Relevant bibliographies by topics / Francisco López Capillas (composer

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Academic literature on the topic 'Francisco López Capillas (composer'

Author: Grafiati
Published: 7 June 2025
Last updated: 17 July 2025

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Journal articles on the topic "Francisco López Capillas (composer"

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Brothers. "MUSICAL LEARNING IN SEVENTEENTH-CENTURY MEXICO: THE CASE OF FRANCISCO LÓPEZ CAPILLAS." Revista de Musicología 16, no. 5 (1993): 2814. http://dx.doi.org/10.2307/20796895.

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2

Rincón, Jazmín, and Juan Manuel Lara Cárdenas. "Francisco López Capillas. Missa en Re Sol-Missa Aufer a nobis. Motetes." Anales del Instituto de Investigaciones Estéticas 1, no. 107 (2015): 246. http://dx.doi.org/10.22201/iie.18703062e.2015.107.2561.

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3

Kohut, Tom. "Noise Pollution and the Eco-Politics of Sound: Toxicity, Nature and Culture in the Contemporary Soundscape." Leonardo Music Journal 25 (December 2015): 5–8. http://dx.doi.org/10.1162/lmj_a_00924.

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Sound is a political question of which the antagonisms of noise pollution are a concrete embodiment. The discourses of noise pollution tend to postulate noise as a toxin that is produced by our industrial societies and is difficult either to contain or even define precisely. Composer R. Murray Schafer contrasts this toxin with a sustaining nature, but ecological thought of the past decade suggests that nature is, in fact, unnatural. The field recordings of Chris Watson and Francisco López suggest that this natural perversity can indicate a new mode of sonic ecological sustainability.
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4

García, Martínez Adrián. "La música exequial de Francisco López Capillas para las Honras Fúnebres de Felipe IV en la Ciudad de México (1666)." Paisajes sonoros históricos (c.1200-c.1800), January 27, 2025. https://doi.org/10.5281/zenodo.14746578.

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Tras la muerte de Felipe IV, un año más tarde, en 1666, se celebraron en la Ciudad de México las honras fúnebres correspondientes en memoria del monarca. Como era costumbre, se imprimieron libros que narran los festejos de aquel hecho histórico. Dos de ellos, hoy conservados en la Biblioteca Nacional de México, detallan las actividades mortuorias en torno al rey, pero, además, son testimonio de la música escrita ex profeso, hasta hoy desconocida, por el entonces maestro de capilla de la Catedral de México: Francisco López Capillas. After the death of Philip IV, a year later, in 1666, the corre
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5

Ruiz, Jiménez Juan. "Examen para la plaza de organista en la colegiata del Salvador de Sevilla (1742)." Paisajes sonoros históricos (c.1200-c.1800), December 21, 2023. https://doi.org/10.5281/zenodo.10420475.

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En septiembre de 1742, se realizaron las oposiciones para cubrir la vacante de la plaza de organista en la colegiata del Salvador de Sevilla, la cual se había producido por el fallecimiento de Francisco José de Castro. Se presentaron cinco candidatos que fueron examinados por Cristóbal Dueñas, maestro de capilla de la colegial, y José Blasco de Nebra organista segundo de la catedral. La plaza fue concedida por el cabildo a José Fernández Hinestrosa. In September 1742, competitive examinations were held to fill the vacancy for the post of organist at the collegiate church of El Salvador in Sevi
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Ruiz, Jiménez Juan. "Obras de Francisco Guerrero en la iglesia de la Purificación de Jacaltenango (Guatemala)." Paisajes sonoros históricos (c.1200-c.1800), December 16, 2023. https://doi.org/10.5281/zenodo.10395461.

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7

Krutitskaya, Anastasia. "Villancicos que se cantaron en la Catedral de México, siendo maestro de capilla Francisco López Capillas: de la tradición oral a la tradición impresa." Boletín de Literatura Oral, November 23, 2019, 23–40. http://dx.doi.org/10.17561/blo.vextrai2.3.

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Los pliegos de villancicos que se cantaron en la catedral de México durante el magisterio de capilla de Francisco López Capillas compendian numerosas manifestaciones líricas de tipo tradicional, a decir, cancioncillas, juegos, adivinanzas, nanas, proverbios, refranes, dichos y frases hechas, e, incluso, preámbulos de cuento o principios de conseja. Se trata de pliegos que se imprimieron entre 1650 y 1660. Los cuatro pliegos de 1672 y 1673 se estilan como obras de transición para una nueva estética verbal en la composición de los villancicos: son a la vez ingeniosos, en ocasiones agudos, jocoso
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8

Ruiz, Jiménez Juan. "Obras de Francisco Guerrero en la catedral de Baeza." Paisajes sonoros históricos (c.1200-c.1800), December 16, 2023. https://doi.org/10.5281/zenodo.10394046.

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9

de, Vicente Delgado Alfonso. "Obras de Francisco Guerrero en el convento de las Descalzas Reales de Madrid." Paisajes sonoros históricos (c.1200-c.1800), December 15, 2023. https://doi.org/10.5281/zenodo.10393289.

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El archivo de música del convento de las Descalzas Reales de Madrid es conocido por diversos inventarios del siglo XVI y comienzos del XVII. En ellos figuran varios libros de Francisco Guerrero, tanto impresos como manuscritos. Además conserva un ejemplar de las <i>Pasiones</i> encuadernado con el <i>Officium</i> <i>Hebdomadae Sanctae</i> de Tomás Luis de Victoria. The music archive of the convent of the Descalzas Reales in Madrid is known for various inventories of the 16th and early 17th centuries. They contain several books by Francisco Guerrero, both printed and manuscript. It also retains
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10

Ruiz, Jiménez Juan. "Villancicos a San Francisco patrocinados por el gremio de mercaderes de la seda de Madrid." Paisajes sonoros históricos (c.1200-c.1800), December 16, 2023. https://doi.org/10.5281/zenodo.10394044.

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El gremio de mercaderes de la seda de Madrid organizaba anualmente la fiesta dedicada a su patrón San Francisco en el convento de San Francisco de esta ciudad. Se han conservado cuatro pliegos con los villancicos que se cantaron en estas celebraciones por las capillas de música del convento de la Encarnación y por la Real Capilla entre 1688 y 1696. The Madrid silk merchants guild organized the annual feast dedicated to its patron Saint Francis at the San Francisco convent in this city. Four single sheet prints have been preserved with the villancicos lyrics that were sung in these celebrations
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Books on the topic "Francisco López Capillas (composer"

1

Capillas, Francisco López. Francisco López Capillas, ca. 1608-1674: Obras, volumen tercero. Instituto Nacional de Bellas Artes, 2002.

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Book chapters on the topic "Francisco López Capillas (composer"

1

Davies, Drew Edward. "The Miraculous School of St. Peter." In Forging Repertories. Oxford University PressNew York, NY, 2024. http://dx.doi.org/10.1093/9780197759059.003.0004.

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Abstract New Spanish composers created a unique repertory of music for St. Peter, the founder of the Roman church. In these works, Peter assumes the role of a divine chapel master whose counterpoint regulates the harmony of creation, as symbolized by Neoplatonic literary conceits and musical gestures derived from textual references to solfège. The chapter argues that Petrine works by Manuel de Sumaya, Ignacio Jerusalem, and others celebrate the secular church itself, in contrast to the religious orders, within an erudite culture with local roots in the music of Francisco López Capillas, the literature of Sor Juana Inés de la Cruz, and an elite Petrine confraternity. It also discusses late eighteenth-century works by the local Durango composer José Bernardo Abella Grijalva, which offer late but delightful examples of neaplatonic theology in the villancico.
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