Relevant bibliographies by topics / France – History – 17th-18th cent

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Academic literature on the topic 'France – History – 17th-18th cent'

Author: Grafiati
Published: 4 June 2021
Last updated: 18 February 2022

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Journal articles on the topic "France – History – 17th-18th cent"

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Ferrand, Jérôme. "Arbitration in early-modern France (16th-18th cent.): A difficult position between the King-legislator's 'voluntarist' policy and a reactionary Judiciary." Tijdschrift voor Rechtsgeschiedenis / Revue d'Histoire du Droit / The Legal History Review 77, no. 1-2 (2009): 103–55. http://dx.doi.org/10.1163/004075809x403415.

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AbstractThe early-modern French monarchy incorporated arbitration within its system of judicial rationalisation. Faced with the constraints of the Ordinance on the Reform of Justice Administration, the sovereign regional courts (Parlements) multiplied the formal requirements imposed on arbitration proceedings so as to better control it. As a result, its field of application was reduced. In spite of the monarchy's efforts to rehabilitate arbitration, it was largely abandoned by litigants, who preferred to resort to settlement by agreement, which they perceived as a both less restricting and mor
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Butel, Paul, and François Crouzet. "Empire and Economic Growth: the Case of 18th Century France." Revista de Historia Económica / Journal of Iberian and Latin American Economic History 16, no. 1 (1998): 177–93. http://dx.doi.org/10.1017/s0212610900007096.

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Among the colonial powers of the early modern period, France was the last to emerge. Although, the French had not abstained from the exploration of fhe New World in the 16th century: G. de Verrazano discovered the site of New York (1524), during a voyage sponsored by King Francis I; Jacques Cartier sailed up the St. Lawrence to Quebec and Montreal (1535). From the early 16th century, many ships from ports such as Dieppe, St. Malo, La Rochelle, went on privateering and or trading expeditions to the Guinea coast, to Brazil, to the Caribbean, to the Spanish Main. Many French boats did fish off Ne
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Fagyal, Zsuzsanna. "Phonetics and speaking machines." Historiographia Linguistica 28, no. 3 (2001): 289–330. http://dx.doi.org/10.1075/hl.28.3.02fag.

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Summary This paper shows that in the 17th century various attempts were made to build fully automatic speaking devices resembling those exhibited in the late 18th-century in France and Germany. Through the analysis of writings by well-known 17th-century scientists, and a document hitherto unknown in the history of phonetics and speech synthesis, an excerpt from La Science universelle (1667[1641]) of the French writer Charles Sorel (1599–1674), it is argued that engineers and scientists of the Baroque period have to be credited with the first model of multilingual text-to-speech synthesis engin
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Truong, Anh Thuan. "Conflicts among religious orders of Christianity: А study of Vietnam during the 17th and 18th centuries". Vestnik of Saint Petersburg University. Philosophy and Conflict Studies 37, № 2 (2021): 369–78. http://dx.doi.org/10.21638/spbu17.2021.214.

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During the 17th and 18th centuries, the presence as well as activities of religious orders of Christianity in Vietnam, predominantly the Society of Jesus, Mendicant Orders (Franciscan Order, Dominican Order, etc.), and the Society of Foreign Missions of Paris, to establish or maintain and strengthen the interests of some Western countries’ (Portugal, Spain, France) missionary work in this country led to conflicts and disputes over the missionary area as well as the right to manage missionary activities among religious orders of Christianity. From 1665 to 1773, the Vietnamese Catholic Church wi
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Dekker, Rudolf. "Labour Conflicts and Working-Class Culture in Early Modern Holland." International Review of Social History 35, no. 3 (1990): 377–420. http://dx.doi.org/10.1017/s0020859000010051.

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SUMMARYFrom the 15th to the 18th century Holland, the most urbanized part of the northern Netherlands, had a tradition of labour action. In this article the informal workers' organizations which existed especially within the textile industry are described. In the 17th century the action forms adjusted themselves to the better coordinated activities of the authorities and employers. After about 1750 this protest tradition disappeared, along with the economic recession which especially struck the traditional industries. Because of this the continuity of the transition from the ancien régime to t
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Golubkov, Andrey V. "Paving the Road to the Historical Novel: “Les Histoires Secrètes” in France at the Turn of the 17th and 18th Centuries." Studia Litterarum 5, no. 4 (2020): 88–101. http://dx.doi.org/10.22455/2500-4247-2020-5-4-88-101.

