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Journal articles on the topic 'Fragmentariness'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 July 2025

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1

Shevchenko, V. Ya, A. E. Madison, and V. E. Shudegov. "Fragmentariness and Metamorphoses of Nanostructures." Glass Physics and Chemistry 29, no. 6 (2003): 583–88. http://dx.doi.org/10.1023/b:gpac.0000007935.93409.5d.

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2

Vlaski, Stanko. "Transcendental philosophy within perspectives of the romantic fragmentariness." Filozofija i drustvo 26, no. 1 (2015): 69–87. http://dx.doi.org/10.2298/fid1501069v.

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The relation of Jena romantics to Kant?s transcendental philosophy could be considered from the point of view of the romantic theory of the fragment. The author claims that fragmentariness had a transcendental character in the philosophical ref lections of Friedrich Schlegel and Novalis. That is the reason that they have acquired the opportunity of approaching to the immanent tension of Kant?s philosophical project. The problem of ref lection of relation between systematicity and incompleteness of knowledge and of man?s theoretical and practical side is among the most important. The author tri
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3

BACALU, Alexandra. "“Not a Single Syllogism From Beginning to End”: on Fragmentariness and the Critique of the Novel in Henry Mackenzie’s The Man of Feeling." Studia Universitatis Babeș-Bolyai Philologia 68, no. 3 (2023): 99–118. http://dx.doi.org/10.24193/subbphilo.2023.3.06.

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“Not a Single Syllogism from Beginning to End”: On Fragmentariness and the Critique of the Novel in Henry Mackenzie’s The Man of Feeling. Henry Mackenzie’s The Man of Feeling (1771) is known to be particularly striking for its high level of formal and nar
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4

Nakahara, Yusuke. "Concealed Fragmentariness: On the Compositional Process of Bartók's String Quartets." Studia Musicologica 62, no. 3-4 (2022): 241–76. http://dx.doi.org/10.1556/6.2021.00017.

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Abstract The present paper is a preliminary study to a deeper understanding of Bartók's compositional process: how he filled the music paper even if the notation appears continuous. He did not always write the draft from the top-left corner to the bottom-right corner but occasionally skipped some measures or phrases that he intended to write down later. Thus, the continuity draft is not necessarily regarded as a continuity; it might have consisted of fragments but they have been eventually concealed in the final form of the draft. This may directly affect our interpretation of Bartók's creativ
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5

Drąg, Wojciech. "Heteroglossia and Fragmentariness in the Absent Therapist by Will Eaves." Studia Anglica Posnaniensia 51, no. 4 (2016): 53–65. http://dx.doi.org/10.1515/stap-2016-0019.

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Abstract In “Discourse in the Novel” Mikhail Bakhtin argues that heteroglossia - a diversity of voices or languages - is one of the essential properties of the novel. The distinct languages spoken by individual characters (referred to as “character speech”), he maintains, inevitably affect “authorial speech”. In experimental fiction, where “authorial speech” is often eliminated altogether, one can speak of the most radical instance of novelistic polyphony. Whereas in The Sound and the Fury, The Waves and B.S. Johnson’s House Mother Normal in place of the narrator the reader is presented with s
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6

Wójcik, Tomasz. "Bolesław Leśmian – poeta miasta (przyczynek do tematu)." Przegląd Humanistyczny, no. 64.3 (January 19, 2021): 52–56. http://dx.doi.org/10.31338/2657-599x.ph.2020-3.4.

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The essay discusses the topic of the city in Bolesław Leśmian’s poetry. Reading very few poems devoted to the city makes it possible to recognize the fragmentariness, dispersion and, in fact, absence of its image. The negative axiology and ontology of the city, expressed in Leśmian’s poetry, turns out to be an important contribution to understanding the fears and anxieties of modernity.
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7

Bell, Matthew. "The Idea of Fragmentariness in German Literature and Philosophy, 1760-1800." Modern Language Review 89, no. 2 (1994): 372. http://dx.doi.org/10.2307/3735240.

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8

Kulikova, Olga. "MULTIDIMENSIONALITY OF CONSCIOUSNESS AND THE PROBLEM OF ITS CONCEPTUALIZATION." Ivanovo state university bulletin. Series «The Humanities», no. 3 (October 1, 2020): 106–10. http://dx.doi.org/10.46726/h.2020.3.14.

