred to as Z 184) probably dates from between the middle of the thirteenth century and the beginning of the fourteenth century, and therefore may pre-date Las Huelgas. The collection of Pergaminos musicales including Z 184 was recently taken from the binding of books of legal documents (protocolos) dating from the sixteenth, seventeenth and eighteenth centuries. Many more fragments of liturgical manuscripts are to be found still in the binding of books in the archive but an extensive search of these has yielded no further examples of polyphony
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Nederman, Cary J. "Kings, Peers, and Parliament: Virtue and Corulership in Walter Burley'sCommentarius in VIII Libros Politicorum Aristotelis." Albion 24, no. 3 (1992): 391–407. http://dx.doi.org/10.2307/4050943.

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Although he was one of the most eminent philosophers of the early fourteenth century, Walter Burley has seldom attracted much attention for his contributions to political theory. To some extent, this neglect may be blamed on the unfortunate history of the dissemination of Burley's major political work, theCommentarius in VIII Libros Politicorum Aristotelis(composed between 1338 and 1343). While widely circulated during the later Middle Ages, a fact indicated by the large number of extant manuscripts, theCommentariusdid not follow Burley's other commentaries on Aristotle's writings into print during the late fifteenth and early sixteenth centuries. To my knowledge, no satisfactory explanation has ever been adduced for this lacuna, but it has not been rectified to the present day; a printed edition of theCommentarius, based either on a single manuscript or a critical examination of all the manuscripts, has yet to appear. This absence of a printed version of the text is especially inexplicable in view of the rarity of commentaries on thePoliticsprior to the end of the fourteenth century.
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Rush, Katherine Anne. "An Arthurian Knight in Ivory and Ink." Eikon / Imago 10 (February 8, 2021): 423–39. http://dx.doi.org/10.5209/eiko.74163.

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Manuscript Bibliothèque nationale de France, MS fr. 12577 and ivory casket Musée du Louvre, OA 122, and are two of three extant fourteenth-century visualizations of Chrétien’s Le Conte du Graal, produced in Paris circa 1310-1330. Although the objects’ shared era of production suggests similarities of iconography, artistic influences, and production methods, little research has been conducted regarding visual and cultural connections between MS fr. 12577 and OA 122. Through iconographic and stylistic analysis of the scenes each artisan depicted within his respective medium, I elucidate how the casket and manuscript’s imagery personifies Perceval’s dual nature, a young knight symbolic of the secular and sacred. As visualizations of Chrétien’s most religiously-minded legend, MS fr. 12577 and OA 122 exemplify the intertwining of the sacred and secular within fourteenth-century French romantic art, specifically within illuminated manuscripts and carved ivory, materials that through their refinement, rarity, and expense, signified leisure, luxury, and nobility. By examining these two opulent objects, I provide insights into their purpose and significance in late medieval France, especially cultural crossover between the porous realms of sacred and secular medieval life.
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Cronier, Marie, and Patrick Gautier Dalché. "A Map of Cyprus in Two Fourteenth-Century Byzantine Manuscripts." Imago Mundi 69, no. 2 (2017): 176–87. http://dx.doi.org/10.1080/03085694.2017.1312113.

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Manzari, Francesca. "From Icons of Evil to Features of Princely Pleasure: Mongols in Fourteenth-Century Italian Illuminated Manuscripts." Ming Qing Yanjiu 22, no. 2 (2019): 191–214. http://dx.doi.org/10.1163/24684791-12340029.

