Relevant bibliographies by topics / Francis Ford

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Francis Ford'

Author: Grafiati
Published: 4 June 2021
Last updated: 22 February 2023

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Journal articles on the topic "Francis Ford"

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Kovacs, Steven. ": Tucker . Francis Ford Coppola." Film Quarterly 42, no. 4 (July 1989): 26–28. http://dx.doi.org/10.1525/fq.1989.42.4.04a00070.

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Sáez-González, Jesús Miguel. "Tetro (Francis Ford Coppola)." Vivat Academia, no. 107 (July 15, 2009): 158. http://dx.doi.org/10.15178/va.2009.107.158-159.

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Kovacs, Steven. "Review: Tucker by Francis Ford Coppola." Film Quarterly 42, no. 4 (1989): 26–28. http://dx.doi.org/10.2307/1212825.

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Pascal, Ana. "Manual de instrucciones para perder el control." Arkadin, no. 8 (August 17, 2019): e013. http://dx.doi.org/10.24215/2525085xe013.

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Reseña a Francis Ford Coppola (2018). El cine en vivo y sus técnicas. Barcelona, España: Reservoir Books, 240 páginas Reseña de la más reciente publicación de Francis Ford Coppola, este libro es el corolario de una exploración intensiva de las posibilidades narrativas, estéticas, tecnológicas y de los modos de producción, distribución y fruición del cine en vivo, un nuevo medio que el director vislumbra como el futuro posible del cine.
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Wiest, Jean-Paul. "The Legacy of Bishop Francis X. Ford." International Bulletin of Missionary Research 12, no. 3 (July 1988): 130–35. http://dx.doi.org/10.1177/239693938801200304.

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Thomas, Peter. "Review: Francis Ford Coppola's ‘The Godfather’ Trilogy." Media International Australia 97, no. 1 (November 2000): 153. http://dx.doi.org/10.1177/1329878x0009700117.

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Norris, Margot. "Modernism and Vietnam: Francis Ford Coppola's Apocalypse Now." MFS Modern Fiction Studies 44, no. 3 (1998): 730–66. http://dx.doi.org/10.1353/mfs.1998.0070.

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Tait, R. Colin. "The two Vitos: De Niro’s translation of Vito Corleone in The Godfather Part II." Journal of Adaptation in Film & Performance 14, no. 3 (December 1, 2021): 317–35. http://dx.doi.org/10.1386/jafp_00060_1.

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Robert De Niro and Marlon Brando are the only two actors to win an Academy Award for playing the same character: Vito Corleone in Francis Ford Coppola’s Godfather series. My article examines the similarities and differences between the actors’ interpretations of the iconic Don Corleone. I draw on lessons on script interpretation they both learned from their acting teacher Stella Adler and Robert De Niro’s goal of ‘being in the present circumstances of the moment’ to examine De Niro’s translation of Brando, the script, Mario Puzo’s novel and their interpretation of Corleone’s embodiment of masculinity. Using De Niro’s scripts, documents and notes related to his research of Corleone in the Harry Ransom Center, I outline the specific steps that De Niro took to translate and reinterpret Corleone. By triangulating the three major personalities most responsible for creating the memorable role, we can separate the various author-functions of three very different creators ‐ Francis Ford Coppola, Marlon Brando and Robert De Niro.
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Bergami G. Barbosa, Pablo. "Le désir de pouvoir dans Le Parrain de Francis Ford Coppola." Topique 146, no. 2 (2019): 97. http://dx.doi.org/10.3917/top.146.0097.

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Oliveira, Cláudio. "Francis Ford Coppola dá receitas de cinema e macarrão em Cuba." Sinopse (São Paulo) 1, no. 1 (June 8, 1999): 13. http://dx.doi.org/10.11606/issn.1807-8907.v1i1p13-13.

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Dissertations / Theses on the topic "Francis Ford"

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Brett, Riccardo <1985&gt. "Symbolism in Francis Ford Coppola's Apocalypse Now: A Journey Within." Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/3261.

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Lam, Seen-fong Melinde. "The representation of colonialism in two filmic texts : Roeg's Heart of Darkness (1993) and Coppola's Apocalypse Now (1979) /." Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25262543.

