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Relevant bibliographies by topics / Fragmentariness

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Academic literature on the topic 'Fragmentariness'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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Journal articles on the topic "Fragmentariness"

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Shevchenko, V. Ya, A. E. Madison, and V. E. Shudegov. "Fragmentariness and Metamorphoses of Nanostructures." Glass Physics and Chemistry 29, no. 6 (2003): 583–88. http://dx.doi.org/10.1023/b:gpac.0000007935.93409.5d.

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Vlaski, Stanko. "Transcendental philosophy within perspectives of the romantic fragmentariness." Filozofija i drustvo 26, no. 1 (2015): 69–87. http://dx.doi.org/10.2298/fid1501069v.

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The relation of Jena romantics to Kant?s transcendental philosophy could be considered from the point of view of the romantic theory of the fragment. The author claims that fragmentariness had a transcendental character in the philosophical ref lections of Friedrich Schlegel and Novalis. That is the reason that they have acquired the opportunity of approaching to the immanent tension of Kant?s philosophical project. The problem of ref lection of relation between systematicity and incompleteness of knowledge and of man?s theoretical and practical side is among the most important. The author tri

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BACALU, Alexandra. "“Not a Single Syllogism From Beginning to End”: on Fragmentariness and the Critique of the Novel in Henry Mackenzie’s The Man of Feeling." Studia Universitatis Babeș-Bolyai Philologia 68, no. 3 (2023): 99–118. http://dx.doi.org/10.24193/subbphilo.2023.3.06.

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“Not a Single Syllogism from Beginning to End”: On Fragmentariness and the Critique of the Novel in Henry Mackenzie’s The Man of Feeling. Henry Mackenzie’s The Man of Feeling (1771) is known to be particularly striking for its high level of formal and nar

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Nakahara, Yusuke. "Concealed Fragmentariness: On the Compositional Process of Bartók's String Quartets." Studia Musicologica 62, no. 3-4 (2022): 241–76. http://dx.doi.org/10.1556/6.2021.00017.

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Abstract The present paper is a preliminary study to a deeper understanding of Bartók's compositional process: how he filled the music paper even if the notation appears continuous. He did not always write the draft from the top-left corner to the bottom-right corner but occasionally skipped some measures or phrases that he intended to write down later. Thus, the continuity draft is not necessarily regarded as a continuity; it might have consisted of fragments but they have been eventually concealed in the final form of the draft. This may directly affect our interpretation of Bartók's creativ

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Drąg, Wojciech. "Heteroglossia and Fragmentariness in the Absent Therapist by Will Eaves." Studia Anglica Posnaniensia 51, no. 4 (2016): 53–65. http://dx.doi.org/10.1515/stap-2016-0019.

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Abstract In “Discourse in the Novel” Mikhail Bakhtin argues that heteroglossia - a diversity of voices or languages - is one of the essential properties of the novel. The distinct languages spoken by individual characters (referred to as “character speech”), he maintains, inevitably affect “authorial speech”. In experimental fiction, where “authorial speech” is often eliminated altogether, one can speak of the most radical instance of novelistic polyphony. Whereas in The Sound and the Fury, The Waves and B.S. Johnson’s House Mother Normal in place of the narrator the reader is presented with s

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Wójcik, Tomasz. "Bolesław Leśmian – poeta miasta (przyczynek do tematu)." Przegląd Humanistyczny, no. 64.3 (January 19, 2021): 52–56. http://dx.doi.org/10.31338/2657-599x.ph.2020-3.4.

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The essay discusses the topic of the city in Bolesław Leśmian’s poetry. Reading very few poems devoted to the city makes it possible to recognize the fragmentariness, dispersion and, in fact, absence of its image. The negative axiology and ontology of the city, expressed in Leśmian’s poetry, turns out to be an important contribution to understanding the fears and anxieties of modernity.

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Bell, Matthew. "The Idea of Fragmentariness in German Literature and Philosophy, 1760-1800." Modern Language Review 89, no. 2 (1994): 372. http://dx.doi.org/10.2307/3735240.