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AbstractThe representation of Mongols in Late-Medieval Italian illuminated manuscripts undergoes a transformation in the fourteenth century. In literature connected to the Crusades and in historical writings they are usually portrayed as symbols of Evil or of the Deadly Vices. In other instances, nonetheless, they seem to lose this significant iconic value and to turn into an exotic component for the amusement of princely patrons. It is certainly not by chance that illuminations comprising Mongols were produced in the cities most strongly tied to the East by trading routes and commercial interests, like Venice and Genoa. The appearance of Mongols within more widespread iconographies, both sacred and secular, and their metamorphosis as exotic decorations are connected to manuscript illumination at the Angevin court in Naples. This contribution re-evaluates both types of instances, with the purpose of achieving a survey of these types of representation in Italian gothic illuminated manuscripts.
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Liuzza, Roy Michael. "The Yale fragments of the West Saxon gospels." Anglo-Saxon England 17 (December 1988): 67–82. http://dx.doi.org/10.1017/s0263675100004026.

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The manuscripts which contain the Old English translation of the gospels have been little studied since Skeat's compendious editions of the last century, yet the interest and importance of these codices, no less than that of the texts they preserve, should not be underestimated. The vernacular translation of a biblical text stands as a monument to the confidence and competence of Anglo-Saxon monastic culture; the evidence of the surviving manuscripts can offer insights into the development and dissemination of this text. The following study examines two fragments from an otherwise lost manuscript of the West Saxon gospels, which are preserved as an endleaf and parchment reinforcements in the binding of a fourteenth-century Latin psalter now in the Beinecke Library at Yale University, Beinecke 578. I shall first discuss the psalter and its accompanying texts in the attempt to localize the manuscript and its binding. I shall then turn to the West Saxon gospel fragments; after presenting a description and, for the first time, a complete transcription, I shall attempt to locate this text in the context of other Anglo-Saxon gospel manuscripts.
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Rogers, Nicholas. "The Original Owner of the Fitzwarin Psalter." Antiquaries Journal 69, no. 2 (1989): 257–78. http://dx.doi.org/10.1017/s0003581500085437.

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The Fitzwarin Psalter (Paris, B.N. MS lat. 765) is one of the most striking English manuscripts of the fourteenth century. Its miniatures are characterized by bold compositional experiment and a mannered figure style of extreme emotional intensity. The conventional name of the manuscript derives from the presence of two shields in the lower border of the Beatus page (fol. 23), which were identified by Francis Wormald as those of the families of Fitzwarin and Clevedon. But he was unable to find any evidence connecting the two families by marriage. He dated the Psalter to the third quarter of the century, and in this has been followed by Lucy Sandler. However, in an important study of the Fitzwarin Psalter and related manuscripts, Lynda Dennison demonstrated that, for stylistic reasons, the Psalter (with the exception of a bifolium, fols. 21-22) must be dated to the mid-1340s. This redating prompts a re-examination of the question of the identity of the original owner.
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Sleiderink, Remco, and Ben van der Have. "Een nieuw fragment van handschrift A van de Roman der Lorreinen (Michigan State University, Criminology Collection, XX KJC7690.A48 1687)." Tijdschrift voor Nederlandse Taal- en Letterkunde 137, no. 2 (2021): 102–21. http://dx.doi.org/10.5117/tntl2021.2.001.slei.

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Abstract Among the many books in Michigan State University’s Criminology Collection is a Corpus juris militaris, published in Germany in 1687. Its binding contains four small parchment strips with medieval Dutch verses. Although the strips are still attached in the spine, the verses can be identified as belonging to the Roman der Lorreinen, and more specifically as remnants of manuscript A, written in the duchy of Brabant in the second quarter of the fourteenth century. Manuscript A originally must have consisted of over 400 leaves, containing more than 150.000 verses (note: there are no complete manuscripts of the Roman der Lorreinen). Only 7% of manuscript A has been preserved in several European libraries, mainly in Germany. The new fragment suggests that manuscript A was used as binding material not earlier than the end of the seventeenth century (after 1687). The newly found verses are from the first part of the Roman der Lorreinen, which was an adaptation of the Old French chanson de geste Garin le Loherenc. This article offers a first edition and study of the verses, comparing them to the Old French counterparts. This comparison offers additional evidence for the earlier hypothesis that manuscript A contained the same adaptation of Garin le Loherenc as the fragmentary manuscripts B and C.
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Dissertations / Theses on the topic "Fourteenth-century manuscripts"

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Drechsler, Stefan Andreas. "Making manuscripts at Helgafell in the fourteenth century." Thesis, University of Aberdeen, 2017. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=236533.