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It is investigated the problem of the construction of the integral concept of the consciousness, whose multidimensionality caused multivariance and, as a result, the fragmentariness of its philosophical interpretations. In this regard recognized heuristic concepts are, developed by representatives of anthropological school. It is substantiated the productivity of the idea of natural uncertainty of man, which allows to represent consciousness as a way of self-building of man.
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9

Helenius, Anna. "Yksi identiteetti monesta peilistä – kanttorin ammatillisen identiteetin ytimessä." Trio 10, no. 1 (2021): 74–78. http://dx.doi.org/10.37453/trio.110127.

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This doctoral thesis focuses on cantors’ professional identity. The study material was collected from ten cantors in Finland. Findings include the following themes: lengthy study, high levels of study effort, love for music, critical attitude towards mastery of the profession, fragmentariness of work, ambiguity of boundaries between work and leisure, the idea of working as a lifestyle, striving for high quality and the experience of spirituality as an essential part of work.
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10

Selejan, Corina. "Fragmentation(s) and Realism(s): Has the Fragment Gone Mainstream?" Anglica Wratislaviensia 57 (October 4, 2019): 103–12. http://dx.doi.org/10.19195/0301-7966.57.8.

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This article tackles what seems to be a revival of fragmentary fiction in English in the 21st century. It briefly traces the lineage of critical interest in the fragment from German Romanticism through Bertolt Brecht and Modernism to postmodern film studies, in an attempt to highlight not only the temporal, but also the spatial and visual dimension of discontinuity evinced by recent fragmentary fiction. Six novels published between 2005 and 2017 are discussed sequentially, in a manner redolent of cinematic movement: Tom McCarthy’s Remainder 2005, Anne Enright’s The Gathering 2007, Yaa Gyasi’s
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11

Ortega, Élika. "Loosely Bound: Negotiating Dispersion and Fragmentariness in Vivian Abenshushan’s Permanente Obra Negra." ASAP/Journal 7, no. 2 (2022): 331–57. http://dx.doi.org/10.1353/asa.2022.0024.

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12

Semina, Anna A. "“Decay” in Georgy Ivanov’s and Sergey Chudakov’s Works: The Genetics of Fragmentariness." Vestnik of Northern (Arctic) Federal University. Series "Humanitarian and Social Sciences", no. 1 (February 10, 2018): 128–37. http://dx.doi.org/10.17238/issn2227-6564.2018.1.128.

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13

Ren, Xiao Qing, Peng Liang, Li Zhen Ma, and Hong Shun Yang. "Antibacterial Mechanism of Catfish Bone Hydrolysate Revealed by Atomic Force and Transmission Electron Microscopy." Advanced Materials Research 554-556 (July 2012): 1346–49. http://dx.doi.org/10.4028/www.scientific.net/amr.554-556.1346.

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The aim of this study was to investigate the effect of the catfish bone hydrolysate (CBH) on morphology of bacteria which were observed by atomic force microscope (AFM) and transmission electron microscope (TEM). The CBH was found to inhibit Escherichia coli (E. coli) growth. The CBH at 10 mg/ml caused the significant fragmentariness in the bacterial membrane and a severe volume decrease. A possible mechanism is that CBH damages the structure of bacterial cell membrane which causes E. coli bacteria to die eventually.
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14

Maier, Henk. "The writings of Abdul Rahim Kajai: Malay nostalgia in a crystal." Journal of Southeast Asian Studies 41, no. 1 (2009): 71–100. http://dx.doi.org/10.1017/s0022463409990269.

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Abdul Rahim Kajai (1894–1943), his life and his work, are discussed against the background of socio-cultural developments on the Malay Peninsula in the 1930s. A journalist, writer and author, Kajai played an important role in the emergence of notions of ‘Malayness’ which made Malays feel different from and hostile to the growing numbers of ‘others’ in the colony. In particular, his stories, splendid exercises in fragmentariness, suggest a strong nostalgia for the pastoral way of life, at variance with Kajai's own life in urban areas.
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15

Wylezek-Targosz, Ewa. "Car Painting in America: Edward Hopper's Vision of the Road." Review of International American Studies 14, no. 2 (2021): 75–88. http://dx.doi.org/10.31261/rias.11806.

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The article presents an analysis of three paintings by one of the greatest American realist painters, Edward Hopper. The three selected works share a common denominator: they all address the concept of a car and the influence it has on the nation’s life—it has altered the way people traveled and expressed their identity. A car in Hopper’s works serves a twofold function, it allows its drivers and passengers to experience the land more as they can travel wherever they desire but, on the other hand, it contributes to a separation from their environment as the journey involves fragmentariness and
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16

Rezoničnik, Lidija. "Modernist narrative techniques in the screen adaptation of the novel „Minuet for Guitar”." Balcanica Posnaniensia. Acta et studia 24 (February 20, 2018): 143–54. http://dx.doi.org/10.14746/bp.2017.24.9.

