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Relevant bibliographies by topics / Francophone novel

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Academic literature on the topic 'Francophone novel'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 January 2023

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Journal articles on the topic "Francophone novel"

1

Reynolds, Felisa V. "René Maran, Forgotten Father of the Francophone Novel." Journal of the African Literature Association 7, no. 1 (January 2012): 55–65. http://dx.doi.org/10.1080/21674736.2012.11690199.

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Mortimer, Mildred P. "The Liminal Novel: Studies in the Francophone-African Novel as Bildungsroman (review)." Research in African Literatures 31, no. 1 (2000): 216–18. http://dx.doi.org/10.1353/ral.2000.0022.

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Hogarth, Christopher. "NomadicFrancophonie, Francophone Nomads: The Case of the Senegalese Novel." Contemporary French and Francophone Studies 10, no. 1 (January 2006): 53–62. http://dx.doi.org/10.1080/17409290500429244.

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Roy-Hewitson, Lucille. "The Impact of Cinema on the Contemporary Francophone Novel." International Journal of the Book 7, no. 2 (2010): 127–36. http://dx.doi.org/10.18848/1447-9516/cgp/v07i02/36811.

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Mistreanu, Diana. "Echoes of Contemporary Indian Francophone Literature." Politeja 16, no. 2(59) (December 31, 2019): 177–94. http://dx.doi.org/10.12797/politeja.16.2019.59.12.

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This article analyzes Shumona Sinha’s first novel, Fenêtre sur l’abîme (Window to the Abyss, 2008) from a cognitive perspective. As the narrator, a young Bengali woman named Madhuban, is struggling to make sense of her existence, past events and present sensations, as well as nightmares and memories unfold in an accelerating rhythm, questioning the impact of her life experience upon her mental health. Drawing on Alan Palmer’s typology of fictional minds, the aim of this work is to provide some preliminary remarks on the textual representation of the narrator’s mind, depicted on the verge of a mental breakdown triggered the by physical and emotional abuse she was subjected to by her family in Calcutta, and reinforced by her emigration to Paris.

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Averkina, Svetlana Nikolajevna, Diana Vladimirovna Mosova, Sergei Matveivich Fomin, and Alexey Sergeevich Shimichev. "Francophone literature in search of happiness." SHS Web of Conferences 122 (2021): 05003. http://dx.doi.org/10.1051/shsconf/202112205003.

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The article deals with modern French-language literature on the loss of a person’s sense of happiness and harmony. The study authors explore the work of Western European novelists, who not only record the next decline of Europe but also try to return a sense of dignity to their fellow citizens. For centuries, literature has offered various forms of describing the uniqueness of human interaction with the world. If realism gives rise to a literature of explication that thinks aloud, and modernism tries to free the art of realists from layers of pretense, then the oppositional postmodern aesthetics proposes the so-called pluralism of reading practices, which frees both the reader and the literary critic from the need to search for forerunners and origins. Having experienced postmodern delight at the turn of the 21st century, the modern Western European writer en masse returns into the fold of realistic literature, in which a person is determined both socially and historically. At the same time, preference is given to documentary literature, which includes both memoirs, diaries, and essays, and the auto-fictional novel, known today as the “non-fiction” novel which has been in the focus of scholars’ attention for many years. Whatever forms modern literature may use to disguise itself, even if these forms are the most flowery, its main task is to describe a contemporary who lives with an inescapable feeling of the end of the world, trying to regain the meaning of life, to find footholds that are described in such detail by centuries of aesthetic practice. Therefore, the subject of the study is the classical categories: life, family, love, and peace of mind. The purpose of the study is to describe the current state of literature in Western European countries, identify the trends of its development and genre preferences of the experts of culture. The novelty of the study consists in the fact that the concept of “happiness” is investigated for the first time using the example of French-language literature, and the works of writers little studied in Russian criticism, such as A. Makine and Catherine Lovey, are introduced into academic circulation.

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Nguyen, Nathalie Huynh Chau. "Vietnamese Voices: Gender and Cultural Identity in the Vietnamese Francophone Novel." Journal of Vietnamese Studies 1, no. 1-2 (February 1, 2006): 501–3. http://dx.doi.org/10.1525/vs.2006.1.1-2.501.

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Gasster, Susan. "Inside Looking out: The Journal Novel in West African Francophone Literature." Modern Language Studies 23, no. 3 (1993): 60. http://dx.doi.org/10.2307/3195178.

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Vulor, Éna. "Totemism/Mysticism and the Mother Figure in the Francophone African Novel." Présence Africaine 154, no. 2 (1996): 243. http://dx.doi.org/10.3917/presa.154.0243.

