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Journal articles on the topic 'Fox art'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

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1

Fischer, Mia, and Jennifer McClearen. "Transgender Athletes and the Queer Art of Athletic Failure." Communication & Sport 8, no. 2 (2019): 147–67. http://dx.doi.org/10.1177/2167479518823207.

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Fallon Fox became the first openly transgender fighter in professional mixed-martial arts (MMA) in 2013. Her outing elicited fervent responses from the MMA community, reflecting the barriers many transgender women encounter in sex-segregated sports. Fox frequently faced pseudoscientific arguments alleging innate physical advantages over cisgender women, which are deeply entangled with sexist and racist assumptions about trans identity. For Fox, the only way to prove her “true” womanhood—that is, that she was just as biologically inferior to men as “regular” women—was by losing fights. In this

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Salazar Mejía, Nécker. "Imágenes del zorro: el «burlador burlado» en cuentos de la literatura andina." Boletín de Literatura Oral 15 (July 4, 2025): 151–78. https://doi.org/10.17561/blo.v15.8615.

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In the folk tales of the Andean world, the fox is a character characterized by its ability, cunning and deceit. However, this condition is usually inverted and transferred to other characters who are usually victims of the fox, which is why the fox appears as a «mocker mocked» in several narratives of the Andean oral tradition. This article studies the motifs related to the mockery of this character in a corpus of narratives of the Andean universe, in whose plot the adventures of the fox are rivaled by other fabulous characters who deceive him in each episode. Organized through a series of amu

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Srihari, Sargur N., Barish Srinivasan, and Kartik Desai. "Questioned Document Examination Using CEDAR-FOX." Journal of Forensic Document Examination 28 (December 31, 2018): 15–26. http://dx.doi.org/10.31974/jfde28-15-26.

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Handwriting verification casework often involves comparing the writing in a questioned document with samples of known writing. This paper describes the use of CEDAR-FOX, a software tool for questioned document examination, in a case involving extended writing. The different steps involved from scanning the documents to obtaining a nine-point qualitative measure are described. The various algorithms used, along with a demonstration of its. functionalities on the case are also described. The paper serves two purposes: a guide to using a stateof- the-art software system for a quantitative analysi

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McDermott, D. "PDDL2.1 -- The Art of the Possible? Commentary on Fox and Long." Journal of Artificial Intelligence Research 20 (December 1, 2003): 145–48. http://dx.doi.org/10.1613/jair.1996.

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PDDL2.1 was designed to push the envelope of what planning algorithms can do, and it has succeeded. It adds two important features: durative actions,which take time (and may have continuous effects); and objective functions for measuring the quality of plans. The concept of durative actions is flawed; and the treatment of their semantics reveals too strong an attachment to the way many contemporary planners work. Future PDDL innovators should focus on producing a clean semantics for additions to the language, and let planner implementers worry about coupling their algorithms to problems expres

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Seth, Puneet, and Heather N. Yeowell. "Fox-2 protein regulates the alternative splicing of scleroderma-associated lysyl hydroxylase 2 messenger RNA." Arthritis & Rheumatism 62, no. 4 (2010): 1167–75. http://dx.doi.org/10.1002/art.27315.

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6

White, Michael. "Resources for a Journey of Hope: the Work of Welfare State International." New Theatre Quarterly 4, no. 15 (1988): 195–208. http://dx.doi.org/10.1017/s0266464x00002748.

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Founded by John Fox in Bradford in 1968, Welfare State International – WSI for short – is a consortium of freelance associates, many of whom have a fine art background. Funded by the Arts Council to research prototype forms of visual, celebratory theatre and ceremonial art, the company has achieved an international reputation for its original and pioneering work, having worked for and with communities throughout Britain and Europe, and as far afield as Japan, Australia, the USA, Canada, and Tanzania. Handcrafted celebratory events may variously incorporate specially made pyrotechnic animations

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CondÉ, Carol, and Karl Beveridge. "Pulp Fiction: A Photo Installation." Canadian Theatre Review 99 (June 1999): 16–24. http://dx.doi.org/10.3138/ctr.99.003.

