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1

Beth, Dana. "FRANK LLOYD WRIGHT: PRESENTATION AND CONCEPTUAL DRAWINGS. Frank Lloyd Wright Archives Luna Imaging, Inc." Art Documentation: Journal of the Art Libraries Society of North America 14, no. 3 (October 1995): 38–39. http://dx.doi.org/10.1086/adx.14.3.27948774.

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2

Paine, Ashley, and Amy Clarke. "Frank Lloyd Wright's posthumous architecture." Architectural Research Quarterly 22, no. 1 (March 2018): 69–80. http://dx.doi.org/10.1017/s1359135518000325.

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In recent years, there has been a spate of posthumously built works by Frank Lloyd Wright. Using the architect's archive as a kind of repository of designs that can be adapted for new clients, programmes and sites, these buildings stake out an ambiguous claim upon Wright's name and legacy. The growing body of posthumous architecture presents a range of often unacknowledged and unexamined challenges to Wright's celebrated canon of built works, and to the architectural discipline more generally, troubling conservationists, historians, tourists and foundations alike. These problematic buildings are the subject of this essay, which examines the contemporary appeal of Wright's archive and “brand,” to open up serious questions about the authenticity, authorship and authorisation of an architect's works realised long after their death.
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3

Wojtowicz, Robert. "A Model House and a House's Model: Reexamining Frank Lloyd Wright's House on the Mesa Project." Journal of the Society of Architectural Historians 64, no. 4 (December 1, 2005): 522–51. http://dx.doi.org/10.2307/25068203.

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This article examines Frank Lloyd Wright's House on the Mesa project, which, despite its familiarity to most historians of twentieth-century architecture, has never been thoroughly studied within the general context of Wright's expansive oeuvre and the specific circumstances of the Museum of Modern Art's 1932 Modern Architecture: International Exhibition. Numerous drawings for the project survive in the Frank Lloyd Wright Archives at Taliesin West, although only photographic evidence survives of the original model. Scattered references to the project appear in Wright's writings, most notably his correspondence with wealthy Denver businessman George Cranmer, whose family served as a kind of inspirational muse for the architect. Of special importance is a letter from Wright to critic Lewis Mumford recently discovered in the Lewis Mumford Papers at the University of Pennsylvania. Handwritten on the back of a photograph of the project's model, Wright's letter sheds new light on some of the project's technical innovations, which included textile-block walls, cantilevered roofs, and stepped casements. Less a response to the International Style, as is commonly held, the project was Wright's model of individualized, machine-age luxury for a merit-based democracy.
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4

Jerome, P., and D. Emilio. "DIGITAL DOCUMENTATION OF FRANK LLOYD WRIGHT’S MASTERPIECE, FALLINGWATER." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W5 (August 18, 2017): 389–93. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w5-389-2017.

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Since 1988, the professional staff of Architectural Preservation Studio (APS) has been involved with the conservation of Frank Lloyd Wright’s Fallingwater in Mill Run, PA. Designed and erected from 1935 to 1939 as a weekend home for the Kauffman family, the complex consists of the main house and guest house.<br><br> After five years of reports and prototype repairs, we produced a two-volume master plan. Using original Frank Lloyd Wright drawings from Avery Library as background drawings, we measured every surface and reproduced the drawings in CAD, also developing elevations of every room. Stone-by-stone drawings of every flagstone floor and terrace scheduled to be lifted were also created using overlapping film photography that was assembled into a photo mosaic. By 2005, we designed, administered and completed a four-phase exterior restoration, with the paint-stripping and repainting of interior rooms being performed during the brief winter period when the building is closed to the public on an ongoing basis.<br><br> In 2016, we were invited back to the site to review conditions and advise on routine maintenance. At that time we proposed to re-document the buildings, this time using laser-scanning. Laser-scanning of the exterior was performed in May of 2016, and of the interior in March 2017, each over the course of four days. This paper will make a comparison between manual and digital techniques in terms of Fallingwater’s documentation.
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5

Siry, Joseph M. "Review: Wright on Exhibit: Frank Lloyd Wright's Architectural Exhibitions, by Kathryn Smith, and Frank Lloyd Wright: Unpacking the Archive, edited by Barry Bergdoll and Jennifer Gray." Journal of the Society of Architectural Historians 79, no. 3 (September 1, 2020): 340–43. http://dx.doi.org/10.1525/jsah.2020.79.3.340.

