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Journal articles on the topic 'Frank Kafka'

Author: Grafiati

Published: 4 June 2021

Last updated: 7 February 2022

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1

Hilt, Annette, Ralf Becker, Pascal Delhom, Thomas Franz, and Patrick Baur. "Buchbesprechungen." Phänomenologische Forschungen 2006, no. 1 (2006): 223–51. http://dx.doi.org/10.28937/1000107932.

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Ina Schmidt: Vom Leben zum Sein. Der frühe Martin Heidegger und die Lebensphilosophie; Julia Jonas: Der phänomenologische Text. Eine Studie zu Edmund Husserl, Martin Heidegger und Franz Kafka; Rudi Visker: The inhuman condition. Looking for difference after Levinas and Heidegger; Anselm Böhmer (Hg.): Eugen Fink. Sozialphilosophie – Anthropologie – Kosmologie– Pädagogik – Methodik; Frank Schalow: The incarnality of being. The earth, animals, and the body in Heidegger’s thought; Lambert Wiesing: Artifizielle Präsenz. Studien zur Philosophie des Bildes

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Trueba Mira, Virginia. "Los infiernos de lo abstracto (Kafka en Zambrano)." ENDOXA, no. 41 (June 19, 2018): 212. http://dx.doi.org/10.5944/endoxa.41.2018.21205.

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Este trabajo analiza los textos que María Zambrano escribió sobre Frank Kafka atendiendo a las tres dimensiones que, a juicio de la pensadora, merecen destacarse de la obra del novelista: la narrativa, la histórica y, especialmente, la testimonial. En este último sentido, Zambrano ve desplegada en Kafka una crítica radical al pensamiento moderno y, en concreto, a la conciencia cartesiana, cuya materialización (monstruosa e irrepresentable) encarnarían a su juicio los diversos personajes del novelista. El concepto de vida larvaria y de vida larvada que Zambrano desarrolla en relación a esta últ

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3

Boa, Elizabeth. "Revoicing Silenced Sirens: A Changing Motif in Works by Franz Kafka, Frank Wedekind and Barbara Kohler." German Life and Letters 57, no. 1 (2004): 8–20. http://dx.doi.org/10.1111/j.1468-0483.2004.00266.x.

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4

Leal, Mariela Fuentes. "Silencio y el Ruido: Dos Modos de Habitar el Mundo Contemporáneo en la Cuentística de Roberto Bolaño." Caracol, no. 20 (December 23, 2020): 612–37. http://dx.doi.org/10.11606/issn.2317-9651.i20p612-637.

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En este artículo, proponemos los cuentos “Sensini” y “Una aventura literaria” de Llamadas telefónicas de Roberto Bolaño como dos modos de habitar el mundo contemporáneo: el silencio como mecanismo de resistencia frente al mercado y el ruido como eco de una violencia de aquel, expresados en literaturas a la intemperie y mercantilizada, respectivamente, en una sociedad articulada por el horror, transfigurado en su perpetuidad y ligado a la figura de Frank Kafka.

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5

Peter Clar, Peter Clar. "„Bitte betrachten sie mich als einen Traum.“ Sprache und Identität in Hamid Sadrs „Gesprächszettel an Dora“." Studia Germanica Posnaniensia, no. 40 (June 15, 2019): 129–38. http://dx.doi.org/10.14746/sgp.2019.40.11.

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Wie Jacques Derrida u. a. in Die Einsprachigkeit des Anderen oder Die ursprüngliche Prothese zeigt, ist jeder Mensch immer schon mehrsprachig. Wenn wir diesen Zustand der Nicht-Einsprachigkeit als ein allgemein-menschliches Phänomen begreifen, und dazu eignet sich die sogenannte exophone Literatur besonders, dann hilft uns das zu verstehen, dass das Fremd-Sein eines/einer Fremden zu befragen immer zugleich bedeutet, auch unser eigenes Fremd-Sein zu befragen, dann wird die Frage nach dem Fremden zur Frage der eigenen Identität. Um dies zu zeigen, lese ich Hamid Sadrs Gesprächszettel an Dora (19

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6

Kempf, F. R. "Antike Mythen. Kafka und Brecht. Von Frank D. Wagner. Wurzburg: Konigshausen & Neumann, 2006. 163 Seiten. 28,00." Monatshefte 100, no. 4 (2008): 626–27. http://dx.doi.org/10.1353/mon.0.0078.