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This thesis examines a cultural revolution that took place in the Icelandic artistic landscape during the medieval period. Within just one generation (c. 1350–1400), the house of canons regular of Helgafell rose to become the most important centre of illuminated manuscript production in western Iceland. This study delivers a comprehensive and critical multidisciplinary study that combines methodologies and sources from the fields of Art History, Old Norse-Icelandic Manuscript Studies and Medieval Nordic History. It maps important changes in the art historical market, as well as major movements of ideas between three distinct manuscript cultures: from Helgafell in Iceland, Norwich and surrounding East Anglia in England, and the region between Bergen and Trondheim in Western Norway. By conducting cross-disciplinary research, the philological and historical data, combined with a sound social network analysis methodology, this study presents a comprehensive approach that respects both the historical setting of the illuminated manuscript production and the products themselves. It thereby contributes to a new and multidisciplinary area of research that studies not only one but several western European cultures in relation to similar domestic artistic monuments and relevant historical evidence. By using the interdisciplinary approach outlined above, it offers a detailed perspective of one cultural site – Helgafell – in particular in regard to its artistic connections to other ecclesiastical and secular scriptoria in the broader North Atlantic region.
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Matejic, Predrag. "Manuscript attribution through paper analysis : Hilandar Monastery in the fourteenth century (a case study) /." The Ohio State University, 1987. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487327695624318.

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Melville-Richards, Joanna. "Text- and music-structures in two fourteenth-century manuscripts of English provenance." Thesis, Bangor University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.322345.

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Rose-Steel, Tamsyn. "French Ars nova motets and their manuscripts : citational play and material context." Thesis, University of Exeter, 2011. http://hdl.handle.net/10036/3313.

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The discussion of citation and allusion has become an important area of research in Medieval Studies. The application of postmodern intertextual theories has brought scholars to a deeper understanding of the reuse of borrowed material, shedding new light on a culture of music and literature that was once dismissed as dully repetitive. This thesis builds on this work by examining in depth the manner in which citation and allusion was deployed in the fourteenth-century motet. Motets are a particularly fertile ground for discussion of the reuse of material, drawing as they do on a range of citational techniques such as borrowed liturgical tenors, modelling of rhyme schemes on existing works, and quotation of refrains and authorities. The polyphonic and polytextual nature of the motet enabled composers to juxtapose different registers, languages and genres, and thus to create an array of competing possible interpretations. This study is situated against several strands of recent scholarship. It draws on critical theory, as well as discussions of refrain definition, memory, manuscript compilation, and notions of voice, authority and authorship. Each chapter examines a particular body of work: the interpolated Roman de Fauvel, the works of Guillaume de Machaut, the motets of the Ivrea and Chantilly manuscripts, and finally those of Manuscript Torino J.II.9. In each case, looking at the use of citation and allusion connects to other concerns. In the Roman de Fauvel, citation in the motets can be seen as functioning alongside use of the vernacular, manuscript layout and illuminations to elucidate the narrative. In the works of Guillaume de Machaut citation is linked to his ambiguous self-presentation and authorial presence, and connects individual pieces in his complete works’ manuscripts. The Ivrea and Chantilly motets, while not linked by the same strength of context, demonstrate continuing use of thirteenth-century tradition. In this case, studying compilation choices may help us to understand how scribes interpreted citational material. Finally, I argue that understanding the internal use of symmetry in MS J.II.9 and its motets, and the reuse of material between the motets and the chansons of that repertory, vindicates the view that the music and poetry was composed by a single author well versed in mainstream tradition. I have been able to propose some previously unnoted allusions in the major works, and draw out the benefits of a holistic approach to understanding these motet and manuscripts. All this points to motets both continuing the writing traditions of the thirteenth century throughout the fourteenth and early fifteenth centuries, but also shows individual writers and compilers choosing to cite in a creative and innovative manner.
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Martelli, Cristina Arrigoni. "The Waters of Momo: An Avant-garde Village in the Development of the Northern Italian Hay Industry Seen through Five Thirteenth and Fourteenth Century Manuscripts." Fogler Library, University of Maine, 2007. http://www.library.umaine.edu/theses/pdf/MartelliCA2007.pdf.

