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Journal articles on the topic 'François Ier de Médicis'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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1

Gáldy, Andrea M. "Spectacular Antiquities: power and display of anticaglie at the court of Cosimo I de' Medici." Renaissance and Reformation 41, no. 1 (January 1, 2005): 45–57. http://dx.doi.org/10.33137/rr.v41i1.9071.

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Cet article examine certains moments importants de l'histoire de la décoration de la résidence ducale de Florence, le Palazzo Vecchio, et de la collection d'antiquités de Cosme 1er de Médicis. Les modes de développement de cette collection s'avèrent cohérents, d'une part, avec les traditions familiales des Médicis, et d'autre part, avec le développement de l'archéologie au XVIe siècle. En continuité avec ces observations, cet article montre aussi comment la politique culturelle de Cosme a été maintenue après 1560 au Palazzo Pitti (acquis en 1549), en particulier par ses fils François Ier et Ferdinand Ier, et dans quelle mesure cette politique a eu un effet à long terme sur le développement des collections à l'extérieur de Florence.

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2

Le Gall, Jean-Marie. "François Ier et la guerre." Réforme, Humanisme, Renaissance 79, no. 1 (2014): 35–63. http://dx.doi.org/10.3406/rhren.2014.3381.

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3

Mastroianni, Michele. "Didier Le Fur, François Ier." Studi Francesi, no. 182 (LXI | II) (August 1, 2017): 343–44. http://dx.doi.org/10.4000/studifrancesi.9909.

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4

Albert, Luce. "François Ier, père des Lettres ?" Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 45, no. 1 (June 2, 2010): 131–48. http://dx.doi.org/10.1075/rro.45.1.08alb.

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5

Lecoq, Anne-Marie. "Portrait de François Ier en saint Thomas." Revue de l'Art 91, no. 1 (1991): 81–82. http://dx.doi.org/10.3406/rvart.1991.347894.

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6

Chatenet, Monique. "Le logis de François Ier au Louvre." Revue de l'Art 97, no. 1 (1992): 72–75. http://dx.doi.org/10.3406/rvart.1992.348003.

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7

Croizat, Yassana C. "“Living Dolls”: François Ier Dresses His Women*." Renaissance Quarterly 60, no. 1 (2007): 94–130. http://dx.doi.org/10.1353/ren.2007.0027.

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AbstractIn addition to portraits and diplomatic reports, Renaissance courts relied on fashion dolls to acquaint themselves with foreign dress. Unfortunately, literature on this subject is scarce and often disappointing. Overlooked by doll historians, a letter written by Federico Gonzaga (1500–40) in 1515 reveals that François Ier (1494–1547) requested a fashion doll from Isabella d’Este (1474–1539). After examining this document within the context of what is currently known about Renaissance fashion dolls, this essay explores what François I er’s interest in these objects suggests about his personality and his relationship to the women of his court.

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8

Broomhall, Susan. "L’Amiral Claude d’Annebault, conseiller favori de François Ier by François Nawrocki." Parergon 35, no. 2 (2018): 228–29. http://dx.doi.org/10.1353/pgn.2018.0096.

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9

Mawer, Deborah. "Debussy’s Resonance. Ed. by François de Médicis and Steven Huebner." Music and Letters 100, no. 4 (November 1, 2019): 738–40. http://dx.doi.org/10.1093/ml/gcz076.

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10

Shirts, Peter. "Debussy's Resonance ed. by François de Médicis and Steven Huebner." Notes 77, no. 1 (2020): 126–28. http://dx.doi.org/10.1353/not.2020.0077.

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11

Fourrier, Thibaud, and François Parot. "L’iconographie de Chambord et l’emblématique de François Ier." Réforme, Humanisme, Renaissance 79, no. 1 (2014): 225–46. http://dx.doi.org/10.3406/rhren.2014.3392.

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12

Jestaz, Bertrand. "François Ier, Salaì et les tableaux de Léonard." Revue de l'Art 126, no. 1 (1999): 68–72. http://dx.doi.org/10.3406/rvart.1999.348476.

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13

Zecher, Carla, and Christelle Cazaux. "La musique à la cour de François Ier." Sixteenth Century Journal 35, no. 3 (October 1, 2004): 880. http://dx.doi.org/10.2307/20477083.

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14

Zecher, Carla, and Christelle Cazaux. "La musique à la cour de François Ier." Sixteenth Century Journal 35, no. 4 (December 1, 2004): 1117. http://dx.doi.org/10.2307/20477145.

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15

Garnier (book author), Édith, and Marie Barral-Baron (review author). "Guillaume du Bellay, l’ange gardien de François Ier." Renaissance and Reformation 40, no. 4 (January 28, 2018): 206–8. http://dx.doi.org/10.33137/rr.v40i4.29286.

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16

Mounier, Pascale. "L’invention de romans autour de François Ier (1510-1530)." Réforme, Humanisme, Renaissance 79, no. 1 (2014): 199–202. http://dx.doi.org/10.3406/rhren.2014.3389.

