Relevant bibliographies by topics / Francesco I d’Este

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Academic literature on the topic 'Francesco I d’Este'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Francesco I d’Este"

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James, Carolyn. "Marriage by Correspondence: Politics and Domesticity in the Letters of Isabella d’Este and Francesco Gonzaga, 1490–1519*." Renaissance Quarterly 65, no. 2 (2012): 321–52. http://dx.doi.org/10.1086/667254.

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The marriage in 1490 of Francesco Gonzaga, Marquis of Mantua, and Isabella d’Este, daughter of the Duke of Ferrara, cemented an important Italian dynastic alliance and was in no sense a love match. Francesco and Isabella were well aware, however, that they had to establish a harmonious conjugal rapport if the strategic aims of their union were to be realized. This study examines the ways in which the Este-Gonzaga couple built familiarity, affection, and shared interests through frequent letter exchanges that both shaped and facilitated their domestic and political collaboration. The epistolary
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Hickson, Sally. "‘To see ourselves as others see us’: Giovanni Francesco Zaninello of Ferrara and the portrait of Isabella d’Este by Francesco Francia." Renaissance Studies 23, no. 3 (2009): 288–310. http://dx.doi.org/10.1111/j.1477-4658.2009.00565.x.

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Sinclair, Johanna. "James, Carolyn. A Renaissance Marriage: The Political and Personal Alliance of Isabella d’Este and Francesco Gonzaga, 1490–1519." Renaissance and Reformation 43, no. 3 (2020): 319–21. http://dx.doi.org/10.33137/rr.v43i3.35337.

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Cavalli, Jennifer A. "Isabella d’Este and Francesco Gonzaga: Power Sharing at the Italian Renaissance Court. By Sarah D. P. Cockram. (Farnham, England: Ashgate, 2013. Pp. xvi, 256. $149.95.)." Historian 77, no. 4 (2015): 828–29. http://dx.doi.org/10.1111/hisn.12077_50.

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Maccarthy, Evan A. "The English Voyage of Pietrobono Burzelli." Journal of Musicology 35, no. 4 (2018): 431–59. http://dx.doi.org/10.1525/jm.2018.35.4.431.

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Praised by poets, scholars, and fellow musicians of his day, the singer, lutenist, and teacher Pietrobono Burzelli (ca. 1417–97) achieved international renown for his skill at improvisational performances on plucked instruments. Until recently, archival documents recorded his presence at many courts on the Italian peninsula and as far away as the Hungarian court. Documents until now unknown to musicologists reveal that Pietrobono also traveled to England. In August 1466 he signed a will and testament in advance of a risky trip “ad partes Anglie” that he was planning to begin the next day. The
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Baernstein, P. Renée. "Isabella d’Este and Francesco Gonzaga: Power Sharing at the Italian Renaissance Court. By Sarah D. P. Cockram. Women and Gender in the Early Modern World. Edited by Allyson Poska and Abby Zanger. Farnham: Ashgate, 2013. Pp. xviii+256. £63.00." Journal of Modern History 87, no. 4 (2015): 986–87. http://dx.doi.org/10.1086/683577.

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Piperno, Franco. "Autobiography and Authoriality in a Madrigal Book: Leonardo Meldert’s Primo libro a cinque (1578)." Journal of Musicology 30, no. 1 (2013): 1–27. http://dx.doi.org/10.1525/jm.2013.30.1.1.

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At first glance Leonard Meldert’s Primo libro a cinque (1578) seems to represent a synthesis of the composer’s activity at the court of Guidubaldo II Della Rovere, Duke of Urbino—where the composer arrived in 1573—and his private service, beginning late in 1574, to the duke’s brother, Cardinal Giulio Della Rovere, to whom his madrigal collection is dedicated. But a deeper investigation of the book’s structure and content reveals that it tells another story. Almost all of the pieces were composed either in Pesaro for Guidubaldo—or, rather, for Guidubaldo’s beloved daughter-in-law Lucrezia d’Est
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Paparcone, Anna. "Cinema e televisione, da conflitto a sinergia: La mafia uccide solo d’estate di Pier Francesco Diliberto." Forum Italicum: A Journal of Italian Studies 51, no. 3 (2017): 683–702. http://dx.doi.org/10.1177/0014585817709273.