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This contribution focuses on the novel „Minuet for Guitar”, by Slovenian author VitomilZupan, and its film adaptation, entitled „Farewell until the Next War”, by Serbian director Živojin Pavlović. Firstly the article deals with the novel from the perspective of modernistnarrative devices, and secondly it focuses on the analysis of its cinematic adaptation. Basedon the anthropological-morphological method of film analysis it establishes that ŽivojinPavlović used modernist narrative devices in film. Furthermore it studies how and throughwhich cinematic forms of expressions and methods stream of
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17

Мокий and M. Mokiy. "Once again about object of management of economic development. What´s the problem?" Administration 1, no. 2 (2013): 71–78. http://dx.doi.org/10.12737/1978.

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Management of economic development at the present stage of development of humanity demands new 
 theoretical approaches. First of all, it concerns change or specification of understanding of sense of the 
 economic relations and reconsideration of existing problems under a new point of view. So it developed that 
 in economic science today there is no standard definition of «economy». In article the new ontology of the 
 economic relations based on understanding of «fragmentariness» of mankind within planetary system and 
 a coevolution of development is offered. On th
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18

Chances, Ellen. "Cycles, Layers, Fragmentariness, Creation Myths, and Thread, or Why Is Bitov's Man in the Landscape?" Russian Literature 61, no. 4 (2007): 417–24. http://dx.doi.org/10.1016/j.ruslit.2007.05.005.

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19

Blanco, Javier, and María Luz Ruffini. "Historias interrumpidas: Fragmentariedad temporal y tecnodiversidad latinoamericana / Interrupted Histories: Temporal Fragmentariness and Latin American Technodiversity." Technophany, A Journal for Philosophy and Technology 1, no. 1 (2022): 52–76. http://dx.doi.org/10.54195/technophany.12605.

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A fin de profundizar la comprensión de las múltiples y crecientemente aceleradas transformaciones de la experiencia humana en el mundo moldeadas por desarrollos técnicos algorítmicamente articulados, entendemos que la distinción entre sistema y entorno—base de la teoría de modelos sociales desde la década de 1970—debe ser puesta en cuestión: no sólo la construcción de los modelos se ha transformado técnica y conceptualmente, sino que los mismos sistemas que se modelan, incluido el sistema-mundo, se hallan en un proceso de transformación radical.
 En efecto: los mismos objetos técnicos tie
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20

Doncu, Roxana. "Naming and Taming the Truth: Dana Gioia’s Transformative Poetry." American, British and Canadian Studies 36, no. 1 (2021): 26–48. http://dx.doi.org/10.2478/abcsj-2021-0003.

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Abstract This essay attempts to trace the ways in which Dana Gioiaʼs use of form relates to, and simultaneously differs from Romanticism, Modernism and postmodernism. His particular brand of formalism takes up the notion of a connection between truth and beauty, without presuming to identify one with the other, and, at the same time, resisting both the Modernist obsession with dissolution and fragmentariness and postmodernism’s skepticism towards grand narratives. Form becomes a coalescing agent, uniting different aspects and levels of reality, and narratives are instrumental in shaping both t
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21

Grinberg, Marat. "“Anecdote in the Vein of Herodotus”: Shuttling between Particulars and the Universal in Boris Slutskii's and Ian Satunovskii's War Poetry." Slavic Review 82, no. 3 (2023): 648–56. http://dx.doi.org/10.1017/slr.2023.282.

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The article provides a comparative analysis of how two key poets, Boris Slutskii and Ian Satunovskii, responded to World War II, in which they both fought, in the poems written at the front or shortly thereafter. Via Lydia Ginzburg's notion of the deductive and inductive modes in lyric poetry, the article reveals how Slutskii and Satunovskii approach the figure of the enemy and shuttle between particulars and the universal in their verse. Dissimilar in their life choices (official for Slutskii and underground for Satunovskii), they share an aesthetic kinship, with Slutskii pressing harder towa
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22

Х, Оюунбаатар. "ФИЛОСОФИЙН БОЛОВСРОЛЫН СИНЕРГЕТИКИЙН ЗАРИМ АСУУДАЛД". Philosophy and Religious Studies 9, № 308(51) (2007): 95–102. https://doi.org/10.22353/prs20091.12.

