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Dissertations / Theses on the topic 'France – Intellectual life – 17th century'

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1

Steczowicz, Agnieszka. "'The defence of contraries' : paradox in the late Renaissance disciplnes." Thesis, University of Oxford, 2004. https://ora.ox.ac.uk/objects/uuid:f2f93089-60f6-4408-aae9-2b3e595efcdc.

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The aim of this thesis is to examine the meanings and functions of paradox in the late Renaissance. My understanding of Renaissance paradox, in contrast to that of most critics and historians, rests entirely on contemporary definitions of the term, rather than on its present-day meaning. Paradoxes as they are envisaged in this study begin to appear in the wake of the humanist rediscovery and dissemination of Cicero's <i>Paradoxa Stoicorum</i>. In this work, paradoxes are characterized as 'admirabilia contraque opinionem omnium', a definition that draws attention to two important traits of para
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2

Hollewand, Karen Eline. "The banishment of Beverland : sex, Scripture, and scholarship in the seventeenth-century Dutch Republic." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:3e5a54dc-0664-46eb-8625-de3c480d118c.

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Hadriaan Beverland (1650-1716) was banished from Holland in 1679. Why did this humanist scholar get into so much trouble in the most tolerant part of Europe in the seventeenth century? In an attempt to answer this question, this thesis places Beverland's writings on sex, sin, Scripture, and scholarship in their historical context for the first time. Beverland argued that lust was the original sin and highlighted the importance of sex in human nature, ancient history, and his own society. His works were characterized by his erudite Latin, satirical style, and disregard for traditional genres an
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3

Condon, Liam. "John Dunton : print and identity, 1659-1732." Thesis, University of Oxford, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669920.

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4

Mitchell, Sarah. "The Kunstkammer object in seventeenth-century Salzburg : a case study, early modern collections, transformation and materiality." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=83130.

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The phenomenon of princely and scientific collections that proliferated in Europe during the sixteenth and seventeenth centuries has become an important focus for modern historical analysis. These collections provide a microcosm of contemporary political, economic and philosophical ideas, often characterized by geographical and cultural differences. The mid-seventeenth century Kunst- and Wunderkammer studied here, instituted by the archbishops of Salzburg, brings forward themes sometimes neglected in the literature. The archbishops' collection was part of broader efforts to reinvent the
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5

Hickmott, Sarah. "(En) Corps Sonore : towards a feminist ethics of the 'idea' of music in recent French thought." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:eb562d0f-e9be-40f4-b0a3-9fa6da0a3136.

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This thesis explores the way music is characterized, used, or accounted for in recent (post-1968) French thought, focusing in particular on the work of Jean-Luc Nancy, Philippe Lacoue-Labarthe, and Alain Badiou. In spite of the differences in their philosophical-theoretical positions, all of these writers invoke music - both directly and indirectly - to negotiate their relationship to ontological, political, ethical and aesthetic concerns, particularly in terms of how it relates to the (im)possibility of a subject, the condition of truth, and the role of philosophical thought itself. The thesi
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6

Theodore, David Michael. ""Aproued on my self" : inbetween the sheets of Inigo Jones's Palladio." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=31030.

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In this essay I look at the significance of Inigo Jones's annotated copy of Andrea Palladio's I quattro libri dell'architettura in a time of momentous change in the habits of readers and writers, printers and publishers, architects and kings. Jones lived in Stuart England, a hinge period swinging between print culture and manuscript culture, science (mechanical philosophy) and magic (Neoplatonism, hermeticism, alchemy), humoural physiology and modern medicine. I examine his book as part of a change of social setting, looking outward from his study of Palladian architectural theory to developme
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7

Wärnberg, Karl Gustel. "The Sacred Pilgrimage : The Concept of Truth in the Life and Work of Lars Skytte." Thesis, Uppsala universitet, Institutionen för idé- och lärdomshistoria, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-326295.

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This thesis studies the life and work of Lars Skytte (1610-1696), a Swedish Ambassador to Portugal who converted to Catholicism and became a Franciscan theologian, in relation to the concept of Truth. For Skytte, Truth and Catholicism are synonymous. The thesis focuses on his semi-autobiographical book Peregrinatio sancta fratris Laurentii a D. P. Sueci (1658). As a sort of intellectual biography, this study aims at situating Skytte within the context of post- reformation rhetoric and theological thought. The main question guiding the thesis is in what way Lars Skytte argues for the Truth of t
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8

Robert-Nicoud, Vincent Corentin. "The world upside-down in sixteenth-century French literature and visual culture." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:1c0536cf-ffcf-4324-a626-19075e1acca8.

