Relevant bibliographies by topics / Franz Liszt, Johann Sebastian Bach, Bach-Bild

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  1. Journal articles
  2. Dissertations / Theses

Academic literature on the topic 'Franz Liszt, Johann Sebastian Bach, Bach-Bild'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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Journal articles on the topic "Franz Liszt, Johann Sebastian Bach, Bach-Bild"

1

Werbeck, Walter. "Kirchenferne "Operngesänge" - "wahrer Oratorienstyl" - "unermeßlicher Inhalt" : Schütz-Bilder im 19. Jahrhundert und ihre Vermittler." Schütz-Jahrbuch 27 (July 21, 2017): 7–23. http://dx.doi.org/10.13141/sjb.v2005610.

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Das Heinrich-Schütz-Bild des 19. Jahrhunderts, geprägt durch Carl von Winterfeld, war im Wesentlichen das eines Komponisten, der die Grundlagen des Oratoriums gelegt hatte. Noch Philipp Spitta war am Jahrhundertende der Meinung, Johann Sebastian Bach wie Georg Friedrich Händel hätten ihre oratorischen Werke sozusagen auf schützischer Grundlage geschrieben. Auch wenn gelegentlich Schütz'sche Motetten als Beispiele für die alte A-cappella-Kirchenmusik erklangen: Als Hauptwerke des Meisters galten seine Passionen sowie die Vertonung der Sieben Worte. Popularisiert wurden die Stücke in einer Bearb
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2

Redepenning, Dorothea. "Franz Liszts Auseinandersetzung mit Johann Sebastian Bach." Studia Musicologica Academiae Scientiarum Hungaricae 34, no. 1/2 (1992): 97. http://dx.doi.org/10.2307/902363.

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Dissertations / Theses on the topic "Franz Liszt, Johann Sebastian Bach, Bach-Bild"

1

Heinemann, Michael. "Die Bach-Rezeption von Franz Liszt /." Köln : Studio, 1995. http://catalogue.bnf.fr/ark:/12148/cb357825583.

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2

Kabisch, Thomas. "Zur Bach-Rezeption Franz Liszts." Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A37253.

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3

Dömling, Wolfgang. "Franz Liszt und B-a-c-h." Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A37202.

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4

Giessel, Matthew. "Richard Wagner's Jesus von Nazareth." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/3284.

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In addition to his renowned musical output, Richard Wagner produced a logorrhoeic prose oeuvre, including a dramatic sketch of the last weeks of the life of Jesus Christ entitled Jesus von Nazareth. Though drafted in 1848-1849, it was published only posthumously, and has therefore been somewhat neglected in the otherwise voluminous Wagnerian literature. This thesis first examines the origins of Jesus von Nazareth amidst the climate of revolution wherein it was conceived, ascertaining its place within Wagner’s own internal development and amongst the radical thinkers who influenced it. While Lu
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