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Meneghini, Luca. "Le varianti dell'Apocalisse - Le tre edizioni di Apocalypse Now di Francis Ford Coppola." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2022. http://amslaurea.unibo.it/25328/.

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Uno studio filologico condotto sulle tre edizioni di Apocalypse Now di Francis Ford Coppola e delle rispettive varianti, e di come esse influiscano sul messaggio filmico partendo dalla letteratura di riferimento.
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Zegarra, Velásquez Roberto Luis. "Análisis y simulación fluidodinámica del fenómeno de cavitación en una turbina Francis." Bachelor's thesis, Universidad Nacional Mayor de San Marcos, 2015. https://hdl.handle.net/20.500.12672/10249.

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Analiza el comportamiento del fenómeno de cavitación, basándose en los conceptos de la mecánica de fluidos, haciendo uso de la dinámica de fluidos computacional y utilizando la herramienta de simulación ANSYS CFX, tendremos una visión mucho más amplia del fenómeno. La metodología realizada en este estudio podrá ser tomada como una referencia para posteriores trabajos de optimización y diseño en turbinas Francis o implementaciones de estas en centrales hidroeléctricas.
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Lombard, Gaëlle. "Les figures de la transgression et du châtiment dans l'oeuvre de Francis Ford Coppola : le démiurge enchaîné." Paris 10, 2008. http://www.theses.fr/2008PA100085.

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Notre thèse se fonde sur l’idée qu’une œuvre s’identifie à une totalité ordonnée par des principes (esthétiques, dramatiques) autour d’un centre (l’auteur) et nous tentons de bâtir celle de Coppola à travers l’analyse de ses films. Ces derniers se présentent comme des récits dont l’étude narratologique permet d’établir la permanence d’une histoire : un personnage transgresse les lois d’un système qui, en retour, le sanctionne. On le voit, si nous avons isolé, dans notre titre, transgression et châtiment, ces actions sont liées à leurs sujets, le héros et l’ordre. Pour comprendre l’articulation du narratif et du filmique, la notion d’ordre est centrale : elle désigne un ensemble de valeurs et des règles (culturelles, morales, économiques, sociales) relatives à une collectivité et représentées par un pouvoir. Mais sa présence définit aussi ce qui détermine les conditions d’existence du monde filmique, autrement dit l’organisation des moyens par lesquels le cinéma peut exprimer l’illusion de la vie humaine. La thèse, durant trois parties portant sur l’analyse des films (et après une première qui est strictement narratologique), en propose une lecture sur deux niveaux complémentaires : le premier relève de la fiction, le second de l’art qui l’autorise. Cette perspective permet de donner à la figure du héros luttant contre un monde qui l’aliène, une signification qui, sans altérer son caractère mythique, l’insère dans une dimension spécifiquement cinématographique
This thesis is based on the assumption that an artist’s work is a coherent whole structured by aesthetic and dramatic principles conjured up by a central figure – the author. Therefore, it aims to establish the coherence of Coppola’s work through an analysis of his films. These films appear as narratives characterized by a recurrent storyline: a protagonist transgresses the laws of a system which in turn punishes him/her. Therefore, transgression and punishment imply the existence of a collective order to which the figure of the hero is subordinated. The notion of order is central to understanding the articulation between narrative and aesthetics, as it implies the existence of a set of rules and values – cultural, moral, economic, and social – by which a community defines itself. In Coppola's films, these rules are embodied in either a power figure or a power structure. But order is also about creating the framework which permits the very existence of cinema: the various means and devices through which film manages to convey the illusion of human life. Following a first, strictly narratological part, this study is divided into three parts focusing on film analysis, and develops a reading of Coppola’s films from two inseparable perspectives: the fiction narrative and the artistry which generates it. Such an approach imbues the figure of the hero fighting an alienating world with a meaning that, far from altering its mythical quality, reinscribes it within a properly cinematic dimension
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Zegarra, Velasquez Roberto Luis. "Análisis y simulación fluidodinámica del fenómeno de cavitación en una turbina Francis." Bachelor's thesis, Universidad Nacional Mayor de San Marcos, 2015. https://hdl.handle.net/20.500.12672/6938.