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17

Busca, Maurizio. "Cahier François Ier, «RHR (Réforme Humanisme Renaissance)», n. 79." Studi Francesi, no. 176 (LIX | II) (August 1, 2015): 350–51. http://dx.doi.org/10.4000/studifrancesi.756.

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18

Giraud, Yves. "Un album de fables au temps de François Ier." Le Fablier. Revue des Amis de Jean de La Fontaine 13, no. 1 (2001): 69–78. http://dx.doi.org/10.3406/lefab.2001.1065.

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19

Martin, Pierre. "Saint-étienne (Loire). Maison «François Ier» – 5, place Boivin." Archéologie médiévale, no. 42 (December 1, 2012): 213. http://dx.doi.org/10.4000/archeomed.10875.

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20

Huchon, Mireille. "La prose d'art sous François Ier : illustrations et conventions." Revue d'histoire littéraire de la France 104, no. 2 (2004): 283. http://dx.doi.org/10.3917/rhlf.042.0283.

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21

Eschenfelder, Chantal. "Les appartements des bains de François Ier à Fontainebleau." Histoire de l'art 19, no. 1 (1992): 41–49. http://dx.doi.org/10.3406/hista.1992.2515.

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22

Giglioni, Guido. "L'alchimie à la cour de Côme Ier de Médicis: Savoirs, culture et politique. Alfredo Perifano." Isis 92, no. 3 (September 2001): 600–601. http://dx.doi.org/10.1086/385306.

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23

Weber, Henri. "De quelques poèmes subversifs, sous le règne de François Ier." Réforme, Humanisme, Renaissance 66, no. 1 (2008): 27–40. http://dx.doi.org/10.3406/rhren.2008.3056.

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24

Weber, Henri. "De quelques poèmes subversifs, sous le règne de François Ier." Réforme, Humanisme, Renaissance 66, no. 1 (2008): 27–40. http://dx.doi.org/10.3406/rhren.2008.3249.

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25

Beys, Béatrice. "L’hommage du livre à François Ier : une image royale multiple." Réforme, Humanisme, Renaissance 79, no. 1 (2014): 101–28. http://dx.doi.org/10.3406/rhren.2014.3384.

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26

Faucherre, Nicolas. "Louis XII, François Ier et la défense des côtes provençales." Bulletin Monumental 151, no. 1 (1993): 293–301. http://dx.doi.org/10.3406/bulmo.1993.3343.

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27

Cosperec, Annie. "L'aile François Ier du château de Blois, une nouvelle chronologie." Bulletin Monumental 151, no. 4 (1993): 591–603. http://dx.doi.org/10.3406/bulmo.1993.3409.

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28

Bryant, Simon. "Blois (Loir-et-Cher). Château de Blois, aile François Ier." Archéologie médiévale, no. 45 (December 1, 2015): 237. http://dx.doi.org/10.4000/archeomed.7783.

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29

Lignereux, Yann. "Le visage du roi, de François Ier à Louis XIV." Revue d’histoire moderne et contemporaine 57-4, no. 4 (2010): 30. http://dx.doi.org/10.3917/rhmc.574.0030.

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30

Fassina, Filippo. "Rémi Jimenes, François Ier et l’imprimerie royale: une occasion manquée?" Studi Francesi, no. 194 (LXV | II) (August 1, 2021): 361. http://dx.doi.org/10.4000/studifrancesi.44893.

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31

Auclair, Valérie. "L'invention décorative de la galerie François Ier au château de Fontainebleau." Seizième Siècle 3, no. 1 (2007): 9–35. http://dx.doi.org/10.3406/xvi.2007.917.

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32

Egretier, Noëlle-Marie. "André Castelot, François Ier. Librairie Académique Perrin, Paris, 1983. Pp. 455." Moreana 23 (Number 89), no. 1 (February 1986): 73–76. http://dx.doi.org/10.3366/more.1986.23.1.18.

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33

Marías, Fernando. "De Madrid à Paris : François Ier et la Casa de Campo." Revue de l'Art 91, no. 1 (1991): 26–35. http://dx.doi.org/10.3406/rvart.1991.347884.

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34

Crépin-Leblond, Thierry. "Les étriers de François Ier au Musée national de la Renaissance." Bulletin de la Société Nationale des Antiquaires de France 1995, no. 1 (1997): 160–62. http://dx.doi.org/10.3406/bsnaf.1997.9995.

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35

Giraud, Barbara. "La Santé des dirigeants français: de François Ier à nos jours." French History 31, no. 3 (July 18, 2017): 377–78. http://dx.doi.org/10.1093/fh/crx042.

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36

Trébosc, Delphine. "Les collections royales de raretés sous François Ier et Henri II." Journal of the History of Collections 32, no. 1 (December 18, 2018): 1–12. http://dx.doi.org/10.1093/jhc/fhy060.