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ADESANMI, P. "Of Postcolonial Entanglement and Duree: Reflections on the Francophone African Novel." Comparative Literature 56, no. 3 (January 1, 2004): 227–42. http://dx.doi.org/10.1215/-56-3-227.

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Dissertations / Theses on the topic "Francophone novel"

1

Smail, Zahia. "Themes in the Francophone Algerian novel." Thesis, University of Exeter, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.293608.

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Boyd-Buggs, Debra. "Baraka : maraboutism and maraboutage in the francophone Senegalese novel /." The Ohio State University, 1986. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392894752.

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3

Golumbeanu, Adriana. "Intra muros: representations urbaines dans le roman francophone subsaharien et antillais Ousmane Sembene, Calixthe Beyala, Patrick Chamoiseau et Maryse Conde." The Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=osu1164829057.

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4

Eko, Mba Fabrice. "La représentation de l'intellectuel africain dans le roman africain francophone de 1950 à nos jours. : Du prométhéisme au repli narcissique." Thesis, Pau, 2016. http://www.theses.fr/2016PAUU1020/document.

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Le présent travail, dont le champ de recherche concerne le roman francophone d'Afrique au sud du Sahara, se propose d'analyser la mise en scène de la trajectoire de l'intellectuel africain, des années cinquante à nos jours. Il s'agit précisément de voir la manière dont les productions romanesques africaines de ces soixante dernières années représentent la situation de l'intellectuel dans la société africaine, à travers ses évolutions et ses perspectives. Quel rôle le roman africain de langue française a par le passé consacré au personnage de l'intellectuel et quels sont ses nouveaux modes d'actions et de productions d'idées contribuant aujourd'hui à renforcer ce rôle ? Au moment où, en Afrique, l'opinion publique parle de plus en plus de la faillite ou de la « mort de l'intellectuel africain », nous avons jugé nécessaire d'interroger le roman à ce sujet, à partir d'une sorte de panorama analytique allant de 1950 aux années 2010, pour observer comment la fiction littéraire africaine a longtemps représenté la figure de l'intellectuel et comment cette représentation a évolué au cours des dernières décennies. Empruntant sans cesse ses outils théoriques et méthodologiques à la sociologie de la littérature, cette thèse de doctorat s'interroge sur ce qui est advenu de l'intellectuel africain et sur le positionnement qu'il adopte dans le contexte actuel des sociétés africaines tournées vers la mondialisation. Sous forme d'histoire littéraire, elle présente chaque époque intellectuelle du continent africain à travers ses enjeux identitaires et politiques. Au-delà de ses échecs innombrables, l'intellectuel africain est une figure habitée par une éthique de conviction et de responsabilité. Dans cette perspective, la crise de l'engagement observable chez l'intellectuel évoluant dans le roman africain contemporain, loin d'être le signe de sa « mort » très prochaine, se veut en fait une crise des mutations, où de vieilles modalités d'engagement meurent et de nouvelles cherchent à éclore
This work, whose research field concerns the French novel of Africa south of the Sahara, is to analyze the direction of the trajectory of the African intellectual, fifties to the present. It is precisely to see how African fiction productions of the last sixty years represent the situation of the intellectual in African society, through its developments and prospects. What French-language African novel role has historically devoted to the character of the intellectual and what are the new modes of action and ideas productions today contribute to strengthening the role? At the time, Africa, public speaking increasingly of the bankruptcy or the "death of the African intellectual," we found it necessary to question the novel on this subject, from a kind analytical panorama from 1950 to the 2010s, to observe how the African literary fiction has long represented the figure of the intellectual representation and how this has evolved over the past decades. Borrowing constantly its theoretical and methodological tools in the sociology of literature, this dissertation examines what happened to the African intellectual and positioning it adopts in the current tour to the African societies globalization. Form of literary history, it has intellectual every time the African continent through its identity and political issues. Beyond its countless failures, the African intellectual is a figure inhabited by an ethic of conviction and responsibility. In this perspective, the crisis of the observable commitment to evolving the intellectual in contemporary African novel, far from being a sign of his "death" imminent, wants it a crisis of change, where old modalities commitment die and new ones seek to hatch

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Robova, Antoaneta. "Figures mythiques dans le roman contemporain francophone." Thesis, Clermont-Ferrand 2, 2012. http://www.theses.fr/2012CLF20024.