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7

Barreto, Rubén. "Cuerpo y literatura: una introducción. La fenomenología existencial de Maurice Merleau-Ponty y la memoria colectiva de Maurice Halbwachs." Collectivus, Revista de Ciencias Sociales 2, no. 2 (2015): 101–33. http://dx.doi.org/10.15648/coll.2.2015.6.

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El estudio de la memoria colectiva en la tesis de grado titulada Tiempo artístico y Memoria Colectiva: La Casa Grande y Álvaro Cepeda Samudio, derivó en la postulación de una serie de conclusiones acerca del papel que cumple la obra literaria en la disposición de los recuerdos compartidos. Por lo tanto, la finalidad de esta investigación es la depuración del modelo de análisis de la memoria colectiva a partir de la integración de la corporalidad al conjunto de variables construido por Maurice Halbwachs en La Memoria Colectiva (2004). Para esto se recurre a la fenomenología existencial de Mauri

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8

Pittrof, Thomas. "„Franz heiße ich auch, da scheint die Kanaille nicht weit; im Augenblick überzeugt es fast mich selbst“. Ein unerkannter Fall von Traditionsverhalten in der Literatur der klassischen Moderne: Schillers Räuber (1781) in Kafkas Urteil (1912)." Roczniki Humanistyczne 69, no. 5 (2021): 47–63. http://dx.doi.org/10.18290/rh21695-3.

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„Też nazywam się Franz, niezbyt to odległe od kanalii, już prawie się do tego przekonałem”. Nieznany przypadek odniesienia do tradycji w klasycznym modernizmie. Zbójcy Schillera (1781) i Wyrok (1912) Kafki W lecie 2020 r. zmarł Jochen Schmidt (ur. 1938), jeden z najwybitniejszych niemieckich germanistów. Zasłynął dzięki studiom nad twórczością Hölderlina, Kleista, Goethego i Musila. Jego wielokrotnie wznawiana, dwutomowa Historia Geniuszu (Geschichte des Genie-Gedankens) była impulsem do powstania obszernego komentarza do dzieł zebranych Nietzschego. Do tej pory zwykle pomijano fakt, że

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9

Sebić, Mirko. "Franc Kafka ili filozofija pretnje." Glasnik Advokatske komore Vojvodine 66, no. 7-8 (1994): 27–29. http://dx.doi.org/10.5937/gakv9412027s.

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10

Lilić, Stevan. "Franc Kafka - zabeleške podstanara življenja." Glasnik Advokatske komore Vojvodine 66, no. 7-8 (1994): 19–24. http://dx.doi.org/10.5937/gakv9412019l.

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11

Lesik, Ksenia A. "Kafkaesque motifs in Kunwar Narain’s novels." RUDN Journal of Studies in Literature and Journalism 25, no. 4 (2020): 705–13. http://dx.doi.org/10.22363/2312-9220-2020-25-4-705-713.

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Since the 19th century European literary tradition indisputably influenced the development of Indian literature. Indian intellectuals, familiarizing particularly with the inheritance of European modernism, follow works of modernist writers, accept their key themes and motifs, thereby bring new literary devices and images into Indian literature. One of the main authors, whose novels have made a deep impact on the development of Hindi literature, is Franz Kafka. The influence of his works is extremely visible across India. Indian writers create Kafkaesque worlds and protagonists in their own nov

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12

Leśniak, Sławomir. "„Aus der Mitte seiner Bildwelt“. Zwischen mimetischer und simulativer Darstellungsweise bei Franz Kafka." Studia Germanica Gedanensia, no. 40 (December 22, 2019): 194–206. http://dx.doi.org/10.26881/sgg.2019.40.16.

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Die Arbeit stellt einen Versuch dar, das fotografische Bild und die Körpermetapher in der Prosa Franz Kafkas als simulative und mimetische Darstellungsregister auszuweisen, die vom Leser zweierlei Empfangsarten verlangen: den Nach-Vollzug des darin inszenierten Phantomisierungs- und Verkörperungsvorgangs. Die Werke Kafkas, so die These der Arbeit, exemplifizieren damit auf eminente Weise die Vieldeutigkeit und Komplexität von Mimesis und Simulation, die auch den poetologischen Theorien von Erich Auerbach und Wolfgang Iser zugrunde liegt. Bei unterschiedlichen Voraussetzungen weisen die Positio

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13

Gray, Richard T., and Rainer J. Kaus. "Erzahlte Psychoanalyse bei Franz Kafka: Die Deutung von Kafkas Erzahlung." German Quarterly 73, no. 3 (2000): 320. http://dx.doi.org/10.2307/3072876.