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Kulikova, Olga. "MULTIDIMENSIONALITY OF CONSCIOUSNESS AND THE PROBLEM OF ITS CONCEPTUALIZATION." Ivanovo state university bulletin. Series «The Humanities», no. 3 (October 1, 2020): 106–10. http://dx.doi.org/10.46726/h.2020.3.14.

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It is investigated the problem of the construction of the integral concept of the consciousness, whose multidimensionality caused multivariance and, as a result, the fragmentariness of its philosophical interpretations. In this regard recognized heuristic concepts are, developed by representatives of anthropological school. It is substantiated the productivity of the idea of natural uncertainty of man, which allows to represent consciousness as a way of self-building of man.

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Helenius, Anna. "Yksi identiteetti monesta peilistä – kanttorin ammatillisen identiteetin ytimessä." Trio 10, no. 1 (2021): 74–78. http://dx.doi.org/10.37453/trio.110127.

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This doctoral thesis focuses on cantors’ professional identity. The study material was collected from ten cantors in Finland. Findings include the following themes: lengthy study, high levels of study effort, love for music, critical attitude towards mastery of the profession, fragmentariness of work, ambiguity of boundaries between work and leisure, the idea of working as a lifestyle, striving for high quality and the experience of spirituality as an essential part of work.

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Selejan, Corina. "Fragmentation(s) and Realism(s): Has the Fragment Gone Mainstream?" Anglica Wratislaviensia 57 (October 4, 2019): 103–12. http://dx.doi.org/10.19195/0301-7966.57.8.

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This article tackles what seems to be a revival of fragmentary fiction in English in the 21st century. It briefly traces the lineage of critical interest in the fragment from German Romanticism through Bertolt Brecht and Modernism to postmodern film studies, in an attempt to highlight not only the temporal, but also the spatial and visual dimension of discontinuity evinced by recent fragmentary fiction. Six novels published between 2005 and 2017 are discussed sequentially, in a manner redolent of cinematic movement: Tom McCarthy’s Remainder 2005, Anne Enright’s The Gathering 2007, Yaa Gyasi’s

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Dissertations / Theses on the topic "Fragmentariness"

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Duzs, Elena B. "Fragmentariness as unity : Mixail Kuzmin's aesthetics /." The Ohio State University, 1996. http://catalog.hathitrust.org/api/volumes/oclc/38088754.html.

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Komulainen, K. (Kauko). "Ihanteiden Ikaros:Markku Lahtelan Se-romaani ja 1960-luvun representaation kriisi." Doctoral thesis, University of Oulu, 2009. http://urn.fi/urn:isbn:9789514290107.

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Abstract The author Markku Lahtela was a central figure in the 1960’s generation rebellion, called the spirit of the 60’s, that criticised the basic values of the old generation and through which the young artists presented their avant-garde ideas. The study focuses on the early 1960’s. The primary data is provided by Lahtela’s second novel called Se and its manuscript. The novel deals in an original way with issues such as the sexual revolution and sexual morality, which were popular themes in the 1960’s. As a secondary source of data, the study also deals to some extent with the rest of Laht

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Tulip, David F. "Preservice primary teachers' constructions of themselves as science teachers." Thesis, Queensland University of Technology, 1999. https://eprints.qut.edu.au/36598/1/36598_Digitised%20Thesis.pdf.

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The research reported in this thesis investigated preservice primary teachers' constructions of themselves as science teachers. This was done in response to Seddon' s (1991) claim that an approach to teaching the science component of a preservice Bachelor of Education course should be proposed that was congruent with preservice teachers' beliefs about themselves as science teachers. The nature of the research undertaken was interpretive and conversational. It was set in a context of postmodern students in contemporary universities and depended upon preservice teachers sharing their beliefs

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Yi-Teh, Tseng, and 曾宜德. "Incongruity. Transiency. Fragmentariness--Exploring Ink Imageries of Cities." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/07653311663023746351.

