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1

Franz Hessel: Il flaneur ritornato. Roma: Artemide, 2014.

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2

Borie, Françoise. Franz Hessel: Un flaneur de deux rives. Paris: Editions Suger, 1999.

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3

Herbert, Wiesner, and Ernest Wichner. Franz Hessel: Nur was uns anschaut, sehen wir : Ausstellungsbuch. Berlin: Literaturhaus Berlin, 1998.

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4

Hessel, Franz. Franz Hessel: Ein Garten voll Weltgeschichte : Berliner und Pariser Skizzen. München: Deutscher Taschenbuch Verlag, 1994.

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5

Nieradka, Magali Laure. Der Meister der leisen Töne: Biographie des Dichters Franz Hessel. Oldenburg: Igel Verlag, 2003.

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6

Plath, Jörg. Liebhaber der Grossstadt: Ästhetische Konzeptionen im Werk Franz Hessels. Paderborn: Igel Verlag Wissenschaft, 1994.

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7

Die Kunst zu balancieren: Berlin-Paris : Victor Auburtins und Franz Hessels deutsch-französishe Wahrnehmungen. Heidelberg: Universitätsverlag Winter, 2006.

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8

Prinz, Alois. Rebellische Söhne: Die Lebensgeschichten von Bernward Vesper, Hermann Hesse, Klaus Mann, Franz Kafka, Martin Luther, Franz von Assisi, Michael Ende und ihren Vätern. Weinheim: Beltz, 2010.

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9

Bartl, Andrea. Geistige Atemräume: Auswirkungen des Exils auf Heinrich Manns Empfang bei der Welt, Franz Werfels Stern der Ungeborenen und Hermann Hesses Das Glasperlenspiel. Bonn: Bouvier, 1996.

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10

Baumgartner, Ekkehart. Frühe Lebenskrise und Ursprung künstlerischer Produktivität: Thomas und Heinrich Mann, Hermann Hesse und Robert Musil, Franz Kafka und Rainer Maria Rilke im Vergleich. München: Akademisch. Verlag, 1999.

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11

Wallraf-Richartz-Museum, Museumslandschaft Hessen Kassel, and Schloss Wilhelmshöhe (Museum), eds. Niederländische Malerei: Die Sammlung Kremer ; [anlässlich der Ausstellungen "Rembrandt - ein Jugendtraum. Die Sammlung Kremer. Meisterwerke der niederländischen Malerei des 17. Jahrhunderts" im Wallraf-Richartz-Museum & Fondation Corboud in Köln vom 11.7. bis 5.10.2008 ; "Private Views. Niederländische Malerei der Sammlung Kremer" in der Museumslandschaft Hessen Kassel (Gemäldegalerie Alte Meister - Schloss Wilhelmshöhe) vom 24.10.2008 bis 25.1.2009 ; "Rembrandt, een jongensdroom" in Frans Hals Museum, Haarlem vom 14.2. bis 14.6.2009]. Köln: Wallraf-Richartz-Museum & Fondation Corboud, 2008.

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12

Gregor, Ackermann, and Vollmer Hartmut, eds. Über Franz Hessel: Erinnerungen, Porträts, Rezensionen. Oldenburg: Igel Wissenschaft, 2001.

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13

Geniesse froh, was du nicht hast: Der Flaneur Franz Hessel. Würzburg: Königshausen & Neumann, 1997.

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14

1880-1941, Hessel Franz, and Flügge Manfred 1946-, eds. Letzte Heimkehr nach Paris: Franz Hessel und die Seinen im Exil. Berlin: Das Arsenal, 1989.

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15

G, Franz Eckhart, Gerlich Alois 1925-, and Dipper Christof 1943-, eds. Hessen in der Geschichte: Festschrift für Eckhart G. Franz zum 65. Geburtstag. [Darmstadt]: Hessische Historische Kommission Darmstadt, 1996.

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16

Jewish Perspectives on Christianity: Leo Baeck, Martin Buber, Franz Rosenzweig, Will Herberg, and Abraham J. Heschel. Continuum International Publishing Group, 1996.

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17

A, Rothschild Fritz, ed. Jewish perspectives on Christianity: Leo Baeck, Martin Buber, Franz Rosenzweig, Will Herberg, and Abraham J. Heschel. New York: Continuum, 1996.

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18

Rothschild, Fritz A. Jewish Perspectives on Christianity: Leo Baeck, Martin Buber, Franz Rosenzweig, Will Herberg, and Abraham J. Heschel. Crossroad Pub Co, 1990.

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19

A, Rothschild Fritz, ed. Jewish perspectives on Christianity: Leo Baeck, Martin Buber, Franz Rosenzweig, Will Herberg, and Abraham J. Heschel. New York: Crossroad, 1990.

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20

Hoelscher, Jason A. Art as Information Ecology. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478021681.

