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Relevant bibliographies by topics / Frank Lloyd Wright Archives

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Academic literature on the topic 'Frank Lloyd Wright Archives'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Frank Lloyd Wright Archives"

1

Beth, Dana. "FRANK LLOYD WRIGHT: PRESENTATION AND CONCEPTUAL DRAWINGS. Frank Lloyd Wright Archives Luna Imaging, Inc." Art Documentation: Journal of the Art Libraries Society of North America 14, no. 3 (October 1995): 38–39. http://dx.doi.org/10.1086/adx.14.3.27948774.

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Paine, Ashley, and Amy Clarke. "Frank Lloyd Wright's posthumous architecture." Architectural Research Quarterly 22, no. 1 (March 2018): 69–80. http://dx.doi.org/10.1017/s1359135518000325.

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In recent years, there has been a spate of posthumously built works by Frank Lloyd Wright. Using the architect's archive as a kind of repository of designs that can be adapted for new clients, programmes and sites, these buildings stake out an ambiguous claim upon Wright's name and legacy. The growing body of posthumous architecture presents a range of often unacknowledged and unexamined challenges to Wright's celebrated canon of built works, and to the architectural discipline more generally, troubling conservationists, historians, tourists and foundations alike. These problematic buildings are the subject of this essay, which examines the contemporary appeal of Wright's archive and “brand,” to open up serious questions about the authenticity, authorship and authorisation of an architect's works realised long after their death.

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Wojtowicz, Robert. "A Model House and a House's Model: Reexamining Frank Lloyd Wright's House on the Mesa Project." Journal of the Society of Architectural Historians 64, no. 4 (December 1, 2005): 522–51. http://dx.doi.org/10.2307/25068203.

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This article examines Frank Lloyd Wright's House on the Mesa project, which, despite its familiarity to most historians of twentieth-century architecture, has never been thoroughly studied within the general context of Wright's expansive oeuvre and the specific circumstances of the Museum of Modern Art's 1932 Modern Architecture: International Exhibition. Numerous drawings for the project survive in the Frank Lloyd Wright Archives at Taliesin West, although only photographic evidence survives of the original model. Scattered references to the project appear in Wright's writings, most notably his correspondence with wealthy Denver businessman George Cranmer, whose family served as a kind of inspirational muse for the architect. Of special importance is a letter from Wright to critic Lewis Mumford recently discovered in the Lewis Mumford Papers at the University of Pennsylvania. Handwritten on the back of a photograph of the project's model, Wright's letter sheds new light on some of the project's technical innovations, which included textile-block walls, cantilevered roofs, and stepped casements. Less a response to the International Style, as is commonly held, the project was Wright's model of individualized, machine-age luxury for a merit-based democracy.

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Jerome, P., and D. Emilio. "DIGITAL DOCUMENTATION OF FRANK LLOYD WRIGHT’S MASTERPIECE, FALLINGWATER." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W5 (August 18, 2017): 389–93. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w5-389-2017.

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Since 1988, the professional staff of Architectural Preservation Studio (APS) has been involved with the conservation of Frank Lloyd Wright’s Fallingwater in Mill Run, PA. Designed and erected from 1935 to 1939 as a weekend home for the Kauffman family, the complex consists of the main house and guest house.<br><br> After five years of reports and prototype repairs, we produced a two-volume master plan. Using original Frank Lloyd Wright drawings from Avery Library as background drawings, we measured every surface and reproduced the drawings in CAD, also developing elevations of every room. Stone-by-stone drawings of every flagstone floor and terrace scheduled to be lifted were also created using overlapping film photography that was assembled into a photo mosaic. By 2005, we designed, administered and completed a four-phase exterior restoration, with the paint-stripping and repainting of interior rooms being performed during the brief winter period when the building is closed to the public on an ongoing basis.<br><br> In 2016, we were invited back to the site to review conditions and advise on routine maintenance. At that time we proposed to re-document the buildings, this time using laser-scanning. Laser-scanning of the exterior was performed in May of 2016, and of the interior in March 2017, each over the course of four days. This paper will make a comparison between manual and digital techniques in terms of Fallingwater’s documentation.

