Relevant bibliographies by topics / (Frederic Woodman)

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  1. Journal articles
  2. Dissertations / Theses
  3. Book chapters

Academic literature on the topic '(Frederic Woodman)'

Author: Grafiati
Published: 4 June 2021
Last updated: 13 February 2022

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Journal articles on the topic "(Frederic Woodman)"

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Turner, Emily. "“On Wooden Churches”: William Scott and the Colonial Church." Religion and the Arts 18, no. 3 (2014): 297–324. http://dx.doi.org/10.1163/15685292-01803001.

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The use of wood in Gothic Revival buildings was a contentious issue in the middle of the nineteenth century. Because of the need in the British colonies to use timber in church construction due to financial and material restraints, a re-examination of wood as a building medium consistent with the principles of the Revival became necessary. For the Cambridge Camden Society, the breakthrough in understanding timber as a truly ecclesiological material came in an essay by Rev. William Scott entitled “On Wooden Churches” (1848), which traced the historical and symbolic features of wood in ecclesias
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S, Mrs Jeni, and Dr J. G. Duresh. "The Problematical Portrayal of Racial Discrimination in Jacqueline Woodson’s novel “The Brown Girl Dreaming”." Think India 22, no. 3 (2019): 865–74. http://dx.doi.org/10.26643/think-india.v22i3.8406.

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African American Literature can be defined as writings by people of African decent living in the United States. The genre began during the 18th and 19th centuries with writers such as poet phillis Wheatley and Orator Frederick Douglass reached as an early highpoint with the Harlem Renaissance and continues with the authors such as Toni Morrison, Maya Angelou and Walter Mosley, James Baldwin etc. The themes and issues explored in African American literature are tradition, culture, racism, religion, slavery, segregation, migration, and feminism and more. This paper deals with the perspectives of
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Pettigrew, Wendy, and Mark Southcombe. "The End of the Wooden Shop: Wanganui Architecture in the 1890s." Architectural History Aotearoa 4 (October 31, 2007): 76–87. http://dx.doi.org/10.26686/aha.v4i0.6747.

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The 1890s was a decade of remarkable progress in Whanganui. The depression of the 1880s was over. The town became an important port and distribution centre with railway connections to Wellington and New Plymouth as well as wharves at Castlecliff and in town. Alexander Hatrick began his riverboat service on the river enabling tourists from all over the world to travel the "Rhine of New Zealand." The colonial town developed culturally. The Technical School of Design was established in 1892, the public museum opened a few years later and the library was extended. The local MP, John Ballance, was
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Hamilton, Bernard. "Our Lady of Saidnaiya: an Orthodox Shrine Revered by Muslims and Knights Templar at the Time of the Crusades." Studies in Church History 36 (2000): 207–15. http://dx.doi.org/10.1017/s042420840001442x.

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The fortified convent of Saidnaiya (often called Sardeney by medieval Western writers) is situated on a rocky outcrop some twelve miles to the north of Damascus. It claims to have been founded by Justinian, but it is not mentioned in the De aedificiis of Procopius, and its origins are uncertain. The earliest surviving description of it may be that given by Burchard of Strasbourg, the ambassador of Frederick Barbarossa to the court of Saladin, who visited Saidnaiya in c. 1175: in this church twelve virgin nuns and eight monks devoutly serve God and the Blessed Virgin. In this church I saw a woo
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RIETH, ERIC. "The Philosophy of Shipbuilding: Conceptual Approaches to the Study of Wooden Ships - By FREDERICK M. HOCKER and CHERYL A. WARD." International Journal of Nautical Archaeology 35, no. 2 (2006): 354–55. http://dx.doi.org/10.1111/j.1095-9270.2006.126_11.x.

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Árpád, Mikó. "A bazini plébániatemplom reneszánsz szószéke (1523)." Művészettörténeti Értesítő 69, no. 1 (2020): 103–8. http://dx.doi.org/10.1556/080.2020.00006.

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The stone pupil in the parish church of Bazin (Pezinok, Slovakia) is one of the finest specimens of its kind in the territory of mediaeval Hungary. The pulpit is on the left of the triumphal arch of the church. Held by a stocky column, its parapet panels trace the sides of an octagon. The date of origin features on one of the panels as 1523 and the coat of arms at the same place indicates the client who ordered it.Despite the usable data and the high quality of the pulpit, it could hardly make its way into the canon of Hungarian art historiography evolving from the late 19th century. Drawings
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Árpád, Mikó. "A bazini plébániatemplom reneszánsz szószéke (1523)." Művészettörténeti Értesítő 69, no. 1 (2020): 103–8. http://dx.doi.org/10.1556/080.2020.00006.

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The stone pupil in the parish church of Bazin (Pezinok, Slovakia) is one of the finest specimens of its kind in the territory of mediaeval Hungary. The pulpit is on the left of the triumphal arch of the church. Held by a stocky column, its parapet panels trace the sides of an octagon. The date of origin features on one of the panels as 1523 and the coat of arms at the same place indicates the client who ordered it.Despite the usable data and the high quality of the pulpit, it could hardly make its way into the canon of Hungarian art historiography evolving from the late 19th century. Drawings
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8

Henderson, Neil James. "Online Persona as Hybrid-Object: Tracing the Problems and Possibilities of Persona in the Short Film Noah." M/C Journal 17, no. 3 (2014). http://dx.doi.org/10.5204/mcj.819.