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We met in 1967 and have been working together for almost twenty-five years. In 1969 we had moved to New York to seek fame and fortune as sculptors and painters. We became politicized there, partly in reaction to the insane competitiveness of the art market but also in response to the larger politics of feminism, anti-racism and the left. In 1975 we became involved with a collective named Art and Language and produced a magazine titled The Fox. It became notorious for its critical discussion of the New York art scene and raised, along with the work of many other artists, political issues in rel

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Kolić, Neda. "Mondrian's "transdance": Transposition of music and dance movements into painting." New Sound 53, no. 1 (2019): 70–88. http://dx.doi.org/10.5937/newso1901070k.

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The syntagm, Mondrian's "transdance" is a term with which the author wanted to symbolically indicate the main research interest presented in this paper, that is, the examination of how the basic stance, steps and movements in the Foxtrot and, implicitly, the main elements of jazz, i.e. melody, rhythm, harmony, are transposed into the particular visual compositions - Fox Trot A (1930) and Fox Trot B (1929). All of these particular art forms (dance, painting, and music), though very different in the aesthetical and poetical respect, are nevertheless connected with one essential element - movemen

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Brandon, Laura. "British Art and the First World War, 1914-1924 by James Fox." Histoire sociale/Social history 49, no. 100 (2016): 697–99. http://dx.doi.org/10.1353/his.2016.0056.

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Hiltunen, Mirja. "The Fire Fox: a multi-sensory approach to art education in Lapland." International Journal of Education through Art 1, no. 2 (2005): 161–77. http://dx.doi.org/10.1386/etar.1.2.161/1.

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Fiedorczuk, Jan, Bodil Bratlund, Else Kolstrup, and Romuald Schild. "Late Magdalenian feminine flint plaquettes from Poland." Antiquity 81, no. 311 (2007): 97–105. http://dx.doi.org/10.1017/s0003598x00094862.

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The remains of a hunting site dated to 15000 years ago, captured in an ice wedge, included woolly rhinoceros, horse and arctic fox. Also present were 30 flint plaquettes with curvy feminine outlines. The authors show that these unworn flint profiles can be assigned to a canon of Magdalenian art that extends over much of northern Europe.

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Goryaeva, Baira B., та Yu Lan. "Лиса как персонаж сказок о животных ойратов Синьцзяна". Монголоведение (Монгол судлал) 12, № 2 (2020): 315–25. http://dx.doi.org/10.22162/2500-1523-2020-2-315-325.

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Introduction. Animal tales are the oldest genre of oral art. Genetically, they go back to myths about animals developed through human aspiration to learn the outer world. Myths had a magical meaning for man who believed himself related by blood to animals, which inevitably resulted in attributing individual characteristics to personified animals. The defining features of animal tales as a genre are the system of characters, trick as a basis of the plot, and dialogue that creates the drama of events. Animal tales are an organic part of the magic epic of many peoples, including the Oirats of Xin

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Burnakov, Venariy A. "“Fox Stories” in the Folklore of the Khakass." Vestnik NSU. Series: History and Philology 19, no. 5 (2020): 156–66. http://dx.doi.org/10.25205/1818-7919-2020-19-5-156-166.

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Purpose. The article explores the characteristics of the fox in the oral folk art of the Khakass. The study is based on folklore, ethnographic and linguistic sources. The paper analyzes folklore materials published in Russian and Khakass languages. Results. The author explores various genres of narrative Khakass tradition, which feature the fox: myths, epics, tales and sayings. During the process of analysis, it was concluded that the representation of this animal can be commonly found in folk art of the Khakass. Moreover, it has a complex and ambiguous characterization. The perception of this

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Zahraei, Mojtaba. "COMPARATIVE ANALYSIS OF THE FOX SYMBOL IN PERSIAN AND RUSSIAN LITERATURE." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 3 (2023): 418–22. http://dx.doi.org/10.28995/2686-7249-2023-3-418-422.

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. In the Universe, there are various facts and events that are beyond human understanding, and a person does not have a special tool and the ability to cognize them, therefore, to express and describe them, he uses an innovative tool called a symbol. Symbols are present in all aspects of human life, especially in literature, art, culture and human beliefs. The use of animal symbols in past works is more popular than other symbols.

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Tembeck, Tamar. "Re-performer le matrimoine." Articles 27, no. 2 (2015): 21–37. http://dx.doi.org/10.7202/1027916ar.