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Siry, Joseph M. "Review: Wright on Exhibit: Frank Lloyd Wright's Architectural Exhibitions, by Kathryn Smith, and Frank Lloyd Wright: Unpacking the Archive, edited by Barry Bergdoll and Jennifer Gray." Journal of the Society of Architectural Historians 79, no. 3 (September 1, 2020): 340–43. http://dx.doi.org/10.1525/jsah.2020.79.3.340.

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Park, Jin-Ho. "Schindler, Symmetry and the Free Public Library, 1920." Architectural Research Quarterly 2, no. 2 (1996): 72–83. http://dx.doi.org/10.1017/s1359135500001275.

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Schindler's Free Public Library competition project of 1920 is analysed. Archival documents are interpreted and an analytic model is constructed. Schindler's standing as a Modernist is considered and his early career is rehearsed, especially his involvement with Frank Lloyd Wright. The formal analysis focuses on the use of symmetry. An interpretation of Schindler's employment of the diagonal axis in the Library is proffered. Historical precedents for diagonal butterfly symmetry in the English free school and the Arts and Crafts movement are examined. A method of analysis using the partial ordering of subsymmetries of the square is applied to the floor plans In conclusion, the influence of the Library project on Schindler's later work is surveyed.

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Paine, Ashley. "“Frank Lloyd Wright at 150: Unpacking the Archive”, 12 June – 1 October, 2017 at the Museum of Modern Art, New York." Fabrications 27, no. 3 (September 2, 2017): 429–32. http://dx.doi.org/10.1080/10331867.2017.1368852.

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Clericuzio, Peter. "Frank Lloyd Wright at 150: Unpacking the Archive Museum of Modern Art, New York, NY (June 12–October 1, 2017) (Exhibition Review)." Design Issues 35, no. 1 (January 2019): 84–87. http://dx.doi.org/10.1162/desi_r_00525.

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Meyers, Debra A. "Frank Lloyd Wright." Journal of Interdisciplinary Studies 6, no. 1 (1994): 24–40. http://dx.doi.org/10.5840/jis199461/22.

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Frank Lloyd Wright is widely recognized as one of America's most creative architects. His influence continues around the world. Since Wright's death in 1959, his impact on architecture and social reform has remained an important topic for historians. Wright's genius has been attributed to his mentor Louis Sullivan, his father's love of classical music, or his preschool training with Froebel developmental toys. Although these factors may have played a part in Wright's development, his religious beliefs were central to his social theory and Organic Architecture. Wright's life and work was a concerted effort to convert the world to his strong Unitarian religious beliefs.

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FROSCH, WILLIAM A. "Frank Lloyd Wright." American Journal of Psychiatry 162, no. 12 (December 2005): 2403. http://dx.doi.org/10.1176/appi.ajp.162.12.2403.

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Dissertations / Theses on the topic "Frank Lloyd Wright Archives"

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Choate, James Edwin. "Learning from Frank Lloyd Wright." Thesis, Georgia Institute of Technology, 1985. http://hdl.handle.net/1853/23774.

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Jones, Gwyn Lloyd. "Frank Lloyd Wright beyond America." Thesis, University of Westminster, 2013. https://westminsterresearch.westminster.ac.uk/item/8z03v/frank-lloyd-wright-beyond-america.

