Books: 'Frame material'

1

Lodola, Marco. Marco Lodola: Frames. Milano: Electa, 1997.

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2

Olivetti, Catia. La forma e i materiali della trazione. Milano: F. Angeli, 1995.

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3

Porta, Gabriella. L' architettura egizia delle origini in legno e materiali leggeri. Milano: Cisalpino-Goliardica, 1989.

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4

Sherwood, Gerald E. Light-frame wall and floor systems: Analysis and performance. Madison, WI: U.S. Dept. of Agriculture, Forest Service, Forest Products Laboratory, 1989.

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5

George, Short, ed. The complete guide to picture framing: Techniques, materials. London: Black Cat, 1988.

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6

Rodwell, Jenny. The complete guide to picture framing: Techniques, materials. London: Guild Publishing, 1986.

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7

Rodwell, Jenny. The complete guide to picture framing: Techniques, materials. London: Little, Brown, 1994.

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8

Build a classic timber-framed house: Planning and design, traditional materials, affordable methods. Pownal, Vt: Storey Communications, 1994.

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9

Kislicyna, Natal'ya, and Ekaterina Novikova. Genres sports discourse: linguistic and cognitive aspect. ru: INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1077732.

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The monograph is devoted to the study of the phenomenon of "discourse" from the perspective of its institutionality. The focus of research interest is sports discourse, presented in the form of a complex conceptual space with a particular genre-stylistic and pragmatic characteristics. As a material of study are sports articles, sports interviews and sports commentary, considered as genres of sports discourse, allocated according to criteria focus of the text and its function. The use of frame analysis, content analysis and conversational analysis have shown the peculiarities of representation of speech and thoughts of individuals, operating in the conditions of specific discursive practices. Addressed to specialists in the field of language theory, cognitive linguistics, decorology, pragmatics, teachers, postgraduates and students.

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10

Schermaier, Martin Josef. Materia: Beiträge zur Frage der Naturphilosophie im klassischen römischen Recht. Wien: Böhlau, 1992.

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11

Mabson, Gerald E. Analysis and testing of composite aircraft frames for interlaminar tension failure. [S.l.]: [s.n.], 1988.

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12

Gertsman, Elina, ed. Abstraction in Medieval Art. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789462989894.

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Abstraction haunts medieval art, both withdrawing figuration and suggesting elusive presence. How does it make or destroy meaning in the process? Does it suggest the failure of figuration, the faltering of iconography? Does medieval abstraction function because it is imperfect, incomplete, and uncorrected-and therefore cognitively, visually demanding? Is it, conversely, precisely about perfection? To what extent is the abstract predicated on theorization of the unrepresentable and imperceptible? Does medieval abstraction pit aesthetics against metaphysics, or does it enrich it, or frame it, or both? Essays in this collection explore these and other questions that coalesce around three broad themes: medieval abstraction as the untethering of the image from what it purports to represent; abstraction as a vehicle for signification; and abstraction as a form of figuration. Contributors approach the concept of medieval abstraction from a multitude of perspectives-formal, semiotic, iconographic, material, phenomenological, epistemological.

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13

International Measurement Confederation. Technical Committee TC15. Conference. 1st Conference of the Technical Committee (TC15) on measurement of static and dynamic parameters of structures and materials, Plzen, Czechoslovakia, May 26-28, 1987: Proceedings. Edited by Havrilla K. Commack, N.Y: Nova Science Publishers, 1988.

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14

Composite airframe structures: Practical design information and data. Hong Kong: Conmilit Press, 1992.

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15

Falk, Robert H. Directory of wood-framed building deconstruction and reused building materials companies, 2004. Madison, WI: U.S. Dept. of Agriculture, Forest Service, Forest Products Laboratory, 2004.

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16

Falk, Robert H. Directory of wood-framed building deconstruction and reused building materials companies, 2004. Madison, WI: U.S. Dept. of Agriculture, Forest Service, Forest Products Laboratory, 2004.

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17

Advanced framing methods: The illustrated guide to complex framing techniques, materials & equipment. Kingston, MA: R.S. Means Co., 2002.

