Academic literature on the topic 'Freeman, Mary Eleanor Wilkins'

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Journal articles on the topic "Freeman, Mary Eleanor Wilkins"

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Blum, Virginia L. "Mary Wilkins Freeman and the Taste of Necessity." American Literature 65, no. 1 (1993): 69. http://dx.doi.org/10.2307/2928080.

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Palmer. "Prospects for the Study of Mary E. Wilkins Freeman." Resources for American Literary Study 42, no. 2 (2021): 167. http://dx.doi.org/10.5325/resoamerlitestud.42.2.0167.

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Luscher, Robert M., and Brent L. Kendrick. "The Infant Sphinx: Collected Letters of Mary E. Wilkins Freeman." American Literature 58, no. 1 (1986): 125. http://dx.doi.org/10.2307/2925955.

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Kinsey. "Mary E. Wilkins Freeman Answers Elizabeth Cady Stanton: A Recovered Article." American Literary Realism 53, no. 2 (2021): 172. http://dx.doi.org/10.5406/amerlitereal.53.2.0172.

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Gardner, Kate, and Mary Wilkins Freeman. "The Subversion of Genre in the Short Stories of Mary Wilkins Freeman." New England Quarterly 65, no. 3 (1992): 447. http://dx.doi.org/10.2307/366327.

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Junker, Christine. "The Domestic Tyranny of Haunted Houses in Mary Wilkins Freeman and Shirley Jackson." Humanities 8, no. 2 (2019): 107. http://dx.doi.org/10.3390/h8020107.

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Mary Wilkins Freeman and Shirley Jackson, though writing in different time periods, are both invested in recuperating domesticity and using their work to imagine what domesticity removed from the context of marriage and children can offer single women. Both authors assert that emplacement within domestic enclosure is essential to securing feminine subjectivity, but their haunted house narratives undermine that very emplacement. Freeman’s stories, “The Southwest Chamber” and “The Hall Bedroom” anticipate Jackson’s more well-known The Haunting of Hill House in the way that unruly domesticity thr
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Shaw, S. Bradley, Mary R. Reichardt, and Mary Wilkins Freeman. "A Web of Relationship: Women in the Short Stories of Mary Wilkins Freeman." New England Quarterly 66, no. 3 (1993): 495. http://dx.doi.org/10.2307/366019.

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Blum, Virginia L., and Mary R. Reichardt. "A Web of Relationship: Women in the Short Stories of Mary Wilkins Freeman." American Literature 67, no. 2 (1995): 394. http://dx.doi.org/10.2307/2927804.

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Kinsey. "A Recovered Children's Christmas Story by Mary E. Wilkins Freeman: “The White Witch”." American Literary Realism 44, no. 3 (2012): 267. http://dx.doi.org/10.5406/amerlitereal.44.3.0267.

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Warren, Joyce W., Leah Blatt Glasser, and Mary E. Wilkins Freeman. "In a Closet Hidden: The Life and Work of Mary E. Wilkins Freeman." New England Quarterly 70, no. 3 (1997): 491. http://dx.doi.org/10.2307/366770.

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Dissertations / Theses on the topic "Freeman, Mary Eleanor Wilkins"

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Adams, Dana W. (Dana Wills). "Female Inheritors of Hawthorne's New England Literary Tradition." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc279406/.

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Nineteenth-century women were a mainstay in the New England literary tradition, both as readers and authors. Indeed, women were a large part of a growing reading public, a public that distanced itself from Puritanism and developed an appetite for novels and magazine short stories. It was a culture that survived in spite of patriarchal domination of the female in social and literary status. This dissertation is a study of selected works from Nathaniel Hawthorne, Sarah Orne Jewett, and Mary E. Wilkins Freeman that show their fiction as a protest against a patriarchal society. The premise of this
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Gonzalez, Angela. "Private Voices Teaching Public Values in the Fiction of Harriet Beecher Stowe, Mary Wilkins Freeman, and Sarah Orne Jewett." TopSCHOLAR®, 1998. http://digitalcommons.wku.edu/theses/308.

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This thesis re-examines the purpose and value of New England women's local color fiction, asserting that local color functions as the groundwork on which the standards and practices of literary realism are based and as the way that nineteenth-century women writers could promote their domestic ministry. Furthermore, the thesis maintains that Stowe, Freeman, and Jewett utilized literary realism to publicize alternative theologies and progressive communities.
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Wilson, Robert Andrew. "As good as gold : money, the market, and morality in American literature, 1857-1914 /." Diss., 2005. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3188509.