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Crisis of a modern education system as only a part of global crisis, it is caused by narrowly pragmatical installations, orientation to narrowly disciplinary approach without horizontal communications, rigid differentiation of humanitarian and natural-science disciplines. Consequence of this differentiation are not only a fragmentariness of vision of a reality, but also its deformation, that in conditions of an arising postindustrial information society of ''the third wave'' does not allow people to react to become aggravated ecological crisis, devaluation of moral norms, instability of politi
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23

Siapatori, Katerina. "“For I Am Nothing without You”: Fragmentariness and the Transformability of Archetypal Identity in David Rabe’s The Orphan." FOCUS: Papers in English Literary and Cultural Studies 12, no. 1 (2020): 93–104. http://dx.doi.org/10.15170/focus/12.2020.6.93-104.

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In the fi eld of literary refashioning and adaptation studies, ancient Greek drama has constituted an inexhaustible source of inspiration for artistic creation and production. When it comes to drama and theatrical performance, David Rabe’s The Orphan, the third play in his Vietnam-themed tetralogy, falls precisely in this category, as it is a revised and “extensive transposition” (Hutcheon 7) of two classical works: Aeschylus’s The Oresteia, the only surviving Greek trilogy, as well as Euripides’s Iphigenia at Aulis. In adapting these tragedies, the playwright chooses to juxtapose them onstage
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24

Siapatori, Katerina. "“For I Am Nothing without You”: Fragmentariness and the Transformability of Archetypal Identity in David Rabe’s The Orphan." FOCUS: Papers in English Literary and Cultural Studies 12, no. 1 (2023): 93–104. http://dx.doi.org/10.15170/focus/10.2020.6.93-104.

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In the fi eld of literary refashioning and adaptation studies, ancient Greek drama has constituted an inexhaustible source of inspiration for artistic creation and production. When it comes to drama and theatrical performance, David Rabe’s The Orphan, the third play in his Vietnam-themed tetralogy, falls precisely in this category, as it is a revised and “extensive transposition” (Hutcheon 7) of two classical works: Aeschylus’s The Oresteia, the only surviving Greek trilogy, as well as Euripides’s Iphigenia at Aulis. In adapting these tragedies, the playwright chooses to juxtapose them onstage
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25

Karoui-Elounelli, Saloua. ""A Novel … invested with a Desperate and Aching Significance": Poetics and Ethics of Fragmentariness in Blue Pastoral by Gilbert Sorrentino." Arizona Quarterly: A Journal of American Literature, Culture, and Theory 80, no. 2 (2024): 107–32. http://dx.doi.org/10.1353/arq.2024.a932223.

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Abstract: The potential of radical narrative discontinuity in parodic Postmodern metafiction urges a rethinking of the value of literary meaningfulness and totality in this vein of experimental literature. The poetics of radical narrative discontinuity in Blue Pastoral (1983), induced by a multi-faceted fragmentariness, is discussed as indicative of Postmodern metafiction's experimental drive and its avant-gardist ethos. The focus will be on the play of narrative fissures, as well as on the technique of verbal montage/collage. The articulation of narrative laterality enhances the parodic perve
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26

Tapodi, Zsuzsa. "Liminality and Border Crossing in Ádám Bodor’s Novels." Acta Universitatis Sapientiae, Philologica 9, no. 1 (2017): 117–29. http://dx.doi.org/10.1515/ausp-2017-0009.

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Abstract The plots of the novels The Sinistra Zone (1992), The Archbishop’s Visit (1999) and The Birds of Verhovina (2011) by Ádám Bodor unfold in border zones, in spaces of liminal existence. By investigating the intricate relationship between the Self and the Other, using particular space forming techniques with shifts and displacements, these novels extend the scope of postmodern fragmentariness to identity construction as well. In these literary works enforced journeys or travels with well-defined purposes should not be merely understood in their physical sense: identity also undergoes a c
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27

Kradin, Nikolay N., Svetlana E. Baksheeva, Olesya V. Bondarenko, Evgeny V. Kovychev, and Artur V. Kharinsky. "Evidences of Wooden Materials Utilization in Construction of Medieval Mongolian Towns in Eastern Trans-Baikal Region (13th – 14th CC.)." Povolzhskaya Arkheologiya (The Volga River Region Archaeology) 2, no. 36 (2021): 65–78. http://dx.doi.org/10.24852/pa2021.2.36.65.78.