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18

Mendgen, Eva A. Künstler rahmen ihre Bilder: Zur Geschichte des Bilderrahmens zwischen Akademie und Sezession. Konstanz: Hartung-Gorre, 1991.

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19

International Measurement Confederation. Technical Committee on Measurement of Static and Dynamic Parameters of Structures and Materials. Conference. 1st Conference of the Technical Committee (TC15) on Measurement of Static and Dynamic Parameters of Structures and Materials: Plzen, Czechoslovakia, May 26-28, 1987 : proceedings. Edited by Havrilla K and International Measurement Confederation. Commack, N.Y: Nova Science Publishers, 1988.

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20

Jerod, Pfeffer, ed. Natural timber frame homes: Building with wood, stone, clay, and straw. Salt Lake City: Gibbs Smith, 2007.

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21

Snippet sensations: Fast, fusible fabric art for quilted or framed projects. Iola, WI: Krause Publications, 1999.

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22

Goldsworthy, W. Brandt. Composite structural materials from lunar regolith: The prime key to shortening the time frame for lunar base establishment. [S.l.]: [s.n.], 1988.

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23

Building with engineered lumber. Newtown, CT: Taunton Press, 2006.

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24

Foundation, French-American, ed. A Welcome for every child: How France protects maternal and child health : a new frame of reference for the United States. Arlington, VA: National Center for Education in Maternal and Child Health, 1994.

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25

Carden, Huey D. Free vibrations of thin-walled semicircular graphite epoxy composite frames. Hampton, Va: National Aeronautics and Space Administration, Langley Research Center, 1990.

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26

Carden, Huey D. Free vibrations of thin-walled semicircular graphite epoxy composite frames. Hampton, Va: National Aeronautics and Space Administration, Langley Research Center, 1990.

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27

Carden, Huey D. Free vibrations of thin-walled semicircular graphite epoxy composite frames. Hampton, Va: National Aeronautics and Space Administration, Langley Research Center, 1990.

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28

Carden, Huey D. Free vibrations of thin-walled semicircular graphite epoxy composite frames. Hampton, Va: National Aeronautics and Space Administration, Langley Research Center, 1990.

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29

Kamshilova, O. N. Mezhdunarodnyĭ i︠a︡zyk sovremennogo informat︠s︡ionnogo prostranstva: Innovat︠s︡ionnye obrazovatelʹnye tekhnologii v opisanii lingvisticheskogo obʺekta--nauchno-metodicheskie materialy. Sankt-Peterburg: Knizhnyĭ Dom, 2008.

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30

(Firm), Bonhams. British & Continental carved & composition frames & artists' materials: [auction:] Wednesday 14th October,1998 ... ; Modern British and Continental pictures : [auction:] Wednesday 14th October, 1998 .... London: Bonhams, 1998.

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31

Verougstraete-Marcq, Hélène. Cadres et supports dans la peinture flamande aux 15e et 16e siècles. Heure-le-Romain, Oupeye, Belgique: H. Verougstraete-Marcq, 1989.

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32

Alekseenko, Vasiliy, and Oksana Zhilenko. Design, construction and operation of buildings in seismic areas. ru: INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1000210.

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The main purpose of the textbook is to acquaint students and engineers with the principles of design and construction of buildings and structures in seismic areas. The tutorial sets out the basic principles of design and construction of frame, large-panel buildings, buildings with load-bearing walls made of small-piece stones and large blocks, buildings made of local materials, frameless buildings made of monolithic reinforced concrete. The design requirements for buildings in earthquake-prone areas are described, and the main requirements for the production of works and implementation of anti-seismic measures during construction are outlined. Architectural, construction, design and technological aspects of construction in seismic areas are revealed. Meets the requirements of Federal state educational standards of higher education of the latest generation. It is intended for students studying in the areas of training 08.03.01 and 08.04.01 "Construction" in the following disciplines: "Design, construction and operation of buildings in seismic areas", "Theory and design of buildings and structures in seismic areas".

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33

Buildings in Wood: The History and Traditions of Architecture's Oldest Building Material. Rizzoli, 2005.