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Aborda el estudio de uno de los principales problemas de funcionamiento que aquejan a las turbinas Francis: la cavitación, tanto en su forma cualitativa como cuantitativa. Busca encontrar el caudal de máxima eficiencia de la turbina usada en la Central Hidroeléctrica Cahua, ubicada al norte de Lima y verificar si esta central presenta problemas de cavitación durante su operación. Válida la simulación realizada con el simulador ANSYS 14.5 haciendo uso de material bibliográfico y referencias. El estudio de este fenómeno proporciona información para mejorar la eficiencia de una central hidroeléctrica, ya que obtendremos los puntos críticos de operación de las turbinas Francis.
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Breukelaar, Jennifer S. English Media &amp Performance UNSW. "Heroics of the false: a new look at noir." Awarded by:University of New South Wales. English, Media and Performance, 2007. http://handle.unsw.edu.au/1959.4/29485.

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In this thesis I investigate the nature of noir subjectivity, and the degree to which it can be described as heroic. To investigate these issues, I have chosen to illustrate my argument by analysing my novel, Viper, and two films that renew the noir cycle at different socio-political crossroads in America: in 1958, Alfred Hitchcock???s late noir, Vertigo, and in 1974, Frances Ford Coppola???s neo-noir, The Conversation. Because these texts present an extreme theorisation of deception in terms of the assembling and erasure of subjective identity, they will serve as a basis to explore the question of noir subjectivity. In proceeding thus, I argue in the dissertation that film noir???s most innovative borrowing can be described as a monstrous stitching together of incompatible parts???the real and the imaginary, the past and the present, the living and the dead???which accounts for a cut both between, and within, the image. It is this prosthetic approach to representation that takes the noir mode beyond its existential, individualist limits, and accounts for the subjective wound in noir: the heroic conflict between the singular and the multiple. In my analytic procedure then, I extend the idea of monstrosity beyond its current boundaries in contemporary theory. I do this by fusing Marie H??l??ne Huet???s conception of the monstrous imagination, which is a theory of art, with Gilles Deleuze???s powers of the false, which belongs to a philosophy of time. I posit a dialogic exchange across these analyses and my novel to suggest that the cinematic cut not only accounts for what Deleuze has termed the time-image but also is symptomatic of the chronic wounding of the riven noir hero. These analyses suggest that, while sustaining the aura of authorship through technical innovation and stylistic mastery, film noir serves paradoxically to challenge the mastery of the model designated as masculine. In my novel I continue to deal with the issues raised in the dissertation, through a rearticulation of a subjectivity that irrevocably alters its relation to representation in its affinity with the image, its serial movement through interstitial space, and its novel powers of falsification.
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Gil, Bancallan Luis Orlando. "Diseño de un módulo de simulación de generación hidroeléctrico utilizando turbinas Pelton y Francis abastecidas por un sistema de recirculación." Bachelor's thesis, Universidad Católica Santo Toribio de Mogrovejo, 2017. http://tesis.usat.edu.pe/handle/usat/1131.

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El presente proyecto, es un módulo de pruebas dotado por dos turbinas una pelton y una francis que simula el funcionamiento de una pequeña central hidroeléctrica y permite disponer como herramienta para capacitar e incentivar a estudiantes en energías limpias y renovables. La tesis desarrollada abarca la construcción de un sistema que muestra el funcionamiento de dos turbinas, aprovechando la operación de una electrobomba centrífuga para simular el salto hidráulico. El trabajo comprende; la construcción del módulo “Montaje de las turbinas, sistema eléctrico, electrobomba y simulación de la caída de agua”, la selección de los instrumentos y dispositivos así como los procedimientos de evaluación y diseño, se utilizara datos comerciales. Que se propone permitirá: visualizar los diferentes comportamientos hidráulicos y eléctricos que se presenten.
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Cook, Corina K. "Hollow at the core apocalyptic visions in Joseph Conrad's Heart of darkness and T.S. Eliot's The waste land /." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 2002. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M.A.)--Kutztown University of Pennsylvania, 2002.
Source: Masters Abstracts International, Volume: 45-06, page: 2842. Typescript. Abstract precedes thesis as preliminary leaves 1-2. Includes bibliographical references (leaves 81-86).
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Lenglet, Benjamin. "Néoromantisme(s) et esthétique de la postmodernité : La recréation cinématographique d’œuvres littéraires romantiques par Wenders, Gray, Sokourov, Coppola et Verheyde." Rouen, 2016. http://www.theses.fr/2016ROUEL024.

