Relevant bibliographies by topics / Frankenstein's monster (Fictional character)

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Academic literature on the topic 'Frankenstein's monster (Fictional character)'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Frankenstein's monster (Fictional character)"

1

Varis, Essi. "The Monster Analogy: Why Fictional Characters are Frankenstein's Monsters." SubStance 48, no. 1 (2019): 63–86. http://dx.doi.org/10.1353/sub.2019.0005.

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2

Muhammad Ridho Fajar Nugraha and Robby Satria. "Image Archetypal from the Novel “Frankenstein” by Mary Shelley." INTERACTION: Jurnal Pendidikan Bahasa 11, no. 2 (2024): 335–46. http://dx.doi.org/10.36232/interactionjournal.v11i2.47.

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Mary Shelley’s “Frankenstein” is a crucial work in Gothic literature and science fiction, exploring human ambition, innovation, and isolation. Using Carl Jung's archetypal imagery, this study examines the novel’s key themes and characters. A qualitative content analysis was conducted on the text and secondary literary sources. Prominent archetypes identified include the Overreacher, the Monster, the Promethean Figure, the Wanderer, and the Tragic Hero. Victor Frankenstein is analyzed as both the Overreacher and the Tragic Hero, symbolizing hubris and downfall. The Monster embodies isolation an
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3

Shen, Fanxi. "Freud’s Psychoanalysis Perspective on the Characteristics of the Monster in Frankenstein." IRA International Journal of Education and Multidisciplinary Studies 20, no. 1 (2024): 36. http://dx.doi.org/10.21013/jems.v20.n1.p3.

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The famous English writer Mary Shelley wrote <em>Frankenstein</em> in 1818, which is regarded as the world’s first science fiction novel, and thus Mary Shelley was awarded the title of Mother of Science Fiction. With a gothic plot, this novel contains the philosophy of technology, psychology and epistemology, expressing the author’s exploration of human nature. The psychological and action descriptions of the characters in this novel, to a certain extent, show the psychological characteristics of the character’s id, ego and superego. Therefore, this paper will elaborate the psychol
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4

Nuraeni, Nuraeni, Erik Candra Pertala, and Lusi Susilawati. "GAMBARAN TOKOH TRITAGONIS DALAM NOVEL A MONSTER CALLS KARYA PATRICK NESS." JURNAL PESONA 8, no. 1 (2022): 98–105. http://dx.doi.org/10.52657/jp.v8i1.1652.

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Abstrak
 Tujuan penelitian ini yaitu untuk mengetahui tokoh dan penokohan dalam novel A Monster Calls karya Patrick Ness. Tokoh merupakan pelaku dalam sebuah cerita yang menjalankan peristiwa secara keseluruhan untuk membentuk sebuah cerita yang utuh. Tokoh dalam sebuah cerita fiksi memiliki beberapa jenis tokoh, diantaranya yaitu tokoh protagonis, tokoh antagonis, tokoh tritagonis dan tokoh pembantu. Tetapi peneliti memfokuskan penelitian ini pada tokoh tritagonis yang menjadi penengah dalam sebuah cerita. Penokohan juga diperlukan dalam penelitian ini karena kemunculan tokoh untuk membe
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5

Akhmedov, Rafael Sh. "The concept of “robotics” in Isaac Asimov’s science fiction: clash of traditions and innovations." Philological Sciences. Scientific Essays of Higher Education, no. 4 (July 2022): 114–23. http://dx.doi.org/10.20339/phs.4-22.114.

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The image of a mechanical (artificial) creature constructed thanks to the achievements of mankind in the field of science and technology has been present in literature since its inception, since the first oral myths and legends. Only towards the end of the 19th — beginning of the 20th century, the emphasis in the image of the robot in the literature shifted from religious-mystical to philosophic-technical. The purpose of this study is to assess the legitimacy of the statement that the work of the American science fiction writer Isaac Asimov was a turning point in the development of the image o
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6

Manney, PJ. "Yucky gets yummy: how speculative fiction creates society." Teknokultura. Revista de Cultura Digital y Movimientos Sociales 16, no. 2 (2019): 243–54. http://dx.doi.org/10.5209/tekn.64857.