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L’auteure traite de la re-performance comme mode de réanimation intergénérationnelle d’un matrimoine performatif féministe, ainsi que de la place qu’occupe cet héritage dans les réflexions et les pratiques actuelles de quatre artistes : Oriana Fox (Londres), Julie Châteauvert et Valérie Perron (Montréal) et Julie Lassonde (Toronto). L’auteure se penche également sur l’institutionnalisation de l’art de la performance tout comme de l’« art féministe », sur les liens entre la re-performance et le statut canonique des oeuvres, sur la nature de l’attachement des re-performeurs et des re-performeuse

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Daichendt, Rachel. "Is it possible to be an artist–philosopher? The delightful in desire: William Blake and energetic thinking." Visual Inquiry 11, no. 2 (2022): 179–83. http://dx.doi.org/10.1386/vi_00075_1.

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In an examination of defining and confirming the artist–philosopher, I argue that one path of affirmation lies in the construct of desire as interpreted through William Blake’s Marriage of Heaven and Hell. Desire and energy become the main points of interest, fusing these concepts as conditions in relating thinking and art to new ideas. Using artist Dean Fox as an example, I stretch the artwork in an unexpected way, attempting to fuse the classical with the contemporary. Ultimately, I posit the movement or energy in (Blake’s) desire offers an unknown that is presented through art contemplation

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Vriend-Robinette, Sharon R. "Making Art Panamerican: Cultural Policy and the Cold War by Claire F. Fox." American Studies 53, no. 1 (2014): 250–51. http://dx.doi.org/10.1353/ams.2014.0042.

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Speth, Sebastian. "Reynard the Fox and the Art of Printing (Reineke Fuchs und die Buchdruckerkunst)." Daphnis 46, no. 1-2 (2018): 264–307. http://dx.doi.org/10.1163/18796583-04601019.

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Johann Christoph Gottsched glorifies the benefits of printing for the acquisition, conservation, and distribution of knowledge. Praising the Low German Reynke de vos he expects furthermore the inspiration from the art of printing for the emergence of a contemporary German epic. This article compares different versions of Reineke-stories relating to their variable peritextual presentation. This includes titles, covers, and other paratextual dimensions of the works. But as a product of collective retelling, the fox epic joins completely different literary genres. Johann Christoph Gottsched preis

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Marchesi, Mariana. "Making Art Panamerican: Cultural Policy and the Cold War by Claire F. Fox." Revista Hispánica Moderna 69, no. 1 (2016): 101–4. http://dx.doi.org/10.1353/rhm.2016.0002.

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Jo, Yonghyeon, Sunwoo Lee, Junghyuk Yeom, and Seungyul Han. "FoX: Formation-Aware Exploration in Multi-Agent Reinforcement Learning." Proceedings of the AAAI Conference on Artificial Intelligence 38, no. 12 (2024): 12985–94. http://dx.doi.org/10.1609/aaai.v38i12.29196.

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Recently, deep multi-agent reinforcement learning (MARL) has gained significant popularity due to its success in various cooperative multi-agent tasks. However, exploration still remains a challenging problem in MARL due to the partial observability of the agents and the exploration space that can grow exponentially as the number of agents increases. Firstly, in order to address the scalability issue of the exploration space, we define a formation-based equivalence relation on the exploration space and aim to reduce the search space by exploring only meaningful states in different formations.

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21

Mourin, Samuel. "Le nerf de la guerre. Finances et métissage des expéditions françaises de la première guerre des Renards (1715–1716)." French Colonial History 12 (May 1, 2011): 67–86. http://dx.doi.org/10.2307/41938210.

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Abstract Financing is one of the three main problems encountered by armies, together with supply and recruitment. When funds are insufficient, as they often are, it may be necessary to find alternative financial, tactical, and technical expedients in order to continue waging war. Such was the case in New France, where financial constraints were particularly acute during the campaigns against Amerindians. Indeed, during the Fox Wars of the early eighteenth century, the shortage of funds was so severe as to impact directly the nature of military operations. This article examines the expeditions

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Saxon, Theresa. "The Art of Theatre in Nineteenth-Century America: George L. Fox, Pantomime and Artaud." Literature Compass 7, no. 9 (2010): 753–62. http://dx.doi.org/10.1111/j.1741-4113.2010.00746.x.