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This article examines the genre of “secret history” which gained widespread currency in France after the publication of the book Anecdotes of Florence: or, A Secret History of the House of Medici (1685) by Antoine de Varillas. The preface to the book gives an overview of the theory of the genre that welcomes representation of hidden, sometimes “dishonorable” or “insignificant” premises of important events, usually ignored by official historiographers who tend to focus on the façade of their protagonist’s life. Authors of such “secret” stories are advised to use gossips obtained from the “royal
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Wollock, Jeffrey. "John Bulwer (1606–1656) and Some British and French Contemporaries." Historiographia Linguistica 40, no. 3 (2013): 331–76. http://dx.doi.org/10.1075/hl.40.3.02wol.

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Summary John Bulwer’s (1606–1656) work was unknown in 17th–18th century France. In 1827, when Joseph-Marie Degérando (1772–1842) became curious about the relation between the methods respectively of Bulwer and John Wallis (1616–1703), the pioneer oral instructor of the deaf in Britain, he had to query Charles Orpen, M. D. (1791–1856) in Dublin because no copy of Bulwer’s Philocophus (1648) could be found in Paris. In fact, Theodore Haak (1605–1690) had sent a copy of this book from London to Père Marin Mersenne (1588–1648) in Paris in July 1648, but none of Mersenne’s circle could read English
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Keller, Marcel, Maria A. Spyrou, Christiana L. Scheib, et al. "Ancient Yersinia pestis genomes from across Western Europe reveal early diversification during the First Pandemic (541–750)." Proceedings of the National Academy of Sciences 116, no. 25 (2019): 12363–72. http://dx.doi.org/10.1073/pnas.1820447116.

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The first historically documented pandemic caused by Yersinia pestis began as the Justinianic Plague in 541 within the Roman Empire and continued as the so-called First Pandemic until 750. Although paleogenomic studies have previously identified the causative agent as Y. pestis, little is known about the bacterium’s spread, diversity, and genetic history over the course of the pandemic. To elucidate the microevolution of the bacterium during this time period, we screened human remains from 21 sites in Austria, Britain, Germany, France, and Spain for Y. pestis DNA and reconstructed eight genome
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Ziemba, Antoni. "Mistrzowie dawni. Szkic do dziejów dziewiętnastowiecznego pojęcia." Porta Aurea, no. 19 (December 22, 2020): 35–56. http://dx.doi.org/10.26881/porta.2020.19.01.

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In the first half of the 19th century in literature on art the term ‘Old Masters’ was disseminated (Alte Meister, maître ancienns, etc.), this in relation to the concept of New Masters. However, contrary to the widespread view, it did not result from the name institutionalization of public museums (in Munich the name Alte Pinakothek was given in 1853, while in Dresden the Gemäldegalerie Alte Meister was given its name only after 1956). Both names, however, feature in collection catalogues, books, articles, press reports, as well as tourist guides. The term ‘Old Masters’ with reference to the a
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Grzywacz, Małgorzata. "Zgromadzenia zakonne we współczesnym protestantyzmie. Zarys problematyki na przykładzie żeńskiej wspólnoty z Grandchamp." Studia Religiologica 53, no. 2 (2020): 89–104. http://dx.doi.org/10.4467/20844077sr.20.007.12510.

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Christian Orders in Contemporary Protestantism. Outline of the Problem on the Example of the Female Community from Grandchamp The article concentrates on the renewal of monastic life in the European evangelical churches after 1945. The Reformation, initiated by the speech of Martin Luther (1483–1546), brought about great changes in this respect, questioning the current principles of the presence of the monk’s life in the Christian community. Criticism of religious life, formulated by the father of the Wittenberg Reformation, was undertaken by both Ulrich Zwingli (1484–1531) and John Calvin. Un
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Dissertations / Theses on the topic "France – History – 17th-18th cent"

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Vendrix, Philippe Pierre 1964. "Quelques aspects de l'historiographie musicale en France a l'epoque baroque (French text)." Thesis, The University of Arizona, 1988. http://hdl.handle.net/10150/276706.