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La thèse a pour objectif l’étude comparative des avatars de trois figures mythiques – Don Juan, Ulysse et Jason – dans le roman contemporain francophone. La première partie « Art donjuanesque et art romanesque. Le libertinage kundérien » aborde la genèse du paradigme donjuanesque kundérien réactualisant les gestes du burlador baroque ainsi que les métamorphoses et expériences romantiques, modernes et postmodernes du patron mythique évoluant vers une posture distanciée et critique. Dans la deuxième partie « Variations romanesques sur héritage mythique. Avatars et aventures de Don Juan et d’Ulysse » nous nous focalisons sur les stratégies intertextuelles participant de l’élaboration de la typologie libertine contemporaine dans l’œuvre kundérienne et dans trois cas de donjuanisme morbide dépeints par Pierre-Jean Remy, par Denis Tillinac et par Béatrix Beck pour les confronter aux techniques de réinvention de l’aventure odysséenne revisitée par Maurice Audebert et par Eric-Emmanuel Schmitt. La troisième partie « Figures mythiques de voyageurs – Ulysse et Jason. Expériences du retour et de la quête » étudie les procédés de démythologisation utilisés par Milan Kundera, l’enchevêtrement des intertextes homérique et joycien dans le cycle de Cyrtha de Salim Bachi et les transformations du syntagme de base du mythe de Jason dans trois œuvres de Jean-Marie Gustave Le Clézio. Les résultats de nos analyses sont systématisés en vue de circonscrire les traits dominants des écritures mythologiques et de les situer par rapport aux tendances du roman contemporain francophone
The purpose of this thesis is the comparative study of the resurgences of three mythical figures – Don Juan, Ulysses and Jason – in the contemporary francophone novel. “Part One : The Art of Don Juanism and the Art of the Novel: Milan Kundera’s libertinage” discusses the genesis of the Kunderian donjuanesque paradigm reviving the gestures of the baroque burlador and the romantic, modern and postmodern metamorphoses and experiences of the mythical pattern moving towards a distanced and critical posture. “Part Two: Novelistic variations on the Mythical heritage: Avatars and Adventures of Don Juan and Ulysses” focuses on the intertextual strategies involved in the development of the contemporary libertine typology in Kundera's oeuvre and in three cases of morbid Don Juanism portrayed by Pierre-Jean Remy, Denis Tillinac and Béatrix Beck in order to compare them to the techniques of reinvention of the Odyssean adventure revisited by Maurice Audebert and Eric-Emmanuel Schmitt. “Part Three: Mythical travellers – Ulysses and Jason. Experiences of the return and the quest” studies the devices of demythologisation used by Milan Kundera, the entanglement of Homeric and Joycean intertexts in the Cycle of Cyrtha by Salim Bachi and the transformations of the basic syntagm of the myth of Jason in three works by Jean-Marie Gustave Le Clézio. The results of the analyses are systematized in order to identify the main features of the mythological writings and to relate them to the trends in the contemporary francophone novel

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6

Toler, Michael. "The nation rewritten history, fiction, translation and the Francophone novel in the Maghreb /." Diss., Online access via UMI:, 2005.

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7

Omuku, S. A. G. "Representations of slavery and the slave trade in the Francophone West African novel." Thesis, University College London (University of London), 2013. http://discovery.ucl.ac.uk/1397876/.

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Representations of domestic slavery and the trans-Saharan and transatlantic systems of the slave trade in Francophone West African literature incorporate remembering and forgetting through oral, corporeal and spatial narratives. With respect to the oral epic and the postcolonial novel, this thesis approaches the paucity of literature on slavery and the slave trade from the perspective of cultural memory and trauma theory. Through the presence of the slave voice in the West African oral epics of Segou, Macina, and the Songhay Empire and the use of this genre in the novels of Aminata Sow Fall and Yambo Ouologuem, this thesis explores the notion of the manipulation of oral memory through omission, invention, and fictionalisation, and examines the marginalisation of the slave past and the reclaiming of this record via an alternative slave narrative within the novel. Corporeal narratives of slavery and the slave trade in the novels of Timité Bassori, Ibrahima Ly, Yambo Ouologuem and Ali Zada depict the body both as a site and a memory of slavery. Through the body, slavery is re-enacted by the repetition of the corporeal wound as a manifestation of the physiological and psychological trauma of slavery, and the transmission of that memory through the reproductive capacity of the female body. The novels of M’Barek Ould Beyrouk and Ahmed Yedaly interrogate the concept of ex-slavery in the Sahara with reference to Mauritania, whilst Kangni Alem and Tierno Monénembo navigate transatlantic notions of departure and return within the context of Brazil, specifically Salvador de Bahia. By examining slavery from a geographical perspective, these authors highlight the significance of spatial remembering within a trans-Saharan and transatlantic memory of slavery and the slave trade.