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Wim Wenders, avec Faux Mouvement, James Gray, avec Two Lovers, Alexandre Sokourov, avec Faust, Francis Ford Coppola, avec Twixt, et Sylvie Verheyde, avec Confession d’un enfant du siècle, ont accordé une place singulière au matériau romantique. Par la pratique de l’adaptation, ces cinq cinéastes ont engagé un dialogue entre deux mouvements esthétiques, le romantisme et l’esthétique postmoderne. À travers cette rencontre, ils ont questionné une esthétique de la surface à l’aune d’une esthétique de l’intériorité, ils ont mobilisé des caractères romantiques qu’ils ont confrontés à des contextes historique et esthétique singuliers. Ces expressions néoromantiques, bien que prenant forme dans des espaces géographiques différents, ont en partage des traits, mettant en lumière un néoromantisme cinématographique. Enfin, le traitement, parfois très libre, du matériau littéraire originel questionne la notion d’adaptation cinématographique. De par les multiples sources mobilisées et la lecture du cinéaste toujours personnelle, les notions d’adaptation et de fidélité s’effacent au profit de celle de « recréation »
Wim Wenders, with “Wrong Move”, James Gray, with “Two Lovers”, Alexander Sokurov, with “Faust”, Francis Ford Coppola, with “Twixt”, and Sylvie Verheyde, with “Confession of a Child of the Century”, have given a unique place to the romantic material. Through the practice of the film adaptation, these five filmmakers have engaged a dialogue between two aesthetic movements, romanticism and the postmodern aesthetic. Through this encounter, they have questioned an aesthetic of the surface in terms of an aesthetic of interiority, and they have mobilized romantic characters confronted to historical and aesthetical singular contexts. Even though these neoromantic expressions are formed into various geographic areas, they share lines, highlighting a cinematographic neoromanticism. Lastly, the treatment, sometimes very open, of the original literary material questions the concept of film adaptation. By the multiple sources mobilized and the necessarily individual filmmaker’s interpretation, the concepts of adaptation and fidelity fade in favor of the concept of “recreation”
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Books on the topic "Francis Ford"

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Vernaglione, Paolo. Francis Ford Coppola. Roma: Gremese, 1997.

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Bodo, Fründt, ed. Francis Ford Coppola. München: Hanser, 1985.

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Delorme, Stéphane. Francis Ford Coppola. Paris: Cahiers du cinéma Sarl, 2010.

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Elizabeth, Vincent, ed. Francis Ford Coppola. New York: St. Martin's Press, 1985.

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Coppola, Francis Ford. Francis Ford Coppola: Interviews. Jackson: University Press of Mississippi, 2004.

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D, Phillips Gene, and Hill Rodney 1965-, eds. Francis Ford Coppola: Interviews. Jackson: University Press of Mississippi, 2004.

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Welsh, James Michael. The Francis Ford Coppola encyclopedia. Lanham: The Scarecrow Press, 2010.

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Nick, Browne, ed. Francis Ford Coppola's Godfather trilogy. Cambridge, UK: Cambridge University Press, 1999.

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Phillips, Gene D. The Francis Ford Coppola encyclopedia. Lanham: The Scarecrow Press, 2010.

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Godfather: The intimate Francis Ford Coppola. Lexington: University Press of Kentucky, 2004.

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Book chapters on the topic "Francis Ford"

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Ciasullo, Ann M. "Francis Ford Coppola and The Outsiders." In The Outsiders, 25–42. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003228783-3.

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Streete, Adrian. "Ethics and the Undead: Reading Shakespearean (Mis)appropriation in Francis Ford Coppola’s Dracula." In Shakespeare and the Ethics of Appropriation, 59–72. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137375773_4.