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In Art as Information Ecology, Jason A. Hoelscher offers not only an information theory of art but an aesthetic theory of information. Applying close readings of the information theories of Claude Shannon and Gilbert Simondon to 1960s American art, Hoelscher proposes that art is information in its aesthetic or indeterminate mode—information oriented less toward answers and resolvability than toward questions, irresolvability, and sustained difference. These irresolvable differences, Hoelscher demonstrates, fuel the richness of aesthetic experience by which viewers glean new information and insight from each encounter with an artwork. In this way, art constitutes information that remains in formation---a difference that makes a difference that keeps on differencing. Considering the works of Frank Stella, Robert Morris, Adrian Piper, the Drop City commune, Eva Hesse, and others, Hoelscher finds that art exists within an information ecology of complex feedback between artwork and artworld that is driven by the unfolding of difference. By charting how information in its aesthetic mode can exist beyond today's strictly quantifiable and monetizable forms, Hoelscher reconceives our understanding of how artworks work and how information operates.
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21

Curtis, Cathy. Illuminating Art. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190498474.003.0004.

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Elaine began reviewing exhibitions for ARTnews in April 1948, working under Thomas B. Hess, with whom she had a romantic relationship. (She was also briefly involved with critic Harold Rosenberg.) Tutelage with critic Edwin Denby helped hone her craft. Her reviews ranged widely, deftly encapsulating an artist’s style and approach within the 200-word limit. In 1949, she switched to the magazine’s “X Paints a Picture” features, a detailed treatment of the featured artist’s process. The function of criticism is to “cast some light on” the work, she said, rather than to sit in judgment. But she maintained the critic’s right of interpretation, regardless of the artist’s intentions. Among the artists and writers she befriended during this period were Larry Rivers, Fairfield Porter, and Frank O’Hara. In 1955, she began writing about larger themes, beginning with “Subject: What, How or Who?” which bravely countered ideas promulgated by critic Clement Greenberg.
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22

Curtis, Cathy. Portraits as Moments and Memory. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190498474.003.0008.

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While emphasizing a sympathetic view of her sitters’ individuality, Elaine often revealed personality-shaping forces of turmoil and discontent. Her subjects included Bill, Harold Rosenberg, Thomas Hess, Merce Cunningham, Edwin Denby, Donald Barthelme, Alex Katz, Frank O’Hara, Pelé, and, most famously, John F. Kennedy. She based her “gyroscope men” on a book by psychologist Rollo May about repressed men unable to change. Her “faceless” sitters included O’Hara, easily identifiable by his characteristic posture. Other portraits with missing facial features, all of men she knew well, may have been prompted by her unresolved feelings about them. While most of her sitters were male—she was intrigued by abstract elements of men’s suits and by men’s habitual seated postures—Elaine also painted sensitive portraits of women, including the daughters of friends. Her group portraits notably included The Burghers of Amsterdam Avenue, a group of young men undergoing treatment for drug addiction.
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23

OSCE Insights 2020. Nomos Verlagsgesellschaft mbH & Co. KG, 2021. http://dx.doi.org/10.5771/9783748922339.

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The contributions to the 2020 edition of OSCE Insights examine the various crises the OSCE faced during that year. Themes include the efforts of the Minsk Group to manage the conflict over Nagorno-Karabakh and the implications of anti-coronavirus measures for the OSCE Code of Conduct on Politico-Military Aspects of Security. Furthermore, authors analyse OSCE conflict cycle tools, the OSCE’s role in the fight against antisemitism, the increasingly limited space for supporting democratic police governance in Central Asia, trust-building in the field of arms control, societal views on the conflict in Eastern Ukraine, relations between the OSCE and the Council of Europe, and Kazakhstan’s aspirations for hosting a connectivity center. With contributions byAndrew Baker, Cornelius Friesendorf, Frank Evers, André Härtel, Marietta Koenig, Sebastian Mayer, Michael Raith, Filip Ejdus, Alexandre Lambert, Thomas Schmidt, Marina Dolcetta Lorenzini, Anna Hess Sargsyan, Philip Remler, Richard Giragosian, Sergey Rastoltsev and Benjamin Schaller.
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24

OSCE Insights 2020. Nomos Verlagsgesellschaft mbH & Co. KG, 2021. http://dx.doi.org/10.5771/9783748911630.

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The contributions to the 2020 edition of OSCE Insights examine the various crises the OSCE faced during that year. Themes include the efforts of the Minsk Group to manage the conflict over Nagorno-Karabakh and the implications of anti-coronavirus measures for the OSCE Code of Conduct on Politico-Military Aspects of Security. Furthermore, authors analyse OSCE conflict cycle tools, the OSCE’s role in the fight against antisemitism, the increasingly limited space for supporting democratic police governance in Central Asia, trust-building in the field of arms control, societal views on the conflict in Eastern Ukraine, relations between the OSCE and the Council of Europe, and Kazakhstan’s aspirations for hosting a connectivity center. With contributions by: Andrew Baker, Cornelius Friesendorf, Frank Evers, André Härtel, Marietta König, Sebastian Mayer, Michael Raith, Filip Ejdus, Alexandre Lambert, Thomas Schmidt, Marina Dolcetta Lorenzini, Anna Hess Sargsyan, Philip Remler, Richard Giragosian, Sergey Rastoltsev and Benjamin Schaller.
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25

Revelation and authority: Sinai in Jewish scripture and tradition. 2015.

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