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Dobkowska-Kubacka, Joanna. "Animals as symbols of heretics in Latin European literature and art from the 9th to the 16th century." Quart, no. 3(49) (September 1, 2018): 3–19. https://doi.org/10.19195/quart.2018.3.67950.

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Medieval heresies, posing a threat and competition for the official Church mobilized it to counter-attack, which was reflected in the animal symbolism both in literature and in the visual arts. In the period from the 9th to the 16th century, heretics were most often symbolized by wolves (the phenomenon of heresy itself was also represented in the form of a wolf, whose hellish origins were to be seen in the flames surrounding it) and foxes. Both served also as symbols of Satan himself. They owed their anti-heretical meaning to the exegesis of biblical verses and comparisons taken from literatur

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UBERMORGEN, /. "Everything is always (the liquid protocol)." Finance and Society 2, no. 2 (2016): 175–79. http://dx.doi.org/10.2218/finsoc.v2i2.1731.

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UBERMORGEN are lizvlx (AT, 1973) and Hans Bernhard (CH/USA, 1971), European artists and net.art pioneers. They tenaciously convert code & language and concept & aesthetics into digital objects, software art, net.art, installation, new painting, videos, press releases and actions. CNN described them as ‘maverick Austrian business people’ and the New York Times called Google Will Eat Itself ‘simply brilliant’. Their main influences are Rammstein, Samantha Fox, Guns N’ Roses & Duran Duran, Olanzapine, LSD & Kentucky Fried Chicken’s Coconut Shrimps Deluxe. Visit their website at ht

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Jakovljević, Branislav. "The Howling Wilderness of the Maladaptive Struggle in Belgrade in New York." ARTMargins 7, no. 2 (2018): 17–41. http://dx.doi.org/10.1162/artm_a_00207.

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Between 1974 and 1975, Zoran Popović, a conceptual artist from Belgrade, Yugoslavia, and his wife Jasna Tijardović, an art historian, spent a year in New York. During that time they engaged closely with the New York Art and Language group. This friendship and collaboration resulted in a rare instance of East-West exchange in Conceptual art: Popović and Tijardović published both co-authored and individual articles in the US journal The Fox, and members of Art and Language (Mel Ramsden, Michael Corris, and Jill Breakstone) gave a seminar in Belgrade's Student Cultural Center in the fall of 1975.

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Zumbült, Beatrix. "Approaching the Medieval Illustration Cycles of the Fox-Epic as an Art Historian: Problems and Perspectives." Reinardus / Yearbook of the International Reynard Society 15 (November 8, 2002): 191–204. http://dx.doi.org/10.1075/rein.15.15zum.

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Orkin, Martin. "Film and the Uncanny, Shakespeare Making Possible Things Not so Held, Communicating with Dreams." Sederi, no. 21 (2011): 49–70. http://dx.doi.org/10.34136/sederi.2011.3.

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This essay supports the view that present day cinema as an art form in its own right – rather than film always as adaptation of a literary text – provides an additional pedagogic and comparative opportunity for the analysis of aspects of Shakespeare’s early modern texts. The essay takes as point of departure aspects of the uncanny as evoked in the cinematic experience. It then focuses upon aspects of experience and growth, as well as upon problems attached to language and narrativity as these are explored both in film-texts by Pedro Almodóvar and by Eytan Fox, and also in plays by William Shak

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Nurumal, Siti Rohani, Juliana Mansor, Maisarah Ghazali, et al. "ANIMAL RABIES: A SYSTEMATIC REVIEW." Malaysian Journal of Public Health Medicine 22, no. 3 (2022): 145–52. http://dx.doi.org/10.37268/mjphm/vol.22/no.3/art.1258.

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Rabies, a neglected viral zoonosis disease, impose a major public health and veterinary importance. There is limited attention to the role of wild animals as sylvatic reservoirs of the rabies virus. Thus, this systematic review aims to identify various types of animals with rabies infection, determine the prevalence of rabies virus in animals, and identify the high-risk animal that could contribute to human rabies. A systematic search was performed in the PubMed and Web of Science databases for papers on rabies in animals published from 2015 until 2019. The articles were analyzed on the preval

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Çakar, Emre. "In-between the Uncertainties: Ted Hughes and the Art of Negative Capability." Cankaya University Journal of Humanities and Social Sciences 18, no. 2 (2024): 399–409. https://doi.org/10.47777/cankujhss.1483594.