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6

Park, Jin-Ho. "Schindler, Symmetry and the Free Public Library, 1920." Architectural Research Quarterly 2, no. 2 (1996): 72–83. http://dx.doi.org/10.1017/s1359135500001275.

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Schindler's Free Public Library competition project of 1920 is analysed. Archival documents are interpreted and an analytic model is constructed. Schindler's standing as a Modernist is considered and his early career is rehearsed, especially his involvement with Frank Lloyd Wright. The formal analysis focuses on the use of symmetry. An interpretation of Schindler's employment of the diagonal axis in the Library is proffered. Historical precedents for diagonal butterfly symmetry in the English free school and the Arts and Crafts movement are examined. A method of analysis using the partial ordering of subsymmetries of the square is applied to the floor plans In conclusion, the influence of the Library project on Schindler's later work is surveyed.
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7

Paine, Ashley. "“Frank Lloyd Wright at 150: Unpacking the Archive”, 12 June – 1 October, 2017 at the Museum of Modern Art, New York." Fabrications 27, no. 3 (September 2, 2017): 429–32. http://dx.doi.org/10.1080/10331867.2017.1368852.

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8

Clericuzio, Peter. "Frank Lloyd Wright at 150: Unpacking the Archive Museum of Modern Art, New York, NY (June 12–October 1, 2017) (Exhibition Review)." Design Issues 35, no. 1 (January 2019): 84–87. http://dx.doi.org/10.1162/desi_r_00525.

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9

Meyers, Debra A. "Frank Lloyd Wright." Journal of Interdisciplinary Studies 6, no. 1 (1994): 24–40. http://dx.doi.org/10.5840/jis199461/22.

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Frank Lloyd Wright is widely recognized as one of America's most creative architects. His influence continues around the world. Since Wright's death in 1959, his impact on architecture and social reform has remained an important topic for historians. Wright's genius has been attributed to his mentor Louis Sullivan, his father's love of classical music, or his preschool training with Froebel developmental toys. Although these factors may have played a part in Wright's development, his religious beliefs were central to his social theory and Organic Architecture. Wright's life and work was a concerted effort to convert the world to his strong Unitarian religious beliefs.
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10

FROSCH, WILLIAM A. "Frank Lloyd Wright." American Journal of Psychiatry 162, no. 12 (December 2005): 2403. http://dx.doi.org/10.1176/appi.ajp.162.12.2403.

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11

Meyers, Debra A. "Frank Lloyd Wright." Journal of Interdisciplinary Studies 6, no. 1 (1994): 24–40. http://dx.doi.org/10.5840/jis199461/22.

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Frank Lloyd Wright is widely recognized as one of America's most creative architects. His influence continues around the world. Since Wright's death in 1959, his impact on architecture and social reform has remained an important topic for historians. Wright's genius has been attributed to his mentor Louis Sullivan, his father's love of classical music, or his preschool training with Froebel developmental toys. Although these factors may have played a part in Wright's development, his religious beliefs were central to his social theory and Organic Architecture. Wright's life and work was a concerted effort to convert the world to his strong Unitarian religious beliefs.
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12

Olsberg, Nicholas. "Review: Frank Lloyd Wright: The Vertical Dimension by Frank Lloyd Wright." Journal of the Society of Architectural Historians 64, no. 4 (December 1, 2005): 556–59. http://dx.doi.org/10.2307/25068206.

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13

Hoffmann, Donald. "Dismembering Frank Lloyd Wright." Design Quarterly, no. 155 (1992): 2. http://dx.doi.org/10.2307/4091268.