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Findings of structures remains discovered during excavations on Medieval Mongolian Sites in Eastern Trans-Baikal Region were summarized in the article. They were excavated during exploration of Alestui Mansion, at Khirkhira fortress, as well as at Konduy town site. The similar findings at Sutai Mansion in Buryatia, at Den-Terek fortress in Tuva, Karakorum, Shangdu, at Avraga fortress in Mongolia can be drawn on for comparison. In addition to traditional archaeological methods of the material investigation, an anatomical study of wood has been accomplished at Federal Scientific Center of the Ea
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28

Kulezic-Wilson, Danijela. "Tango for a dream." Alphaville: Journal of Film and Screen Media, no. 8 (February 9, 2015): 60–75. http://dx.doi.org/10.33178/alpha.8.04.

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Richard Linklater’s Waking Life (2001) combines unapologetically cerebral content with a sensuous audiovisual style; fragmentariness in the narrative with an all-encompassing breadth of ideas. Another aspect of Waking Life’s internal contradictions is the juxtaposition of the film’s liminal narrative space with the most “earthly” of music genres, the tango. I will explore the contradictions of Linklater’s film by viewing it in the context of the filmmaker’s metaphysical concerns, showing how all his formal choices, including the rotoscoped visual style, the “narrative of digressions” (Linklate
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29

Linnichenko, Svetlana Igorevna. "Intertextual methods of artistic cognition (on the material of the lyrical cycle “Sibyls” by R. Fainlight)." Philology. Issues of Theory and Practice 17, no. 3 (2024): 775–84. http://dx.doi.org/10.30853/phil20240110.

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The aim of the research is to identify intertextual methods of artistic cognition in the lyrics of the British poetess R. Fainlight. The research novelty lies in considering intertextuality as a method of artistic cognition. The author defines the traditional themes of British postmodern poetry, such as reinterpreting archetypes, contemporary life, political, social, and moral issues, personal experiences, while also revealing the specific characteristics of the creative thinking of poets in the postmodern era: intertextuality, non-linearity, incompleteness, fragmentariness, and interaction wi
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30

Halpern, Maya. "Religion, Grammar and Style: Wittgenstein and Hamann." European Review 27, no. 02 (2019): 195–209. http://dx.doi.org/10.1017/s1062798718000820.

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In this article, I claim that Wittgenstein was familiar with Hamann’s work, particularly with two of the latter’s original contributions: (a) the idea of transforming Luther’s concept of grammar into a critical philosophical and linguistic tool; and (b) Hamann’s use of a kenotic, impure style as a means to attain the humility his religious stance demands. I suggest that an understanding of Hamann’s style as a tool to achieve humility sheds light on Wittgenstein’s later refutation of the purity of the Tractarian style. As reflected in remarks published in collections such as Culture and Value a
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31

Ermak, Elena. "INTERDISCIPLINARY INTEGRATION ON THE BASIS OF THE GEOMETRICAL CONSTITUENT OF THE NATURAL SCIENTIFIC PICTURE OF THE WORLD." SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference 1 (May 25, 2018): 79. http://dx.doi.org/10.17770/sie2018vol1.3225.

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Fragmentariness of the picture of the world in majority modern students is a significant obstacle in the development of their scientific worldview. The lack of integrity of the image of the universe is aggravated by the prevalence of the clip-on thinking among students, which prevents the students from fully acquiring fundamental classical education. The formation of an integral scientific picture of the world is necessary for the realization of an in-dependent productive research activity. In whatever field this activity is carried out, it is closely related to the creation of spatial represe
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32

Bobrov, D. S. "THE FORMATION OF THE RUSSIAN BORDER IN THE UPPER OB-IRTYSH AREA IN APPRAISALS OF SCIENTISTS AND TRAVELERS OF THE XVIII CENTURY." Bulletin of Kemerovo State University, no. 1 (March 20, 2017): 12–18. http://dx.doi.org/10.21603/2078-8975-2017-1-12-18.

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The article represents the experience of distinguishing and reconstruction of the views of scientists and travelers of the XVIII century on the formation of the Russian border in the Upper Ob-Irtysh area. The emergence of the historical and geographical images is considered as a direct consequence of the lack of delimited and demarcated border between the Russian Empire and the Dzungar Khanate, and then the Qing Empire. The source basis of the publication is composed by writings of significant for the history of region scientific figures: G. F. Miller, G. V. Gennin, I. P. Falk, P. S. Pallas. T
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33

Sławnikowski, Wojciech. "Filmowość Marii Antoniego Malczewskiego." Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 34, no. 43 (2023): 283–98. http://dx.doi.org/10.14746/i.2023.34.43.18.