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碩士<br>國立臺灣師範大學<br>美術學系<br>100<br>This research rethinks the meaning of space using the concept of serial vision by urban planner Gordon Cullen, who described the experience of a city walk and the discovery of blind spots that resulted from the intrusion of modern rationality into urban space construction. As an urban dweller, how do I redefine the true face of a city? I began to explore this bustling urban territory which is a part of our daily lives. Using Henri Lefebvre’s triad of space to reevaluate perceptual meaning, I attempted to dispel myths that resulted from dualistic thinking of spa

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趙仁華. "From Fragmentariness to Wholeness: Flanering in My Taipei City." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/duk5ze.

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碩士<br>臺北市立教育大學<br>歷史與地理學系碩士班<br>101<br>Abstract This thesis originates from Walter Benjamin’s flânering. Through tiny things and little fragments in the daily life, the individual memories about Taipei City are digged out. Then, By these fragmentary memories, the collective memory of Taipei people is converged and the wholeness of Taipei City’s spatical concept is built. Taipei City undergoes modernization, globalization, and reconstruction for these years. Individuals face the everlasting changes of urban landscapes, losing the senes of familiarness and feeling homelessness. Wh

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Riva, Magali. "Une littérature sous tension : poétique du fragmentaire dans l'oeuvre de Pierre Michon." Thèse, 2012. http://hdl.handle.net/1866/9087.

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Ce mémoire porte sur la poétique du fragmentaire dans trois ouvrages de Pierre Michon, soit "Trois auteurs", "Maîtres et serviteurs" et "Corps du roi". Plus qu’une préoccupation d’ordre formel, le fragmentaire y apparaît avant tout comme un champ de tensions, qui se manifeste à la fois sur le plan narratif, discursif et énonciatif. Une approche essentiellement poétique, à la jonction de la linguistique, de la rhétorique et de la narratologie, permet de réfléchir au fragmentaire dans ses effets, mais aussi dans ses affects. La recherche s’articule autour de trois grands axes : la généricité, la

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Books on the topic "Fragmentariness"

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Rosenmeyer, Patricia A. Reading the Colossus. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190626310.003.0001.

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Chapter 1 presents the colossus itself: an overview of the inscriptions and the ancient testimonials to the miracle of Memnon’s voice. While the transformation into a Trojan hero was mostly complete by the time Pliny visited in the latter part of the first century CE, the statue continued to be defined by a set of oppositions: Memnon was both dead and alive, mortal and divine, Egyptian and Greco-Roman, silent and speaking. Similarly, his colossality was both compromised and intensified by his fragmentary state; the marvelous voice emerged from a headless torso. The author argues in this chapte

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Book chapters on the topic "Fragmentariness"

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Wiśniewski, Tomasz. "Kaleidoscopic Fragmentariness." In Complicite, Theatre and Aesthetics. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-33443-1_7.

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Saha, Lopamudra, and Ujjwal Jana. "11. Hypertext as a ‘palimpsestuous’ construct." In Digital Humanities in the India Rim. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0423.11.

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This chapter analyses how the hypertext fiction Patchwork Girl (1995) functions as a palimpsest in its postmodern multimodal rewriting of the myth of Frankenstein; or, the Modern Prometheus (1818). Since digital culture is one of the major postmodern offshoots, and the idea of the hypertext is the product of literary culture and digital innovations, new possibilities have been brought about that unsettle the traditional conceptualisation of the novel as the printed word. This chapter, therefore, proposes the study of the concept of the hypertext as ‘palimpsestuous’ relativity, with special ref

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Baglioni, Daniele, and Luca Rigobianco. "Rethinking Fragmentariness and Reconstruction: An Introduction." In Fragments of Languages. BRILL, 2024. http://dx.doi.org/10.1163/9789004694637_002.

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Waugh, Patricia. "Value: criticism, canons, and evaluation." In Literary Theory and Criticism. Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780199291335.003.0005.