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This thesis is a cultural study of the architecture of Frank Lloyd Wright’s (1867-1959) beyond his homeland of America. It explores Wright’s travels as a means of unravelling his global ambitions and legacy. Wright was born in the age of the horse and cart and died in the age of commercial jet travel; he not only experienced the rapid compression of space and time in methods of travel, but also participated in this globalising movement. His journeys beyond the USA were undertaken to promote his own global philosophy of ‘organic architecture’. Such cross-cultural dialogues are an important part of architectural history and theory, as well as of notions of ‘change’ and ‘progress’, and so within the thesis I re-enact six of Wright’s journeys to these different sites. In addition, I also rethink the traditional academic division of Wright’s career into his ‘Prairie House’ and ‘Usonian’ eras by proposing a third, final epoch constructed around his ‘Legacy’. My methodology for the thesis is based on the concept of gaining ‘situated knowledge’ from direct engagement with ‘Wrightian’ sites to deconstruct his ideas and projects. I also consider how Wright’s global 'organic' doctrine is actually now being experienced, and how people are living with his legacy in the early twenty-first century. The thesis adopts an experimental writing-as-design approach to research and as such I use a narrative mode of writing to negotiate between ‘creative’ and ‘critical’ perspectives of research. This method allows my experience to inform my analysis of Wright’s sites of influence to generate a better understanding of his architecture. Consequently, my layered narrative provides an alternative reading of Frank Lloyd Wright’s globalising ambitions by offsetting with tales of contemporary resistance that reclaim the term ‘organic architecture’ from being a bland global phenomenon to a highly articulated local expression of difference.

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Boulton, Alexander O. "Frank Lloyd Wright: Architect of an Age." W&M ScholarWorks, 1993. https://scholarworks.wm.edu/etd/1539625790.

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Herrera, Velazco Rodrigo. "Morphing arquitectónico: transformaciones entre las casas usonianas de Frank Lloyd Wright." Doctoral thesis, Universitat Politècnica de Catalunya, 2012. http://hdl.handle.net/10803/81013.

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Esta tesis investiga sobre el proceso de transformación de la forma arquitectónica, analizando una técnica específica denominada morphing. La técnica del morphing se utiliza en los gráficos por ordenador para la transformación de la forma entre dos o más objetos dados. Desde un punto de vista técnico, se revisan y actualizan las metodologías y aplicaciones existentes, sus características específicas y sus incidencias sobre la arquitectura. Desde un punto de vista práctico, se utilizan una serie de modelos de las casas Usonianas de Frank Lloyd Wright, con el fin de experimentar la técnica y ver qué utilidades se pueden obtener a partir de su lógica de diseño. Como resultado de este análisis se obtiene una metodología genérica para el procedimiento de un morphing arquitectónico.
This thesis investigates the transformation of architectural form, analyzing a specific technique called morphing. Morphing is a technique used in computer graphics to transform a form between two or more given objects. From a technical point of view, the existing techniques are reviewed and updated, as well as their specific characteristics and impact on architecture. From a practical point of view, some models of Usonian houses of Frank Lloyd Wright are used to experience the technique and see which utilities are available from his design logic. As a result of this analysis a generic methodology for the process of architectural morphing is obtained.

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Nissen, Anne D. (Anne Dorrit). "From the Cheney House to Taliesin : Frank Lloyd Wright and Feminist Mamah Borthwick." Thesis, Massachusetts Institute of Technology, 1988. http://hdl.handle.net/1721.1/14731.

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Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1988.
Bibliography: leaves 168-169.
This thesis seeks to investigate the impact of Frank Lloyd Wright 's contact with feminist theory on his design and his thinking. For, in 1912, Wright and his companion Mamah Borthwick co-translated a book by Swedish feminist Ellen Key into English. I argue that Key's notion of an "organic" system of male-female relationships prompted Wright to redefine his notion of what an organic architecture should be; and, that this shift in understanding led to the birth of Wright's first "natural house," Taliesin, which was built for Wright and Borthwick's life together. Ellen Key believed that the values which she associated with women's childrearing responsibilities -- those of love and empathy -- should be honored above all other societal values. These values were to flow out of the house into the public realm, so that in a world transformed by Key's "sex morality," men would share them, and restructure their actions accordingly. Taliesin 's location in rural Wisconsin made it possible for Wright and Borthwick to construct a private life based on respect for the natural forces of sexuality and nature. Therefore Wright could say that "the house married the hill" on which Taliesin sat. Moreover, I believe that Taliesin's design is governed by Key's empathetic approach -- that of listening rather than imposing. Taliesin is not a hierarchical composition of traditional domestic signs; instead, the relationship of space within the house to space outside it is as important, if not more so, than the actual physical fabric in which Wright rendered his individual design statement.
by Anne D. Nissen.
M.S.