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 The aim of this article is to analyse the poetics of Antoni Malczewski’s Maria in terms of its cinematic qualities. The author uses various film theories, including those formulated by Siegfried Kracauer, Béla Balázs and Jean Mitry, in order to approximate the meaning of a text being cinematic and to find tools for the analysis of a literary text through this lens. Six features are distinguished: (1) fragmentariness of the plot structure, (2) editing within scenes, (3) a focus on movement, (4) transcending the limitations of human perception, (5) quasi-reproduction of re
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34

Bulavina, Maria O. "Nikolai Gogol in silent films." Vestnik of Kostroma State University 27, no. 1 (2021): 179–84. http://dx.doi.org/10.34216/1998-0817-2021-27-1-179-184.

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The article is devoted to the problem of Nikolai Gogol's interpretation on Russian screen. The problem of interaction between literature and cinematography is considered in a concrete historical plan, that is connected with the features of the time in which Gogol`s film adaptations were created. At the same time, the level of technical equipment of cinematography and other inherent qualities of it, that are largely determined the approach of the first directors to specific Gogol material, were taken into account. Cinema interpretations like «Dead Souls» by Pyotr Chardynin, «Taras Bulba» by Ale
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35

Rogaleva, I. Yu, and G. A. Rogaleva. "Features of Registration of Labor Relations in the Digital Economy." Vestnik of the Plekhanov Russian University of Economics, no. 4 (July 29, 2018): 184–89. http://dx.doi.org/10.21686/2413-2829-2018-4-184-189.

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In article one of current problems of modern legal regulation in Russia – lack of due legal support of the labor relations in the sphere to digital economy is considered. The complexity consists in interindustry, cross-disciplinary regulation of the specified public relations that allows to speak about existence of the complex legal institute of the labor relations in the sphere of digital economy including norms of labor, economic, administrative law. The interindustry character of the analyzed public relations results in fragmentariness and discrepancy of the changes made to acts that has ne
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36

Dobrogoszcz, Tomasz. "From Kitsch and Carnivalesque to Cultural Appropriations: Liminal Representations of Post-Apartheid White Identity in Die Antwoord’s Music Videos." Text Matters: A Journal of Literature, Theory and Culture, no. 14 (November 28, 2024): 397–411. http://dx.doi.org/10.18778/2083-2931.14.23.

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Through their multi-dimensional artistic performances—manifesting in music, lyrics and videos—the South African rap-rave hip-hop duo Die Antwoord expresses the ethos of “Zef,” a white working-class Afrikaner post-apartheid culture. Zef is associated with a specific style of vulgar aesthetics, language and humour which portrays its subjects in a derogatory manner, by presenting their appearance and behaviour as crudely ill-bred and vainly tasteless. This paper discusses discursive and visual strategies employed in selected Die Antwoord music videos, demonstrating how their use of kitsch aesthet
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37

Алдошина, M. Aldoshina, and Гришина. "Formation of Quality Competence of Future Teachers and Heads of the Educational Organizations at University." Standards and Monitoring in Education 5, no. 3 (2017): 29–36. http://dx.doi.org/10.12737/article_591c00f54ba400.46915597.

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In the conditions of system transformations of an education system the contradiction between requirement of society for the teachers of a new formation acting as the guarantor of quality education, and a fragmentariness of the quality training of students at university which isn’t providing fully the social order convinces of need of formation at students of evidence-based, integrative knowledge in the fi eld of quality assessment as element of professional competence. In the article results of modeling of process of formation of quality competence of future teachers and heads of the education
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Makarov, Semen S. "“WE ARE NO STORYTELLERS, BUT THE PERFORMERS OF THE EPIC…”. OPINIONS OF MODERN NARRATORS OF THE YAKUT EPIC ABOUT THEIR ACTIVITIES." Folklore: structure, typology, semiotics 4, no. 3 (2021): 131–47. http://dx.doi.org/10.28995/2658-5294-2021-4-3-131-147.

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The paper contains excerpts from interviews with the modern performers of the Yakut epic Olonkho. Their practice is characterised by reliance on written records of the epic, the fragmentariness of the texts being performed, the predominance of performances in the format of competitions on massive platforms, the formation of individual performing styles under the influence of the “censorship” of experts and senior members of the performers’ community, a tendency to level dialect differences. The major topic of the interviews was the situation of the “return” of the local epic genre, the traditi
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Novikov, Andrey Vadimovich. "The impact of political instability upon the increase of terrorism in the Middle East." Национальная безопасность / nota bene, no. 2 (February 2021): 43–62. http://dx.doi.org/10.7256/2454-0668.2021.2.35482.