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To call something 'inverted' or 'topsy-turvy' in the sixteenth century is, above all, to label it as abnormal, unnatural and going against the natural order of things. The topos of the world upside-down brings to mind a world returned to its initial state of primeval chaos, in which everything is inside-out, topsy-turvy and out of bounds: fish live in trees, children rule over their parents, wives command their husband and rivers flow back to their source. This thesis undertakes a detailed account of the development of the topos of the world upside-down in sixteenth-century French literature a
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9

Dégez, Camille. "Une société carcérale : la prison de la Conciergerie (fin XVIe-milieu XVIIe siècles)." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040156.

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La prison de la Conciergerie occupe une place particulière dans le paysage pénitentiaire parisien du XVIIe siècle. Elle accueille de nombreux prisonniers pour dette, les prisonniers jugés en première instance par l’une des juridictions siégeant dans Palais de la Cité, dont elle occupe les bâtiments, mais aussi et surtout les prisonniers en appel devant le parlement de Paris. A partir de l’analyse de parcours individuels de prisonniers et de personnels de la Conciergerie (les dynasties de concierges Regnoust et Dumont), reconstitués grâce aux archives criminelles et notariales, la thèse porte s
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10

Dégez, Camille. "Une société carcérale : la prison de la Conciergerie (fin XVIe-milieu XVIIe siècles)." Electronic Thesis or Diss., Paris 4, 2013. http://www.theses.fr/2013PA040156.

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La prison de la Conciergerie occupe une place particulière dans le paysage pénitentiaire parisien du XVIIe siècle. Elle accueille de nombreux prisonniers pour dette, les prisonniers jugés en première instance par l’une des juridictions siégeant dans Palais de la Cité, dont elle occupe les bâtiments, mais aussi et surtout les prisonniers en appel devant le parlement de Paris. A partir de l’analyse de parcours individuels de prisonniers et de personnels de la Conciergerie (les dynasties de concierges Regnoust et Dumont), reconstitués grâce aux archives criminelles et notariales, la thèse porte s
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11

Wong, Shirley Tang. "La situation du personnage de Tartuffe au temps de Molière : interférences, rencontres, affinités." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25541.

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Contrary to popular belief, three hundred years of Molière studies has not exhausted the possibilities of further research in this field. Of the many Molière plays read and studied, Le Tartuffe is certainly among those that give rise to the most number of questions and the greatest amount of research. While many of the contemporary critics have devoted lengthy and detailed studies to the various aspects of Tartuffe's origins, his development throughout the play and even his influences on later seventeenth century fiction, few have chosen to discuss the importance of all three. Hence, our desi
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12

Segura, Mauricio. "Le discours francais sur l'Amerique latine revolutionnaire (1950-1985) /." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38274.

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This thesis entitled "Le discours francais sur l'Amerique latine revolutionnaire (1950--1985)" proposes to analyze about thirty texts published in France during the mentioned period in order to extract the primary axis around which the hexagonal representations and discourses which examine Latin America articulate themselves. The corpus gathers chiefly novels and political essays, but it also includes anthropological essays, journalistic commentaries and testimonies. This is a study that relies on the theory of social discourse and on imagology.<br>This investigation, which perceives itself as
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13

Schueren, Eric Van der. "Les déserts de l'âme: approches sociologiques de la retraite spirituelle dans la France du XVIIe siècle." Doctoral thesis, Universite Libre de Bruxelles, 1993. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212769.

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14

Mueller, Marieke. "Subjectivity in Sartre's 'L'idiot de la famille' : biography as a space for the development of theory." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:54f60363-e148-4481-b710-c7e68a908bd5.

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In the context of a renascent interest in the thought of Jean-Paul Sartre, this thesis proposes a close examination of one of his less studied texts, the study of Gustave Flaubert, L'Idiot de la famille (1971-72). The analysis focuses on theoretical developments that emerge from Sartre's biographical enquiry, pursuing an interdisciplinary approach combining a consideration of literary theory and literary history with the perspective of Sartre's philosophy of subjectivity. L'Idiot is situated amongst a wide variety of texts by Sartre, from Qu'est-ce que la littérature? (1948) to the Critique d
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15

Kay, Simon Michael Gorniak. "Literary, political and historical approaches to Virgil's Aeneid in early modern France." Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/13837.