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Sonmez, Filiz. "Organic Architecture And Frank Lloyd Wright In Turkey Within The Framework Of House Design." Master's thesis, METU, 2006. http://etd.lib.metu.edu.tr/upload/12607101/index.pdf.

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Nature has been a source of inspiration for many architects, one of them being Frank Lloyd Wright. He re-interpreted the principles of architectural design by searching nature and uncovering its hidden dimensions to introduce his idea called organic architecture, at the onset of the twentieth century. This thesis aims to discuss the offspring of this idea in Turkey, with the awareness of the fact that the Turkish examples of Vernacular and Local architecture have always displayed great concern towards nature. The developments subsequent to the recognition of organic architecture and Wright in the Turkish Architectural arena are surveyed with reference to significant discussions, competitions, exhibitions, conferences as well as concrete examples of architectural practice. Throughout the study the discussions related to Modernism in Turkey are also referred to taking the misconception of organic architecture into consideration. Since the meaning of and the interpretations concerning organic architecture are different from those made in Europe and the USA, some Turkish architects have also conceived organic architecture different from Wright&rsquo
s understanding and interpreted it from a merely formal perspective. Wright&rsquo
s approach to &lsquo
house design&rsquo
, which transforms confined, formal, symmetrical boxes into flowing spaces, is focused in comparison to Vernacular and Local examples in Turkey, and the works designed by Contemporary Turkish architects are selected to investigate the application of the principles of design and characteristics introduced by Wright. The concept of space, use of material, relation of the building with its environment, functional requirements and constructional concerns are studied within this context.

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Kao, Kenneth Ken-Sin Martin. "Frank Lloyd Wright : the role of technology and experimentation in the art of building /." [S.l.] : [s.n.], 1991. http://e-collection.ethbib.ethz.ch/show?type=diss&nr=9478.

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McTurner, Bobbie. "An analysis of Hani Motoko's Hall for Tomorrow (1921) a Frank Lloyd Wright design /." Cincinnati, Ohio : University of Cincinnati, 2006. http://www.ohiolink.edu/etd/view.cgi?acc_num=ucin1148152737.

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Thesis (M.A.)--University of Cincinnati, 2006.
Advisor: Kimberly Paice. Title from electronic thesis title page (viewed June 3, 2009). Includes abstract. Keywords: Frank Lloyd Wright; Myonichikan; Endo Arata; Hani Motoko; Tokyo; Prairie School Style. Includes bibliographical references.

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Cruz, Débora de Melo da. "A Influência de Frank Lloyd Wright sobre João Batista Vilanova Artigas = uma análise formal." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/257726.