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Roth, Yvonne [Verfasser]. "Polyphonien ihrer Zeit : Arbeit, Gemeinschaften und Körper im Romanwerk von Mary E. Wilkins Freeman (1852 - 1930) / vorgelegt von Yvonne Roth." 2004. http://d-nb.info/971972249/34.

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Books on the topic "Freeman, Mary Eleanor Wilkins"

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L, Kendrick Brent, ed. The infant sphinx: Collected letters of Mary E. Wilkins Freeman. Scarecrow Press, 1985.

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A web of relationship: Women in the short stories of Mary Wilkins Freeman. University Press of Mississippi, 1992.

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Westbrook, Perry D. Mary Wilkins Freeman. Twayne Publishers, 1988.

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Pembroke: A novel. Northeastern University Press, 2002.

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Freeman, Mary Eleanor Wilkins. A Mary Wilkins Freeman reader. University of Nebraska Press, 1997.

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R, Reichardt Mary, ed. The Uncollected Stories of Mary Wilkins Freeman. University Press of Mississippi, 1992.

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Freeman, Mary Eleanor Wilkins, 1852-1930., ed. Mary Wilkins Freeman: A study of the short fiction. Twayne Publishers, 1997.

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Terryberry, Karl J. Gender instruction in the tales for children by Mary E. Wilkins Freeman. E. Mellen Press, 2002.

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In a closet hidden: The life and work of Mary E. Wilkins Freeman. University of Massachusetts Press, 1996.

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Undermining Gender, Overcoming Sex: Identität und Autorschaft bei Mary Wilkins Freeman, Edith Wharton und Ellen Glasgow. P. Lang, 1996.

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Book chapters on the topic "Freeman, Mary Eleanor Wilkins"

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Kelleter, Frank. "Freeman, Mary Eleanor Wilkins." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5322-1.

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Baruch, Gertrud, and Frank Kelleter. "Freeman, Mary Eleanor Wilkins: A New England Nun." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5323-1.

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Pennell, Melissa McFarland. "New England Gothic/New England Guilt: Mary Wilkins Freeman and the Salem Witchcraft Episode." In Palgrave Gothic. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-55552-8_3.

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Mrozowski, Daniel. "Hallowed Ground: The Gothic New England of Sarah Orne Jewett and Mary Wilkins Freeman." In Palgrave Gothic. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-55552-8_6.

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Maik, Thomas A. "Mary Wilkins Freeman (1852-1930)." In Fiction by Nineteenth Century Women Writers. Routledge, 2020. http://dx.doi.org/10.4324/9781315861074-7.

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Seitler, Dana. "Small Collectivity and the Low Arts." In Reading Sideways. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823282623.003.0003.

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This chapter analyzes the short stories of Sarah Orne Jewett and Mary Wilkins Freeman and their emphasis on home craft (including sewing, quilting, and frame making) in their relation to an aesthetics of small collectivity.
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Palmer, Stephanie. "Readings of Mary E. Wilkins Freeman in and beyond the “English Craze”." In Transatlantic Footholds. Routledge, 2019. http://dx.doi.org/10.4324/9780429261428-4.

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Edelstein, Sari. "Over the Hill and Out of Sight." In Adulthood and Other Fictions. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198831884.003.0005.

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The fourth chapter reads New England regionalism as a response to this pathologization of old age. The old maids, spinsters, and widowers that populate the short fiction of Mary Wilkins Freeman and Sarah Orne Jewett stage a subversive dialogue with the scientific and cultural denigration of the elderly, particularly elderly women, and resist the homogenizing effects of this discourse. While much scholarship acknowledges the prevalence of elderly people in regionalism, linking old age to the passing of old modes of living, this chapter urges us to see the elderly characters in this genre not as metaphors for dying ways of life but as representations of elderly bodies and subjectivities in their own right. These authors force us to question the celebration of independence and autonomy imbricated in fantasies of adulthood and in American identity itself.
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"Chapter 2. Darwinian Landscapes: Hybrid Spaces and the Evolution of Woman in Sarah Orne Jewett and Mary Wilkins Freeman." In Undomesticated Ground. Cornell University Press, 2019. http://dx.doi.org/10.7591/9781501720468-005.

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Weinstock, Jeffrey Andrew. "Familial Ghosts: Louise Stockton, Olivia Howard Dunbar, Edith Wharton, Josephine Daskam Bacon, Elia Wilkinson Peattie, Georgia Wood Pangborn, and Mary E. Wilkins Freeman." In Scare Tactics. Fordham University Press, 2008. http://dx.doi.org/10.5422/fordham/9780823229857.003.0005.

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