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This thesis examines the increasing sophistication of sixteenth-century French literary engagement with Virgil's Aeneid. It argues that successive forms of engagement with the Aeneid should be viewed as a single process that gradually adopts increasingly complex literary strategies. It does this through a series of four different forms of literary engagement with the Aeneid: translation, continuation, rejection and reconciliation. The increasing sophistication of these forms reflects the writers' desire to interact with the original Aeneid as political epic and Roman foundation narrative, and
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16

Viel, Guillaume. "Sociabilité et érudition locale : les sociétés savantes du département de la Manche, du milieu du XVIIIe siècle au début du XXe siècle." Thesis, Normandie, 2017. http://www.theses.fr/2017NORMC023/document.

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Faisant leur apparition au cours du XVIIIème siècle dans les provinces françaises, les sociétés savantes se sont développées et multipliées tout au long du XIXème siècle.Cette thèse a pour but d’identifier quelles sociétés savantes ont été créées en Normandie, dans le département de la Manche, entre 1755 et la Première Guerre Mondiale. Ce travail a consisté dans un premier point à déterminer comment elles ont été fondées, organisées, dirigées et financées. Dans un deuxième point, nous avons cherché à identifier quels types de personnes ont été impliquées, où elles vivaient et quelles étaient l
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17

Salvi, Claudia. "Jean-Baptiste Monnoyer (Lille 1636 – Londres 1699) : peindre des fleurs et des fruits à l’âge classique." Thesis, Aix-Marseille, 2016. http://www.theses.fr/2016AIXM3068.

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A partir de l'élaboration du catalogue de son oeuvre (tableaux de chevalet et peintures décoratives), cette thèse étudie et ré-évalue la place de Jean-Baptiste Monnoyer dans la France du Grand Siècle. L'étude des oeuvres de ses collaborateurs et contemporains permet de préciser l'originalité de sa personnalité artistique et de définir sa place dans le développement de la peinture de nature morte en France au XVIIe siècle. Né à Lille, Monnoyer arrive tôt à Paris, où il ajoute à son expérience de la nature morte nordique l'influence des peintres français de la vie silencieuse. Il inscrit aussi s
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18

Hauswedell, Tessa C. "The formation of a European identity through a transnational public sphere? : the case of three Western European cultural journals, 1989-2006." Thesis, University of St Andrews, 2009. http://hdl.handle.net/10023/789.

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This thesis analyses processes of discursive European identity formation in three cultural journals: Esprit, from France, the British New Left Review and the German Merkur during the time periods 1989-92, and, a decade later, during 2003-06. The theoretical framework which the thesis brings to bear on this analysis is that of the European Public Sphere. This model builds on Jürgen Habermas’s original model of a “public sphere”, and alleges that a sphere of common debate about issues of European concern can lead to a more defined and integrated sense of a European identity which is widely perc
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19

Lubbe, Fredericka van der. "Martin Aedler and his High Dutch Minerva (1680)." Thesis, The University of Sydney, 1999. https://hdl.handle.net/2123/27586.

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This study seeks to disprove the reasons offered by previous scholars for the emergence of the first German grammar for the English, the High Dutch Minerva (1680), by considering biographical material on the author of this grammar, Martin Aedler (1643 - 1724), and placing the author and his work in their German and English social context. It operates on the hypothesis that Aedler, a native of Saxony, published his grammar in England for the use of the English intellectual  lite, but did so essentially to satisfy the patriotic imperatives of the German intelligentsia; namely, members of t
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20

Bundu, Malela Buata. "L'Homme pareil aux autres: stratégies et postures identitaires de l'écrivain afro-antillais à Paris, 1920-1960." Doctoral thesis, Universite Libre de Bruxelles, 2006. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210803.

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Cette étude porte sur le fait littéraire afro-antillais de l’ère coloniale (1920-1960). Il s’agit d’examiner les stratégies des agents à partir des cas de René Maran, Léopold Sédar Senghor, Aimé Césaire, Édouard Glissant et Mongo Beti et de percevoir comment ils se définissent leur identité littéraire et sociale.<p>Pour ce faire, notre démarche s’articule en deux temps :(1) examiner les conditions de possibilité d’un champ littéraire afro-antillais à Paris (colonisation française et ses effets, configuration d’un champ littéraire pré-institutionnalisé, etc.) ;(2) analyser les processus de cons
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PIERRE, Benoist. "Les réseaux cléricaux dans la construction de l'état moderne : la congrégation franco-italienne des Feuillants (XVIe-XVIIIe siècle)." Doctoral thesis, 2002. http://hdl.handle.net/1814/5940.