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34

United States. National Aeronautics and Space Administration., ed. Material property for designing, analyzing, and fabricating space structures: Final report. San Luis Obispo, CA: California Polytechnic State University, 1991.

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35

Al-Saji, Alia. Material Life. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190275594.003.0002.

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By reading Beauvoir with Bergson, I reconfigure the relation of life and existence in Beauvoir’s philosophy. I claim neither clear-cut influence nor conscious appropriation, but offer a reading that makes sense of what were hidden or contradictory aspects of Beauvoir’s texts. I find in The Second Sex a tension between two philosophical directions: (i) a philosophy of existence that privileges consciousness as the taking-up and transcendence of life, and (ii) a tentative temporality that understands life in terms of tendencies subject to social-historical elaboration. Which frame is at play makes a difference for how Beauvoir is understood. I extend this method of reading to The Ethics of Ambiguity, using Bergson’s understanding of creation of possibility as a lens through which to read Beauvoir’s concept of wanting to disclose being. Here, I problematize Beauvoir’s concept of oppression in light of her equation of Arab and Muslim women with the trope of life.

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36

T, Yeomans David, ed. The Development of timber as a structural material. Aldershot, Hampshire, Great Britain: Ashgate Pub., 1999.

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37

Center, Langley Research, ed. Testing and analysis of curved frame specimens made from a long discontinuous fiber (LDF) material. Hampton, Va: National Aeronautics and Space Administration, Langley Research Center, 1993.

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38

Leslie, Thomas. Steel, Light, and Style: The Concealed Frame, 1905–1918. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037542.003.0007.

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This chapter describes major structures built from 1905 to 1918, many of which used more solid curtain walls that reflected the ability of electric lighting and mechanical ventilation to replace thermally inefficient (and increasingly expensive) plate glass windows. Tenants gradually abandoned older buildings with slower elevators, smaller offices, and darker corridors for newer, more efficient buildings. “Old Chicago is being torn down,” one journalist reported in 1910, “and new Chicago erected in its place.” The Calumet, first Insurance Exchange (at LaSalle and Adams), Rand–McNally, and the Opera House—all major achievements in the 1880s—were demolished between 1910 and 1913. They were replaced by buildings aimed at tenants seeking greater efficiency, comfort, and pretense. The combined push of material conditions and pull of aesthetic desire influenced the symmetrical compositions, massive solid appearances, and antique ornamental choices for buildings, eventually precipitating a dominant design formula that would inform skyscrapers for a generation.

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39

Sherwood, G. E. Wood frame house construction. Armonk Press., 1988.

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40

A, Dykhovichnyĭ I͡U︡, Zhukovskiĭ Ė Z, Travush V. I, and Moskovskiĭ dom nauchno-tekhnicheskoĭ propagandy imeni F.Ė. Dzerzhinskogo., eds. Prostranstvennye konstrukt͡s︡ii: Materialy seminara. Moskva: Ob-vo "Znanie" RSFSR, Moskovskiĭ Dom nauchno-tekhn. propagandy im. F.Ė. Dzerzhinskogo, 1991.

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41

Leslie, Thomas. “Built Mostly of Itself”: Chicago and Clay, 1874–1891. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037542.003.0002.

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This chapter describes major structures built from 1874–1891, which were dominated by taller masonry buildings that employed improved masonry, foundations, and fireproofing. Early fire-protected iron-framed buildings achieved modest increases in height over all-masonry structures. Wrapping iron columns and girders with terra-cotta jackets saved owners floor space that would otherwise have gone toward larger brick piers, though masonry was still the primary material for exterior walls. The result—jacketed iron structures inside surrounded by bearing masonry walls outside—was called “cage” construction in New York. The skyscrapers built in Chicago's building boom of 1884—1886 all deployed this hybrid strategy of metal frame and masonry wall. Skyscrapers supported, braced, and clad with masonry were also made stronger and more economical by the rise of a pressed-brick industry in Chicago.

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42

Woo, Susie. Framed by War. NYU Press, 2019. http://dx.doi.org/10.18574/nyu/9781479889914.001.0001.

