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Relevant bibliographies by topics / Francis (1909-1992 ; artiste)

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Academic literature on the topic 'Francis (1909-1992 ; artiste)'

Author: Grafiati

Published: 1 June 2024

Last updated: 31 July 2025

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Journal articles on the topic "Francis (1909-1992 ; artiste)"

1

Jedlińska, Eleonora. "Francis Bacon (1909-1992)." Zbornik radova Filozofskog fakulteta u Splitu, no. 14 (December 17, 2021): 181–94. http://dx.doi.org/10.38003/zrffs.14.11.

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Francis Bacon painted pictures based mostly on photographs published in encyclopaedias, popular magazines, the tabloid press, posters and packaging. He was interested in reproductions of paintings by great masters. He used photographs by Muybridge. Photographs, treated by Bacon as tools, were later “worked on” by the artist, becoming the canvas for his paintings. The scenes he chose – often drastic, depicting rape and violence – were painted into his canvases, creating a deformed image of the world that “emerged” from the horrors of both world wars. He painted portraits based on his photograph

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2

Uz, Ayfer. "Resimde Duygu ve Gerilimin Çekiciliği Francis Bacon (1909-1992)." Journal of Social Research and Behavioral Sciences 7, no. 13 (2021): 703–18. http://dx.doi.org/10.52096/jsrbs.6.1.7.13.36.

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Abstract Francis Bacon was born in Dublin in 1909 to an English family. The artist rejected the literary field and perceived his painting directly as an act of expressionism. The period he lived in and the effect he had on it was reflected in his paintings as horrifying images emerged in them. The figures in his paintings were distorted, trapped in a strong motion, caught in a vortex or storm. The audience subjected to the emotional tension of the figures were subjected to intense emotions. The aim of this study, which was conducted by qualitative research method, is on Francis Bacon who, even

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3

Marshall, Jonathan. "Inciting Reflection." M/C Journal 8, no. 5 (2005). http://dx.doi.org/10.5204/mcj.2428.

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   Literary history can be viewed alternately in a perspective of continuities or discontinuities. In the former perspective, what I perversely call postmodernism is simply an extension of modernism [which is], as everyone knows, a development of symbolism, which … is itself a specialisation of romanticismand who is there to say that the romantic concept of man does not find its origin in the great European Enlightenment? Etc. In the latter perspective, however, continuities [which are] maintained on a certain level of narrative abstraction (i.e., history [or aesthetic descri

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4

Mac Con Iomaire, Máirtín. "Coffee Culture in Dublin: A Brief History." M/C Journal 15, no. 2 (2012). http://dx.doi.org/10.5204/mcj.456.

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IntroductionIn the year 2000, a group of likeminded individuals got together and convened the first annual World Barista Championship in Monte Carlo. With twelve competitors from around the globe, each competitor was judged by seven judges: one head judge who oversaw the process, two technical judges who assessed technical skills, and four sensory judges who evaluated the taste and appearance of the espresso drinks. Competitors had fifteen minutes to serve four espresso coffees, four cappuccino coffees, and four “signature” drinks that they had devised using one shot of espresso and other ingr

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Dissertations / Theses on the topic "Francis (1909-1992 ; artiste)"

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Haziot, Judith. "Le rôle de la facture apparente en peinture : Berthe Morisot, Vincent Van Gogh et Francis Bacon, au prisme des sciences cognitives." Electronic Thesis or Diss., Amiens, 2016. http://www.theses.fr/2016AMIE0036.

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Y a-t-il un rapport entre l'effet provoqué par une image et sa texture? L'illusionnisme pictural issu de la Renaissance, fondé sur la perspective linéaire, avait cherché à effacer toute trace de la facture en peinture. La présence du corps de l'artiste dans cette facture devenue apparente n'apporte-t-elle pas une émotion plus immédiate? Cette thèse montre que les découvertes des sciences cognitives sur la perception ont été pressenties par des peintres des XIX et XXe siècles, en particulier B. Morisot, V. Van Gogh, et F. Bacon qui ont bouleversé les habitudes du regard. Ces artistes se sont re

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2

Mullins, Nigel Lorraine Griffin. "A perspective on the question of the absence or presence of religious beliefs relating to elements of modern artistic endeavour, with special reference to the life and work of Francis Bacon." Thesis, Rhodes University, 1994. http://hdl.handle.net/10962/d1007710.

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Preface: An awareness of certain contradictory perceptions and assumptions regarding religious beliefs today and their relevance to art prompted a question which led to the research undertaken in this minithesis. The question was: how significant is the absence or presence of religious beliefs to the modern creative process? The writings of some theologians, sociologists, psychologists, and anthropologists seem to indicate that religious beliefs are fundamental to the functioning of society and the individuals who are part of it. Furthermore, even a cursory study of the history of art will dem

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Books on the topic "Francis (1909-1992 ; artiste)"

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Farr, Dennis. Francis Bacon: A retrospective. Edited by Martino Massimo, Bacon Francis 1909-, Peppiatt Michael, Yard Sally, Trust for Museum Exhibitions, and Yale Center for British Art. Harry N. Abrams in association with the Trust for Museum Exhibitions, 1999.

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Farson, Daniel. The gilded gutter life of Francis Bacon. Pantheon Books, 1994.

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Peppiatt, Michael. Francis Bacon: Anatomy of an enigma. Weidenfeld & Nicolson, 1996.

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Bacon, Francis. Francis Bacon. Skira Rizzoli, 2009.

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5

Francis, Bacon. Francis Bacon. Staatsgalerie Stuttgart, 1985.

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Francis, Bacon. Francis Bacon. Phaidon Press, 1993.

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7

Francis, Bacon. Francis Bacon: Retrospektive. Galerie Beyeler, 1987.

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8

Francis, Bacon. Francis Bacon: Paintings. Marlborough Fine Art (London) Ltd, 1985.

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9

Francis, Bacon. Francis Bacon: Litografías. Der Brücke, 1989.

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10

Francis, Bacon. Francis Bacon: Paintings. Marlborough Fine Art (London) Ltd, 1986.

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