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The key goal of the article is to examine whether the domestic political instability associated with the “Arab Spring” caused the subsequent surge of global terrorism, which reached its peak in 2014. The author reviews six different types of domestic political instability: antigovernment demonstrations, national strikes, government crises, government repression, disturbances, and revolutions. Using the regression models, the author clarifies the impact of such factors as the level of education, Internet access, economic development, democratization indexes, and the degree o
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White, Hilary. "“Fantastic Dance of Images, Shapes, Forms”: Visuality and Fragmentation in Ann Quin’s Passages." Anglica Wratislaviensia 56 (November 22, 2018): 163–76. http://dx.doi.org/10.19195/0301-7966.56.12.

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This paper brings together aspects of visuality and fragmentation in Quin’s work, con­centrating on her 1969 novel, Passages, in order to tease out the effects and implications of Quin’s formal fragmentariness. The visuality manifests itself in Passages through Quin’s borrowing of compositional techniques from the visual arts — layering effects from painting, shaping and cutting techniques from sculpture, the whole method of the textual cut-up. Quin splits her narrative in two sections seemingly narrated by each of the main characters, one female and one male. Applying painterly techniques to
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Spassov, Nikolai. "The Villafranchian Mammalia fauna and its investigation in Europe, on the Balkans and in Bulgaria." Geologica Balcanica 27, no. 3-4 (1997): 83–94. http://dx.doi.org/10.52321/geolbalc.27.3-4.83.

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The mammalian fauna of the transition from Pliocene to Pleistocene (usually designated as Villafranchian fauna) is of considerable interest. The first signs of formation of the recent Palearctic fauna should be looked for namely among the Villafranchian one. Because of the fragmentariness of most of the finds and the uneven research degree of different regions, the Villafranchian "Stage" in the mammalian fauna's development remains still insufficiently clarified. The investigations of the Villafranchian fauna are more detailed in W Europe. Corresponding investigations in SE Europe are still mo
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Semina, Anna. "About the Poetics of Sergey Rafalsky." Izvestia of Smolensk State University, no. 4(60) (April 12, 2023): 5–15. http://dx.doi.org/10.35785/2072-9464-2022-60-4-5-15.

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In the article the author proves that the habit of researching the poetry by Sergey Rafalsky in the traditions of the Prague group «Skete of Poets» needs revising, because the poet emphasized his disagreements with the creative practice of that group and its leader A. Bem repeatedly. The author identifies some features, that indicate how the artistic credo of the «Paris note» influenced the poetics by Rafalsky, and notices the specificity, that allows us to speak about Rafalsky’s succession to G. Ivanov and G. Adamovich. The author analyses the poems, in which Rafalsky demonstrates implicitly
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Stanisz, Marek. "NORWIDOWSKA KONCEPCJA ORYGINALNOŚCI LITERACKIEJ W ŚWIETLE DZIEJÓW POETYKI." Colloquia Litteraria 20, no. 1 (2017): 175. http://dx.doi.org/10.21697/cl.2016.1.12.

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Norwid’s concept of Literary Originality in the Light of the History of Poetics The article presents Norwid’s concept of literary originality with reference to selected terms from the European theory of poetry. Norwid’s reflections about writing function predominantly within the confines of his philosophical concepts, which were mostly inspired by the philosophy of Plato and Christian thought and were related to his vision of God, the world, man, and artist. One can discover, however, a rich set of terms coming from traditional poetics in the works of the author of Quidam. Norwid’s thinking ab
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Lushnikova, G. I., and T. Yu Osadchaya. "Fragmentation of Modern Artistic Narrative (English-Language Prose)." Nauchnyi dialog, no. 6 (June 24, 2021): 225–39. http://dx.doi.org/10.24224/2227-1295-2021-6-225-239.

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The question of the role, forms and functions of fragmentation of modern artistic narra tive is considered. The results of the analy sis of the fragmentary narrative of the works of contemporary English-speaking authors (J. Barnes, D. Mitchell, M. Cunningham, I. Banks, J. Franzen, S. Faulks, J. Eugenides, A. Smith, J. McGregor and others) are presented. The relevance of the study is due to the fact that in the modern literature of the postmodernist direction, nonlinearity of narration, deliberate mixing of temporal, local, descriptive and other layers are becoming widespread, practically becom
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Anatolievich Smirnov, Dmitry, Konstantin Aleksandrovich Strus, and Anna Artemovna Avanesova. "Features of the Taxation in the Territories with the Special Mode of Business and Investing Activities: Comparative Analysis of the Russian and Foreign Best Practices." International Journal of Engineering & Technology 7, no. 3.14 (2018): 412. http://dx.doi.org/10.14419/ijet.v7i3.14.17035.