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Iacobellis, Lisa Daugherty. "“Grant peine et grant diligence:” Visualizing the Author in Late Medieval Manuscripts." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1500504999935605.

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Kilpatrick, Hannah. "The Untouchable Past and the Incomprehensible Present: Temporal Detachment and the Shaping of History in the Fineshade Manuscript." Thèse, Université d'Ottawa / University of Ottawa, 2011. http://hdl.handle.net/10393/20472.

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This thesis undertakes a close study of a single manuscript of the early 1320s, written at the priory of Fineshade, Northamptonshire. The manuscript contains a short chronicle and several documents related to the failed baronial rebellion of 1321-22. I argue that, in collaboration with the priory’s patrons, the Engayne family, the chronicler responds to the current situation with an attempt to create meaning from a time of crisis. In the process, he attempts to shape his material through patterns of style and thought inherited from both chronicle and hagiographical traditions, to make the present conform to the known and understood shape of the past. His success is limited by his inability to establish sufficient distance from traumatic events, a difficulty that many chroniclers seemed to encounter when they attempted to turn current events into meaningful historical narrative.
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Phillips, Dianne Tisdale. "The Illustration of the Meditations on the Life of Christ| A Study of an Illuminated Fourteenth-Century Italian Manuscript at the University of Notre Dame (Snite Museum of Art, Acc. No. 85.25)." Thesis, Yale University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10160872.

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<p> For more than fifty years, the <i>Meditationes Vitae Christi (MVC) </i> and the most famous of its illustrated manuscripts (Paris, Biblioth&egrave;que nationale, Ms. ital. 115) have been employed by scholars to exemplify late medieval female spirituality. The mid-fourteenth century ilhuminated manuscript of the <i>Meditationes</i> in the Snite Museum of Art at the University of Notre Dame that is the subject of this dissertation provides valuable evidence of the popularity of the famous text originally written for a woman religious and its appropriation by urban laity. As an example of the shorter text, in Italian, with 43 chapters plus prologue, its 48 large colored miniatures and the decorated initials that begin each chapter, point to a wealthy patron quite unlike the Poor Clare to whom the <i>MVC</i> text was initially directed. The style of the miniatures indicates that the manuscript was illuminated ca. 1350 in Bologna, site of the pre-eminent European university for the study of law.</p><p> The dissertation explores how the <i>Meditationes Vitae Christi </i> was adapted for an educated and prosperous husband and wife. While written in the vernacular, the Snite <i>MVC</i> illuminations bear a strong resemblance to the illustrations in fourteenth-century Bolognese legal manuscripts. Despite the vivid and often unconventional imagery of the text that is designed to stimulate the reader's affective response to its re-telling of the story of the life of Christ, the miniatures tend to preserve traditional iconographies. The superficially conventional Snite miniatures, which often seem indifferent to the visual specifics of the text, serve to align it with orthodox doctrine and underscore the veracity of its contents. </p><p> An analysis of the illuminations of the Snite <i>MVC</i> reveals a particular attentiveness by the illuminator to the representation of male exemplars that would appeal to an elite educated patron, who might have been a judge or lawyer, or law professor. The Infancy miniatures in particular depict St. Joseph in a prominent role and dressed as a late medieval professional man The dignified representation of St. Joseph is consistent with his scriptural appellation as a "just man " By attending to the themes of justice and wisdom in both the <i>MVC</i> text and in its scriptural sources, the Snite miniatures prove to be much richer in meaning than first glance would suggest, and their affinity with legal manuscript illumination hardly accidental.</p><p> The iconographic analysis of the Snite miniatures is complemented by the study of the social and intellectual context in which the manuscript was produced. Despite the seeming simplicity of the miniatures, the illuminator and his advisor prove to be theologically sophisticated and scripturally literate. By means of the illuminations, the <i>MVC</i> is made compatible with the religious and professional concerns of the elite laity, providing access for men wielding worldly authority into the life of Christ in which powerful and learned men play largely negative roles. The Snite manuscript responds to the lay patron's desire to see in the example of Christ and the events of his life confirmation of late medieval social, juridical, and political structures. In its miniatures, it provides saintly models for the educated laity desirous of reconciling their Christian commitments with the demands of an active, urban, professional life.</p>
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Mitrea, Mihail. "Late-Byzantine hagiographer : Philotheos Kokkinos and his Vitae of Contemporary Saints." Thesis, University of Edinburgh, 2018. http://hdl.handle.net/1842/31489.