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14

Hibberd, John, Ronald Speirs, and Beatrice Sandberg. "Franz Kafka." Modern Language Review 94, no. 4 (1999): 1156. http://dx.doi.org/10.2307/3737315.

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15

Steiner, Carl, and Richard H. Lawson. "Franz Kafka." German Studies Review 11, no. 1 (1988): 153. http://dx.doi.org/10.2307/1430861.

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16

Ferreira, Rafael Leopoldo Antonio dos Santos. "Franz Kafka." (Des)troços: revista de pensamento radical 2, no. 1 (2021): 178–88. http://dx.doi.org/10.53981/destroos.v2i1.35060.

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O presente ensaio procura se aproximar da zooliteratura de Franz Kafka para caracterizarmos o que chamamos de subjetividades desérticas. Com a noção de subjetividades desérticas procuramos enfatizar a construção da subjetividade como algo permanentemente instável como uma miragem no deserto. Esta instabilidade ontológica tão móvel quanto andar com os pés na areia se caracteriza pela forma-plástica e a forma-morte. Nesse sentido, Kafka nos ajuda a adentrar nessa instabilidade com seus personagens, seja um homem que um dia acorda um inseto, ou ainda, um macaco que se transforma em um homem.

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17

Aguirre Martínez, Guillermo. "Gide, Kafka, Woolf. Iluminación de su vida y obra a través de los diarios." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada 1, no. 18 (2012): 168. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.201218569.

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Para la realización de este estudio se han seleccionado tres autores, André Gide, Franz Kafka y Virginia Woolf, en los que obra y vida se confunden y alimentan mutuamente sin apenas discontinuidad que permita observar dónde nace una y muere la otra. Encontramos, no obstante, en sus respectivos diarios, la herramienta idónea de cara a discernir los límites entre ideal y experiencia, poesía y verdad, una vez que cada uno de ellos hará de su diario no solo un apoyo o guía vital, sino también un soporte donde poder plasmar aquellos pensamientos, aquellas primeras imágenes que posteriormente darán

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18

Neuse, Werner. "Franz Kafka [1935]." World Literature Today 63, no. 2 (1989): 184. http://dx.doi.org/10.2307/40144807.

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19

Sperber, George Bernard. "Franz Kafka: Raízes." Pandaemonium Germanicum, no. 1 (November 5, 1997): 27. http://dx.doi.org/10.11606/1982-8837.pg.1997.62707.

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Der Text versucht den Wurzeln des Schaffens Franz Kafkas nachzugehen, und sucht diese in verschiedenen, konzentrischen und exzentrischen Kreisen. Ein erster un enger Kreis ist der der Familie Kafkas, mit der vorherrschenden Figur des autoritären Vaters. Ein zweiter und weiterer Kreis ist der des Prager Judentums, mit dem ihm auferlegten Außenseitertum, das auch den dritten und noch breiteren Kreis bedingt, und zwar den der deutschsprachigen Bevölkerung Prags am Anfang des Jahrhunderts. Die aus diesen Kreisen sprießenden Wurzeln bedingen das Außenseitertum Kafkas, befähigen ihn aber auch die Ro

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20

Thị Thắng, Nguyễn. "The human condition in the creation of Franz Kafka." Journal of Science, Social Science 60, no. 5 (2015): 12–20. http://dx.doi.org/10.18173/2354-1067.2015-0027.

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21

Brito, Eduardo Manoel de. "Franz Kafka, leitor de Heinrich von Kleist." Pandaemonium Germanicum, no. 11 (November 5, 2007): 37. http://dx.doi.org/10.11606/1982-8837.pg.2007.62069.

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A fortuna crítica sobre Franz Kafka é pródiga em relacionar o modo de o escritor construir sua narrativa e algo dos próprios temas com a produção kleistiana. Como uma forma de refletir sobre isso, atentarei para dois críticos que expuseram aspectos desta relação em solo brasileiro: Otto Maria Carpeaux e Luiz Costa Lima . Distados várias décadas, os dois parecem, contudo, possuir certas linhas de confluência na abordagem kleistiana da obra de Franz Kafka. Após expor aspectos da relação Kleist-Kafka nos recortes da crítica brasileira, buscarei referências a Kleist em textos não literários de Kaf

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22

Ramos, Juan Antonio, and Mark McCaffrey. "The Metamorphosis (Franz Kafka)." Callaloo 17, no. 2 (1994): 501. http://dx.doi.org/10.2307/2931771.