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Human biology creates empathy through storytelling and emulation. Throughout history, humans have honed their capacity to understand optimum storytelling and relate to others in new ways. The bioethical concepts of Leon Kass’s Wisdom of Repugnance and Arthur Caplan’s Yuck Factor attempt to describe, and in Kass’s case even support, society’s abhorrence of that which is strange, against God or nature, or simply the “other.” However, speculative fiction has been assessing the “other” for as long as we’ve told speculative stories. The last thousand years of social liberalization and technological
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7

Hewa, S. G. "‘Monsters’ vs. ‘Angels’: A Feminist Approach to the Film Brave Through the Character of Merida." Vidyodaya Journal of Humanities and Social Sciences 07, no. 01 (2022): 223–34. http://dx.doi.org/10.31357/fhss/vjhss.v07i01.14.

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Brave (2012) is an animated film produced by Pixar Animation Studios and released by Walt Disney pictures. Set in the fictional medieval times of Scotland, the story follows the journey of Merida, a rebellious young girl who strives to dismantle oppressive social norms and conventional attitudes upheld by her mother. The way in which the film presents powerful feminist ideologies is discussed by providing insight into the importance of solidarity between women, repressive gender stereotypes and the cyclical nature of oppression within the patriarchal social structure. The concept of gender and
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8

Wörsdörfer, Anna Isabell. "What if? Epidemic discourse and serial narration in the alternate history series La Révolution (2020)." French Cultural Studies 33, no. 2 (2021): 179–95. http://dx.doi.org/10.1177/09571558211063334.

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The article examines the formal and thematic manifestations of seriality in the Netflix series La Révolution, which justifies the revolutionary outbreak in a counterfactual plot with a viral outbreak that turns the nobles into zombie-like monsters. While, on a macrostructural level, the generic frame of alternate history promotes the serial character through the varying repetition of the historical event, the microstructural level of the narration evokes seriality by exponential contagion and spread of the disease as well as an increasing spiral of violence. First, the focus is on the represen
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9

Noronha de Almeida, Hugo Ricardo. "The Posthuman as a Hopeful Monster: “Geneticizing” the Fly-Human Hybrid in David Cronenberg’s The Fly." Journal of Posthuman Studies 7, no. 2 (2023): 191–209. http://dx.doi.org/10.5325/jpoststud.7.2.0191.

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Abstract Even though posthuman themes abound in fiction, they often rely on representational practices tied to humanist worldviews, perpetuating assumptions about the meaning of being human and humankind’s relationship with its environment. This article discusses the artist’s book Not-Human, Not-Fly (NHNF), which reconsiders David Cronenberg’s The Fly from a critical posthumanist perspective. Tied to horror conventions, the film reduces the posthuman to a condition threatening human life and well-being. NHNF employs tools from molecular genetics, designing a fictional database of the creature’
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10

Nur, Hala Salih Mohammed, and Saif Latif M. Alssafy. "The Impact of Shelley's Frankenstein of Saadawi's Frankenstein." English Language Institute Journal 2 (August 22, 2021). http://dx.doi.org/10.53332/elij.v2i.82.

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In spite of the long period of time that has elapsed since monster first appeared in English and Arabic literature, monsters still have both remarkable and effective roles in their literary texts. The roles of monster that have been created over the centuries by their writers are an indicative of the fears and the needs of societies for these monsters, thus they are modified and developed to reflect social anxieties. The aspects of onomastic meanings redo the roles of the monster in Frankenstein in Baghdad; they show entirely the exact roles and characteristics of the monster to the readers. T
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Books on the topic "Frankenstein's monster (Fictional character)"

1

O'Keefe, Susan Heyboer. Frankenstein's monster: A novel. Three Rivers Press, 2010.

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2

Shelley, Mary Wollstonecraft, and Anthony Williams. Frankenstein. Arcturus Publications, 2021.

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3

Snyder, Bethany. Frankenstein. Dalmatian Press, 2011.

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4

Roza, Greg. Drawing Frankenstein. Windmill Books, 2011.

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Roza, Greg. Drawing Frankenstein. Windmill Books, 2010.

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6

Copyright Paperback Collection (Library of Congress), ed. Frankenstein, the legacy: A novel. Pocket Books, 2001.

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7

Woog, Adam. Frankenstein. KidHaven Press, 2006.

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8

Sheck, Laurie. A Monster's Notes. Knopf Doubleday Publishing Group, 2009.

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9

Weinberg, Larry. Frankenstein. Random House, 2005.

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10

Weinberg, Larry. Frankenstein. Random House, 1988.

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