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This paper deals with the analysis of the poems of Ted Hughes (1930-1998) from John Keats’ term, Negative Capability. In one of his letters to his brother, Keats writes that Negative Capability is such a state in which a poet is “capable of being in uncertainties, mysteries and doubts, without any irritable reaching after fact and reason” (1817/2005, p. 60). Moreover, poets, according to Keats, have no steady character, they must have a metamorphic identity like a chameleon to adapt themselves to troublesome situations. Keatsian Negative Capability allows the reader to interpret Hughes’ poems

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Tom, Martin, and Balaji Ranganathan. "Beyond the Frame: Exploring Dimensions of Colonial Photography in India." Shanlax International Journal of Arts, Science and Humanities 11, no. 3 (2024): 91–97. http://dx.doi.org/10.34293/sijash.v11i3.6913.

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The paper “Beyond the Frame: Exploring Dimensions of Colonial Photography in India” delves into the multifaceted dimensions of photography’s inception in India during the colonial era. Investigating photography as both an art form and a technological import by the British, it explores its role in representing and often misrepresenting India and its people. Focusing on early pioneers such as the Daniel brothers, Fox Talbot, Louis Daguerre, and Monsieur Montaino, the paper discusses the challenges of early photographic techniques and their evolution. It highlights figures like Linnaeus Tripe, Jo

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Lasa Álvarez, María Begoña. "Women Artists and Activism in Ellen Clayton's "English Female Artists" (1876)." Oceánide 12 (February 9, 2020): 37–44. http://dx.doi.org/10.37668/oceanide.v12i.23.

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In her biographical compilation English Female Artists (1876), Ellen Clayton documented the lives of many talented and hard-working women as a means of bringing to light and celebrating their role in the history of art. Moreover, she also explored these artists’ biographies in order to problematize more general issues, thus entering into one of the most significant initiatives of the period: the movement for women’s rights, with proposals including the improvement of women’s education, their access to art academies, and the amelioration of laws regarding marriage, family and employment. Of par

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Ghawaidi, Shaikah H., and Nuha A. Alsmari. "The Art of the Unsaid: Analyzing the Use of Conversational Implicature in Political Communication." World Journal of English Language 15, no. 4 (2025): 49. https://doi.org/10.5430/wjel.v15n4p49.

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This study investigates the use of conversational implicature by Saudi Crown Prince Mohammed bin Salman (MBS) during a September 2023 interview with Fox News. The research is grounded in Grice’s conversational maxims and the theory of implicature, focusing on how conversational implicature is strategically utilized to navigate sensitive topics and influence public perception. Using a qualitative research design grounded in Grice’s theory of implicature, the analysis highlights the frequent flouting of conversational maxims—particularly quantity, relation, and manner—to avoid direct responses,

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Liberman, Anatoly. "William Henry Fox Talbot (1800–1877) and the “Interim Period” in the history of English etymology." Grammarians, Skalds and Rune Carvers I 69, no. 1 (2016): 95–112. http://dx.doi.org/10.1075/nowele.69.1.03lib.

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Henry Fox Talbot, the father of photography, was a polymath, and among his many publications we find works on mathematics, physics, astronomy, chemistry, archeology, ancient history, mythology, and Assyrian cuneiform inscriptions. He was also at home in botany. In 1847 he brought out a thick book titled English Etymologies. His archive at Cambridge allows one to trace the preparatory stages for this work. Talbot’s book is instructive as an example of how some talented, brilliantly educated, and industrious Englishmen in the forties of the nineteenth century went about discovering the origin of

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Wolfe, Edith. "Making Art Panamerican: Cultural Policy and the Cold War. ClaireF. Fox. Minneapolis: University of Minnesota Press, 2013. 362 pp." Journal of Latin American and Caribbean Anthropology 18, no. 3 (2013): 548–50. http://dx.doi.org/10.1111/jlca.12058.

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Fairuz and Jehezkiel Jeven Efraim. "The Representation of Hare Onna in Anime Tenki No Ko By Makoto Shinkai." International Journal of Scientific Research and Management (IJSRM) 11, no. 09 (2023): 1463–77. http://dx.doi.org/10.18535/ijsrm/v11i09.sh03.