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This dissertation offers the first systematic historical contextualization and literary analysis of the five saints' lives composed by Philotheos Kokkinos (ca. 1300-1378) for his contemporaries Nikodemos the Younger, Sabas the Younger, Isidore Boucheir, Germanos Maroules, and Gregory Palamas. Notwithstanding Kokkinos' prominent role in the political and ecclesiastical scene of fourteenth-century Byzantium, as well as the size and significance of his hagiographic oeuvre, both the hagiographer and his saints' lives have received surprisingly little scholarly attention. My dissertation fills this gap and shows Kokkinos as a gifted hagiographer who played a leading role, both through his ecclesiastical authority and hagiographic discourse, in orchestrating the societal breakthrough of hesychast theology that has remained at the core of Christian Orthodoxy up to this day. The dissertation is structured in three parts. The first, Philotheos Kokkinos and His OEuvre, offers an extensive biographical portrait of Kokkinos, introduces his literary oeuvre, and discusses its manuscript tradition. A thorough palaeographical investigation of fourteenth-century codices carrying his writings reveals Kokkinos' active involvement in the process of copying, reviewing, and publishing his own works. This section includes an analysis of the 'author's edition' manuscript Marcianus graecus 582, and presents its unusual fate. Moreover, Part I establishes the chronology of Kokkinos' vitae of contemporary saints and offers biographical sketches of his heroes, highlighting their relationship to their hagiographer. The second part, Narratological Analysis of Kokkinos' Vitae of Contemporary Saints, constitutes the first comprehensive analysis of Kokkinos' narrative technique. It first discusses the types of hagiographic composition ('hagiographic genre') Kokkinos employed for his saints' lives (hypomnema, bios kai politeia, and logos), and then it offers a detailed investigation that sheds light on the organization of the narrative in Kokkinos' vitae and his use of specific narrative devices. This includes a discussion of hesychastic elements couched in the narrative. Part II concludes with considerations on Kokkinos' style and intended audience. The third part, Saints and Society, begins with a detailed quantitative and qualitative analysis of the miracle accounts Kokkinos wove in his saints' lives. This considers the miracle typology, types of afflictions, methods of healing, and the demographic characteristics of the beneficiaries (such as age, gender, and social status), revealing that Kokkinos shows a predilection for including miracles for members of the aristocracy. Second, it presents Kokkinos' view on the relationship between the imperial office and ecclesiastical authority by analysing how he portrays the emperor(s) in his vitae. Moreover, this part addresses the saints' encounters with the 'other' (Muslims and Latins), revealing Kokkinos' nuanced understanding of the threats and opportunities raised by these interactions. Finally, it makes the claim that through his saints' lives Kokkinos offers models of identification and refuge in the troubled social and political context of fourteenth-century Byzantium, promoting a spiritual revival of society. As my dissertation shows, Kokkinos' vitae of contemporary saints sought to shape and were shaped by the political and theological disputes of fourteenth-century Byzantium, especially those surrounding hesychasm. Their analysis offers insights into the thought-world of their author and sheds more light on the late-Byzantine religious and cultural context of their production. The dissertation is equipped with six technical appendices presenting the chronology of Kokkinos' life and works, the narrative structure of his vitae of contemporary saints, a critical edition of the preface of his hitherto unedited Logos on All Saints (BHG 1617g), a transcription of two hitherto unedited prayers Kokkinos addressed to the emperors, the content of Marc. gr. 582 and Kokkinos' autograph interventions, and manuscript plates.
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Bright, Gina M. "Competing modes of production and the Gawain manuscript : feudal responses to the emergence of capitalism in late fourteenth-century England /." Diss., 2003. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3117140.