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Examining board: M. Anthony Molho (I.U.E.) ; M. Mario Rosa (École Normale Supérieure de Pise) ; M. Bernard Dompnier (Univ. de Clermont-Ferrand) ; Mme Nicole Lemaitre (Univ. Paris-I Sorbonne) ; M. Gérard Delille (I.U.E.)<br>Defence date: 19 December 2002<br>PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017
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CUTTICA, Cesare. "Adam... “The Father of All Flesh”. An intellectual history of Sir Robert Filmer (1588-1653) and his works in seventeenth-century European political thought." Doctoral thesis, 2007. http://hdl.handle.net/1814/6939.

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Defence date: 21 June 2007<br>Examining Board: Prof. Martin van Gelderen, EUI (Supervisor) ; Prof. Edward Arfon Rees, EUI ; Prof. Johann P. Sommerville, University of Wisconsin at Madison ; Prof. Peter Lake, Princeton University.<br>Open Access Full-text file was withdrawn on 5 July 2011 upon request by author.<br>PDF of thesis uploaded from the Library digital archive of EUI PhD theses<br>This thesis is divided in seven chapters exploring the works of Sir Robert Filmer (1588-1653) in the context of seventeenth-century European culture. It addresses a series of important questions regarding hi
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STANNEK, Antje. "Telemachs Brueder : die Studienreisen des deutschen Adels im siebzehnten Jahrhundert." Doctoral thesis, 1996. http://hdl.handle.net/1814/5984.

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Defence date: 5 July 1996<br>Examining Board: Prof. Dr. Dominique Julia, Paris/Florenz (Supervisor) ; Prof. Dr. Winfried Schulze, München (Supervisor) ; Prof. Dr. Michael Müller, Florenz ; Prof. Dr. Michael Herbsmeier, Odense ; Prof. Dr. Marcello Verga, Florenz<br>PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017
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"松江畫派與及周邊地區藝術活動關係之研究". Thesis, 2007. http://library.cuhk.edu.hk/record=b6074167.

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This thesis looks into the development of Songjiang School in the context of mutual interaction and networking among painters. It focuses on two phenomena. Firstly, it studies the interaction between Songjiang School painters and artists from various Jiangnan art centres. Secondly, it explores the artistic genealogy within the Songjiang School. It investigates the activities of individual Songjian School painters in particular, and the rise and decline of the entire Songjiang School in general.<br>Under the famous master literati Dong Qichang, Songjiang School painters broke new path in landsc
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LINDORFER, Bianca Maria. "Cosmopolitan aristocracy and the diffusion of baroque culture : Cultural transfer from Spain to Austria in the Seventeenth century." Doctoral thesis, 2009. http://hdl.handle.net/1814/12037.

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Defence date: 8 June 2009<br>Examining Board: Prof. Bartolomé Yun-Casalilla (European University Institute, Florence) - supervisor, Prof. James S. Amelang (Universidad Autónoma, Madrid), Prof. Heinz-Gerhard Haupt (European University Institute, Florence), Dr. Katrin Keller (University of Vienna)<br>First made available online on 25 October 2017.<br>This study aims to reveal traces of Spanish cultural influences on the seventeenth-century Austrian Habsburg monarchy, or to be more precise, on courtly and aristocratic culture. The focus is however less on the ruling houses, but rather more on the
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PROSPERI, Laura. "Il cibo del piacere e dell'immortalità : dietetica e procreazione in antico regime (Francia, sec.XVI-XVII)." Doctoral thesis, 2006. http://hdl.handle.net/1814/6341.

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Defence date: 2 October 2006<br>Examining board: Prof. Laurence Fontaine (Supervisor EUI), CNRS-EHESS, Paris ; Prof. Allen J. Grieco, Harvard University Center for Italian Renaissance Studies ; Prof. Massimo Montanari, European University Institute<br>PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017
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AUBRY, Sylvie. "Culture et societe au Palais-Royal 1770-1810." Doctoral thesis, 1995. http://hdl.handle.net/1814/5716.