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Anime is one of the media for Japanese society to convey messages. The messages are in the form of cultural values and myths that develop and originate from traditional Japanese culture. Belief in myths continues to grow, even influencing Japanese culture, art and literature. One of the myths that is still believed by Japanese people is the existence of "kami" (gods). Most Japanese people adhere to the Shinto religion and believe in Kami. We are all things that smell sacred in the surrounding natural environment. One of the “kami” that the Japanese people believe in is the Fox God Inari. The F

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Lopukhov Jr., Fedor V. "Balletmaster F. Lopukhov: a portrait (for his 135th birthday)." Vestnik of Saint Petersburg State University of Culture, no. 1 (46) (March 2021): 83–86. http://dx.doi.org/10.30725/2619-0303-2021-1-83-86.

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135th anniversary of Honorary balletmaster of Russia Fedor V. Lopukhov is the reason for writing this article. Honoring the legacy of a choreographer and theorist of choreographic art, whose popularity was high in the 1920–1960s, a recognition of respect and worship to a person who sought new ways of developing the national classical ballet theatre is in great demand nowadays. From 1922 to 1930, F. V. Lopukhov held a position as the head of ballet at the State Academic Opera and Ballet Theater, currently known as the Mariinsky. Lopukhov created a variety of innovative ballets, among them famou

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ГЕРГОКОВА, Л. С. "FOX AS A CHARACTER OF THE NART EPIC AND FOLK TALES OF THE KARACHAYS AND BALKARIANS." Kavkaz-forum, no. 16(23) (December 11, 2023): 19–27. http://dx.doi.org/10.46698/vnc.2023.23.16.011.

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Мифология всегда имела особое значение для народа. Люди в древности считали себя с животными в кровном родстве. Поэтому существовал культ зверей. Одним из самых известных персонажей карачаево-балкарского фольклора является лиса, она же одно из чтимых животных в древних мифологических представлениях людей. Согласно поверьям чернобурая лиса, как тотемический прародитель, играет роль покровительницы, дарит людям благополучие, счастье и здоровье. Изучение персонажа данного животного, позволяет осветить мировоззрения и верования карачаевцев и балкарцев на данном временном пространстве. В работе на

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Krasheninnikova, Yulia. "Shapeshifting Motifs in Russian Wedding Incantations." Проблемы исторической поэтики 20, no. 3 (2022): 7–28. http://dx.doi.org/10.15393/j9.art.2022.10723.

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This work is devoted to the analysis of Russian wedding incantations that contain shapeshifting motifs. They are a part of the dialogues pronounced by the representatives of the groom’s family (best man, the groom’s godfather, etc.) and the bride’s family (brother, father of the bride, a special “elder,” etc.) near the closed doors of the bride’s house. The shapeshifting motifs in wedding incantations is related to wedding lamentations and fairy tales in its verbal manifestation and style. The incantation texts are characterized by an independent voluntary transformation of the bride and the g

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Bounoure, Gilles. "Compte rendu de Living with Indonesian Art. The Frits Liefkes Collection, de Francine Bringreve and David J. Stuart-Fox (eds." Journal de la société des océanistes, no. 140 (June 15, 2015): 159–60. http://dx.doi.org/10.4000/jso.7308.

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Khorami, Ehsan, Fatemeh Mahdi Babaei, and Aidin Azadeh. "Optimal Diagnosis of COVID-19 Based on Convolutional Neural Network and Red Fox Optimization Algorithm." Computational Intelligence and Neuroscience 2021 (August 19, 2021): 1–11. http://dx.doi.org/10.1155/2021/4454507.

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SARS-CoV-2 is a specific type of Coronavirus that was firstly reported in China in December 2019 and is the causative agent of coronavirus disease 2019 (COVID-19). In March 2020, this disease spread to different parts of the world causing a global pandemic. Although this disease is still increasing exponentially day by day, early diagnosis of this disease is very important to reduce the death rate and to reduce the prevalence of this pandemic. Since there are sometimes human errors by physicians in the diagnosis of this disease, using computer-aided diagnostic systems can be helpful to get mor

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Green, James L. "The Martian: science fiction and science fact." Journal of Physics: Conference Series 2877, no. 1 (2024): 012054. http://dx.doi.org/10.1088/1742-6596/2877/1/012054.