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Abstract Since the eighteenth century, critical debates about the value of individual writers and literary texts have been underpinned by a philosophical concern with the more fundamental problem of whether objective grounds may be established for aesthetic judgements. Within contemporary literary studies, however, the focus of debate has shifted away from considerations of aesthetic value per se to a much more anxious and conflicted engagement with the perception of canon formation as an arena for the exercise of political power and social exclusion. Whereas eighteenth-century critics might (

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Bowman, Paul. "I Want My TKD." In The Invention of Martial Arts. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197540336.003.0008.

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Chapter 7 picks up the idea of the fragmentariness of contemporary media culture in examining martial arts in music videos. Called ‘I want my TKD: Martial Arts in Music Videos’, this chapter is a wide-ranging survey of pop, hip-hop, and rock videos. The chapter begins with a discussion of the historical emergence of music videos as a powerful player in international popular culture with the appearance of MTV, before moving into an analysis of the earliest music videos to feature martial arts—several of which were, interestingly, parodic, comic, novelty, or eccentric rap songs, performed by whi

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Garrod, Raphaële. "Animation and the Matter of Voice." In François Rabelais and the Renaissance Physiology of Invention. Oxford University PressOxford, 2025. https://doi.org/10.1093/oso/9780192866691.003.0010.

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Abstract This episode captures the reactions and reinventions that the diffuse animation of ancient voices can prompt. The first of these reactions is panic. It is met once again by Pantagruel’s conjectures. These progress from an oracular interpretation undermined by irony to an increasingly facetious and poetic allegory of the transmission of culture as ingenious, grotesque reinvention. Rabelais manipulates the polysemy of spiritus—soul, air, voice—in order to represent cultural transmission as a natural phenomenon characterized by elusive fragmentariness. This precarious transmission prompt

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Frederick, Samuel. "Introduction." In The Redemption of Things. Cornell University Press, 2022. http://dx.doi.org/10.7591/cornell/9781501761553.003.0001.

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This introductory chapter provides an overview of the logic of collecting. Collecting in effect gathers, preserves, and presents the material world in its fragmentariness and alienation. It thus instantiates the condition of things in modernity. To collect is to provide unique access to the world of scattered things by way of a process that ultimately participates in this dispersal. Collecting demands special attention to the procedures by which it is supposedly realized: displacement, decontextualization, denaturalization, and disfigurement. This book therefore reveals how the logic of collec

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Sergeeva, Valentina S. "On some English Translations of the Epigraphic Complex “N.A. Nekrasov’s Poetry” (Notes from Underground)." In “Notes from Underground” by F.M. Dostoevsky in the Culture of Europe and America. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/978-5-9208-0668-0-123-141.

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This article deals with problems concerning literature translation. It concerns the translation of a poetic fragment introducing the second part of Notes from Underground. A certain number of English translations are examined here that were created between 1913 and 2014; the main points of the examination are their fidelity to the Russian original (its strophic and rhythmic structure, artistic and stylistic features) and to the form given to the poetic extract by Dostoevsky (fragmentariness, attribution) and also the accompanying commentary, if present. This is another difficulty for the trans

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Conference papers on the topic "Fragmentariness"

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Petrović, Dušan Ž. "ZAPISI SNOVA LJUBOMIRA SIMOVIĆA: KRATKE PRIČE I/ILI MALE PRIČE." In XVI načni skup mladih filologa Srbije. University of Kragujevac, Faculty of Philology and Art, Serbia, 2025. https://doi.org/10.46793/mfxvi-2.119p.

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Although more attention has been paid to the dreams of literary characters, the authentic dream records have not often been the subject of literary studies. The subject of the paper will be a comparison of the characteristics of a short story and a small story with the characteristics of dream records from Ljubomir Simović's dream diary. By finding similarities with the mentioned texts, we try to highlight some specificities of dream records as a special shorter prose type. Some of the similarities with the short story are the narrative, fragmentariness, thematic variety, in medias res beginni

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