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Lemke, Cordula. "Dracula’s Times: Adapting the Middle Ages in Francis Ford Coppola’s Bram Stoker’s Dracula." In The Medieval Motion Picture, 41–56. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137074249_3.

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Cardullo, R. J. "Thought, Feeling, and The Cinema of Francis Ford Coppola: The Rain People As Exemplum." In Teaching Sound Film, 125–34. Rotterdam: SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-726-9_12.

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Webster, Alison. "Francis Hutcheson: Political Ideals." In Life the Human Quest for an Ideal, 61–70. Dordrecht: Springer Netherlands, 1996. http://dx.doi.org/10.1007/978-94-009-1604-3_4.

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Carroll, John E. "Pope Francis’ Encyclical, Food and Agriculture." In Encyclopedia of Food and Agricultural Ethics, 1–5. Dordrecht: Springer Netherlands, 2016. http://dx.doi.org/10.1007/978-94-007-6167-4_571-1.

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Carroll, John E. "Pope Francis’ Encyclical, Food and Agriculture." In Encyclopedia of Food and Agricultural Ethics, 2021–25. Dordrecht: Springer Netherlands, 2019. http://dx.doi.org/10.1007/978-94-024-1179-9_571.

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Lambert, Carolyn. "Frances Trollope and the Picaresque Marriage." In For Better, For Worse, 18–33. New York: Routledge, 2017. | Series: Routledge studies in nineteenth-century literature: Routledge, 2017. http://dx.doi.org/10.4324/9781315228181-2.

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Potts, Donna. "‘Room for Creatures’: Francis Harvey’s Bestiary." In Animals in Irish Literature and Culture, 165–81. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137434807_12.

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Pennycook, Alastair. "Lingua Francas as Language Ideologies." In English as an International Language in Asia: Implications for Language Education, 137–54. Dordrecht: Springer Netherlands, 2012. http://dx.doi.org/10.1007/978-94-007-4578-0_9.

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Conference papers on the topic "Francis Ford"

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Stellpflug, James, and Mike Snell. "IT-Based Switching Brings Francis Ford Coppola's New “Live Cinema” Project to Life." In SMPTE Australia Conference. IEEE, 2015. http://dx.doi.org/10.5594/m001737.

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Hashemipour, Saman. "INTERTEXTUALİTY İN ASGHAR FARHADİ’S THE SALESMAN." In 2. Uluslararası Sinema Sempozyumu. Yakın Doğu Üniversitesi İletişim Araştırmaları Merkezi, 2022. http://dx.doi.org/10.32955/neuilamer2022-03-0214/ch12.

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Farhadi’s The Salesman, which won the Best Screenplay award at the 2016 Cannes Film Festival and the Best Foreign Language Film in the 89th Academy Awards, got universal acclaim and behooved for academic debates. The intertextual references in The Salesman optimized with the film’s explicit references to Arthur Miller’s drama play, The Death of a Salesman. However, the director, Asghar Farhadi, includes more subtle intertextual references to attract the audience to some masterpieces of art. This study introduces referenced sources to emphasize parallels between Farhadi’s film and other literary and artistic works to determine the central themes of the movie in order to evaluate the protagonist and antagonist’s actions thoroughly and accurately. Out of The Death of a Salesman, the film establishes intertextual relations with plays such as Hamlet by Shakespeare and Out at Sea by Slawomir Mrozek, “The Cow” —a short story—by Gholam-Hossein Saedi, Gilemard—a novel—by Bozorg Alavi, and movies such as Shame by Ingmar Bergman and The Godfather by Francis Ford Coppola. These intertextual relations are the film’s central conflict that should be evaluated in the realm of the challenge between tradition and modernity. In addition, of course, various manifestations of such resistance are reflected in the facedown between the past and the future.
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Pié Ninot, Ricard, and Izol Emilia Marez López. "Revisitar el Languedoc-Roussillon: aprendiendo del pasado." In Seminario Internacional de Investigación en Urbanismo. Barcelona: Maestría en Planeación Urbana y Regional. Pontificia Universidad Javeriana de Bogotá, 2014. http://dx.doi.org/10.5821/siiu.5998.