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Abstract The book and the film The Martian stand as a testament to the powerful synergy between art, science fiction and science. Written by Andy Weir, the book was turned into a blockbuster film by Fox Studios that wowed audiences and critics alike. To accomplish this visually stunning film, the collaboration between Director Ridley Scott’s production team and the NASA Mars team with other key consultants delivered an unforgettable cinematic masterpiece, one that not only entertained but also inspired audiences to dream big and embrace the spirit of exploration that drives humanity’s quest fo

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Alauthman, Almamoon, and Abeer Al-Hyari. "Intelligent Fault Detection and Self-Healing Mechanisms in Wireless Sensor Networks Using Machine Learning and Flying Fox Optimization." Computers 14, no. 6 (2025): 233. https://doi.org/10.3390/computers14060233.

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WSNs play a critical role in many applications that require network reliability, such as environmental monitoring, healthcare, and industrial automation. Thus, fault detection and self-healing are two effective mechanisms for addressing the challenges of node failure, communication disruption, a energy constraints faced by WSNs. This paper presents an intelligent framework based on Light Gradient Boosting Machine integration for fault detection and a Flying Fox Optimization Algorithm in dynamic self-healing. The LGBM model provides very accurate and scalable performance related to effective fa

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Bliudov, Daniil Vladimirovich. "Two editions of "Aesop" in Bolshoi Drama Theatre: a speech style change." Философия и культура, no. 11 (November 2023): 12–31. http://dx.doi.org/10.7256/2454-0757.2023.11.68977.

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The object of this study is the speech style of artists of the Bolshoi Drama Theater in the 1950s and 1960s. The subject of the study is the evolution of the speech style from the first to the second edition of G. Tovstonogov's performance "The Fox and the Grapes" ("Aesop"). The author of the article studies in detail two versions of the famous performance, analyzes the acting speech of N. Korn, V. Polizeimako, O. Basilashvili and S. Yursky from aesthetic and technological positions. The author pays special attention to the fundamental changes in the intonation-melodical architectonics of soun

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Todd, William Mills. "Reading Between the Institutions, Reading Between the Genres, Reading Between the Lines: Jeffrey Brooks’ The Firebird and the Fox." Russian History 47, no. 4 (2021): 273–80. http://dx.doi.org/10.30965/18763316-12340011.

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Abstract Jeffrey Brooks’ new book, The Firebird and the Fox, draws on an unsurpassed knowledge of Russian literature and culture of all levels, from the folk and popular to the canonical and avant-garde. It divides the “age of genius” (1855–1953) into three periods: the emancipation of the arts (1850–1889), politics and the arts (1890–1916), the Bolshevik Revolution and the arts (1917–1950), each with its own configurations of popular and high culture and construction of creative artists, media, and readers. But three core themes overarch the periods and the exceptionally broad range of phenom

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., Lailatul Choiriyah, Dra Luh Suartini, M. Pd ., and Drs Agus Sudarmawan, M. Si . "KARYA SENI RUPA 2 DIMENSI DI MAN 2 SITUBONDO." Jurnal Pendidikan Seni Rupa Undiksha 9, no. 1 (2019): 48. http://dx.doi.org/10.23887/jjpsp.v9i1.18945.

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Penelitian ini bertujuan untuk: (1) Mendeskripsikan alat dan bahan yang digunakan oleh siswa MAN 2 Situbondo untuk membuat karya Seni Rupa 2 dimensi. (2) Mendeskripsikan jenis dan bentuk karya Seni Rupa 2 dimensi yang dihasilkan siswa MAN 2 Situbondo. (3) Mendeskripsikan nilai Estetik karya Seni Rupa 2 dimensi yang dibuat oleh siswa MAN 2 Situbondo. Metode yang digunakan adalah deskriptif kualitatif dengan tekhnik pengumpulan data sebagai berikut: (1) Tekhnik Observasi, (2) Tekhnik Wawancara, (3) Tekhnik Dokumentasi. Hasil penelitian yang diperoleh: (1) Alat dan bahan yang digunakan dala

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Waye, Laurie. "Acknowledgments." Arbutus Review 5, no. 1 (2014): i—iii. http://dx.doi.org/10.18357/tar51201413304.