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L'historiographie musicale trouve dans la France de l'epoque baroque un champ ideal de developpement. Ce phenomene est lie a la conjonction de differents facteurs: le modele fourni par l'histoire generale, l'heritage humaniste, les mouvements polemiques, les tentatives de refonte de l'histoire de l'Eglise. Les musicographes, de Salomon de Caus (1615) a Jacques Bonnet-Bourdelot (1715), etablissent les fondements d'une critique historique et l'appliquent dans des ouvrages qui annoncent l'expansion de la musicologie a l'age des Lumieres.
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Monette, Isabelle. "Récritures de récits criminels en France sous l'Ancien Régime." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79966.

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Three original stories are the basis for our study of rewriting during the French Ancien Regime: the story of Thibaud de la Jacquiere, that of the "sorcier Gaufridy" and that of the Marquise de Ganges, which Sade will rewrite as a novel. Having all originated from a "canard", they appear in the 1679 edition of the Histoires tragiques of Francois de Rosset, and two of them can also be found in Francois Gayot de Pitaval's Causes celebres. Each of these stories was rewritten by different authors at least three times. Using Gerard Genette's theory of the narrative, we will analyse the proce
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Parker, Mark M. (Mark Mason). "Transposition and the Transposed Modes in Late-Baroque France." Thesis, University of North Texas, 1988. https://digital.library.unt.edu/ark:/67531/metadc331880/.

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The purpose of the study is the investigation of the topics of transposition and the transposed major and minor modes as discussed principally by selected French authors of the final twenty years of the seventeenth century and the first three decades of the eighteenth. The sources are relatively varied and include manuals for singers and instrumentalists, dictionaries, independent essays, and tracts which were published in scholarly journals; special emphasis is placed on the observation and attempted explanation of both irregular signatures and the signatures of the minor modes. The paper con
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McCluskey, Phil. "French military occupations of Lorraine and Savoie, 1670-1714." Thesis, St Andrews, 2009. http://hdl.handle.net/10023/712.

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Musgrave, Elizabeth Caroline. "The building industries of eastern Brittany, 1600-1790." Thesis, University of Oxford, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670351.

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Delaney, Monique. ""Le Canada est un païs de bois" : forest resources and shipbuilding in New France, 1660-1760." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=84504.

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The colonial contribution to the French naval shipbuilding industry in the seventeenth and eighteenth centuries, explored within the context of the forest from which the resources for the industry were taken, was a remarkably successful venture that came to an end with the onset of war. In the past, the end of the French naval shipbuilding industry in New France has been attributed to the action or inaction of France that resulted in the inefficient use of forest resources. Issues of interest in, organization or support of colonial efforts by France, however, were nevertheless, limited
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Mathis, Thierry. "Le clavecin en France aux XVIIe et XVIIIe siècles : découvertes organologiques et nouvelles techniques de l’interprétation." Thesis, Strasbourg, 2013. http://www.theses.fr/2013STRAC011.

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La musique française pour clavecin des XVIIe et XVIIIe siècles est-elle jouée de nos jours telle qu’elle devrait l’être ? De quelles sources disposent musicologues et musiciens pour approcher au plus près l’authentique sonorité du clavecin, la technique de son jeu, et la compréhension de son répertoire ? Cette approche nous a conduit à discerner neuf points déterminants, essentiels à la compréhension de la facture du clavecin. La mesure d’octave des claviers français de l’époque était inférieure à celle des instruments des pays voisins, et notamment inférieure à celle appliquée dans la facture
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Chastagnol, Karen. "La seconde génération des peintres de Louis XIV (1665-1715) : peindre l'Histoire : formation, culture visuelle et production." Thesis, Lille 3, 2014. http://www.theses.fr/2014LIL30035.

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A travers quelles modalités la peinture d’histoire se transforme-t-elle sous le règne de Louis XIV ? La peinture d’histoire connaît une évolution durant la période qui couvre la seconde partie du règne de Louis XIV. Ce changement résulte à la fois de modifications liées à l’évolution des commandes royales et à celle du cadre académique lui-même, ainsi qu’aux mutations du contexte de création en dehors de l’Académie royale qui renouvelle la manière d’appréhender et de concevoir la peinture d’histoire. A partir de l’étude et de l’analyse de la production des peintres reçus comme peintres d’histo
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Wilewski, Sarah. "Styles of sovereignty : the relevance of Louis XIV to English royal iconography, 1689-1714." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:a65349cf-629a-4a8a-a961-c281f34a248e.