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Korean women and children have become the forgotten population of a forgotten war. Framed by War traces how the Korean orphan, GI baby, adoptee, birth mother, prostitute, and bride—figures produced by the US military—were made to disappear. Strained embodiments of war, they brought Americans into Korea and Koreans into America, intimate crossings that defined, and at times defied, US empire in the Pacific. The book looks to US and South Korean government documents and military correspondence; US aid organization records; Korean orphanage registers; US and South Korean newspapers and magazines; as well as photographs, interviews, films, and performances to suture a fragmented past. Integrating history with visual and cultural analysis, Framed by War reveals how what unfolded in Korea set the stage for US power in the postwar era. US destruction and humanitarianism, violence and care played out upon the bodies of Korean women and children, enabling US intervention and fortifying transnational connections with symbolic and material outcomes. In the 1950s Americans went from knowing very little about Koreans to making them family, and the Cold War scripts needed to support these internationalist efforts required the erasure of those who could not fit the family frame. These were the geographies to which Korean women and children were bound, but found ways to navigate in South Korea, the United States, and spaces in between, reconfiguring notions of race and kinship along the way.

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43

Steigmann, David J. Finite Elasticity Theory. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198567783.001.0001.

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This book is suitable for a first-year graduate course on Non-linear Elasticity Theory. It is aimed at graduate students, post-doctoral fellows and researchers working in Mechanics. Included is a modern treatment of elementary plasticity theory emphasizing the foundational role played by finite elasticity. The book covers fundamental and advanced material that should be mastered before embarking on research. Included are the concepts of frame invariance, material symmetry, kinematic constraints, a development of nonlinear membrane theory, energy minimizers as stable equilibria and various attendant convexity conditions.

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44

Picture frames and artists' materials. London: Christie's, 1988.

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45

Barrett, Chris. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198816874.003.0001.

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The Introduction surveys a wide range of early modern textual production—including both literary genres and professional or technical materials pertaining to cartography—in order to offer a sense of the breadth of cartographic anxieties alive in the period, and to offer a taxonomy of the kinds of anxiety (about the map’s representational insufficiency, or about its political efficacy, or about its worrying complicity in state violence) most perceptible in the epic works Chapters 1–3 treat in depth. The introduction proposes that early modern writers and readers interrogating the map’s obfuscation of its own metaphoricity, its manipulation of detail and frame, and its innovative bibliographic presentation, ended up confronting literature’s own protocols for mediating the literal and the figurative, for constructing description and imagery, and for exploiting or rejecting their own material instantiations.

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46

Rascaroli, Laura. Temporality. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190238247.003.0005.

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Opening with a discussion of the diptych form in film, seen as a dialogic structure activated in a spatiotemporal in-betweenness, this chapter focuses on films constructed around an interstice between incommensurable temporalities. In particular, it looks at filmic practices that spatialize time and at films that articulate the road as a palimpsest through which a diachronic way of thinking develops. The first case study is a diptych by Cynthia Beatt, Cycling the Frame (1988) and The Invisible Frame (2009), which follow the actor Tilda Swinton while she cycles the route along the Berlin Wall, before and after its fall, respectively. The second example, Davide Ferrario’s La strada di Levi (Primo Levi’s Journey, 2007), retraces the route traveled by the writer Primo Levi on his return to Italy after his release from Auschwitz. The temporal gaps carved and exploited by these films are at once material, historical, and ideological.

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47

Bingham, Wayne, and Jerod Pfeffer. Natural Timber Frame Homes. Gibbs Smith, Publisher, 2007.

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48

Short, George, and Jenny Rodwell. The Complete Guide to Framing: Techniques & Materials. F & W Publications, 1986.

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49

Remus, Timothy. Custom Motorcycle Fabrication: Materials, Welding, Mill and Lathe, Frame Construction. Wolfgang Publications, 2014.

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50

Flexible Manufacture of Lightweight Frame Structures: Proceedings (Advanced Materials Research). Trans Tech Pubn, 2006.

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Books on the topic 'Frame material'

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