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In addition to the hard work of the authors, we would like to thank the following people.The supporting instructorsDr. Caroline Fox, Department of GeographyDr. Alexandrine Boudreault-Fournier, Department of AnthropologyProf. Colin J. Bennett, Department of Political ScienceDr. Brian Thom, Department of AnthropologyDr. Chris Auld, EconomicsDr. Gord Miller, School of Child and Youth CareDr. Marie Vautier, Department of FrenchDr. Allan Antliff, Department of Art History and Visual StudiesDr. Charlotte Reading, School of Public Health and Social PolicyEmily Avray (PhD cand.), Department of English

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Azwar, Hendri. "POTENSI PENGEMBANGAN DAYA TARIK WISATA DI DESTINASI PARIWISATA IKAN SAKTI SUNGAI JANIAH KECAMATAN BASO KABUPATEN AGAM." JURNAL PENDIDIKAN DAN KELUARGA 9, no. 1 (2017): 54. http://dx.doi.org/10.24036/jpk/vol9-iss1/45.

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ABSTRACT  This study aims to analyze the potential development of a tourist attraction in Tourism Destinations of Ikan Sakti Sungai Janiah Kecamatan Baso Kabupaten Agam. This study used qualitative and SWOT analysis. The data source is Head of Tourism, Youth and Sports, the Chief Manager of Tourism Destinations, Community Leaders, and tourists. The techniques of data collection were through interviews, observation, and documentation. Data were analyzed qualitatively including reduction, data presentation, and conclusions. The results showed that the potential development of tourist

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TERKI, NASSIMA. "When Literature Turns into History: Heart of Darkness (1902) by Joseph Conrad and Avatar (2009) by James Cameron." LITERATURE AND FILM / LITTÉRATURE ET FILM / LITERATURĂ ȘI FILM 32, no. 2 (2024): 77–86. http://dx.doi.org/10.47743/aic-2023-2-0007.

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More than one century after the publication of Heart of Darkness, Joseph Conrad’s conceptualization of the world and representation of both the Whiteman and the African black characters still have an impact on the representation of the Other whether African or nonAfrican. This article examines the legacy of Conrad’s novel through James Cameron’s Avatar produced by 20th Century Fox and released in 2009. It mainly refers to Roland Barthes’s view of connotation and denotation and art, in this case image and cinema, as a means to transit meaning. His framework is developed in Mythologies (1972), I

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Amaranand. "THE WORKFLOW TO OBTAIN PRINTING SURFACE PREPARATION AS OUTPUT." GLOBAL JOURNAL OF ENGINEERING SCIENCE AND RESEARCHES 6, no. 7 (2019): 90–95. https://doi.org/10.5281/zenodo.3354314.

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Printing is an art of duplication. Infact it is an art, science & technology of reproduction of ‘n’ number of replicas of an original/literature/catalogue etc. with the help of a suitable printing process on the desired substrate and surface. It is declared as the “Greatest Invention of Millennium” by Time magazine, USA. And the spectrum of Time magazine is very well known. It is the largest industry of India after auto-parts. We are basically a servicing industry being overlapped by various perspectives of Engineering and Sciences like Computers, Electronics, Manuf

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HARVEY, REESE, and BLAINE LAWSON. "Lefschetz-Pontrjagin duality for differential characters." Anais da Academia Brasileira de Ciências 73, no. 2 (2001): 145–59. http://dx.doi.org/10.1590/s0001-37652001000200001.

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A theory of differential characters is developed for manifolds with boundary. This is done from both the Cheeger-Simons and the deRham-Federer viewpoints. The central result of the paper is the formulation and proof of a Lefschetz-Pontrjagin Duality Theorem, which asserts that the pairing <img src="http:/img/fbpe/aabc/v73n2/fo1.gif" alt="fo1.gif (867 bytes)"> given by (alpha, beta) <img SRC="http:/img/fbpe/aabc/v73n2/m1img7.gif"> (alpha * beta) [X] induces isomorphisms <img src="http:/img/fbpe/aabc/v73n2/fo2.gif" alt="fo2.gif (1110 bytes)"> <img src="http:/img/fbpe/aabc/v7

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