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Relevant bibliographies by topics / Frank Wedekind

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Academic literature on the topic 'Frank Wedekind'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 April 2022

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Journal articles on the topic "Frank Wedekind"

1

Wolf, Yvonne. "Erzählerische Unzuverlässigkeit in Frank Wedekinds Mine-Haha oder Über die körperliche Erziehung der jungen Mädchen." Literatur für Leser 39, no. 2 (January 1, 2017): 77–96. http://dx.doi.org/10.3726/3373_77.

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Von Frank Wedekind (1864-1918),1 dem Skandalautor und enfant terrible der Literaturszene um 1900, sind heutzutage vor allem das immer noch gern an Schulen gelesene Drama Frühlings Erwachen und die Figur Lulu als prominenteste femme fatale der deutschen Literatur bekannt. Wedekinds Prosatexte fristen demgegenüber eher ein Nischendasein. Dabei ist jedoch Mine-Haha wahrscheinlich einer der merkwürdigsten Erzähltexte seiner Zeit, in dem sich zudem zentrale Diskurse der Jahrhundertwende auf interessante und provozierende Weise überkreuzen und amalgamieren.2 Der vollständige Titel der Erzählung in ihrer 1903 publizierten Gestalt lautet: Mine-Haha oder über die körperliche Erziehung der jungen Mädchen. Aus Helene Engels schriftlichem Nachlaß herausgegeben von Frank Wedekind.3 Als Wedekind den Text zu schreiben begann, war eine Publikation in dieser Form und mit diesem Titel allerdings nicht geplant. Er ist aus einem Projekt zu einem utopischen Roman hervorgegangen,4 dessen Anfänge wahrscheinlich bereits in der Zeit um 1889/1890 liegen, wobei Wedekind damals noch an den Titel Hidalla oder Das Leben einer Schneiderin dachte. Aus dieser Frühphase ist das zu Lebzeiten Wedekinds unpubliziert gebliebene Exposé Eden erhalten,5 in dem sich Hinweise darauf finden, wie die Erziehungseinrichtungen und der rituell-religiöse Hintergrund des Romans, wenn er fertig gestellt worden wäre, vielleicht ausgesehen hätten.6 Die Erzählung in ihrer 1903 bzw. 1912 vorliegenden letzten Fassung wurde zum größten Teil 1895 verfasst. Der Roman selbst blieb unvollendet. Der Gedanke eines Roman-Projekts beschäftigte Wedekind jedoch auch noch späterhin. So finden sich umfangreiche Notizen aus den Jahren 1906/7, die auf eine zeitweilige Wiederaufnahme unter dem Titel Die große Liebe schließen lassen.7

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2

Kuhns, David F. "Palimpsestus: Frank Wedekind's Theatre of Self-Performance." New Theatre Quarterly 12, no. 45 (February 1996): 50–64. http://dx.doi.org/10.1017/s0266464x00009623.

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Frank Wedekind's theatre art is usually approached through his dramatic writing: but the argument of this article is that the clearest understanding of the dramatist's career is to be gained through an encounter with his work as a performer. The stage was for Wedekind always a deeply personal and reflexive arena: as he once wrote, ‘the critics have often reproached me that my dramas are about myself. I would like to show that it's worth the trouble to bring myself onto the stage.’ In the following article, David Kuhns seeks to demonstrate the complicated nature of ‘performance’ as the term is applied to Wedekind – for his controversial plays and essays, scandalous satirical poems, cabaret appearances, and acting for the legitimate stage were all eclipsed by the notorious public persona which they constituted. This persona, Kuhns argues, became, even for Wedekind himself, inseparable from his self-perceived identity: it was both the real subject of his dramatic art and the essential character he performed. In short, Wedekind's career from beginning to end pursued a performative autobiographical dialectic of self-inscription and self-revision. The author, David Kuhns, teaches theatre history, dramatic literature, and performance theory at Washington University in St. Louis.

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Trotsky, Leon. "On Frank Wedekind." New Theatre Quarterly 7, no. 28 (November 1991): 324–30. http://dx.doi.org/10.1017/s0266464x00006023.

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To follow Lenin on the London Hippodrome in TQ40 (1981) and Wedekind on the Middlesex music hall in NTQ16 (1988) – here now is Trotsky on Wedekind. As Edward Braun, Professor of Drama in the University of Bristol, points out in a brief introduction, this assessment by Trotsky follows in a thin line of dramatic criticism by Marx, Engels, Mehring, Plekhanov, and Lunacharsky, and dates from Trotsky's involvement with a number of radical journals during his exile in Vienna. The article first appeared in the Neue Zeit in April 1908.

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Chick, Edson M., Rolf Kieser, and Reinhold Grimm. "Frank Wedekind Yearbook 1991." German Quarterly 66, no. 2 (1993): 245. http://dx.doi.org/10.2307/407478.