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Books on the topic "Fourteenth-century manuscripts"

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Early Persian painting: Kalila and Dimna manuscripts of the late fourteenth century. I.B. Tauris, 2003.

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Sherman, Claire Richter. Imaging Aristotle: Verbal and visual representation in fourteenth-century France. University of California Press, 1995.

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The Milemete treatise and companion Secretum secretorum: Iconography, audience, and patronage in fourteenth-century England. Edwin Mellen Press, 2011.

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Sylvia, Agémian, ed. Miniature painting in the Armenian Kingdom of Cilicia from the twelfth to the fourteenth century. Dumbarton Oaks Research Library and Collection, 1993.

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Mark, Claudia Marchitiello. Manuscript illumination in Metz in the fourteenth century: Books of Hours, workshops and personal devotion. University Microfilms International, 1991.

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Rgyal-mtshan-dpal. Bon sgo gsal byed: Two Tibetan manuscripts in facsimile edition of a fourteenth century encyclopedia of Bon po doxography. The Centre for East Asian Cultural Studies for Unesco, The Toyo Bunko, 1997.

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Illuminating the epic: The Kassel Willehalm Codex and the landgraves of Hesse in the early fourteenth century. Published by College Art Association in association with University of Washington Press, 1996.

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O'Boyle, Cornelius. Thirteenth- and fourteenth-century copies of the Ars medicine: A checklist and contents descriptions of the manuscripts. Cambridge Wellcome Unit for the History of Medicine, 1998.

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Art, identity, and devotion in fourteenth-century England: Three women and their Books of hours. British Library and University of Toronto Press, 2003.

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Desiring truth: The process of judgment in fourteenth-century art and literature. Routledge, 2004.

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Book chapters on the topic "Fourteenth-century manuscripts"

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Beneš, Carrie E. "Noble & Most Ancient: Catalogues of City Foundation in Fourteenth-Century Italy." In Medieval Manuscripts, Their Makers and Users. Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.stpmsbh-eb.1.100070.

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Zonno, Sabina. "Illumination Translates: The Image of the Castle in Some Fourteenth-Century English Manuscripts." In Lost in Translation? Brepols Publishers, 2009. http://dx.doi.org/10.1484/m.tmt-eb.3.4240.

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Andrews, Justine. "Crossing Boundaries: Byzantine and Western Influences in a Fourteenth-Century Illustrated Commentary on Job." In Under the Influence. The Concept of Influence and the Study of Illuminated Manuscripts. Brepols Publishers, 2007. http://dx.doi.org/10.1484/m.rcim-eb.3.927.

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Moscone, Marcello. "Translators of Arabic, Greek and Bilingual (Arabic-Greek or Greek-Arabic) Documents in Palermo Between the Thirteenth and Fourteenth Century." In Multilingual and Multigraphic Documents and Manuscripts of East and West, edited by Giuseppe Mandalà and Inmaculada Pérez Martín. Gorgias Press, 2018. http://dx.doi.org/10.31826/9781463240004-005.

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Scattergood, John. "London, British Library, MS Harley 913 and Colonial Ireland in the Early Fourteenth Century." In The Dynamics of the Medieval Manuscript. V&R unipress, 2017. http://dx.doi.org/10.14220/9783737007542.307.