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Julià i Garriga, Jordi. "La cançó popular de la Cerdanya i el teatre de Jordi Pere Cerdà." Estudis de Literatura Oral Popular / Studies in Oral Folk Literature, no. 9 (December 14, 2020): 65. http://dx.doi.org/10.17345/elop202065-80.

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Jordi Pere Cerdà (pseudònim d’Antoni Cayrol) va ser un poeta, narrador i dramaturg català que va néixer en un poble dels Pirineus francesos i que va viure tota la vida a França. Als anys cinquanta es va interessar per les cançons populars de la Cerdanya i va preparar un cançoner, editat pòstumament. Cerdà va trobar en aquests cants uns perfectes models de llengua per crear literatura en el català rossellonès que feia servir. Com a director d’escena, va integrar cants populars en els seus muntatges per despertar la consciència de pertinença a una mateixa comunitat (d’actors i espectadors) i per
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Freitas, Maria Teresa De. "Revolução francesa e modernidade em Retif de la Bretonne." Cadernos de Linguística e Teoria da Literatura 11, no. 22-24 (2016): 11. http://dx.doi.org/10.17851/0101-3548.11.22-24.11-43.

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Resumo: Rétif de la Bretonne , escritor francês da segunda metade do século XVIII, embora pouco conhecido nos meios literários atuais, é o autor de uma vasta e curiosa obra literária, que toca os mais diversos gêneros: romance, conto, ficção autobiográfica, teatro, ficção científica, tratado e crônica. Além de conter inúmeras previsões, tanto no campo sócio-político como no campo da ciência, frutos de uma extraordinária lucidez profética, essa obra constitui um excelente documento sobre a sociedade de época. Mas, sobretudo, é ele o autor de uma das mais interessantes crônicas da Revolução fran
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Dissertations / Theses on the topic "Francesco I d’Este"

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Sirocchi, Simone. "Strategie culturali tra Parigi e Modena nel Grand Siècle : gli artisti francesi alla corte estense." Thesis, Paris, EPHE, 2016. http://www.theses.fr/2016EPHE4033/document.

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La thèse reconstitue les liens culturels entre Paris et Modène pendant les règnes de François Ier (1629-58) et Alfonso IV (1658-62) et explique comment les artistes français à la cour des Este ont contribué à la définition de l’image du pouvoir ducal. La correspondance diplomatique de l’abbé Ercole Manzieri, résident de François Ier à Paris, a révélé le trafic intense des portraits, des bijoux et des vêtements expédiés de Paris à Modène, certifiant une profonde influence française sur le goût et le costume des Este. En décrivant les liens entre les deux cours, la thèse traite de la figure de G
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2

Maxson, Brian. "Review of Isabella d’Este and Francesco Gonzaga: Power Sharing at the Italian Renaissance Court." Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etsu-works/6205.

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The book reviewed depicts husband and wife, Francesco Gonzaga and Isabella d'Este, who worked together to direct the domestic and diplomatic affairs of Mantua far more than the scholarship on Isabella has usually assumed.
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Books on the topic "Francesco I d’Este"

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James, Carolyn. A Renaissance Marriage. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780199681211.001.0001.

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Drawing extensively on unpublished archival sources, this book analyses the marriage of Isabella d’Este, one of the most famous figures of the Italian Renaissance, and her less well-known husband, Francesco Gonzaga, ruler of the small northern Italian principality of Mantua (r. 1484–1519). It offers fresh insights into the nature of political marriages during the early modern period by investigating the forces which shaped the lives of an aristocratic couple who, within several years of their wedding, had to deal with the political challenges posed by the first conflicts of the Italian Wars (1
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Book chapters on the topic "Francesco I d’Este"

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Ricci, Giovanni. "Chapter 13. Great Funerals in a Little State. Francesco I and Alfonso IV d’Este at Modena (1659 and 1663)." In Princely Funerals in Europe 1400–1700. Brepols Publishers, 2020. http://dx.doi.org/10.1484/m.efs-eb.5.120762.