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23

Kramsch, Claire. "Multilingual, Like Franz Kafka." International Journal of Multilingualism 5, no. 4 (2008): 316. http://dx.doi.org/10.2167/ijm114.0.

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24

Kramsch, Claire. "Multilingual, Like Franz Kafka*." International Journal of Multilingualism 5, no. 4 (2008): 316–32. http://dx.doi.org/10.1080/14790710802152446.

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25

Fabian, George. "Was Franz Kafka Tubercular?" Oxford German Studies 45, no. 4 (2016): 434–43. http://dx.doi.org/10.1080/00787191.2016.1243331.

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26

Shastina, M. V. "Franz Kafka and China." Nauchnyy dialog, no. 2 (2017): 148–59. http://dx.doi.org/10.24224/2227-1295-2017-2-148-159.

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27

Thompson, Marvin, and Frederick R. Karl. "Franz Kafka: Representative Man." World Literature Today 66, no. 2 (1992): 339. http://dx.doi.org/10.2307/40148212.

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28

Taylor, Dan. "Franz Kafka, subversive dreamer." Journal of Modern Jewish Studies 18, no. 2 (2019): 255–56. http://dx.doi.org/10.1080/14725886.2019.1597494.

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29

Beveridge, Allan. "Metamorphosis by Franz Kafka." Advances in Psychiatric Treatment 15, no. 6 (2009): 459–61. http://dx.doi.org/10.1192/apt.bp.109.007146.

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SummaryThis article examines the short story Metamorphosis by the enigmatic Czech writer Franz Kafka, whose work has been the subject of extensive critical discussion. His writings have been seen in the context of existentialism, Jewish mysticism and as a warning of the advent of totalitarianism. Kafka has attracted the attention of psychoanalysts and psychiatrists, who have maintained that his life and work manifest evidence of unresolved Oedipal issues and of schizoid personality. Metamorphosis is open to a multitude of interpretations, but a potentially fruitful approach is to see parallels

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30

Small, Robin. "Franz Kafka at Summerhill." Educational Theory 37, no. 2 (1987): 179–83. http://dx.doi.org/10.1111/j.1741-5446.1987.00179.x.

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31

P.C.-B. "Franz Kafka in Prague." Museum Management and Curatorship 11, no. 1 (1992): 82–83. http://dx.doi.org/10.1016/0964-7775(92)90054-9.

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32

Blahak, Boris. "„ich habe ja ganz an meinen Koffer vergessen“. Divergenzen zwischen ,reichsdeutscher‘, österreichischer und Prager Normauffassung um 1910 am Beispiel von Franz Kafkas Sprachmanagement im Schriftdeutschen." Brünner Hefte zu Deutsch als Fremdsprache 4, no. 1-2 (2011): 14–42. http://dx.doi.org/10.5817/bhdf2011-1-2-14.

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Der Aufsatz untersucht Franz Kafkas Sprachmanagement bei der Produktion und Veröffentlichung literarischer Prosa vor dem Hintergrund der Normdivergenz im deutschen Sprachraum um 1910. Mit Referenz auf Ulrich Ammons Konzept des von Kodizes, Sprachexperten, Normautoritäten und Modellsprechern/-schreibern gebildeten sozialen Kräftefeldes, das eine Standardvarietät bestimmt, wird exemplarisch der Vorbildcharakter der reichsdeutschen Schriftnorm des Deutschen für Prager deutsche Schriftsteller mit überregionalen Publikationsambitionen gezeigt. Anhand dreier regional markierter sprachlicher Formen,

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33

Maia, Claudia. "Kafka: de menino triste a conhecedor do mundo." Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG 3, no. 5 (2009): 147–49. http://dx.doi.org/10.17851/1982-3053.3.5.147-149.

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34

Egebak, Jørgen. "Kafka-fabrikken." K&K - Kultur og Klasse 32, no. 97 (2004): 126–28. http://dx.doi.org/10.7146/kok.v32i97.21589.

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Maria Luise Caputo-Mayr, Julius Michael Herz (udg.): Franz Kafka. Internationale Bibliographie der Primär- und Sekundärliteratur. Eine Einführung = International Bibliography of Primary and Secondary Literature. An Introduction. 2. erweiterte und überarbeitete Auflage, München 2000 (K.G. Saur). (Bd. 1. Bibliographie der Primärliteratur 1908-1997. XLIX, 213 s. Bd. 2. Bibliographie der Sekundärliteratur 1955-1997. Teil 1: 1955-1980. LIV, 626 s. Teil 2: 1981-1997. s. 627- 1115.)