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Abstract François Ier, qui fonda la collection royale de raretés, en instaura non seulement le regroupement, mais aussi la fonction politique, la collection de singularités prenant part à la fois au projet encyclopédique royal et à la magnificence royale. Sous son règne, ainsi que sous celui d’Henri II, le château de Fontainebleau devint le lieu privilégié du rassemblement et de la présentation de cette collection, en particulier au sein de plusieurs espaces associés au logis du roi.

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37

El Hage, Fadi. "L’affaire Montclou ou l’itinéraire funeste d’un gentilhomme bourbonnais sous François Ier." Revue historique 690, no. 2 (2019): 251. http://dx.doi.org/10.3917/rhis.192.0251.

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38

Farges, François. "Les grands diamants de la Couronne de François Ier à Louis XVI." Versalia. Revue de la Société des Amis de Versailles 17, no. 1 (2014): 55–78. http://dx.doi.org/10.3406/versa.2014.938.

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39

Cecchetti, Dario. "Aa. Vv., Geoffroy Tory, imprimeur de François Ier, graphiste avant la lettre." Studi Francesi, no. 165 (LV | III) (December 1, 2011): 627. http://dx.doi.org/10.4000/studifrancesi.4950.

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40

Smith, Marc Hamilton. "François Ier, l'Italie et le château de Blois. Nouveaux documents, nouvelles dates." Bulletin Monumental 147, no. 4 (1989): 307–23. http://dx.doi.org/10.3406/bulmo.1989.4776.

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41

Harouel, Jean-Louis. "De François Ier au pari en ligne, histoire du jeu en France." Pouvoirs 139, no. 4 (2011): 5. http://dx.doi.org/10.3917/pouv.139.0005.

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42

Truyols, Blanca. "Les présents de Ferdinand Ier de Médicis à Henri IV pour ses jardins de Saint-Germain-en-Laye." Bulletin Monumental 174, no. 3 (2016): 251–86. http://dx.doi.org/10.3406/bulmo.2016.12839.

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43

Polizzi, Gilles. "Un éloge de François Ier dans un “traité des passions” de l’âge baroque." Réforme, Humanisme, Renaissance 79, no. 1 (2014): 255–58. http://dx.doi.org/10.3406/rhren.2014.3395.

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44

Kemnitz, Eva-Maria von. "Édith Garnier, L’Alliance impie. François Ier et Soliman le Magnifique contre Charles V." Archives de sciences sociales des religions, no. 148 (December 31, 2009): 75–342. http://dx.doi.org/10.4000/assr.21571.

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45

Stéphan, Jérôme. "François Ier imaginé, rassemblés par Bruno Petey-Girard, Gilles Polizzi et Trung Tr." Studi Francesi, no. 185 (LXII | II) (August 1, 2018): 310–12. http://dx.doi.org/10.4000/studifrancesi.13461.

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46

Croizat-Glazer, Yassana. "The Role of Ancient Egypt in Masquerades at the Court of François Ier*." Renaissance Quarterly 66, no. 4 (2013): 1206–49. http://dx.doi.org/10.1086/675091.

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AbstractThis essay examines the role of ancient Egypt in courtly masquerades under François Ier (r. 1515–47). It opens with an analysis of the iconography of a sphinx costume that was designed by Francesco Primaticcio (1504/05–1570) and worn by the king and one of his favorite courtiers, Cardinal Jean de Lorraine (1498–1550), at a wedding celebration held in 1546. Two other costume drawings by the same artist are discussed next, and the first printed French translation of Horapollo’s Hieroglyphica, which was published in Paris in 1543, is identified as their source. In examining their strange aesthetic and multiple layers of meaning, this study considers how these costumes were symptomatic of a broader French Renaissance fascination with concealed truth and how, as conveyors of veiled messages, they were meant to spark lofty discussions and demonstrate the French court’s sophistication.

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47

Paris-Sorbonne, Centre V. L. Saulnier de l'Université de, and Claude Buridant (review author). "Jean Martin: un traducteur au temps de François Ier et de Henri II." Renaissance and Reformation 36, no. 2 (January 1, 2000): 82–86. http://dx.doi.org/10.33137/rr.v36i2.8611.

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48

Ganim, Russell. "La poésie à la cour de François Ier éd. par Jean-Eudes Girot." French Review 88, no. 1 (2014): 228–29. http://dx.doi.org/10.1353/tfr.2014.0144.

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49

Smith, Marc H. "Les diplomates italiens, observateurs et conseillers artistiques à la cour de François Ier." Histoire de l'art 35, no. 1 (1996): 27–37. http://dx.doi.org/10.3406/hista.1996.2729.

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50

Potter, David. "François Ier: pouvoir et image (Paris, Bibliothèque nationale de France, site François-Mitterrand, 24 March-21 June 2015). Catalogue François Ier: pouvoir et image, ed. Bruno Petey-Girard and Magali Vène. Paris: Bibliothèque nationale de France, 2015. 271." Renaissance Studies 31, no. 1 (August 20, 2015): 132–37. http://dx.doi.org/10.1111/rest.12185.

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