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Orientador: Maria Gabriela Caffarena Celani
Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Engenharia Civil, Arquitetura e Urbanismo
Made available in DSpace on 2018-08-17T19:10:06Z (GMT). No. of bitstreams: 1 Cruz_DeboradeMeloda_M.pdf: 9689477 bytes, checksum: 7872c69e499cbc1526337b817ab46dd0 (MD5) Previous issue date: 2010
Resumo: A gramática da forma, um formalismo desenvolvido por Stiny e Gips (1972) na década de 1970, tem sido utilizada principalmente na caracterização de linguagens de projetos. Além desse uso analítico, ela também tem sido utilizada para a síntese de formas. Este trabalho propõe como método comparativo o emprego de regras gramaticais de uma linguagem para a verificação de semelhanças em obras não pertencentes a ela. Caso não seja identificada a aplicabilidade das regras na obra analisada, em tese, pode-se concluir que não existe influência da linguagem na mesma, ou que essa influência é apenas superficial, não afetando sua estrutura compositiva de maneira significativa Alguns críticos da arquitetura moderna brasileira como Bruand (1998), Sanvitto (1992b) e Irigoyen (2002) sugerem a existência de uma influência das casas de pradaria de Frank Lloyd Wright sobre a primeira fase de João Batista Vilanova Artigas. Neste trabalho pretendia-se verificar se esta influência realmente poderia ser comprovada por meio da metodologia acima descrita, que explora a estrutura compositiva dos exemplares. Para isso, as regras referentes às coberturas da gramática das casas da pradaria de Wright, desenvolvidas por Koning e Eizenberg (1981), foram aplicadas no desenvolvimento das coberturas das casas de Artigas. O método não permitiu comprovar a influência compositiva de um arquiteto sobre o outro, ao contrário do esperado. Foi possível concluir que o método proposto é eficiente para a identificação de influências arquitetônicas de maneira clara e objetiva. O experimento realizado sugere ainda possibilidades de aplicação da gramática da forma no ensino de arquitetura, como auxiliar na comparação entre linguagens arquitetônicas
Abstract: Shape Grammar, a formalism developed by Stiny and Gips (1972) in the 1970s, has been applied mainly to characterize design languages. It has also been employed in shape synthesis. The present work proposes as a comparative method the use of grammatical rules of a certain language for the verification of similarities in works not belonging to the same language. In case the applicability of the rules is not identified in the analyzed work, in thesis, one could conclude that such influence of the language does not exist, or that this influence is only superficial, not affecting its compositional structure significantly. Some Brazilian modern architecture critics, such as Bruand (1998), Sanvitto (1992b) and Irigoyen (2002), have suggested that Frank Lloyd Wright's prairie houses have influenced João Batista Vilanova Artiga's early work. This study intends to verify this influence through the method described above, which exploits the compositional structure of the models. For this purpose the rules developed for the roofs of Frank Lloyd Wright's prairie houses were applied to the roofs of Artiga's houses, so that they could be compared. Contrary to expectations, it was impossible to prove the compositional influence of one architect on the other using this method. The proposed method proved to be efficient in indentifying architectural influences clearly and objectively. Thus the experiment suggests the possibility of applying shape grammars in architectural education, as an auxiliary method for comparing architectural languages
Mestrado
Arquitetura e Construção
Mestre em Engenharia Civil

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McTurner, Bobbie. "An Analysis of Hani Motoko’s Hall for Tomorrow (1921): A Frank Lloyd Wright Design." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1148152737.

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Books on the topic "Frank Lloyd Wright Archives"

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Pfeiffer, Bruce Brooks. Frank Lloyd Wright drawings: Masterworks from the Frank Lloyd Wright archives. New York: Abradale Press, 1996.

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Pfeiffer, Bruce Brooks. Frank Lloyd Wright drawings: Masterworks from the Frank Lloyd Wright Archives. New York: Abrams, 1990.

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Wright, Frank Lloyd. Master drawings from the Frank Lloyd Wright archives. London: Thames and Hudson, 1990.

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1867-1959, Wright Frank Lloyd, Carpenter John T, Phoenix Art Museum, and Los Angeles County Museum of Art., eds. The Frank Lloyd Wright collection of surimono. New York: Weatherhill, 1995.

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Studies and executed buildings by Frank Lloyd Wright. New York: Rizzoli, 1986.

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Studies and executed buildings by Frank Lloyd Wright. New York: Rizzoli, 1998.

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Wright, Frank Lloyd. Studies and executed buildings by Frank Lloyd Wright. London: Architectural Press, 1986.

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Alofsin, Anthony. Frank Lloyd Wright: An index to the Taliesin correspondence. New York: Garland Pub., 1988.

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Robertson, Cheryl. Frank Lloyd Wright and George Mann Niedecken: Prairie School collaborators. Milwaukee: Milwaukee Art Museum, 1999.

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At nature's edge: Frank Lloyd Wright's artist studio. Salt Lake City, UT: University of Utah Press, 2006.

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Book chapters on the topic "Frank Lloyd Wright Archives"

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Conrads, Ulrich. "Frank Lloyd Wright Junge Architektur (Auszug)." In Programme und Manifeste zur Architektur des 20. Jahrhunderts, 115–16. Wiesbaden: Vieweg+Teubner Verlag, 2001. http://dx.doi.org/10.1007/978-3-663-13972-0_47.

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Conrads, Ulrich. "Frank Lloyd Wright Organische Architektur (Auszug)." In Programme und Manifeste zur Architektur des 20. Jahrhunderts, 22. Wiesbaden: Vieweg+Teubner Verlag, 2001. http://dx.doi.org/10.1007/978-3-663-13972-0_6.