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Preferential taxation regimes are recognized in the modern developed states as the most effective way of stimulation of entrepreneurial and investment activity. We examined the Russian mechanism of establishment of the preferential taxation regimes that have been developed for entrepreneurial and other investment activities and their infrastructure designed to provide mechanisms of operations. Our comparative analyses of the best practices in preferential taxation regimes across developing countries inform readers about advantages and risks of the investment activities and organization of busi
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Nappi, Carla. "Metamorphoses: Fictioning and the Historian's Craft." PMLA/Publications of the Modern Language Association of America 133, no. 1 (2018): 160–65. http://dx.doi.org/10.1632/pmla.2018.133.1.160.

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Language and flesh create each other. here you will find three stories, from three ongoing projects, that are each in some way about the metamorphosis between word and body. Each story is an example of my use of fiction writing as a scholarly tool: for understanding a map as a material object, for weaving lives from textual fragments, and for making a little world with little gods as a way of exploring a work of theory. Fiction, here, is an apparatus for paying new kinds of attention, as well as a vehicle for creating stories, worlds, and selves to give to others. Some persistent concerns in m
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Madaeva, I. M., O. N. Berdina, N. V. Semenova, L. A. Grebenkina, V. V. Madaev, and L. I. Kolesnikova. "Gender characteristics of the structural organization of sleep in obstructive sleep apnea syndrome." Terapevticheskii arkhiv 88, no. 9 (2016): 71–77. http://dx.doi.org/10.17116/terarkh201688971-77.

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Aim. To reveal gender characteristics of the sleep structure in obstructive sleep apnea syndrome (OSAS) during polysomnographic monitoring (PSGM). Subjects and methods. According to the results of a pre-survey using an apnea screening questionnaire, the investigation included 58 women (body mass index (BMI), 38.2±2.1 kg/m2) and 75 men (BMI, 34.2±1.8 kg/m2), aged 50—55 years, who complained about snoring, sleep apnea, and daytime hypersomnia. Copy-pair groups were formed and compared after objectively confirming the diagnosis by PSGM made at a specialized sleep laboratory, by applying the GRASS
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Butska, Kateryna. "Kateryna Butska. Museumfication of reality as a feature оf the postmodernist worldview: the image of the museum in the novel “Flights” by O. Tokarczuk". Current issues of social sciences and history of medicine 29, № 1 (2021): 106–10. http://dx.doi.org/10.24061/2411-6181.1.2021.254.

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Active expansion of the functional area of contemporary museums allows us to speak about museumfication – of history, of culture and its particular phenomena. Collecting, inventorying, quoting, archiving, which are some of the key cultural procedures of today, are the essence of the phenomenon of museumfication that expands over our everyday culture and experience. The article is dedicated to the museumfication of reality as an artistic practice and as distinctive feature of the postmodernist worldview. The purpose of the article is to identify the peculiarities of the literary interpretation
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Landy, Francis. "The Ghostly Prelude to Deutero-Isaiah." Biblical Interpretation 14, no. 4 (2006): 332–63. http://dx.doi.org/10.1163/156851506777825278.

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AbstractThe article is a close reading of Isa. 40:1-11, which focuses on its function as a prologue to Deutero-Isaiah, and hence distinguished by its promise of a new beginning, and on its dependence on, and reversal of, the past, the spectral voices it seeks to repatriate. It is concerned with the secondariness of Deutero-Isaiah, and the consequent ambiguity of its messages. The voice of the poet/prophet is refracted through disembodied voices, which themselves cite other voices, before finally adopting that of the female herald, through whom the advent of God becomes manifest, only to be ind
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50

Siatkowska-Callebat, Kinga. "Characters in the Prose Works of Stanisław Ignacy Witkiewicz, Bruno Schulz, and Witold Gombrowicz." Tekstualia 1, no. 2 (2014): 199–216. http://dx.doi.org/10.5604/01.3001.0013.6120.

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Literary characters in the works of Stanisław Ignacy Witkiewicz, Bruno Schulz, and Witold Gombrowicz lets us discern several typical features of their writing. Most importantly, we may observe a pioneering approach to character. It differs from the reading habits of the inter-war period. This is confirmed by the reviewers who invariably criticized the constructions of characters and interpreted them as a sign of writer’s block or the writers’ inclination towards sickness and weirdness. The fi rst readers of these texts rarely considered such construction of characters to be a deliberate choice.
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