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1

Zeffirelli, Franco. Zeffirelli: The autobiography of Franco Zeffirelli. Arena, 1987.

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2

Wheen, Natalie. [Conversation with Franco Zeffirelli on his film production of Verdi's 'Otello']. [BBC], 1986.

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3

Devore, Christopher. Hamlet: A Franco Zeffirelli film : freely adapted from William Shakespeare's tragedi. [s.n.], 1990.

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4

Toffolo, Stefano. Romeo e Giulietta e altri drammi shakespeariani: Musica, cinema e letteratura dalle origini a Franco Zeffirelli a Nino Rota. Armelin musica, 2002.

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Toffolo, Stefano. Romeo e Giulietta e altri drammi shakespeariani: Musica, cinema e letteratura dalle origini a Franco Zeffirelli a Nino Rota. Armelin musica, 2002.

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6

Toffolo, Stefano. Romeo e Giulietta e altri drammi shakespeariani: Musica, cinema e letteratura dalle origini a Franco Zeffirelli a Nino Rota. Armelin musica, 2002.

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7

Zeffirelli: The autobiography of Franco Zeffirelli. Weidenfeld & Nicolson, 1986.

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8

THE AUTOBIOGRAPHY OF FRANCO ZEFFIRELLI. 1986.

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9

Zeffirelli, Franco. Zeffirelli. Vergara Editor S.A., 1987.

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10

Allegedly: The Biography of Franco Zeffirelli. Bloomsbury Publishing Plc, 2009.

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11

Franco Zeffirelli: Complete Works - Theatre, Opera, Film. Abrams, Inc., 2010.

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12

Franco Zeffirelli : Complete Works: Theatre, Opera, Film. Thames & Hudson, 2010.

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13

Welles, Kurosawa, Kozintsev, Zeffirelli. Bloomsbury Publishing Plc, 2013.

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14

Glubrecht, Vera-Marlene. 'The Taming of the Shrew': William Shakespeare 1593/94 und Franco Zeffirelli 1967. GRIN Verlag GmbH, 2008.

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15

Rapito dalla bellezza: Un commento spirituale del film Fratello Sole Sorella Luna di Franco Zeffirelli. Fede & cultura, 2014.

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16

Jesus Cristo No Cinema Vol. 10: Jesus, Um Judeu! - Jesus de Nazaré - Franco Zeffirelli 1977. Independently Published, 2020.

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17

Lehmann, Courtney. Ontological Shivers. Edited by Michael Neill and David Schalkwyk. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198724193.013.34.

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This essay explores major movements in film history through the lens of Romeo and Juliet adaptations, including films by Irving Thalberg and George Cukor, Renato Castellani, Franco Zeffirelli, Baz Luhrmann, and Deepa Mehta. More specifically, the essay offers a critical examination of theoretical developments in the notion of realism—including classical realism, neorealism, realismo rosa, and post-realism.
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18

Romeo e Giulietta: E altri drammi shakespeariani : musica, cinema e letteratura dalle origini a Franco Zeffirelli a Nino Rota. 2nd ed. Armelin musica, 2011.

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19

Lanier, Douglas M. Hamlet. Edited by Michael Neill and David Schalkwyk. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198724193.013.35.

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Film adaptations of Hamlet have tended to fall into two broad categories, psychological character studies of Hamlet that emphasize Oedipal dynamics, and political readings that portray the prince as a rebellious crusader against various forms of systemic sociopolitical corruption. Of the former group, Laurence Olivier’s 1947 Hamlet has been particularly influential, casting a long shadow across film versions by John Gielgud (1964), Tony Richardson (1969), and Franco Zeffirelli (1990). Notable examples of political screen adaptations include the versions by Akira Kurosawa (The Bad Sleep Well, 1960), Gyorgi Kozintsev (1964), Kenneth Branagh (1996), and Michael Almereyda (2000). This article surveys the history and characteristics of these two styles of adapting Hamlet to the screen, focusing on how specific films have reshaped Shakespeare’s play to respond to specific historical and cultural contexts, to the demands of film as a medium, and to previous film adaptations of the tragedy.
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