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14

Levine, Neil. "Frank Lloyd Wright: Architect." Journal of the Society of Architectural Historians 53, no. 3 (September 1994): 343–47. http://dx.doi.org/10.2307/990941.

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15

Olin, Laurie. "Frank Lloyd Wright: Architect." Landscape Journal 14, no. 1 (1995): 138–55. http://dx.doi.org/10.3368/lj.14.1.138.

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16

Jacks, Philip Joshua. "Frank Lloyd Wright: Architect." Modernism/modernity 1, no. 3 (1994): 266–69. http://dx.doi.org/10.1353/mod.1994.0050.

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17

Alofsin, Anthony. "Review: Frank Lloyd Wright: Collected Writings by Bruce Brooks Pfeiffer, Frank Lloyd Wright." Journal of the Society of Architectural Historians 55, no. 1 (March 1, 1996): 96–97. http://dx.doi.org/10.2307/991067.

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18

Ballon, Hilary. "Frank Lloyd Wright and Michelangelo." Thresholds 28 (January 2005): 130–40. http://dx.doi.org/10.1162/thld_a_00330.

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19

Irigoyen, Adriana. "Frank Lloyd Wright in Brazil." Journal of Architecture 5, no. 2 (January 2000): 137–57. http://dx.doi.org/10.1080/136023600408683.

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20

Quinan, Jack. "Frank Lloyd Wright: An Index to the Taliesin Correspondence Anthony Alofsin Frank Lloyd Wright." Journal of the Society of Architectural Historians 48, no. 3 (September 1989): 300–301. http://dx.doi.org/10.2307/990443.

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21

Elizabeth Collins Cromley. "Frank Lloyd Wright in the Kitchen." Buildings & Landscapes: Journal of the Vernacular Architecture Forum 19, no. 1 (2012): 18. http://dx.doi.org/10.5749/buildland.19.1.0018.

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22

Mostoller, Michael. "The Towers of Frank Lloyd Wright." Journal of Architectural Education 38, no. 2 (January 1985): 13–17. http://dx.doi.org/10.1080/10464883.1985.10758356.

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23

BENTON, C. "Frank Lloyd Wright: The Kaufmann Office." Journal of Design History 9, no. 3 (January 1, 1996): 224–27. http://dx.doi.org/10.1093/jdh/9.3.224.

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24

Mostoller, Michael. "The Towers of Frank Lloyd Wright." Journal of Architectural Education (1984-) 38, no. 2 (1985): 13. http://dx.doi.org/10.2307/1424813.

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25

Cromley, Elizabeth Collins. "Frank Lloyd Wright in the Kitchen." Buildings & Landscapes: Journal of the Vernacular Architecture Forum 19, no. 1 (2012): 18–42. http://dx.doi.org/10.1353/bdl.2012.0010.

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26

Cleary, Richard. "Review: Frank Lloyd Wright by Robert McCarter; The Architecture of Frank Lloyd Wright by Neil Levine." Journal of the Society of Architectural Historians 58, no. 2 (June 1, 1999): 213–14. http://dx.doi.org/10.2307/991491.

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27

Sokol, David M. "Review: Unity Temple: Frank Lloyd Wright and Architecture for Liberal Religion by Joseph M. Siry; Unity Temple: Frank Lloyd Wright by Robert McCarter; Frank Lloyd Wright's Dana House by Donald Hoffmann, Frank Lloyd Wright." Journal of the Society of Architectural Historians 56, no. 4 (December 1, 1997): 525–27. http://dx.doi.org/10.2307/991335.

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28

Meikle, Jeffrey L., and Donald Leslie Johnson. "Frank Lloyd Wright versus America: The 1930s." Journal of American History 78, no. 4 (March 1992): 1501. http://dx.doi.org/10.2307/2079464.

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29

Alofsin, Anthony. "Review: Frank Lloyd Wright by Meryle Secrest." Journal of the Society of Architectural Historians 54, no. 1 (March 1, 1995): 93–95. http://dx.doi.org/10.2307/991035.