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5

Hibberd, John, Robert A. Jones, and Leroy R. Shaw. "Frank Wedekind: A Bibliographic Handbook." Modern Language Review 94, no. 1 (January 1999): 254. http://dx.doi.org/10.2307/3736092.

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6

Willeke, Audrone B., Robert A. Jones, and Leroy R. Shaw. "Frank Wedekind: A Bibliographic Handbook." German Quarterly 72, no. 1 (1999): 98. http://dx.doi.org/10.2307/407922.

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7

Wedekind, Frank, and Eric Bentley. "Poems and Songs: Frank Wedekind." Performing Arts Journal 15, no. 3 (September 1993): 103. http://dx.doi.org/10.2307/3245757.

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8

Remshardt, Ralf. "Four Cabaret Songs by Frank Wedekind." Delos: A Journal of Translation and World Literature 35, no. 1 (May 6, 2020): 25–33. http://dx.doi.org/10.5744/delos.2020.1003.

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9

Meier, Mischa. "Frank Wedekind, Frühlings Erwachen Eine Kindertragödie?" Zeitschrift für Literaturwissenschaft und Linguistik 28, no. 4 (December 1998): 94–109. http://dx.doi.org/10.1007/bf03379162.

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10

Hibberd, J. L. "Frank Wedekind and the First World War." Modern Language Review 82, no. 1 (January 1987): 119. http://dx.doi.org/10.2307/3729917.

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Dissertations / Theses on the topic "Frank Wedekind"

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Kim, Koañ-Sun. "Die Lieder in Frank Wedekinds Dramen /." Frankfurt am Main : P. Lang, 1993. http://catalogue.bnf.fr/ark:/12148/cb390127665.

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Waldmann, Elinor. "Frank Wedekinds Bismarck : deutschnationale Heldenverehrung oder Dokument subversiver Kritik /." Frankfurt am Main [u.a.] : Lang, 2005. http://www.loc.gov/catdir/toc/fy0716/2007468668.html.

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3

Chon, ChuYoung. "An uninvited party power, gaze, and Wedekind's Lulu /." Oxford, Ohio : Miami University, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1070577246.

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4

Wedekind, Frank [Verfasser]. "Struktur-Funktionsstudien am Insulinrezeptor mittels chemischer Modifizierung / Frank Wedekind." Aachen : Universitätsbibliothek der RWTH Aachen, 2021. http://d-nb.info/1238602339/34.

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5

Moučka, Michal. "Mořic Štíflů, Kníže Myškin, Michal Moučka, F.M. Dostojevskij, Frank Wedekind." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2013. http://www.nusl.cz/ntk/nusl-172893.

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In my diploma work I describe my own experiences and emocions of me like an actor during playing two theather roles on stage. Fist of them is Moritz Stiefel from drama Spring awakening. These part I rehearse in theatre Komorní scéna Aréna in Ostrava. Second part, wchich I am speaking of is Prince Myshkin, wchich I play in Theatre Petra Bezruče in town of Ostrava too. Because of the fact, that my real life has very comon moments with these two men I include to my diploma work fragments from my own liwing. In last two chapters I write brief facts about F.M. Dostojevskij and about Frank Wedekind.

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Müller, Ingo. "Lulu Literaturbearbeitung und Operndramaturgie ; eine vergleichende Analyse von Frank Wedekinds Lulu-Dramen und Alban Bergs Oper Lulu im Lichte gattungstheoretischer Reflexionen." Freiburg, Br. Berlin Wien Rombach, 2010. http://d-nb.info/1000807495/04.

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7

Schümann, Daniel. "Die Suche nach dem "Neuen Menschen" in der deutschen und russischen Literatur der Jahrtausendwende : Frank Wedekins Mine-Haha und Michail Petrovic Arcybasevs Sanin /." München : Sagner, 2001. http://catalogue.bnf.fr/ark:/12148/cb39073526v.

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Kyle-Dipietropaolo, Alexander Celeste. "Lighting Design Concept and Development of Spring Awakening By Frank Wedekind." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1306939595.

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Whalley, F. A. "The elusive transcendent : the role of religion in the plays of Frank Wedekind." Thesis, Swansea University, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.636582.