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Este trabajo se propone revisar la “operación Racine” iniciada en 1963 por la Délégation à l’aménagement du territoire et à l’action régionale (DATAR) como uno de los proyectos turísticos implementados por el Gobierno francés para contribuir al desarrollo económico del Sur de Francia. El objetivo es reivindicar el papel de la arquitectura, el urbanismo y el paisajismo como instrumentos básicos para afrontar el desarrollo turístico de la costa francesa, puesto que la evaluación y la crítica que el proyecto de Languedoc-Rousillon recibió, así como de la influencia que ejerció en el mundo del turismo se están olvidando. Se profundizará en el contenido de los proyectos a partir del análisis de la documentación original de los mismos y se apuntarán algunas consideraciones generales para el futuro. This work presents an overall review of the “Racine operation” which started in 1963 as a touristic project of the French Government for the economic development in the South coast. It was in charge of the Délégation à l’aménagement du territoire et à l’action régionale (DATAR). In order to assert Architecture, Urbanism and Landscaping as elemental instruments in the tourist development in the French coast, we will deepen into de analysis of the original documents, since the published critics and the evaluation of the Languedoc-Roussillon project received, along with its known influence in the tourist world are being forgotten. We will, as well, point some considerations for the future.
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Saeed, Raza A. "Numerical Simulation of Francis Turbine." In ASME 2014 4th Joint US-European Fluids Engineering Division Summer Meeting collocated with the ASME 2014 12th International Conference on Nanochannels, Microchannels, and Minichannels. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/fedsm2014-21024.

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This paper presents the results of modelling of the complete three-dimensional fluid flow through the spiral casing, stay vanes, guide vanes, and then through the Francis turbine runner to the draft tube of the Derbendikhan power station. To investigate the flow in the Francis turbine and also to compute stress distribution in the runner blades, a three-dimensional model was prepared according to specifications provided. The two topics discussed in this study are: (i) the simulation of the 3D fluid flow through the inter blade channels for the Francis turbine runner by using Computational Fluid Dynamics (CFD) and, (ii) the simulation of the stress analysis of the turbine runner by using Finite Element Analysis (FEA). In this study, the water pressure obtained from the CFD analysis for different boundary conditions are incorporated into a Finite Element model to calculate stress distributions in the runner.
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Nakamura, Yohei, Ryosuke Shima, Hiroki Komatsu, Saki Shiratori, and Kazuyoshi Miyagawa. "Development of Shroudless Francis Turbine." In ASME/JSME/KSME 2015 Joint Fluids Engineering Conference. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/ajkfluids2015-02352.

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In this study, new design concepts were structured by DOE based on internal flow evaluation by CFD to realize the efficiency improvement, reliability improvement and cost reduction of a medium or small capacity hydro turbine. As a part of new concepts, shroudless type and shroud liner type runner shape were adopted. In shroud liner type, shroud line of meridional plane shape inclines at 45 degrees to rotational axis. By adopting shroud less type, runner can be made not by casting but by cutting work. For medium or small hydroelectric power plant, cost reduction is strongly required in comparison with larger scale hydro one. By adopting shroud liner type, efficiency was improved because of mitigating secondary flow. In addition, to improve reliability, shroud partial band was bonded at inlet of runner. This plays a role to prevent runner blade from breaking by tip rubbing. By using high-speed video camera and CFD analysis, it was clarified that runner outlet cavitation is caused by jet which is leakage in the tip clearance region and that leakage flow of outlet is larger than leakage flow of inlet. Moreover, by using the three-hole Pitot tube, the runner outlet flow distribution was measured and the validity of the design point was verified. Finally, by measurement of pressure on the wall of the stationary parts such as the guide vane, it was clarified that the total pressure loss of guide vane increases in stream-wise direction in low mass flow rate. In this report, the development of the shroudless Francis turbine based on the loss mechanism and flow investigation was described.
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Erickson, Thomas. "Lingua Francas for design." In the conference. New York, New York, USA: ACM Press, 2000. http://dx.doi.org/10.1145/347642.347794.