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30

Forrer, Matthi, Frank Lloyd Wright, Joan B. Mirviss, and John T. Carpenter. "The Frank Lloyd Wright Collection of Surimono." Monumenta Nipponica 51, no. 1 (1996): 134. http://dx.doi.org/10.2307/2385324.

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31

Carter, Beth W. "Master Builders: Move Over, Frank Lloyd Wright!" Arithmetic Teacher 33, no. 1 (September 1985): 8–11. http://dx.doi.org/10.5951/at.33.1.0008.

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32

Johnson, Donald Leslie. "Frank Lloyd Wright in Moscow: June 1937." Journal of the Society of Architectural Historians 46, no. 1 (March 1, 1987): 65–79. http://dx.doi.org/10.2307/990146.

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In June 1937 Frank Lloyd Wright attended the First All-Union Congress of Soviet Architects held in Moscow. His visit at the request of the Union of Soviet Architects is known mainly, in fact almost exclusively as a result of the American's own frenetic promotions, including his autobiography. The nature of his visit has not heretofore been objectively reported. As well, a paper he delivered has remained obscure in the absence of knowledge.
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33

Tóth, D., and A. Szalai. "Frank Lloyd Wright és a tokiói Imperial Hotel." International Journal of Engineering and Management Sciences 1, no. 2 (October 20, 2016): 129–35. http://dx.doi.org/10.21791/ijems.2016.2.17.

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Frank Lloyd Wright egyike a XX. század első felének legkiemelkedőbb építészeinek. Wright építészete az organikus vagy más néven szerves építészet nevet kapta, amely az épületek és azt körülvevő természetes környezet messzemenő harmonizációjára való törekvést jelenti. Élete során rengeteg épületet tervezett, de talán egyik legmeghatározóbb, és legnagyobb negatív és pozitív visszhangot kapó épülete a tokiói Imperial Hotel volt.
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34

Sovinski, Rob. "Communities of Frank Lloyd Wright: Taliesin and Beyond." Annals of Iowa 69, no. 2 (April 2010): 231–33. http://dx.doi.org/10.17077/0003-4827.1434.

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35

Martínez Mindeguia, Francisco. "Grammar of the protestant, Frank Lloyd Wright, 1929." EGA. Revista de expresión gráfica arquitectónica 19, no. 24 (July 15, 2014): 72. http://dx.doi.org/10.4995/ega.2014.3089.

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36

Menocal, Narciso G. "Frank Lloyd Wright and the Question of Style." Journal of Decorative and Propaganda Arts 2 (1986): 4. http://dx.doi.org/10.2307/1503921.

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37

MEADE, Edmund P. "Structural Evaluation of Four Frank Lloyd Wright Buildings." IABSE Congress Report 17, no. 6 (January 1, 2008): 396–97. http://dx.doi.org/10.2749/222137908796293127.

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38

Guillermo Vázquez Ramos, Fernando. "O que é Arquitetura? (para Frank Lloyd Wright)." arq.urb, no. 24 (December 9, 2019): 180–90. http://dx.doi.org/10.37916/arq.urb.vi24.65.

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Este dá início a uma série de artigos sobre o que é arquitetura. Esta primeira abordagem é um texto publicado em 1958 pela prestigiosa revista estadunidense The Architectural Forum, onde Frank Lloyd Wright (1887-1959) define justamente o que entendia ser a Arquitetura. A revista informava que se tratava de um excerto das conferências ministradas pelo arquiteto em Londres em 1939. Contudo, após minucioso estudo do texto, percebemos que essa informação sobre a fonte do material era imprecisa, o que nos levou a uma pesquisa mais detalhada dos originais que compõem o excerto publicado. O artigo traz também a tradução ao português do referido material.
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39

Lipman, Jonathan. "Frank Lloyd Wright: Architect Terence Riley Peter Reed." Journal of the Society of Architectural Historians 54, no. 3 (September 1995): 365–66. http://dx.doi.org/10.2307/991007.