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35

Brito, Eduardo Manoel de. "Os leopardos kafkianos de Moacyr Scliar: provocações, ditadura e humor entre dois judeus." O Eixo e a Roda: Revista de Literatura Brasileira 17 (December 31, 2008): 33–44. http://dx.doi.org/10.17851/2358-9787.17.0.33-44.

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A partir do aforismo de Franz Kafka reproduzido por Moacyr Scliar em seu livro Os leopardos de Kafka, propomos uma reflexão sobre violência e humor entre os dois escritores, que têm em comum a origem e a tradição judaica. Primeiramente procuramos estabelecer os pontos de contato entre os escritores Moacyr Scliar e Franz Kafka, para, em seguida, enfocarmos a questão da violência expressa desde o ponto de vista mítico (no aforismo kafkiano) edesde o ponto de vista político (no texto de Scliar). Reflexões tais como os micropoderes (Michel Foucault) e conceitos de violência (Hannah Arendt) fundame

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36

Parvulescu, Anca. "Kafka's Laughter: On Joy and the Kafkaesque." Publications of the Modern Language Association of America 130, no. 5 (2015): 1420–32. http://dx.doi.org/10.1632/pmla.2015.130.5.1420.

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In a letter Franz Kafka wrote to Felice Bauer in January 1913, he describes himself as a “great laugher.” Although Kafka is conventionally associated with anxiety, gloom, even terror, his laughter is joyful.

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37

Zard, Philippe. "Le rire théologique de Franz Kafka." Études françaises 47, no. 2 (2011): 83–99. http://dx.doi.org/10.7202/1005651ar.

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Peut-on rire en lisant Kafka et, si c’est le cas, de quoi rit-on ? Qu’est-ce qui rit en nous alors même que La métamorphose, La colonie pénitentiaire, Le procès ou Le château se sont acquis la réputation de fictions cauchemardesques ? Par réaction contre l’esprit de sérieux qui ramène ses romans à des allégories, certains critiques choisissent de mettre en lumière la force comique de Kafka. On se tromperait cependant en opposant les deux dimensions de l’oeuvre, car l’humour omniprésent n’y est aucunement dissociable de sa portée métaphysique. Le rire de Kafka est, entre autres, le surgeon inat

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38

Foley, Amy A. "The Tension of Intention." Chiasmi International 21 (2019): 207–23. http://dx.doi.org/10.5840/chiasmi20192120.

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This article examines Maurice Merleau-Ponty’s reference to Franz Kafka’s “The Metamorphosis” and “Investigations of a Dog” in his lecture on gesture and reconciliation, “Man Seen from the Outside.” Given the centrality of gesture in Kafka’s work, this essay considers the connections between the two figures and the likely influence of Kafka on Merleau-Ponty’s concept of gesture and intentionality. It compares their respective philosophies of gesture as they relate to meaning, reliability, silence, music, and intention. Finally, Kafka’s gestural motif of the springing body is suggested as a sign

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39

Biondillo, Rosana. "Benjamin e a doença da tradição em Kafka." Revista Limiar 3, no. 6 (2019): 355–70. http://dx.doi.org/10.34024/limiar.2016.v3.9234.

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O presente artigo reflete sobre a declaração de Walter Benjamin de que a obra de Kafka representa uma doença da tradição. Apoia-se, em particular, na bem conhecida carta que contém essa declaração, escrita ao amigo Gershom Scholem em 12 de junho de 1938, bem como no seu ensaio Franz Kafka (1934). Encerramos com Um artista da fome (1922) de Kafka como proposta de possível analogia.

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40

Carone, Modesto. "O realismo de Franz Kafka." Novos Estudos - CEBRAP, no. 80 (March 2008): 197–203. http://dx.doi.org/10.1590/s0101-33002008000100013.

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Com base no conto "Na galeria", incluído no volume Um médico rural, procura-se mostrar como o realismo se materializa na obra de Franz Kafka. Argumenta-se que a deformação da realidade que pode ser sugerida pela obra do autor obedece a uma percepção aguda do mundo. Kafka mostra, no próprio corpo de obras-primas como esta, as coisas como elas são e as coisas como elas são percebidas pelo olhar alienado.