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Baldassarri, Stefano U. "Poggio Bracciolini and Coluccio Salutati: The Epitaph and the 1405-1406 Letters." In Atti. Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-6453-968-3.07.

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Manuscript Magliabechiano VIII.1445 of the Biblioteca Nazionale di Firenze seems to be the only witness of an epitaph that Poggio Bracciolini wrote for Coluccio Salutati. Using this concise yet sincere homage to the late chancellor, this essay discusses Poggio’s relationship both with him and the other major members of the Florentine humanist circle that started gathering around Salutati in the late fourteenth century. In doing so, it touches on such figures as – among others – Niccolò Niccoli and Leonardo Bruni. In particular, some early texts by Bruni (e.g., the Dialogi ad Petrum Paulum Histrum and his letters to fellow humanists dating from the early fifteenth century) are seen against the backdrop of his relationship with both Poggio and Salutati.
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Egger, Christoph. "Reading, thinking and writing in Heiligenkreuz. Manuscript traces of an early fourteenth-century monastic intellectual." In Les cisterciens et la transmission des textes (XIIe-XVIIIe siècles). Brepols Publishers, 2018. http://dx.doi.org/10.1484/m.bhcma-eb.5.114627.

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Merisalo, Outi. "The Historiae Florentini populi by Poggio Bracciolini. Genesis and Fortune of an Alternative History of Florence." In Atti. Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-6453-968-3.05.

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During the last years of his life, Poggio Bracciolini (1380-1459), former Apostolic Secretary and Chancellor of Florence, was working on a long text that he characterized, in a letter written in 1458, as lacking a well-defined structure. This was most probably his history of the people of Florence (Historiae Florentini populi, the title given in Jacopo’s dedication copy to Frederick of Montefeltro, Duke of Urbino), revised and published posthumously by Poggio’s son, Jacopo Bracciolini (1442-1478). Contrary to what is often assumed, Poggio’s treatise was not a continuation, nor even a complement, to Leonardo Bruni’s (1370-1444) official history of Florence. It concentrates on the most recent history of Florence from the fourteenth-century conflicts between Florence and Milan through Florentine expansion in Tuscany and finally reaching the mid-fifteenth century. This article will study the genesis and fortune of the work in the context of Poggio’s literary output and the manuscript evidence from the mid-fifteenth century until the first printed edition of the Latin-language text by G.B. Recanati in 1715.
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Manuwald, Henrike. "How to Read the “Andachtsbüchlein aus der Sammlung Bouhier” (Montpellier, BU Médecine, H 396)? On Cultural Techniques Related to a Fourteenth-Century Devotional Manuscript." In Reading Books and Prints as Cultural Objects. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-53832-7_3.

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Jackson, Cailah. "Early Fourteenth-century Manuscripts from Konya and Sivas." In Islamic Manuscripts of Late Medieval Rum, 1270s-1370s. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474451482.003.0003.

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The second chapter concerns manuscripts produced in Konya between 1311 and 1332. This period roughly coincides with the rise of the Turcoman principalities (beyliks) on Rum’s political scene and the final decades of Ilkhanid rule which ended in 1335 with the death of the ruler Abu Saʿid. The seven core manuscripts that comprise the focus of this chapter were produced for Turcoman princes and Mevlevi dervishes. The manuscripts produced for Turcoman (Ashrafid and Qaramanid) patrons include al-Fusul al-Ashrafiyya and a large two-volume Qur’an. Works closely connected to the Mevlevis include a copy of the Intihanama by Sultan Walad, a Masnavi of Jalal al-Din Rumi, and a Masnavi of Sultan Walad. Also discussed is a Masnavi of Jalal al-Din Rumi from Sivas, which had been previously neglected by scholarship. This chapter expands the analysis concerning Mevlevi involvement in illuminated manuscript production that was introduced in Chapter One. It also discusses the historiography of the Turcoman principalities, a thread that will be taken up in Chapters Three and Four.
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