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Cerpinska, Marina, Martins Irbe, and Rihards Elmanis-Helmanis. "Swirling flow in Francis turbines depending on guide vanes opening position." In 18th International Scientific Conference Engineering for Rural Development. Latvia University of Life Sciences and Technologies, 2019. http://dx.doi.org/10.22616/erdev2019.18.n229.

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Ayli, Ulku Ece, Alper Kaplan, Huseyin Cetinturk, Berat Kavurmaci, Gizem Demirel, Kutay Celebioglu, and Selin Aradag. "CFD Analysis of 3D Flow for 1.4 MW Francis Turbine and Model Turbine Manufacturing." In ASME 2015 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/detc2015-46258.

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Hydroenergy is one of the most useful renewable energy sources. Hydropower is a vital source as it is clean, sustainable and cost effective. Francis type hydroturbines are applicable to a wide range of head and flow rate values. Spiral case, stay vane, guide vane, runner and draft tube are the basic components of a Francis turbine. In this paper, CFD based 3D numerical simulations of steady turbulent flow in a Francis turbine for an actual power plant, BUSKI HES in Turkey, is presented.
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Zhang, Ri-Kui, Feng Mao, Jie-Zhi Wu, Shi-Yi Chen, Yu-Lin Wu, and Shu-Hong Liu. "Analysis and Control of Part-Load Unsteady Flow in Francis Turbine’s Draft Tube." In ASME Turbo Expo 2007: Power for Land, Sea, and Air. ASMEDC, 2007. http://dx.doi.org/10.1115/gt2007-27440.

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By using the Reynolds-averaged Navier-Stokes (RANS) equations, the complex unsteady vortical flow in the entire draft tube of a Francis turbine under a part-load condition, with severe low-frequency pressure fluctuation, is investigated numerically to gain an in-depth understanding of the physical characters of the flow including its stability and robustness, and thereby to seek effective control means to alleviate or even eliminate the strong pressure fluctuation. Our main findings are as follows: In the cone segment of the draft tube, the vortex rope is due to the global instability of the flow caused crucially by the reversed axial flow at the inlet. In the elbow segment of the draft tube, the reversed flow coexists side by side with a fluid channel that carries the mass flux downstream due to favorable axial pressure gradient. In the outlet segment of the draft tube, the mass-flux channel always goes through a fixed outlet, leaving the other two with nearly zero flux. The entire draft-tube flow, although undesired under part-load condition, forms a globally robust system. The principles for effectively controlling this complex flow are proposed. A simple water jet injection at the inlet is numerically proven successful.
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Hosseinimanesh, Hossein, Christophe Devals, Bernd Nennemann, Marcelo Reggio, and François Guibault. "Unsteady Simulation for Francis Turbine During Load Rejection Events." In ASME 2016 Fluids Engineering Division Summer Meeting collocated with the ASME 2016 Heat Transfer Summer Conference and the ASME 2016 14th International Conference on Nanochannels, Microchannels, and Minichannels. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/fedsm2016-7535.

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This paper presents an automated tool chain for simulating Francis turbine behavior during the transient processes induced by a load rejection event. The proposed methodology combines a commercial CFD solver and a user function and scripts to address the simulation challenges caused by the wicket gate motion and runner speed variation during emergency shutdown. Mesh deformation and re-meshing techniques are used to simulate the large displacement of the wicket gates. The runner speed variation is computed using an angular momentum equation implemented in a user defined function. The proposed methodology was developed and validated by performing 2D unsteady simulations on a high head model Francis turbine used in the Francis-99 workshop, followed by a 3D unsteady simulations on a medium head Francis turbine. These simulations allow computing the evolution of engineering quantities such as turbine angular speed, flow physics and unsteady load on blades during the process. The validation of CFD results with experiments showed 9% discrepancy in the prediction of runaway speed. The investigation of flow physics reveals the presence of complex flow structures such as reversed flow (pumping flow) near the draft tube cone center and a downward tangential flow near the cone wall of the draft tube. Pressure fluctuations are captured when the Francis turbine operating point moves through conditions of zero and negative torque. The proposed methodology is fast and simple to present a qualitative analysis of the flow physics and the turbine behavior during load rejection.
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Reports on the topic "Francis Ford"

1

Alan Sullivan. Final Report: Retrofit Aeration System (RAS) for Francis Turbine. Office of Scientific and Technical Information (OSTI), August 2006. http://dx.doi.org/10.2172/891966.