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41

Kurniawati, Wisma. "Metanarasi dalam Novel Metamorfosa Karya Franz Kafka." Lingua Franca:Jurnal Bahasa, Sastra, dan Pengajarannya 2, no. 2 (2018): 57. http://dx.doi.org/10.30651/lf.v2i2.2206.

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Di era posmodernisme, sastra sering dianggap sebagai pemikiran. Salah satu karya sastra yang mencerminkan pemikiran adalah novel Metamorfosa karya Kafka. Melalui tokoh dan dunia yang ditampilkan, serta penceritaannya, Metamorfosa mampu merefleksikan pemikiran pengarang tentang masalah-masalah sosial, psikologi, dan politik masyarakat yang dipenuhi dengan dominasi dan kekuasaan. Kajian difokuskan pada dua pertanyaan. Pertama, metanarasi apa saja yang tergambar dalam novel Metamorfosa karya Kafka? Kedua, problematika sosial apa yang ditimbulkan dengan adanya metanarasi dalam novel Metamorfosa ka

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42

Anh, Phạm Tuấn, та Tran Vu Anh. "Motif nghệ thuật trong tác phẩm hóa thân của Franz Kafka". Can Tho University Journal of Science 57, № 1 (2021): 196–201. http://dx.doi.org/10.22144/ctu.jvn.2021.025.

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Franz Kafka là nhà văn gốc Do Thái, sáng tác chủ yếu bằng tiếng Đức. Đến nay, nhiều tác phẩm của Kafka được tuyển dịch và giới thiệu ở Việt Nam: Hóa thân, Lâu đài, Vụ án, Nước Mỹ, Thư gửi bố… Tác phẩm của Kafka phục dựng một thế giới rạn nứt, vỡ vụn, đầy hoài nghi và bất tín nhận thức. Hóa thân là tác phẩm tiêu biểu trong di sản sáng tác của Kafka. Trong Hóa thân, Kafka khéo léo đan cài, ráp nối nhiều motif nghệ thuật để truyền tải giá trị tác phẩm, kích thích tư duy tìm tòi, khám phá của độc giả. Trong nghiên cứu này, chúng tôi tập trung kiến giải motif hóa thân - motif đóng vai trò quan trọn

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Lugão, Juliana. "O observador fotográfico em Contemplação, de Franz Kafka." Pandaemonium Germanicum 24, no. 44 (2021): 141–56. http://dx.doi.org/10.11606/1982-88372444141.

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O presente artigo busca investigar como a fotografia, técnica em expansão no início do século 20, se faz presente na escrita de Contemplação (1912), de Franz Kafka. A técnica se faz presente em outros textos em prosa do autor, mas em Contemplação Kafka incorpora a fotografia à escrita. Em cartas, o autor se refere ao conjunto de prosas curtas publicado em 1912 como um retrato pessoal muito mais fidedigno do que a própria técnica fotográfica seria capaz de produzir. A partir da análise textual da narrativa breve “O passageiro”, ao lado das referências de Franz Kafka em seus Diários e Cartas, de

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Dewolf, Linda. "Marcel Lecomte et Franz Kafka." Textyles, no. 52 (January 1, 2018): 65–78. http://dx.doi.org/10.4000/textyles.2806.

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Goth, Maja, and Ruth V. Gross. "Critical Essays on Franz Kafka." German Quarterly 66, no. 1 (1993): 118. http://dx.doi.org/10.2307/408534.

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Schlant, Ernestine, Hartmut Binder, Brigitte Flach, Hans Helmut Hiebel, Richard Jayne, and Jeong-Suk Kim. "Franz Kafka und der Antisemitismus." German Quarterly 58, no. 3 (1985): 428. http://dx.doi.org/10.2307/406574.

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Paskow, Jacqueline Merriam, and Hans H. Hiebel. "Franz Kafka: Form und Bedeutung." German Studies Review 24, no. 3 (2001): 618. http://dx.doi.org/10.2307/1433435.

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Tully, Carol, Manfred Engel, and Dieter Lamping. "Franz Kafka und die Weltliteratur." Modern Language Review 103, no. 1 (2008): 287. http://dx.doi.org/10.2307/20467752.

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Iranzo, A., A. Stefani, B. Högl, and J. Santamaria. "The insomnia of Franz Kafka." Sleep Medicine 50 (October 2018): 24–28. http://dx.doi.org/10.1016/j.sleep.2018.05.024.

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Kohn, Max. "Franz Kafka : Écoutez le yiddish." Figures de la psychanalyse 16, no. 2 (2007): 193. http://dx.doi.org/10.3917/fp.016.0193.

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