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40

Nute, Kevin H. "Frank Lloyd Wright andJapanese homes:The Japanese house dissected." Japan Forum 6, no. 1 (April 1994): 73–88. http://dx.doi.org/10.1080/09555809408721502.

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41

Vegas López-Manzanares, Fernando. "La obra de Frank Lloyd Wright en Japón." Loggia, Arquitectura & Restauración, no. 16 (December 21, 2004): 18. http://dx.doi.org/10.4995/loggia.2004.3502.

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42

Steffensen, Ingrid. "Frank Lloyd Wright and the “Gift” of Genius." Journal of American Culture 32, no. 3 (September 2009): 257–66. http://dx.doi.org/10.1111/j.1542-734x.2009.00715.x.

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43

Gunn, Philip. "Frank Lloyd Wright and the Passage to Fordism." Capital & Class 15, no. 2 (July 1991): 73–92. http://dx.doi.org/10.1177/030981689104400106.

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44

Diaz Segura, Alfonso. "FRANK LLOYD WRIGHT: EL FUTURO DE LA ARQUITECTURA." Proyecto, Progreso, Arquitectura, no. 20 (2019): 140–41. http://dx.doi.org/10.12795/ppa.2019.i20.08.

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45

Harp, Nicholas Allen. "Frank Lloyd Wright & the Last Famished Mosasaur." Missouri Review 25, no. 1 (2002): 120–21. http://dx.doi.org/10.1353/mis.2002.0114.

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46

Sturkenboom, Frans. "Time in the Work of Frank Lloyd Wright." APRIA Journal 3, no. 2 (March 4, 2021): 109–21. http://dx.doi.org/10.37198/apria.03.02.a13.

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This paper contains a first exploration of the question of time in the work of the American architect Frank Lloyd Wright.11 By way of introduction I will start by going back to the treatise of the Roman architect Vitruvius to find a first formulation of the importance of time in architecture in the form of the Latin tempus, meaning time of the day and time of the season. I will then expand on the entanglement of the concepts of templum and tempus, both related to the founding rites of the antique city. Finally, I will make the jump to modernity to see how these concepts still persist in the work of Wright, ending up in the Janus face of a geological and an atmospheric time of architecture.
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47

Serra Soriano, B., A. Díaz Segura, and R. Merí de la Maza. "Estudio y aplicación del sistema balloon frame a la industrialización de la vivienda: el caso de las American System-Built Houses de Frank Lloyd Wright." Informes de la Construcción 69, no. 546 (June 12, 2017): 190. http://dx.doi.org/10.3989/ic.15.023.

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Dentro de su extensa producción arquitectónica, Frank Lloyd Wright tuvo ocasión para experimentar con la industrialización de la madera, trabando un material tradicional con el sentido moderno de la arquitectura. La madera y Frank Lloyd Wright son inseparables del sistema balloon frame, sistema que utilizará en sus primeras viviendas y a través del cual materializará su concepto de descomposición espacial. La investigación del caso concreto de las American System-Built Houses servirá para mostrar las experiencias más tempranas de Wright con la industria, cuyas conclusiones utilizaría para sus posteriores investigaciones sobre prefabricación.
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48

Hines, Thomas S. "The Search for Frank Lloyd Wright: History, Biography, Autobiography." Journal of the Society of Architectural Historians 54, no. 4 (December 1, 1995): 467–76. http://dx.doi.org/10.2307/991088.

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49

Smith, Kathryn. "Frank Lloyd Wright and the Imperial Hotel: A Postscript." Art Bulletin 67, no. 2 (June 1985): 296. http://dx.doi.org/10.2307/3050913.

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50

Gorman, Carma R. "Fitting Rooms: The Dress Designs of Frank Lloyd Wright." Winterthur Portfolio 30, no. 4 (December 1995): 259–77. http://dx.doi.org/10.1086/wp.30.4.4618516.

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