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8

Liambou, Ghislain Nickaise. "Énonciation et transtextualité dans le roman africain francophone de la migritude." Thesis, Nice, 2015. http://www.theses.fr/2015NICE2011/document.

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Le thème de l’immigration a inspiré une floraison d’œuvres littéraires francophones. Celles-ci prennent appui sur les grandes mobilités humaines et technologiques inhérentes au XXIesiècle et figurent les défis propres à la société de globalisation, principalement les problèmes de cohabitation interculturelle. La réception de ce corpus, dans le cas du roman africain subsaharien, parle de l’émergence d’une "nouvelle génération" de romanciers africains; thèse par ailleurs accréditée par la démarche institutionnelle des écrivains migrants eux-mêmes, comme en témoigne l’affiliation de certains au mouvement de la "littérature-monde" en français. La thèse se propose d’interroger cette problématique à travers une approche inspirée de l’analyse du discours littéraire. Elle se fonde sur le rappel de l’historiographie du roman africain de voyage. Il s’agit d’abord de questionner la périodisation des œuvres qui mettent en scène le parcours d’un personnage africain en Occident, dont certaines, bien que fondatrices, sont rarement prises en compte par le discours critique. Ensuite l’analyse porte sur la comparaison des œuvres de la "négritude" et celles de la "migritude",d’une part à l’aune des catégories comme le personnage, l’espace et l’imaginaire; d’autre part à travers les phénomènes d’intertextualité entre ces romans. Enfin, à la lumière des théories postcoloniales et de la sociologie du fait littéraire, la thèse présente cette littérature émergente comme la réécriture d’une archive; l’interrogation relative à l’accessibilité de l’Afrique et de sa diaspora à la culture du monde global. En cela la "migritude" se pose comme un mot-valise qui intègre aussi le discours de la "négritude"
The topic of immigration has inspired an explosion of novels in Francophone Literature. They usually lean on the twenty-first century’s mobility of people and technologies in order to fictionalize issues related to cosmopolitanism. In the specific context of sub-Saharan African Literature, literary criticism assimilates this corpus to the ‘’Migritude’’, a phenomenon presented as the raising of a new generation of African writers in contemporary France. The writer’s institutional approach also comes to strengthen this perception. Indeed, a mess of them have signed the manifesto of the World Literature in French. Our thesis needs to examine these problems through the Literature Discourse Analysis approach. The primary step is about the reminder of historiography related to postcolonial African travel fictions. Afterwards the reflection seeks to compare those African novels, between the founding and the recent, on the basis of categories such as characters, space and imaginary. With regard to postcolonial theories as well as the narrative phenomenon of intertextuality, this thesis finally consider the emerging of post-colonial African Travel Literature as the rewriting of an archive running across Francophone African travel-writings since the early twenty century. They all question the accessibility of Africa and its diaspora to the Global Culture

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9

Morgan, Ceri Mair. "'There's no place like home' : space, place and identity in the contemporary francophone novel in Quebec." Thesis, University of Southampton, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.302030.

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10

Nassif, Laurette. "The space in the Lebanese francophone novel from 1942 to 2000 (French text, Farjalla Haik, Andree Chedid, Amin Malouf)." Diss., Connect to online resource, 2005. http://wwwlib.umi.com/cr/colorado/fullcit?p3190341.

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Books on the topic "Francophone novel"

1

Lettre du retour au pays natal: Roman. Paris: Harmattan, 2012.

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Nyatetũ-Waigwa, Wangari wa. The liminal novel: Studies in the Francophone-African novel as Bildungsroman. New York: Peter Lang, 1996.

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Adebayo, Aduke. Critical essays on the novel in francophone Africa. Ibadan, Nigeria: AMD, 1995.

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Aphorism in the Francophone novel of the twentieth century. Montreal: McGill-Queen's University Press, 1997.

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Mark, Bell. Aphorism in the francophone novel of the twentieth century. [Liverpool]: Liverpool University Press, 1997.

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6

Chapman, Rosemary. Siting the Quebec novel: The representation of space in francophone writing in Quebec. Oxford: P. Lang, 2000.

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La francophonie: Nouvel enjeu mondial. Paris: Hatier, 1993.

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Decolonizing translation: Francophone African novels in English translation. Manchester: St. Jerome Pub., 2009.

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Congrès des relations internationales du Québec (19e 1987 Québec, Québec). Les sommets francophones: Nouvel instrument de relations internationales. Québec, Qué: Centre québécois de relations internationales, 1988.

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Sounding off: Rhythm, music, and identity in West African and Caribbean francophone novels. Philadelphia: Temple University Press, 2009.