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This work demonstrates that Frank Wedekind was preoccupied with Christianity and the search for transcendence, a fact that has been largely overlooked by Wedekind research to date. Using hitherto little-known material (his unpublished notebooks) and close readings of his works, both major and minor, I argue that Wedekind was engaged on a quest to discover the role and purpose of religion in a post-Nietzschean world. His first plays reject conventional beliefs and yet themselves display elements of the search for transcendent value. The Lulu-plays explore the possibility that sexual liberation might provide an answer, but conclude the opposite; Der Marquis von Keith considers whether it is possible or worthwhile to believe in Christianity without God. In Hidalla, Wedekind portrays a Christ-figure for the Wilhelmine era, whose gospel of a new sexual morality is deeply flawed. In this Christ-figure, Karl Hetmann, Wedekind also places elements of himself and this becomes a characteristic of his later plays, in which successive not-quiteWedekind characters seek their own form of transcendence and fail: Buridan, for example, the protagonist of Die Zensur, extols reason but ultimately capitulates to the God of mere superstition. In his last plays, Wedekind presents further versions of himself in Messianic characters who are involved in a cycle of quest and failure within an artistic realm. This suggests that he sees his role as that of martyr to an uncomprehending society: his plays become secular rituals, in which the suffering artist is the redeeming sacrifice necessary for ordinary, bourgeois life to continue; but the impossibility of finding transcendence in any of the strategies developed by his protagonists means he is doomed to repeat the same cycle over and over again.

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Murti, Kamakshi P. "Die Reinkarnation des Lesers als Autor ein rezeptionsgeschichtlicher Versuch über den Einfluß der altindischen Literatur auf deutsche Schriftsteller um 1900 /." Berlin ; New York : W. de Gruyter, 1990. http://catalogue.bnf.fr/ark:/12148/cb355109447.

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Books on the topic "Frank Wedekind"

1

Forcht, Georg W. Frank Wedekind. Herbolzheim: Centaurus Verlag & Media, 2009. http://dx.doi.org/10.1007/978-3-86226-970-9.

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Vinçon, Hartmut. Frank Wedekind. Stuttgart: J.B. Metzler, 1987. http://dx.doi.org/10.1007/978-3-476-03933-0.

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Frank Wedekind. Stuttgart: J.B. Metzler, 1987.

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4

Pickerodt, Gerhart. Frank Wedekind: Frühlings Erwachen. 3rd ed. Frankfurt am Main: M. Diesterweg, 1993.

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5

Frank Wedekind: Eine Männertragödie. München: Knaus, 2008.

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6

Frank Wedekind, Frühlings Erwachen. München: Oldenbourg, 1999.

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7

Neubauer, Martin. Frank Wedekind: Frühlings Erwachen. Stuttgart: Reclam, 2001.

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8

Wedekind, Frank. Frank Wedekind: Four major plays. Lyme, NH: Smith and Kraus, 2000.

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9

Forcht, Georg W. Frank Wedekind und die Volksstücktradition. Herbolzheim: Centaurus Verlag & Media, 2012. http://dx.doi.org/10.1007/978-3-86226-990-7.

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A, Jones Robert. Frank Wedekind: A bibliographic handbook. München: K.G. Saur, 1996.

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Book chapters on the topic "Frank Wedekind"

1

Skrine, Peter. "Frank Wedekind." In Hauptmann, Wedekind and Schnitzler, 72–110. London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-20003-0_4.

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2

Schönert, Jörg. "Wedekind, Frank." In Metzler Autoren Lexikon, 829–31. Stuttgart: J.B. Metzler, 1997. http://dx.doi.org/10.1007/978-3-476-03720-6_409.

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Florack, Ruth. "Wedekind, Frank." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19542-1.

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Florack, Ruth. "Frank Wedekind." In Kindler Kompakt: Drama des 20. Jahrhunderts, 34–35. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04526-3_3.

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Vinçon, Hartmut. "Die Wedekind-Forschung. Ein Pamphlet." In Frank Wedekind, 1–2. Stuttgart: J.B. Metzler, 1987. http://dx.doi.org/10.1007/978-3-476-03933-0_1.

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Vinçon, Hartmut. "Materialien." In Frank Wedekind, 3–24. Stuttgart: J.B. Metzler, 1987. http://dx.doi.org/10.1007/978-3-476-03933-0_2.

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Vinçon, Hartmut. "Leben und Werk." In Frank Wedekind, 25–103. Stuttgart: J.B. Metzler, 1987. http://dx.doi.org/10.1007/978-3-476-03933-0_3.

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Vinçon, Hartmut. "Wirkungsgeschichte." In Frank Wedekind, 104–241. Stuttgart: J.B. Metzler, 1987. http://dx.doi.org/10.1007/978-3-476-03933-0_4.

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Florack, Ruth. "Wedekind, Frank: Erzählende Prosa." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19544-1.

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Florack, Ruth. "Wedekind, Frank: Der Kammersänger." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19546-1.

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Conference papers on the topic "Frank Wedekind"

1

Poruntsov, Vladimir. "Utopia discord: the problem of boundary in Frank Wedekind's short story 'Mine-Haha, or On the Bodily Education of Young Girls'." In 45th International Philological Conference (IPC 2016). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/ipc-16.2017.107.

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Reports on the topic "Frank Wedekind"

1

Mellen, Philip. Die Prostituierte in Frank Wedekinds Dramen. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.715.

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