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Schnier, Thorsten, and John S. Gero. "From Mondrian to Frank Lloyd Wright: Transforming Evolving Representations." In Adaptive Computing in Design and Manufacture, 207–19. London: Springer London, 1998. http://dx.doi.org/10.1007/978-1-4471-1589-2_16.

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"Frank Lloyd Wright." In Shows of Force, 79–90. Duke University Press, 1992. http://dx.doi.org/10.1215/9780822398066-007.

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"Lloyd Wright, Frank." In The Visual Dictionary of Architecture, 154. AVA Publishing SA Bloomsbury Publishing Plc, 2008. http://dx.doi.org/10.5040/9781350096462.0140.

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"FRANK LLOYD WRIGHT." In Raum, Zeit, Architektur, 259–76. Birkhäuser, 2015. http://dx.doi.org/10.1515/9783035605778-042.

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Hinchman, Mark, and Elyssa Yoneda. "Wright, Frank Lloyd." In Interior Design Masters, 241–43. Routledge, 2018. http://dx.doi.org/10.4324/9781315168203-117.

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"Wright, Frank Lloyd." In The Visual Dictionary of Interior Architecture and Design, 266. AVA Publishing SA Distributed by Thames & Hudson (ex-North America) Distributed in the USA & Canada by: Ingram Publisher Services Inc. English Language Support Office, 2009. http://dx.doi.org/10.5040/9781350088719.0251.

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"FRANK LLOYD WRIGHT:." In Shows of Force, 79–90. Duke University Press, 1992. http://dx.doi.org/10.2307/j.ctv1220h3z.10.

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"A new house." In Frank Lloyd Wright, 3–23. Taylor & Francis, 2005. http://dx.doi.org/10.4324/9780203985175-1.

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Conference papers on the topic "Frank Lloyd Wright Archives"

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Mattos, Ana de, and Ana Florio. "O desenho da Usonian de Frank Lloyd Wright: entre teoria e projeto." In Congresso de Iniciação Científica UNICAMP. Universidade Estadual de Campinas, 2019. http://dx.doi.org/10.20396/revpibic2720192336.

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Nelson, Erik L. "Wright House, Wrong Peril: A Case Study in Hail Damage to a Frank Lloyd Wright Residence." In Sixth Congress on Forensic Engineering. Reston, VA: American Society of Civil Engineers, 2012. http://dx.doi.org/10.1061/9780784412640.111.

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Barrios, Carlos Roberto. "A Textile Block Grammar: An analytical Shape Grammar to Study the Block Designs of Frank Lloyd Wright''s Californian Textile Block Houses." In XVII Conference of the Iberoamerican Society of Digital Graphics - SIGraDi: Knowledge-based Design. São Paulo: Editora Edgard Blücher, 2013. http://dx.doi.org/10.5151/despro-sigradi2013-0038.

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Guido, Luca. "Bruno Zevi on Le Corbusier: another way to an “organic architecture”." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.760.