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Book chapters on the topic "Francophone novel"

1

Orlando, Valérie K. "Sexuality, Gender, and the Homoerotic Novel of the New Morocco." In Francophone Voices of the "New" Morocco in Film and Print, 107–27. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230622593_5.

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Braun, Sebastian F. "Ethnographic Novels: American Indians in Francophone Comics." In Tribal Fantasies, 41–58. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137318817_3.

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Aresu, Bernard. "The francophone novel in North Africa." In The Cambridge Companion to the African Novel, 103–24. Cambridge University Press, 2009. http://dx.doi.org/10.1017/ccol9780521855600.007.

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Lionnet, Françoise. "The colonial and postcolonial Francophone novel." In The Cambridge Companion to the French Novel, 194–213. Cambridge University Press, 1997. http://dx.doi.org/10.1017/ccol0521495636.012.

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Moudileno, Lydie. "The francophone novel in sub-Saharan Africa." In The Cambridge Companion to the African Novel, 125–40. Cambridge University Press, 2009. http://dx.doi.org/10.1017/ccol9780521855600.008.

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"Recto/Verso: Mapping the Contemporary Gay Novel." In Queer Sexualities in French and Francophone Literature and Film, 193–209. Brill | Rodopi, 2007. http://dx.doi.org/10.1163/9789401204903_015.

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El Shakry, Hoda. "The Quʾran as (Inter)text: Embodiment, Praxis, Critique." In The Literary Qur'an, 1–34. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823286362.003.0001.

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The introduction outlines the history of the Maghreb as it pertains to the ideological and methodological biases of Maghrebi Studies, particularly around the bifurcation of Francophone and Arabophone literatures. Arguing for the multilingual accenting of Maghrebi literature both within and across languages, it connects the lack of critical attention to Qurʾanic intertextuality to the privileging of Francophone literatures. The introduction further parses out the ways in which the term secular is often deeply inflected with its own orthodoxies, as well as how the secularization narrative has impacted the study of literary practices and forms—particularly the genre of the novel. It proposes that the classical Arab-Islamic concept of adab provides a valuable corrective, by offering a more expansive model of literature. Bringing in scholarship on the anthropology of Islam, Islamic philosophy, and Qurʾanic studies, the chapter interrogates the ethical, literary, and hermeneutical dimensions of Qurʾanic and Sufi aesthetics. Theorizing the Qurʾan as a literary object, process, and model, introduces ethical ways of approaching questions of writing, reading, and literary hermeneutics. Finally, the introduction explicates the book’s organizational logic of placing canonical Francophone novels into conversation with lesser-known Arabophone ones.

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Solheim, Jennifer. "Visual and Sonic Imagery in Postcolonial Francophone Culture." In The Performance of Listening in Postcolonial Francophone Culture, 55–87. Liverpool University Press, 2018. http://dx.doi.org/10.5949/liverpool/9781786940827.003.0003.

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With my reading of Yasmina Khadra’s novel The Sirens of Baghdad (2006), I demonstrate that listening is not a given in any social exchange across either ethnic or gender lines: if no motive or desire to listen is present, voices go unheard and are, in effect, silenced. My analysis of Khadra’s work is framed by a discussion of both visual and aural sirens in pop culture and media. I conclude with an analysis of how sirens redirect narrative focus and argue that, as literary cut sound, sirens are emblematic of the call to listen—they demand focus and attention.

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"On Violent Judgment: Louis Guilloux’s Novel about Race, Justice, and the Segregated Army that Liberated France." In Violence in French and Francophone Literature and Film, 105–22. Brill | Rodopi, 2008. http://dx.doi.org/10.1163/9789401206303_010.

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DODU, Alexandra. "ÉLENA. PHANARIOTES ET ROUMAINS, LE MOTIF DE LA LETTRE DANS LE PREMIER ROMAN FRANCOPHONE." In Scriitori români de expresie străină. Écrivains roumains d’expression étrangère. Romanian Authors Writing in Foreign Tongues, 57–68. Pro Universitaria, 2021. http://dx.doi.org/10.52744/9786062613242.05.

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Women’s Literature is a field still insufficiently explored in the Romanian cultural space. The honor of having written the first feminine francophone Romanian novel belongs to Constance de Dunka for her book Éléna. Phanariotes and Romanians (1862). The novel, acclaimed in France at the time of its publication, was nevertheless considered by the Romanians to be a minor work (Dunka was even accused of plagiarism). The structure of this novel, which is built upon discoveries, falsifications and thefts of letters, is analyzed here on the basis of the conceptual categories proposed by Jacques Merceron in his book Le message et sa fiction - namely, on the basis of the categories of “the false letter,” “the lying letter” and “the substitute letter.”

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