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This thesis explores the influence of French royal image-making on English monarchies at the turn of the eighteenth century. It investigates the relevance of Louis XIV (r. 1643-1715) to English royal iconography during the reigns of William III (r. 1689-1702) and Queen Anne (r. 1702-1714) across a wide range of source material - from panegyric and portraiture, to medals, sculpture, and architecture. In doing so, it foregrounds the intricate interplay between political communication and different forms of artistic imagination in the early modern period. The thesis conceptualises the relation be
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Bigonville, Delphine. "Association des idées et intuition: la réponse des architectes anglais à la Querelle des Anciens et des Modernes." Doctoral thesis, Universite Libre de Bruxelles, 2011. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209775.

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Ce travail s’intéresse au problème de la relativisation de l’expression architecturale liée à la remise en question, durant le XVIIe siècle, de l’origine divine et de la valeur des canons proportionnels qui sous-tendent la tradition classique. Emblématique de la Querelle qui opposa Claude Perrault et François Blondel au sein de l’Académie royale de Paris, ce problème recevra une formulation privilégiée dans la tradition théorique anglaise qui se caractérise par la volonté de préserver une forme d’objectivité à l’expression formelle tout en cherchant à y intégrer la valeur subjective de l’usage
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Books on the topic "France – History – 17th-18th cent"

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Ramsey, Matthew. Professional and popular medicine in France, 1770-1830: The social world of medical practice. Cambridge University Press, 1988.

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The physical and the moral: Anthropology, physiology, and philosophical medicine in France, 1750-1850. Cambridge University Press, 1994.

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Martin, Henri-Jean. Print, power and people in 17th-century France. Scarecrow Press, 1993.

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Print, power, and people in 17th-century France. Scarecrow Press, 1993.

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Gómez, Fernando Fernán. Capa y espada. Espasa Calpe, 2001.

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Orgeix, Emilie d'. France in the Americas: Cities of the King's engineers in the New World in the 17th and 18th centuries. Stewart Museum at the Fort, 2002.

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Cabanis, Claude. Les apothicaires et la Réforme: Contribution à l'histoire de la pharmacie française XVIe-XVIIIe siècle. Éditions Fernand Lanore, 1987.

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Cabanis, Claude. Les apothicaires et la Réforme: Contribution à l'histoire de la pharmacie française, XVIe-XVIIIe siècle. F. Lanore, 1987.

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Doctors and slaves: A medical and demographic history of slavery in the British West Indies, 1680-1834. Cambridge University Press, 1985.

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Hennebelle, David. De Lully à Mozart: Aristocratie, musique et musiciens à Paris, XVIIe-XVIIIe siècles. Champ Vallon, 2009.

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Book chapters on the topic "France – History – 17th-18th cent"

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Campbell, Gordon. "5. France." In Garden History: A Very Short Introduction. Oxford University Press, 2019. http://dx.doi.org/10.1093/actrade/9780199689873.003.0005.

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‘France’ explains how in early French estates the house and garden were usually designed independently. Distinctive features of 16th-century French gardens were the presence of a canal and plantings arranged in the flat ornamental flower gardens known as parterres. The apogee of French garden art is the 17th-century formal garden known as the jardin à la française, characterized by geometry. The greatest and most influential exponent was André Le Nôtre, who was responsible for the gardens at Versailles. The principal innovations of the 18th century were the jardin anglo-chinois, the ferme ornée, the fabrique, and the jardin anglais. French garden design in the 19th and 20th centuries is also discussed.
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"Bankruptcy, fresh start and debt renegotiation in England and France (17th to 18th century)." In The History of Bankruptcy. Routledge, 2013. http://dx.doi.org/10.4324/9780203066836-22.

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Hope, Charles. "Francis James Herbert Haskell 1928–2000." In Proceedings of the British Academy, Volume 115 Biographical Memoirs of Fellows, I. British Academy, 2003. http://dx.doi.org/10.5871/bacad/9780197262788.003.0011.

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Publication of Patrons and Painters (1963), which dealt with art in 17th-century Rome and 18th-century Venice, established Francis Haskell as one of the leading art historians of his generation. He held posts at King's College Cambridge and was then appointed Professor of the History of Art at Oxford University with a Fellowship at Trinity College. Haskell turned to studying French painting of the 19th century. Rediscoveries in Art: Some Aspects of Taste, Fashion and Collecting in England and France (1976) won the Mitchell Prize for Art History. Haskell was elected a Fellow of the British Academy in 1971. Obituary by Charles Hope.
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