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Introduction The short film Noah (2013) depicts the contemporary story of an adolescent relationship breakdown and its aftermath. The film tells the story by showing events entirely as they unfold on the computer screen of Noah, the film’s teenaged protagonist. All of the characters, including Noah, appear on film solely via technological mediation.Although it is a fictional representation, Noah has garnered a lot of acclaim within an online public for the authenticity and realism of its portrayal of computer-mediated life (Berkowitz; Hornyak; Knibbs; Warren). Judging by the tenor of a lot of
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Neilsen Glenn, Lorri. "The Loseable World: Resonance, Creativity, and Resilience." M/C Journal 16, no. 1 (2013). http://dx.doi.org/10.5204/mcj.600.

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[Editors’ note: this lyric essay was presented as the keynote address at Edith Cowan University’s CREATEC symposium on the theme Catastrophe and Creativity in November 2012, and represents excerpts from the author’s publication Threading Light: Explorations in Loss and Poetry. Regina, SK: Hagios Press, 2011. Reproduced with the author’s permission].Essay and verse and anecdote are the ways I have chosen to apprentice myself to loss, grief, faith, memory, and the stories we use to tie and untie them. Cat’s cradle, Celtic lines, bends and hitches are familiar: however, when I write about loss, I
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Almila, Anna-Mari. "Fabricating Effervescence." M/C Journal 24, no. 1 (2021). http://dx.doi.org/10.5204/mcj.2741.

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Introduction In November 2020, upon learning that the company’s Covid-19 vaccine trial had been successful, the head of Pfizer’s Vaccine Research and Development, Kathrin Jansen, celebrated with champagne – “some really good stuff” (Cohen). Bubbles seem to go naturally with celebration, and champagne is fundamentally associated with bubbles. Yet, until the late-seventeenth century, champagne was a still wine, and it only reached the familiar levels of bubbliness in the late-nineteenth century (Harding). During this period and on into the early twentieth century, “champagne” was in many ways cr
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Dissertations / Theses on the topic "(Frederic Woodman)"

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Grogan, David Christopher. "The Vocal Pedagogy of Frederic Woodman Root." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc28424/.

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Frederic Woodman Root was a vocal pedagogue and writer of the late nineteenth century. He wrote over eighteen books on vocal pedagogy, and numerous articles on singing. Since his death, most of his works have fallen into obscurity. The purpose of this document was to codify the vocal pedagogy of Frederic Woodman Root, discussing his particularly thorough methodology, and to bring his methods back into the public eye. His method is broken down into the various components of basic musicianship, the General Principle, the Three Vowel Forms, registers, breathing, and agility. Examples from Root's
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Book chapters on the topic "(Frederic Woodman)"

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Hvass, Steen. "Kings’ Jelling: Monuments with Outstanding Biographies in the Heart of Denmark." In The Lives of Prehistoric Monuments in Iron Age, Roman, and Medieval Europe. Oxford University Press, 2015. http://dx.doi.org/10.1093/oso/9780198724605.003.0010.

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On 16 April AD 2000 the 60th birthday of Her Majesty Queen Margrethe II of Denmark was celebrated. To mark this particular day seventeen new tapestries were placed in Christiansborg Palace, in Copenhagen, the capital of Denmark. The tapestries depict the history of the Danish monarchy throughout 1,000 years. In the middle of the banqueting hall hangs the first and one of the largest tapestries about the Viking period. Here the history of King Gorm’s lineage begins: King Gorm the Old, his Queen Thyre, their son Harald Bluetooth, his son Svein, and Svein’s son Canute the Great, who ended up ruling over the whole of Denmark and England. Above the heads of the kings, ‘paganism’ fights against Christianity (Hornum 2000, 85). The most stately and noble monument in the history of Denmark are the Jelling Monuments. The Jelling Monuments stand as a key site in the archaeological and historical explanation of the political and religious transformations of the Scandinavian world at the end of the Viking Period. The site consists of the two largest burial mounds in Denmark, two runic stones dating from the Viking Period, and the church situated between the burial mounds. Since 2005, new excavations have expanded the monument area with the discovery of a huge stone setting depicting the outline of a ship measuring almost 360 metres in length, and a four-sided wooden palisade, which once encircled an area of approximately 12.5 hectares. The Northern Mound with a burial chamber is the centre for both the stone-ship and the entire expanse of the newly discovered palisade. Archaeological investigations in Jelling began as early as AD 1586, when Caspar Markdanner, King Frederik II’s lord lieutenant at Koldinghus Castle, raised one of the two rune-stones known at the site to an upright position so that its honour and dignity would be restored. In 1591 the lord lieutenant had an etching made of the entire site, and in 1643 Ole Worm drew up the first description of the monuments.
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