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"Die Gara delle stagioni des Francesco I. d’Este." In Choreographie der Herrschaft. Wilhelm Fink Verlag, 2016. http://dx.doi.org/10.30965/9783846758519_017.

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James, Carolyn. "The Crafting of Identity and the Division of Political Labour." In A Renaissance Marriage. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780199681211.003.0004.

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The use of gender as a category of historical analysis has prompted historians to rethink the modalities of politics during the Renaissance period. While women were rarely rulers in their own right, they sometimes exercised a political authority drawn from cultural influence, or directly assigned to their person by virtue of deputizing for absent husbands. This chapter explores the extent to which the political collaboration of Isabella d’Este and Francesco Gonzaga emulated precedents established by their parents and grandparents. The ways in which Isabella exploited gender tropes, or submitted to them, is considered alongside Francesco Gonzaga’s projection of a virile masculine identity, through an analysis of how the pair used art and other forms of cultural patronage to shape their respective identities and political qualities.
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James, Carolyn. "Parallel Aspirations." In A Renaissance Marriage. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780199681211.003.0005.

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The early decades of the Italian Wars (1494–1559) had a dramatic impact on the political landscape of Italy and radically changed the nature of military conflict. This chapter explores the efforts of Francesco Gonzaga and Isabella d’Este to realize their youthful ambitions in a rapidly changing political environment. The marquis wished to make his name as a military strategist and warrior, while his wife aspired to try out her diplomatic talents. Both individuals enjoyed initial success in their respective endeavours, as they worked together effectively, if not entirely harmoniously, to maintain the Gonzaga regime on an even keel during the first French invasion of the Italian peninsula.
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James, Carolyn. "Introduction." In A Renaissance Marriage. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780199681211.003.0001.

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The historical specificity of how patriarchy was interpreted and the ways in which social position and gender interacted to shape an elite marital relationship are the focus of this study of Isabella d’Este and Francesco Gonzaga. The pair’s agile improvisations in relation to masculine and feminine identities and to the division of work, were usually prompted by the diplomatic dilemmas they faced. Inevitably such experiments prompted uncertainty and sometimes sharp discord, as they struggled to work out a modus vivendi in a rapidly changing and perilous political environment. In analysing how this marriage was inhabited emotionally, alongside how it operated politically, the book aims to uncover the intricate intertwining of the private and public in a marriage that had to succeed on both levels.
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James, Carolyn. "Conclusion." In A Renaissance Marriage. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780199681211.003.0010.

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Isabella d’Este and Francesco Gonzaga together navigated the highs and many lows of the first conflicts of the Italian Wars, their cooperation underpinned by a mutual devotion to their children and concern for the future of the Gonzaga regime. But this study has shown that it was difficult to agree about the terms of that collaboration, a situation that the richly nuanced sources permit us to understand within the terms of premodernity. The couple’s acrimonious epistolary negotiations during the last years of their union over the extent to which the conventional marital hierarchy should be observed provide evidence of the powerful influence of gendered norms, but also of how prescriptive social rules might at times be modified or ignored by individuals when pragmatic issues overtook ideology.
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James, Carolyn. "Building a Spousal Relationship." In A Renaissance Marriage. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780199681211.003.0003.

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As was the case with other politically significant unions, the early years of the marriage of Francesco Gonzaga and Isabella d’Este were dominated by the expectation that the couple would quickly produce an heir. While this pressure was most acutely felt by Isabella, the lack of a son represented a significant source of worry for a ruler who sought to secure a dynastic legacy. This chapter explores the struggle of a newly married couple to develop trust and to become sexually comfortable with each other, a process that proved far from straightforward. Francesco was known for his ribald humour and frank sexuality, while Isabella married with little awareness of what to expect in relation to her duty to bear a son. By piecing together evidence relating to their early relationship, the chapter traces the emotional discomfort the marital partners experienced in the initial stage of their union, the lengths to which Isabella’s parents and members of her own household went to resolve them, and the public scrutiny to which the marchioness was subject in the lead up to the birth of her first child.
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