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Abstract: Bruno Zevi was an enthusiastic promoter of Frank Lloyd Wright’s architecture and theories. However, the critical enquiry and propaganda of the Italian architect and historian about so-called “organic architecture” reveals a major cultural debt to Le Corbusier. In 1945, Zevi published “Verso un’architettura organica” [Towards an organic architecture], the first version of his history of architecture. The title is clearly a polemical reference to Le Corbusier’s book “Vers une architecture” (1923). In 1977, together with other architects, Zevi promoted the Machu Picchu Charter, a document to “update” the Athens Charter (1933). The places held significance: Athens was the birthplace of western civilization and architectural rationalism. Machu Picchu symbolised the contribution of an alternative way of viewing the world. Are those merely examples of Zevi’s provocations? The relationship between Zevi and Le Corbusier is problematic and ambivalent. Zevi adopts the educational and communicative methods of Le Corbusier and his critical writing style, but his interpretation of the French-Swiss architect also demonstrates an attempt to delineate a new concept of “organic architecture”, related to his researches on a historiographic redefinition of the Modern Movement. Resumen: Bruno Zevi fue un entusiasta promotor de la arquitectura y las teorías de Frank Lloyd Wright. Sin embargo, la investigación crítica y la propaganda del arquitecto italiano e historiador sobre la llamada "arquitectura orgánica" revela una importante deuda cultural para Le Corbusier. En 1945, Zevi publicó "Verso un'architettura organica" [Hacia una arquitectura orgánica], la primera versión de su historia de la arquitectura. El título es claramente una referencia polémica al libro de Le Corbusier "Vers une architecture" (1923). En 1977, junto a otros arquitectos, Zevi promovió la Carta Machu Picchu, un documento para "actualizar" la Carta de Atenas (1933). Los lugares celebradas importancia: Atenas fue la cuna de la civilización occidental y el racionalismo arquitectónico. Machu Picchu simbolizaba la contribución de una forma alternativa de ver el mundo. Son esos meros ejemplos de las provocaciones de Zevi? La relación entre Zevi y Le Corbusier es problemática y bivalente. Zevi adopta los métodos educativos y comunicativos de Le Corbusier y su estilo crítico escrito, pero su interpretación del arquitecto franco-suizo también demuestra un intento de delinear un nuevo concepto de "arquitectura orgánica", en relación con sus investigaciones en una redefinición historiográfico de la Movimiento Moderno. Keywords: Bruno Zevi; Le Corbusier’s legacy; modern language invariants; five points; organic architecture. Palabras clave: Bruno Zevi; El legado de Le Corbusier; invariantes de lenguas modernas; cinco puntos; arquitectura orgánica. DOI: http://dx.doi.org/10.4995/LC2015.2015.760

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Marshall, Stephen, and Yuerong Zhang. "Towards a ‘fractal’ typomorphology: integrating concepts of type, form and dimension." In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.6151.

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Abstract:

While the urban fabric has both three and two dimensional aspects, we rarely if ever experience urban form as a fully three-dimensional object nor as a two-dimensional ground plan. Rather, the urban fabric is experienced more in terms of places with a fractal dimension lying between two and three. Hence we can (re)interpret urban form elements from colonnades to streets as ‘fractal’ types. This in turn suggests the possibility for a ‘fractal’ typo-morphology, addressing elements that occupy a typological space ‘in between’ 3D architectural modelling and 2D urban plan analysis. While Moudon could note that aspects of type were ‘vague and flawed with ambiguity’ (1994), it seems that there is still room for clarity; Dovey’s recent review of type (2016) invites further development and integration of the concept of type what may still be a disparate and ambiguous territory. Meanwhile, fractal approaches to morphology have been traditionally more concerned with larger scale urban patterns (e.g. Frankhauser, 2004) or measurement of architectural elements (e.g. Ostwald et al, 2015) with a fractal dimension less than two. This paper explores the possibilities for establishing a ‘fractal typo-morphology’ that recognises the ‘2.x’ dimensional aspect of the urban fabric and its component types. The paper generates a solution-space of types, illustrated with empirical examples, and organizes these into a typology for onward use, so that ideas of type, form and fractal dimension can contribute more fully as ‘conceptual tools’ both for understanding the urban fabric and for use as building blocks for urban design. References (100 words) Dovey, K. (2016) Urban Design Thinking. London: Bloomsbury Academic. Moudon, A. V. (1994) Getting to know the built landscape: typomorphology, in Franck, K. A and H. Schneekloth (eds) Ordering Space: Types in Architecture and Design. New York: VNR. Frankhauser, P. (2004) Comparing the morphology of urban patterns in Europe – a fractal approach, in Borsdorf, A. and Zembri, P. (eds) European Cities – Insights on outskirts. Brussels: COST. Ostwald, M., Vaughan, J. and Tucker, C. (2015) Characteristic visual complexity: Fractal dimensions in the architecture of Frank Lloyd wright and Le Corbusier, in Williams, K. and Ostwald, M. (eds) Architecture and Mathematics from Antiquity to the Future. Switzerland: Springer.

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