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Defence date: 24 February 1995<br>Examining board: Haim Burstin (Università di Siena) ; Olwen Hufton (Institut Universitaire Européen) ; Dominique Julia (E.H.E.S.S., supervisor) ; Daniel Roche (E.H.E.S.S., external supervisor) ; Paolo Viola (Università di Palermo)<br>PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017
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Moore, Christine M. "A literary study of "Ille et Galeron" by Gautier D'Arras : generic experimentation and development in late twelfth century France." Phd thesis, 1991. http://hdl.handle.net/1885/139466.

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BARBUSCIA, Aurélie. "Rossini et la "Restauration" de la grandeur musicale dans la France des années 1820." Doctoral thesis, 2013. http://hdl.handle.net/1814/28028.

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Defence date: 5 June 2013<br>Examining Board: Professor Antonella Romano, EUI (Directeur de thèse) Professor Esteban Buch, EHESS Professor Danièle Pistone, Université Paris Sorbonne-Paris IV Professor Lucy Riall, EUI Professor Sophie-Anne Leterrier, Université d'Artois<br>PDF of thesis uploaded from the Library digital archive of EUI PhD theses<br>This thesis investigates the changing conditions in the European art market after the Congress of Vienna (1815). It focuses mainly on the socio-professional development of the Italian composer Gioachino Rossini and analyses his first visit to Par
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ZANTEDESCHI, Francesca. "Une langue en quête d'une nation : le débat sur la langue d'oc au XIXe siècle." Doctoral thesis, 2009. http://hdl.handle.net/1814/12014.

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Defence Date: 24/04/2009<br>Examining Board: Professor Heinz-Gerhard Haupt, European University Institute (Supervisor); Professor Enrique Ucelay-Da Cal, Universitat Pompeu Fabra (Second Supervisor); Professor Michael Keating, European University Institute; Professor Anne-Marie Thiesse, EHESS<br>PDF of thesis uploaded from the Library digital archive of EUI PhD theses<br>Dans le premier chapitre je définirai mon approche de la question nationale en m’appuyant sur certaines théories classiques du nationalisme. Je m’attacherai longuement sur le lien entre langue et nation, que je mettrai en persp
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"裂變之後的桃源建構: 清初陶學研究". 2013. http://library.cuhk.edu.hk/record=b5549700.

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本文是第一部專以清初陶學為研究對象的論文,擬從文人的情懷、詩學的演變、詩歌的用意、意象的運用、注本的闡釋等多角度概述清初陶學的全貌。在方法上,筆者除分析當時文人對陶淵明的評論外,還選取了清初四十家身份不同的文人,比較他們詩作中運用的陶淵明典故,探討他們對「陶淵明形象」的塑造與取捨,並以歷史背景為線索,梳理陶淵明意象在清初文人心目中地位的差異與其變化。<br>基於上述的研究,筆者認為以往學術界把清初陶學只理解為「忠憤」的表現是不夠全面的,尤其是清初關於陶淵明的討論,除了遺民文人有熱烈的參與外,非遺民文人亦有相當數量的研究,而且他們之間還存在着不少的交流,互相回應。正因如此,清初和陶風氣盛極一時,並且出現了一種嶄新、「反其致」的和陶現象--〈反乞食〉詩。<br>這種借用陶淵明的意象互相交流與回應,更多反映在詩歌方面。清初文人借讀陶、評陶、和陶等方法抒發他們於易代間的鬱悶。這種詩歌世界,重現了陶淵明筆下的桃源,在這裏,他們「不知有漢,無論魏晉」,思想上可以暫時脫離現實的痛苦,悠然人間。這也使得清初《陶集》評注本的編撰,一改南宋以來十卷本的「全集」形式,而偏重於四卷本,只收錄詩作的體制。<br>The author intends to discuss the reception of Tao Yuanming in the Early Qing Dynasty from the aspe
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Burkhart, Claire Lovell. "Reading and writing women : representing the femme de lettres in Stendhal, Balzac, Girardin and Sand." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-05-2836.

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This dissertation explores the numerous literary representations of the femme de lettres during the first half of the nineteenth century in order to illustrate the complexities of women’s entrance into the male-dominated domain of literature and also to suggest the impact these fictional characters might have had on the reception of actual women writers as well as their omission from the century’s literary canon. The works that will be included in this analysis include: Mme de Staël’s Corinne, ou l’Italie, Stendhal’s Le Rouge et le noir, Honoré de Balzac’s Béatrix, La Muse du département and
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