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Würth, Stéphanie. SNSF Datastory - How much money does Switzerland invest in research and development? Swiss National Science Foundation, September 2021. http://dx.doi.org/10.46446/datastory.rd-financing.

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Every year, the SNSF receives around one billion francs from the federal government. In 2019, a total of 22.9 billion Swiss francs was available for research and development (R&D) in Switzerland. Our country ranks seventh in terms GDP share spent on R&D.
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Armstrong, Rose Marie. Franchise Plan. Central Archive for Reusable Defense Software (CARDS). Fort Belvoir, VA: Defense Technical Information Center, February 1994. http://dx.doi.org/10.21236/ada284344.

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Würth, Stéphanie. SNSF Datastory - The SNSF also funds indirect research costs of universities. Swiss National Science Foundation, July 2021. http://dx.doi.org/10.46446/datastory.overhead-2021.

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Since 2009, the SNSF has financed a portion of the indirect research costs incurred by SNSF-funded projects at research institutions. In 2021, 102 million Swiss francs are available for these "overhead" costs.
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S. Abdellatif, Omar, and Ali Behbehani. France COVID-19 Governmental Response. UN Compliance Research Group, January 2021. http://dx.doi.org/10.52008/fran0501.

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The International Health Regulations (2005) are legally binding on 196 States Parties, Including all WHO Member States. The IHR aims to keep the world informed about public health risks, through committing all signatories to cooperate together in combating any future “illness or medical condition, irrespective of origin or source, that presents or could present significant harm to humans.” Under IHR, states agreed to strengthen their public health capacities and notify the WHO of any such illness in their populations. The WHO would be the centralized body for all countries facing a health threat, with the power to declare a “public health emergency of international concern,” issue recommendations, and work with countries to tackle a crisis. Although, with the sudden and rapid spread of COVID-19 in the world, many countries varied in implementing the WHO guidelines and health recommendations. While some countries followed the WHO guidelines, others imposed travel restrictions against the WHO’s recommendations. Some states refused to share their data with the organization. Others banned the export of medical equipment, even in the face of global shortages. The UN Compliance Research group will focus during the current cycle on analyzing the compliance of the WHO member states to the organizations guidelines during the COVID-19 pandemic.
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Brain, Kelsey. The Transnational Networks of Cultural Commodities: Peruvian Food in San Francisco. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.2249.

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Putz, Sabine, and Bärbel Epp. Solar Heat for Cities: The Sustainable Solution for District Heating. Edited by Bärbel Epp. IEA SHC Task 55, November 2019. http://dx.doi.org/10.18777/ieashc-task55-2019-0007.

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The brochure contains very useful info charts and general information about large scale SDH as well as several case studies of SDH installations in Denmark, China, Serbia, Austria, France, Latvia and Germany.
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Putz, Sabine, and Bärbel Epp. Solar Heat for Cities: The Sustainable Solution for District Heating - Turkish. Edited by Bärbel Epp. IEA SHC Task 55, January 2021. http://dx.doi.org/10.18777/ieashc-task55-2021-0004.

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The brochure contains very useful info charts and general information about large scale SDH as well as several case studies of SDH installations in Denmark, China, Serbia, Austria, France, Latvia and Germany, translated into Turkish.
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McNeil, Andrew, and Eleanor S. Lee. April Burn-in Testing Report for Genentech B35, South San Francisco Campus. Office of Scientific and Technical Information (OSTI), June 2015. http://dx.doi.org/10.2172/1512201.

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Papenbrock, Thomas. FUSTIPEN—the France-U.S. Theory Institute for Physics with Exotic Nuclei. Office of Scientific and Technical Information (OSTI), March 2017. http://dx.doi.org/10.2172/1347530.

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